Rariora : Being Notes of Some of the Printed Books, Manuscripts
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The Youth of Early Modern Women the Youth of Early Modern Women Gendering the Late Medieval and Early Modern World
GENDERING THE LATE MEDIEVAL AND EARLY MODERN WORLD Cohen and Reeves (eds) Cohen The Youth of Early Modern Women Modern Early of Youth The Edited by Elizabeth S. Cohen and Margaret Reeves The Youth of Early Modern Women The Youth of Early Modern Women Gendering the Late Medieval and Early Modern World Series editors: James Daybell (Chair), Victoria E. Burke, Svante Norrhem, and Merry Wiesner-Hanks This series provides a forum for studies that investigate women, gender, and/ or sexuality in the late medieval and early modern world. The editors invite proposals for book-length studies of an interdisciplinary nature, including, but not exclusively, from the fields of history, literature, art and architectural history, and visual and material culture. Consideration will be given to both monographs and collections of essays. Chronologically, we welcome studies that look at the period between 1400 and 1700, with a focus on any part of the world, as well as comparative and global works. We invite proposals including, but not limited to, the following broad themes: methodologies, theories and meanings of gender; gender, power and political culture; monarchs, courts and power; constructions of femininity and masculinity; gift-giving, diplomacy and the politics of exchange; gender and the politics of early modern archives; gender and architectural spaces (courts, salons, household); consumption and material culture; objects and gendered power; women’s writing; gendered patronage and power; gendered activities, behaviours, rituals and fashions. The Youth of Early Modern Women Edited by Elizabeth S. Cohen and Margaret Reeves Amsterdam University Press Cover image: Hans Baldung Grien, The Seven Ages of Woman (1544-1545). -
William Vincent Wallace Bicentenary Festival Programme, National Concert Hall, 15 October 2012
Technological University Dublin ARROW@TU Dublin Concert Programmes Conservatory of Music and Drama 2012-10-15 William Vincent Wallace Bicentenary Festival Programme, National Concert Hall, 15 October 2012 Una Hunt Dr DIT Conservatory of Music and Drama, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/aaconmuscp Part of the Arts and Humanities Commons Recommended Citation William Vincent Wallace Bicentenary Festival (National Concert Hall Dublin, 15 October 2012) This Other is brought to you for free and open access by the Conservatory of Music and Drama at ARROW@TU Dublin. It has been accepted for inclusion in Concert Programmes by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License William Vincent Wallace Bicentenary Festival Day Souvenir Programme Monday 15 October 2012 including the launch of the 1854 Commemorative Music Album and CD Respectfully dedicated to The Ladies of the United States by William Vincent Wallace Facsimile edited by Úna Hunt ÚNA HUNT, piano MÁIRE FLAVIN, mezzo-soprano THE ROYAL IRISH ACADEMY OF MUSIC VOCAL TRIO Limited edition Wallace Facsimile Music Album and CD available from The Music Box at the National Concert Hall and from the RTÉ online shop, www.rte.ie/shop. This publication is generously supported by the Department of Arts, Heritage and the Gaeltacht. Welcome he National Concert Hall is delighted to have the opportunity to honour the Irish composer William Vincent Wallace with a day of festivities celebrating the bi-centenary of his birth. -
This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Repertory and rivalry : opera and the Second Covent Garden Theatre, 1830-56. Dideriksen, Gabriella The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 Repertory and Rivalry: Opera at the Second Covent Garden Theatre, 1830 to 1856 Gabriella Dlderlksen PhD, Historical Musicology King's College London, University of London June 1997 Abstract Victorian London has hitherto frequently been regarded as an operatic backwater without original musical or theatrical talent, and has accordingly been considered only marginally important to the history of 19th-century opera in general. -
Grosvenor Prints Catalogue
Grosvenor Prints Tel: 020 7836 1979 19 Shelton Street [email protected] Covent Garden www.grosvenorprints.com London WC2H 9JN Catalogue 111 Item 141, Hogarth's The Rake's Progress, one of eight plates. ` Cover: Detail of item 119 Back: Detail of Item 80 Registered in England No. 305630 Registered Office: 2, Castle Business Village, Station Road, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rainment. C.E. Ellis. E&OE VAT No. 217 6907 49 1. Raphael's Witch!!! or the Oracle of the Future, by the Author of the Prophetic Messenger. With Coloured Designs on Copper, by R. Cruikshank & The Author, a a Piece of Music by Blewitt. London: William Charleton Wright. Paternoster Row [n.d., c.1831]. 8vo, original half calf gilt, marbled boards, first edition; pp. 23+180; with coloured title and two coloured folding plates, both very defective. Binding distressed. £260 A book containing various methods of fortune telling. According to the Preface ''This book is adapted to lay 4. [Dawn & Dusk] Hoffnung! Ahnerin Dess, about in drawing-rooms - to be read in gardens and was vergessen uns jegliche Pein macht!... [&] groves - to ornament the boudoir - for amusement in Wiedersehn - das werd ich! Dich untergehende evening parties, as an innocent substitute for cards - to Sonne!... be consulted in every mood of mind and temper. For H. Lips del. et sculp. 1804. singular as it may seem, not a thought can arise, nor a Pair of stipples, printed in sepia. 245 x 195mm (9¾ x wish originate, but the LADY-WITCH OF RAPHAEL 7¾"), large margins £260 will easily solve and satisfy. -
EMPIRE, 1660-1770 by Christine Millen Walker a Dissertation In
TO BE MY OWN MISTRESS: WOMEN IN JAMAICA, ATLANTIC SLAVERY, AND THE CREATION OF BRITAIN’S AMERICAN EMPIRE, 1660-1770 by Christine Millen Walker A dissertation in progress towards fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2014 Doctoral Committee: Professor David J. Hancock, Chair Professor Trevor Burnard Professor Dena Goodman Professor Susan Juster Professor Mary Kelley Associate Professor Susan Scott Parrish © Christine Millen Walker 2014 ACKNOWLEDGEMENTS This dissertation is the product of my own Atlantic journey from Michigan to the United Kingdom and Jamaica. It was enriched along the way by the intellectual and financial generosity of numerous scholars, archivists, and institutions. The University of Michigan funded both my initial venture to Jamaica and a full year of essential research in the United Kingdom with an award from the International Institute and a Rackham Humanities Candidacy Fellowship. A Fulbright Grant made it possible for me to spend a year investigating colonial materials in Jamaica’s archives. The Henry Huntington Library provided a short-term fellowship to explore its rich holdings. Another generous fellowship from the University of Michigan, as well as a Mellon/ACLS Dissertation Completion Fellowship from the American Council of Learned Societies, allowed me to focus solely on writing. Archivists and librarians on both sides of the Atlantic patiently guided me through a wealth of sources. I am especially grateful for the help I received at the East Sussex Record Office, the Bristol Record Office, the National Archives of Scotland, the Jamaica Archives, the Island Record Office, and the National Library of Jamaica. -
William Vincent Wallace Is a French Work, Issued by Arthur Pougin in 1866 (W
WI1,LIAhI VINCENT WALLACE F~oma Photograph 111 the Bl~tisiillu~euol < - ' c".* A MEMOIR BY W. H. GRATTAN FLOOD, AUTHOR OF " A History of Irish Music," etc. Published at the Offices of " The Waterford News," 49 and 50, O'Connell Street, Waterford 1912 -*- .-.- +- " -,. , . QI-i-^tC ~&At\~,&ri172. inp~;::~;?+bh'%:J FOREWORD. As the only existing biography of William Vincent Wallace is a French work, issued by Arthur Pougin in 1866 (W. Vincent Wallace dtude biograPhique et critique), at Paris, and now out of print, no apology is needed for the present brochure. Strange as it may seem, it is none the less true that no English memoir of the Composer of " Maritana " has hitherto been attempted. On this account, the present centenary year of the birth of Wallace seems an appropriate occasion to supply this deficiency. I have therefore pieced together the tangled skeins in hisromantic biography, and have endeavoured to present the facts of his career in chronological order in the following pages. ~brmuch valuable help I must express my indebtedness to Mr. Edmund Downey, Mr. W. J. Lawrence, and the Rev. Superioress of the Ursuline Convent, Thurles. W. H. GRATTAN FLOOD. Enniscorthy, August, 1912. William Vincent Wallace. HE City of Waterford can boast of being the T birthplace of many famous personages. At once the names of Luke Wadding, Peter White, John Roberts, Bishop Comerford, Charles Kean, Sir Thomas Wyse, 'Thomas Francis Meagher, Archbishop Kirby, and Edmund Leamy occur to the mind. To this list must be added the name of William Vincent VJallace, whose centenary is about to be celebrated. -
Chapter Three Operatic Fashion: Do the Prince and the Princess Live Happily Ever After? in “A Mother,”Mrs. Kearney Recalled
Lin 59 Chapter Three Operatic Fashion: Do the Prince and the Princess Live Happily Ever After? When she came to the age of marriage she was sent out to many houses where her playing and ivory manners were much admired. She sat amid the chilly circle of her accomplishments, waiting for some suitors to brave it and offer her a brilliant life. But the young men whom she met were ordinary and she gave them no encouragement, trying to console her romantic desires by eating a great deal of Turkish Delight in secret. —“A Mother”(D 136) Would he never get a home of his own? ... He might yet able to settle down in some snug corner and live happily if he could only come across some good simple-minded girl with a little of the ready. —“Two Gallants”(D 58) In “A Mother,”Mrs. Kearney recalled her maiden expectation to have “some suitors to brave it”(D 136; my emphasis). The pronoun “it”in her romantic desires certainly referred to a marriage proposal. In “Two Gallants,”Lenehar wished to settle down and he meant a happy marriage. First, it was the marriage that these two female and male characters desired. Then, after the unions, they wished that the spouse could offer them “a brilliant”and “a little of ready”life. Over and over again, Joyce depicts the phenomenon that men and women have certain romantic expectations toward marriage and the good lives guaranteed by marriage in Dubliners. However, do the romantic expectations truly promise better living standards and wealth after marriage? The answer was actually “no.”Therefore, if Dubliners have expectations, theirs are certainly false ones rather than great ones. -
Illegitimate Celebrity in the British Long Eighteenth Century Melissa Wehler
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Spring 2013 Illegitimate Celebrity in the British Long Eighteenth Century Melissa Wehler Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Wehler, M. (2013). Illegitimate Celebrity in the British Long Eighteenth Century (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1347 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. ILLEGITIMATE CELEBRITY IN THE BRITISH LONG EIGHTEENTH CENTURY A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Melissa Wehler May 2013 Copyright by Melissa A. Wehler 2013 ILLEGITIMATE CELEBRITY IN THE BRITISH LONG EIGHTEENTH CENTURY By Melissa Wehler Approved March 22, 2013 _____________________________ _____________________________ Laura Engel, Ph.D. Anne Brannen, Ph.D. Associate Professor of English Associate Professor of English (Dissertation Director) (Committee Member) _____________________________ _____________________________ Susan K. Howard, Ph.D. Magali Cornier Michael, Ph.D. Associate Professor of English Professor of English (Committee Member) (Chair, Department of English) _____________________________ James Swindal, Ph.D. Dean, McAnulty College and Graduate School of Liberal Arts Professor of Philosophy iii ABSTRACT ILLEGITIMATE CELEBRITY IN THE BRITISH LONG EIGHTEENTH CENTURY By Melissa Wehler May 2013 Dissertation Supervised by Professor Laura Engel In the discussions about contemporary celebrities, the femme fatale, the bad boy, the child star, and the wannabe have become accepted and even celebrated figures. -
The Actor-Manager Career of William Charles Macready
This dissertation has been 63—4638 microfilmed exactly as received BASSETT, Abraham Joseph, 1930- THE ACTOR-MANAGER CAREER OF WILLIAM CHARLES ]VIACREADY. The Ohio State University, Ph.D., 1962 Speech—Theater University Microfilms, Inc., Ann Arbor, Michigan THE ACTOR-MANAGEE CAREER OF WILLIAM CHARLES MACREADY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Abraham Joseph Bassett, B. A., M. A. The Ohio State University 1962 Approved by Department of Speech PLEASE NOTE: Figure pages are not original copy. They tend to "curl". Filmed in the best possible way. University Microfilms, Inc. PREFACE From a literary perspective, the first half of the nineteenth century was an era neither of great plays nor of great dramatists. It has often been assumed that because the dramatic literature was a derelict wallowing in the heavy swells of the times, the theatre itself was foundering and unworthy of more than a cursory glance. While there may be some truth to this judgment, it is a generalization that does not do justice to what is otherwise an exciting and complex period in the history of the theatre. There have been greater periods of dramatic writing, and perhaps of individual acting or of scene design. Without doubt, the theatre had been financially stronger in other times. But in no way should this negate either the importance or vitality of the theatre in the first half of the century. The period was one of con stant transition and adaptation to new social and economic conditions. -
The Irish Ring Cycle & Its Victorian Popularity Jerry Nolan the Irish Ring Entered the British Musical Repertoire As a Resul
The Irish Ring Cycle & its Victorian Popularity Jerry Nolan The Irish Ring entered the British musical repertoire as a result of the practice of Victorian operatic companies, who often presented three very popular operettas in sequence, during the last quarter of the nineteenth century. At first, the sequence was known as the English Ring, but gradually it became better known as the Irish Ring. The operettas brought together were Michael William Balfe’s The Bohemian Girl, William Vincent Wallace’s Maritana and Julius Benedict’s The Lily of Killarney. The composers of these works never envisaged anything like such a Ring Cycle, which nevertheless became popular with music-lovers in opera houses throughout the world, and continued to be frequently performed in Britain into the twentieth century by companies like the Carl Rosa Opera Company. The Bohemian Girl was first produced at Drury Lane Theatre on November 27, 1843 when Julius Benedict was the musical director there and had invited Michael William Balfe, a much travelled Dubliner, to conduct the first performance with stage direction by Alfred Bunn. Balfe’s operetta, using the bare bones of a story which can be traced back to Cervantes, was given a hurried and somewhat misleading title because the heroine was an Austrian who had been raised as a gypsy, a fact which the English title obscures with its mistranslation of the French term ‘bohemienne’, which means ‘Gypsy Girl’, (although the operetta’s setting was, indeed, Bohemia). In spite of some harsh reviews from the London critics, The Bohemian Girl ran for more than a hundred performances and that 1 success was quickly followed by German, Italian and French performances which ensured the European-wide and American popularity of The Bohemian Girl. -
The English Trade in Nightingales Ingeborg Zechner
The English Trade in Nightingales Italian Opera in Nineteenth-Century London Ingeborg Zechner Translated from the German by Rosie Ward Published with the support from the Austrian Science Fund (FWF):PUB 390-G26 Open access: Except where otherwise noted, this work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ Deutsche Nationalbibliothek Cataloging-in-publication data: http://dnb.d-nb.de © 2017 by Böhlau Verlag GmbH & Co. KG, Wien Köln Weimar Wiesingerstraße 1, A-1010 Wien, www.boehlau-verlag.com Translation: Rosie Ward Cover design: Michael Haderer, Wien Layout: Bettina Waringer, Wien Printing and binding: Prime Rate, Budapest Printed on acid-free and chlorine-free bleached paper Printed in the EU ISBN 978-3-205-20554-8 Acknowledgements I would like to thank all those who have enabled and supported the writing of this book, which originated as a PhD dissertation completed at the University of Graz in 2014 and was published as a German monograph by Böhlau Verlag in Vienna in 2017. I therefore owe the deepest gratitude to Rosie Ward, who undertook the translation of the German version with impressive thoroughness and professionalism. In the earlier stages, a John M. Ward Fellowship from Harvard University’s Houghton Library enabled me to access essential sources. I am equally indebted to the ever-helpful Antonella Imolesi of the Biblioteca Forlì, particularly for allowing me to reproduce archival materials. I thank Gabriella Dideriksen, Jennifer Hall-Witt, Roger Parker, Curtis Price and Sven Oliver Müller for their advice and their readiness to share their research experience. -
660198-99 Bk Mayr EU
660308-09 bk Wallace EU_660308-09 bk Wallace EU 01/09/2011 11:12 Page 12 Proinnsías Ó Duinn After a quarter of a century as Principal Conductor of the RTÉ Concert Orchestra, Proinnsías Ó Duinn was appointed their Conductor Laureate in 2005. The same year he was invited by The Royal Dublin Society to conduct the “Irish Ring” (Maritana, The Bohemian Girl and The Lily of Killarney). For the occasion he was commissioned by them to make a William Vincent new edition of the full score and orchestral material of The Lily of Killarney from manuscripts found in The British Library. In 1989 he was also appointed Music Director of Our Lady!s Choral Society, a position WALLACE he still holds. Since 2001 he has been conducting the Birthday Celebration performance of Handel!s Messiah in Halle, and in 2011 he was invited to conduct the first of a series of concerts to include the complete symphonies of Haydn with the Orchestra of St Cecilia. Maritana Cullagh • Lee Clarke • Caddy Smith • Hayes Photo: Andrea Glaser RTÉ Philharmonic Choir RTÉ Concert Orchestra Proinnsias Ó Duinn 2 CDs 8.660308-09 12 660308-09 bk Wallace EU_660308-09 bk Wallace EU 01/09/2011 11:12 Page 2 William Vincent RTÉ Philharmonic Choir WALLACE The RTÉ Philharmonic Choir has been at the heart of music-making in Ireland since its foundation by Colin Mawby in (1812-1865) 1985, and under his successor, Mark Duley (1996-2011), has become the country!s finest symphonic choral ensemble. The choir performs up to seven concerts each year and broadcasts regularly on RTÉ lyric fm.