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The Year's Music
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c. -
Guitar Syllabus
TheThe LLeinsteinsteerr SScchoolhool ooff MusMusiicc && DDrramama Established 1904 Singing Grade Examinations Syllabus The Leinster School of Music & Drama Singing Grade Examinations Syllabus Contents The Leinster School of Music & Drama ____________________________ 2 General Information & Examination Regulations ____________________ 4 Grade 1 ____________________________________________________ 6 Grade 2 ____________________________________________________ 9 Grade 3 ____________________________________________________ 12 Grade 4 ____________________________________________________ 15 Grade 5 ____________________________________________________ 19 Grade 6 ____________________________________________________ 23 Grade 7 ____________________________________________________ 27 Grade 8 ____________________________________________________ 33 Junior & Senior Repertoire Recital Programmes ________________________ 35 Performance Certificate __________________________________________ 36 1 The Leinster School of Music & Drama Singing Grade Examinations Syllabus TheThe LeinsterLeinster SchoolSchool ofof MusicMusic && DraDrammaa Established 1904 "She beckoned to him with her finger like one preparing a certificate in pianoforte... at the Leinster School of Music." Samuel Beckett Established in 1904 The Leinster School of Music & Drama is now celebrating its centenary year. Its long-standing tradition both as a centre for learning and examining is stronger than ever. TUITION Expert individual tuition is offered in a variety of subjects: • Singing and -
Wexford Festival Opera, William Vincent Wallace Bicentenary Recitals
Technological University Dublin ARROW@TU Dublin Concert Programmes Conservatory of Music and Drama 2012 Wexford Festival Opera, William Vincent Wallace Bicentenary Recitals Una Hunt DIT Conservatory of Music and Drama, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/aaconmuscp Part of the Arts and Humanities Commons Recommended Citation William Vincent Wallace Bicentenary Recitals Programme (Wexford Festival Opera, October-November 2012) This Other is brought to you for free and open access by the Conservatory of Music and Drama at ARROW@TU Dublin. It has been accepted for inclusion in Concert Programmes by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License 24 October–4 November, 2012 Concert | William V Wallace Recital Sponsors & Funders William V Wallace Recital Thursday 25 October | 15:30 JEROME HYNES THEATRE Grant-aided by the Arts Council Friday 2 November | 11:00 Image of William V Wallace is reproduced courtesy of the National Library of Ireland (call number EP WALL-WI (1) III) Festival supported by Fáilte Ireland WILLIAM VINCENT WALLACE (1812–1865) THE DELIUS TRUST Songs and piano music from the William Vincent Wallace Album Máire Flavin (Mezzo-soprano, 25 October) | Rachel Kelly (Mezzo-soprano, 2 November) Lead Production Sponsor Print Media Sponsor & Production Sponsor Production Sponsor Una Hunt (Piano) L’Arlesiana -
Missing a Beat
Missing a Beat Bridging Ireland's Orchestral Gaps A Review of Orchestral Provision in Ireland Review of Orchestral Provision in Ireland 1 Introductory note from The Arts Council/An Chomhairle Ealaíon This note introduces the Report 'Missing a Beat: bridging Ireland's orchestral gaps', from the perspective of the Arts Council. In response to feedback gathered during a major consultation process (2005), in the resulting document, Partnership for the Arts, the Arts Council undertook to “examine national orchestral needs and develop appropriate responses”1. This led to commissioning a review of orchestral provision in late 2007. Much of the primary research was undertaken during 2008 and 2009. The resulting report 'Missing a Beat, Bridging Ireland's Orchestral Gaps' written by Fergus Sheil, was finalised in November 2010. A postscript to the original report was written by the author in May 2012, in order to reflect developments since the original report was completed. This postscript is now appended to the original document. The report offers an overview and analysis of issues affecting orchestral provision in Ireland. It draws upon a wide range of examples of international practice to illustrate what it regards as 'gaps' and to highlight the potential that may exist for development within Ireland. Beyond its usefulness as an important reference document, the report has the potential to stimulate both further dialogue and practical cooperation amongst a broad range of stakeholders within the music sector. In this regard, the report itself notes and anticipates the need for the music sector to develop new models of practice. Embracing such an approach may prove to be essential in terms of ensuring the longer term development and sustainability of orchestral music provision in Ireland. -
Libretto by Edward Fitzball (1792-1873) and Alfred Bunn (1796-1860)
WALLACE, W.V.: Maritana 8.660308-09 http://www.naxos.com/catalogue/item.asp?item_code=8.660308-09 William Vincent Wallace (1812-1865) Maritana (1845) An opera in three acts Libretto by Edward Fitzball (1792-1873) and Alfred Bunn (1796-1860) Maritana, a gypsy girl - Majella Cullagh, Soprano Lazarillo, an apprentice boy - Lynda Lee, Mezzo-soprano Don Cæsar de Bazan - Paul Charles Clarke, Tenor Don José de Santarém, minister to the King - Ian Caddy, Baritone Captain of the Guard/Alcade - Damien Smith, Baritone Charles II, King of Spain - Quentin Hayes, Bass Chorus of Soldiers, Gypsies and Populace - RTÉ Philharmonic Choir CD 1 [5] Chorus Angels that around us hover, [1] Overture Guard us till the close of day; Our heads, oh! let your white wings cover, Act I: A Square in Madrid See us kneel, and hear us pray! [2] Chorus [6] Maritana Sing, pretty maiden, sing Of fairy wand had I the power, Sing that lovely song again Some palace bright my home should be, Sing, pretty maiden, By marble fount, in orange bower, The thrilling airs of Spain Dancing to music's melody. Sing of love and beauty, Bow'r or tented plain, Don José Sing, sweet Maritana, Those lovely eyes, those ruby lips Sing that song again, Might win a brighter home for thee, Than crystal hall, where Fairy trips [3] Maritana Lightly to echo's minstrelsy It was a knight of princely mien, One blue and golden day, Maritana Came riding thro' the forest green, Of fairy wand had I command, That round his castle lay; At moonlit hour, And there heard he a Gipsy maid In silken bow'r, Her songs of love reveal, To music's note, Like a spirit of light, On air I'd float, She enchanted the Knight, In golden sheen 'Twas a King! And jewels gay, Of pleasure, Queen, I'd laugh and sing, Chorus And dance and play. -
June 1911) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1911 Volume 29, Number 06 (June 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 06 (June 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/570 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 361 THE ETUDE -4 m UP-TO-DATE PREMIUMS _OF STANDARD QUALITY__ K MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. Edited by JAMES FRANCIS COOKE », Alaska, Cuba, Porto Kieo, 50 WEBSTER’S NEW STANDARD 4 DICTIONARY Illustrated. NEW U. S. CENSUS In Combination with THE ETUDE money orders, bank check letter. United States postage ips^are always received for cash. Money sent gerous, and iponsible for its safe T&ke Your THE LAST WORD IN DICTIONARIES Contains DISCONTINUANCE isli the journal Choice o! the THE NEW WORDS Explicit directions Books: as well as ime of expiration, RENEWAL.—No is sent for renewals. The $2.50 Simplified Spelling, „„ ...c next issue sent you will lie printed tile date on wliicli your Webster’s Synonyms and Antonyms, subscription is paid up, which serves as a New Standard receipt for your subscription. -
Sacred Music Volume 103 Number 1
Mission site, St. Augustine, Florida CHURCH MUSIC SINCE VATICAN II It is impossible to consider the future of Catholic church music without an understanding of the reasons for the recent reform and the situation which caused it. At one time the Church was the main influence on the development of music; she employed musicians on a large scale and inspired many great com posers. Today this has changed and musical patronage is largely the concern of the state and the broadcasting and recording companies. Inevitably, this has made the practice of liturgical music a bleak and uninviting task for most profes sional musicians. When one recalls the great Catholic composers of the past Palestrina, Byrd, Victoria, Dufay, Josquin-and also the great secular composers who wrote for the liturgy-Monteverdi, Mozart and Haydn-one can see the decline that has taken place. Immediately before the II Vatican Council contemporary Catholic music was largely uninspired and provoked little interest. Even the potential of a Catholic composer such as Elgar was left unexplored. The output of our musicians was slight in comparison with the period of the renaissance and it seemed that little MA WBY: CHURCH MUSIC 3 could be done to remedy the situation. The general standard of Catholic choirs was low. There were exceptions, but one can well remember when the Sunday sung Mass was usually avoided by most Catholics. Church music had to be endured and it had ceased to have any real contact with the ordinary Catholic. Music, whose main purpose is the communication of beauty, had by and large ceased to communicate. -
Honor Choirs! Pre-Conference [email protected] - Website: Europacantatjunior
INTERNATIONAL CHORAL BULLETIN ISSN - 0896-0968 Volume XXXIX, Number 3 ICB 3rd Quarter, 2020 - English DOSSIER Composer’s Corner: BASIC COGNITIVE PROCESSES Choral Music is an Expression of our IN CONDUCTING Souls and our Social Togetherness Interview with John Rutter INTERNATIONAL CHORAL BULLETIN CONTENTS 3rd Quarter 2020 - Volume XXXIX, Number 3 COVER John Rutter 1 MESSAGE FROM THE PRESIDENT Emily Kuo Vong DESIGN & CONTENT COPYRIGHT © International Federation DOSSIER for Choral Music 3 BASIC COGNITIVE PROCESSES IN CONDUCTING Theodora Pavlovitch PRINTED BY PixartPrinting.it, Italy IFCM NEWS 13 IFCM AND THE QATAR NATIONAL CHORAL ASSOCIATION WORKING ON SUBMITTING MATERIAL THE WORLD SYMPOSIUM ON CHORAL MUSIC 2023/2024 When submitting documents to be IFCM Press Release considered for publication, please provide articles by Email or through the CHORAL WORLD NEWS ICB Webpage: 15 REMEMBERING COLIN MAWBY http://icb.ifcm.net/en_US/ Aurelio Porfiri proposeanarticle/. The following 18 CHOIRS AND CORONA VIRUS ... THE DAY AFTER electronic file formats are accepted: Aurelio Porfiri Text, RTF or Microsoft Word (version 97 21 CHATTING WITH ANTON ARMSTRONG or higher). Images must be in GIF, EPS, A PROUD MEMBER OF THE INTERNATIONAL FEDERATION FOR CHORAL TIFF or JPEG format and be at least MUSIC FOR MORE THAN 30 YEARS 300dpi. Articles may be submitted in one Andrea Angelini or more of these languages: English, French, German, Spanish. IMPOSSIBLE INTERVIEWS 27 THE TRUE HISTORY OF THE VESPERS OF THE BLESSED VIRGIN REPRINTS BY ALESSANDRO GRANDI Articles may be reproduced for non Andrea Angelini commercial purposes once permission has been granted by the managing editor CHORAL TECHNIQUE and the author. -
KULTTUURIPÄÄKAUPUNKI NARRATIIVINA Euroopan Kulttuuripääkaupunki -Hankkeen Muutosten Vaikutus Hakemuksiin
KULTTUURIPÄÄKAUPUNKI NARRATIIVINA Euroopan kulttuuripääkaupunki -hankkeen muutosten vaikutus hakemuksiin Olli Ukkola Maisterintutkielma Politiikan tutkimus Yhteiskuntatieteiden ja filosofian laitos Humanistis-yhteiskuntatieteellinen tiedekunta Jyväskylän yliopisto Syksy 2019 TIIVISTELMÄ KULTTUURIPÄÄKAUPUNKI NARRATIIVINA Euroopan kulttuuripääkaupunki -hankkeen muutosten vaikutus hakemuksiin Olli Ukkola Politiikan tutkimus Maisterintutkielma Yhteiskuntatieteiden ja filosofian laitos Humanistis-yhteiskuntatieteellinen tiedekunta Jyväskylän yliopisto Ohjaaja: Kia Lindroos Syksy 2019 Sivumäärä: 65 + liite 104 sivua Euroopan kulttuuripääkaupunki -hankkeen (European Capital of Culture, ECOC) uusi toimikausi sijoittuu vuosille 2020–2033. Uuden kauden alkaessa myös hankkeen muodon määrittävä uusi päätös 445/2014/EU uusine tavoitteineen ja valintakriteereineen tulee voimaan. Tämä tutkielma tarkastelee uuden päätöksen aikaansaamia muutoksia keskittymällä Galwayn kaupungin ECOC 2020 -hakemukseen, joka on tehty uuden päätöksen ehtoja vasten. Hakemusten toimiessa paitsi tittelistä käytävän kilpailun keskeisimpinä argumentaation väylinä, myös ECOC-tapahtuman sisältöä kuvaavina sopimuksina kaupungin ja Euroopan komission välillä, päätyvät ne määrittämään ECOC-tapahtumien muotoa. Tutkielma esittelee hankkeen historiaa, sen muutoksia vuosien varrella, ja miten muutokset ovat johtaneet konventioiden syntyyn hakemuksissa. Tutkielma esittelee vuosien 2020–2033 hanketta määrittävän päätöksen, sen keskeiset erot aiempiin hanketta määrittäneisiin päätöksiin, -
Macfarren 2 660306-07 Bk Macfarren 16/08/2011 14:22 Page 16
660306-07 bk Macfarren 2_660306-07 bk Macfarren 16/08/2011 14:22 Page 16 2 CDs George Alexander MACFARREN Robin Hood Spence • Jordan • Ashman • Mackenzie-Wicks Hulbert • Molloy • Hurst • Knox John Powell Singers Victorian Opera Chorus and Orchestra 8.660306-07 16 Ronald Corp 660306-07 bk Macfarren 2_660306-07 bk Macfarren 16/08/2011 14:22 Page 2 George Alexander MACFARREN (1813-1887) Robin Hood A romantic English Opera in three acts Libretto by John Oxenford (1812-1877) Performing Edition by Valerie Langfield Robin Hood (in disguise as Locksley) . Nicky Spence, Tenor Sir Reginald d’Bracy (Sheriff of Nottingham) . George Hulbert, Baritone Hugo (Sompnour, Collector of Abbey dues) . Louis Hurst, Bass Allan-a-Dale (a young peasant) . Andrew Mackenzie-Wicks, Tenor Little John John Molloy, Bass (Outlaws) Much, the Miller’s son} { Alex Knox, Baritone Marian (daughter of Sheriff) . Kay Jordan, Soprano Alice (her attendant) . Magdalen Ashman, Mezzo-soprano Villagers, Citizens and Greenwood men . John Powell Singers and Victorian Opera Chorus Knighted at Windsor Castle on the same day in 1883 George Macfarren was knighted for his services to English music at the same time as Arthur Sullivan, composer (another Royal Academy of Music alumnus), and George Grove, first director of the Victorian Opera Orchestra Royal College of Music and Grove!s Musical Dictionary founder. Ronald Corp Musical Director: Ronald Corp Assistant Conductor: Duncan Ward • Chorus-masters: Marc Hall and John Powell Executive Producer: Raymond J Walker • Research: David Chandler -
THE NETWORK RSCM Events in Your Local Area March – July 2018 Welcome
THE NETWORK RSCM events in your local area March – July 2018 Welcome THE ROYAL SCHOOL OF The usual spread of well-loved CHURCH MUSIC choral events beckons for Registered Charity No. 312828 Company Registration No. Passiontide, and in many cases 00250031 will provide singers with an 19 The Close, Salisbury SP1 2EB opportunity to participate in the T 01722 424848 sort of devotional gatherings F 01722 424849 E [email protected] which are only really feasible W www.rscm.com (musically) with the large Front cover photo: image numbers who convene for them. Additionally, the range of copyright Ash Mills Photography. tuition from Plainsong Services to Music Group days offers Used by permission. a good selection of support for those who lead worship The Network editor: through music in many different forms. The three streams Stefan Putigny of RSCM education – Choral, Congregational/Instrumental, Printed in Wales by and Ministerial - are well represented here. Stephens & George Ltd There is a phenomenon known as “an RSCM church”. Please note that the deadline They are not numerous enough! Would you dare invite for submissions to the next edition of The Network is a friend from another church to attend an RSCM event 1 April 2018. with you and catch the bug? I hope you will. There is not much point in waiting for anyone else to do so, and RSCM remains too well-kept a secret in many places. We stand ABOUT THE RSCM for high standards of commitment, service, and integrity The RSCM is a charity of offering. In the process we have great joy, and usually committed particularly to not a little angst in getting there. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec.