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The Junk Rig Glossary (JRG) Version 20 APR 2016
The Junk Rig Glossary (JRG) Version 20 APR 2016 Welcome to the Junk Rig Glossary! The Junk Rig Glossary (JRG) is a Member Project of the Junk Rig Association, initiated by Bruce Weller who, as a then new member, found that he needed a junk 'dictionary’. The aim is to create a comprehensive and fully inclusive glossary of all terms pertaining to junk rig, its implementation and characteristics. It is intended to benefit all who are interested in junk rig, its history and on-going development. A goal of the JRG Project is to encourage a standard vocabulary to assist clarity of expression and understanding. Thus, where competing terms are in common use, one has generally been selected as standard (please see Glossary Conventions: Standard Versus Non-Standard Terms, below) This is in no way intended to impugn non-standard terms or those who favour them. Standard usage is voluntary, and such designations are wide open to review and change. Where possible, terminology established by Hasler and McLeod in Practical Junk Rig has been preferred. Where innovators have developed a planform and associated rigging, their terminology for innovative features is preferred. Otherwise, standards are educed, insofar as possible, from common usage in other publications and online discussion. Your participation in JRG content is warmly welcomed. Comments, suggestions and/or corrections may be submitted to [email protected], or via related fora. Thank you for using this resource! The Editors: Dave Zeiger Bruce Weller Lesley Verbrugge Shemaya Laurel Contents Some sections are not yet completed. ∙ Common Terms ∙ Common Junk Rigs ∙ Handy references Common Acronyms Formulae and Ratios Fabric materials Rope materials ∙ ∙ Glossary Conventions Participation and Feedback Standard vs. -
June 1911) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1911 Volume 29, Number 06 (June 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 06 (June 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/570 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 361 THE ETUDE -4 m UP-TO-DATE PREMIUMS _OF STANDARD QUALITY__ K MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. Edited by JAMES FRANCIS COOKE », Alaska, Cuba, Porto Kieo, 50 WEBSTER’S NEW STANDARD 4 DICTIONARY Illustrated. NEW U. S. CENSUS In Combination with THE ETUDE money orders, bank check letter. United States postage ips^are always received for cash. Money sent gerous, and iponsible for its safe T&ke Your THE LAST WORD IN DICTIONARIES Contains DISCONTINUANCE isli the journal Choice o! the THE NEW WORDS Explicit directions Books: as well as ime of expiration, RENEWAL.—No is sent for renewals. The $2.50 Simplified Spelling, „„ ...c next issue sent you will lie printed tile date on wliicli your Webster’s Synonyms and Antonyms, subscription is paid up, which serves as a New Standard receipt for your subscription. -
Kalmar Nyckel: Using a 17Th Century Dutch Pinnace to Teach Physics and More DTI 2016-2017 Ancient Inventions
Kalmar Nyckel: Using a 17th century Dutch Pinnace to Teach Physics and More DTI 2016-2017 Ancient Inventions Terri Eros Challenges H.B. duPont Middle School, while located in a very suburban setting, serves a very diverse population. There are approximately 900 students in grades 6-8, with students almost evenly split between urban and suburban backgrounds. The academic readiness also varies greatly with relation to reading and math skills. It is not unusual to have a range of students reading all the way from a pre-primer level to those comfortable with high school text. In some cases the disparity is due to limited English proficiency. The math skills are similarly distributed with some students needing calculators for 2-digit addition while others are comfortable solving algebraic equations. To better meet student needs, our school piloted having honors classes in Science and Social Studies last year. Groupings were based on reading level for Social Studies and Math level for Science. The outcome was less than ideal for Science. At the middle school level, language skills are more important so that is now the basis of grouping for the 2016-2017 school year. In addition, our school is aiming for full inclusion. Students include those that have severe physical and/or emotional needs that interfere with their ability to interact linguistically, through either speech or writing. Despite these limitations, there is still an interest and an expectation to succeed in the Science classroom. The challenge is to incorporate the rigor of the Next Generation Science Standards, with its emphasis on student driven learning, while finding multiple access points for the students based on readiness. -
Macfarren 2 660306-07 Bk Macfarren 16/08/2011 14:22 Page 16
660306-07 bk Macfarren 2_660306-07 bk Macfarren 16/08/2011 14:22 Page 16 2 CDs George Alexander MACFARREN Robin Hood Spence • Jordan • Ashman • Mackenzie-Wicks Hulbert • Molloy • Hurst • Knox John Powell Singers Victorian Opera Chorus and Orchestra 8.660306-07 16 Ronald Corp 660306-07 bk Macfarren 2_660306-07 bk Macfarren 16/08/2011 14:22 Page 2 George Alexander MACFARREN (1813-1887) Robin Hood A romantic English Opera in three acts Libretto by John Oxenford (1812-1877) Performing Edition by Valerie Langfield Robin Hood (in disguise as Locksley) . Nicky Spence, Tenor Sir Reginald d’Bracy (Sheriff of Nottingham) . George Hulbert, Baritone Hugo (Sompnour, Collector of Abbey dues) . Louis Hurst, Bass Allan-a-Dale (a young peasant) . Andrew Mackenzie-Wicks, Tenor Little John John Molloy, Bass (Outlaws) Much, the Miller’s son} { Alex Knox, Baritone Marian (daughter of Sheriff) . Kay Jordan, Soprano Alice (her attendant) . Magdalen Ashman, Mezzo-soprano Villagers, Citizens and Greenwood men . John Powell Singers and Victorian Opera Chorus Knighted at Windsor Castle on the same day in 1883 George Macfarren was knighted for his services to English music at the same time as Arthur Sullivan, composer (another Royal Academy of Music alumnus), and George Grove, first director of the Victorian Opera Orchestra Royal College of Music and Grove!s Musical Dictionary founder. Ronald Corp Musical Director: Ronald Corp Assistant Conductor: Duncan Ward • Chorus-masters: Marc Hall and John Powell Executive Producer: Raymond J Walker • Research: David Chandler -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
MEDIEVAL SEAMANSHIP UNDER SAIL by TULLIO VIDONI B. A., The
MEDIEVAL SEAMANSHIP UNDER SAIL by TULLIO VIDONI B. A., The University of British Columbia, 1986. A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of History) We accept this thesis as conforming to the required standards THE UNIVERSITY OF BRITISH COLUMBIA September 19 8 7 <§)Tullio Vidoni U 6 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 DE-6(3/81) ii ABSTRACT Voyages of discovery could not be entertained until the advent of three-masted ships. Single-sailed ships were effective for voyages of short duration, undertaken with favourable winds. Ships with two masts could make long coastal voyages in the summer. Both these types had more or less severe limitations to sailing to windward. To sail any ship successfully in this mode it is necessary to be able to balance the sail plan accurately. This method of keeping course could not reach its full developemnt until more than two sails were available for manipulation. -
Sheet Music Collection
The Filson Historical Society Sheet Music Index [some of this material is available through the Library Catalog] 1 Item # BOX TITLE COMPOSER PUBLISHER PLACE DATE LITH/ENGR/PRINT ARRANGER 0003 1 Take me back home Hays, Will S. J. L. Peters & Co. 1866 (unknown) 0005 1 Driven from home Hays, Will S. John L. Peters 1868 Ehrgott & Krebs 0007 1 Evangeline Hays, Will S. S. Brainard & Sons UNK Ehrgott, Forbriger & Co. 0008 1 Little old cabin in the lane, The Hays, Will S. J. L. Peters 1871 (unknown) 0011 1 Transylvanians Harness, Camilla Alves Soc. of Transylvanians 1931 (unknown) 0012 1 Astoria waltz Smith, J. Adams H. J. Peters & Co. 1847 R. W. Tone 0015 1 Missouri waltz Weber, C. H. H. J. Peters & Co. 1845- R. W. Tone 46 0017 1 Matilda waltz, The Prox, Carl Bon Ton Office UNK Milne & Bruder 0018 1 Mexicana danse, La Wallace, William Vincent James L. Hewitt & Co. 1836- G. W. Quidor 43 0023 1 Young America polka Johnson, C. W. James D. Sheppard 1853 T. Birch & Son 0024 1 Thalia waltz Balmer, Charles W. C. Peters 1843 George W. Quidor 0025 1 Miller's maid waltz, The Barker, Theodore T. G. P. Reed 1845 (unknown) 0026 1 Belle Fanny waltz, La Bull, Ole G. P. Reed 1839 (unknown) 0027 1 Alliance, L' Hunten, Francois Hewitt & Jaques 1837? G. W. Quidor 0028 1 Azalia waltz Beethoven, Ludwig van Firth & Hall 1834? (unknown) 0029 1 New Brighton galop Masak James L. Hewitt & Co. 1836- G. W. Quidor 41 0030 1 Luna waltz, The Gunter, E. -
Newsletter & Review
VOLUME 54, NO. 2 FALL 2010 Willa Cather NEWSLETTER & REVIEW Food and Drink and the Art of Willa Cather Special Double Issue Letter from the President Jay yOST ow! has it really been two funds will allow us to better fulfill our mission, which in- years since I became Presi- cludes taking care of our wonderful archives and making dent of the Cather Founda- sure today’s school kids become avid Cather lovers. To those Wtion? What a great ride it’s been! no who have already given, thank you so much, and to our gen- other literary society, performance erous year-end donors, we are able to do all we do because space, bookstore, art gallery, prairie of your faith in us. manager, historic house trust, living The Cather Foundation also continues to attract new and museum or archives does what we do, passionate members to our Board of Governors. Sara Cor- because we do all of these things, and less of Kansas City, Daryl Palmer of Denver and Gabriel we do them amazingly well. Scala of Oxford, Mississippi were recently elected to join This issue highlights the many aspects of our magnifi- us on our mission, and we are so excited about how each of cent 2010 Spring Conference, for which we published the them is going make the Foundation even better. Cather Foundation’s cookbook, At Willa Cather’s Tables— So as I sign off, I want to thank you for your kindness, and need I remind you—a great gift idea. your support, and the opportunity to have been the President We recently began our new giving campaign: Preserv- of this wonderfully unique organization. -
The New Netherland Museum and the Replica Ship the Half Moon
Regional History Forum Each issue of The Hudson River Valley Review includes the Regional History Forum section. This section will highlight historic sites in the Valley, exploring their historical significance as well as information for visitors today. Although due attention will be paid to sites of national visibility, HRVR will also highlight sites of regional significance. Please write us with suggestions for future Forum sections. Editor’s note: This is the first installment in what is planned to be a regular feature between now and 2009—the 400th anniversary of Henry Hudson navigating the river that bears his name and of Samuel de Champlain discovering the lake upstate that bears his. Following the precedent set in 1909, we will also be exploring the 200th anniversary of Robert Fulton’s successful development of the steamboat as a means of cargo and passenger transportation. The Replica Ship The Half Moon Christopher Pryslopski The directions were simple: drive north on The New York State Thruway to Albany, exit onto Route 787 toward the Empire State Plaza, and then take exit 4. Drive north along the Hudson until you see the Mayan temples; turn right into the courtyard. As I drove slowly across the cobbled yard, I got my first glimpse of the De Halve Maen, the rigging at least. Captain William “Chip” Reynolds and crew member Steve Weiss appeared a short time later to welcome me aboard. Built in 1989 by Dr. Andrew Hendricks, The Replica Rigging on the Replica Ship The Half Moon is a working, full-scale model of the Ship The Half Moon vessel that brought Henry Hudson to North America nearly 400 years ago—with a small engine and other amenities hidden deep in what would have been its historic hold. -
The Bohemian Girl [Grand Opera, in Three Acts; Text by Bunn. First
The Bohemian Girl [Grand opera, in three acts; text by Bunn. First produced at Drury Lane Theatre, London, November 27, 1843.] PERSONAGES. Arline, daughter of Count Arnheim. Thaddeus, a Polish exile. Gypsy Queen. Devilshoof, Gypsy leader. Count Arnheim, Governor of Presburg. Florestein, nephew of the Count. [Retainers, hunters, soldiers, gypsies, etc.] The scene is laid at Presburg, Hungary; time, last century. "The Bohemian Girl," usually designated as grand opera, strictly speaking, is a ballad opera, and is one of the few English works of its class which has made a success upon the Continent and in the United States. The first act opens with the rescue of Arline, daughter of Count Arnheim, from the attack of a stag by Thaddeus, a Polish fugitive, who has joined a gypsy band to save himself from arrest. In return for his timely aid, the Count invites him to a banquet, where he gets into trouble by refusing to drink the health of the Emperor. Devilshoof, the leader of the band, saves him from the angry soldiers, but in turn is himself seized. The Count allows Thaddeus to go, and Devilshoof subsequently escapes, carrying Arline with him. Twelve years elapse between the first and second acts. The Count has received no tidings from Arline and has given her up as lost. The second act opens in the gypsy camp in the suburbs of Presburg, and discloses Arline asleep with Thaddeus watching over her. The gypsies themselves depart in quest of plunder, headed by Devilshoof, and happen upon Florestein, the Count's nephew, returning in a drunken condition from a revel. -
Balfe's Italian Operas
9 Balfe's Italian Operas by Basil Walsh This article appeared in Newsletter 85, February 2002, pp. 9-11. ) Please note that the current pagination is not exactly the same as in the newsletter) During the years 1834-5 Maria Malibran and "Guglielmo" Balfe sang together at La Scala and in Venice at La Fenice in Rossini's OteIIo (Malibran: Desdemona, Balfe: Iago in Milan, Elmiro in Venice) and in other operas. Possibly because of Balfe's early Italian operatic compositions, Malibran prophesied that one-day he would become "Il Rossini Inglese". It was a predication that must have startled the twenty-six year old Balfe, who had a young wife and small child and was struggling to earn a living as a singer. The astute Malibran, though only the same age as Balfe, knew enough about musical talent and her operatic partner to be able to predict his ultimate destiny. Balfe's fame today rests with his 1843 English opera, The Bohemian Girl, which perhaps was his most performed opera during the nineteenth-century. However, the composer's output was far more multi-dimensional, than Michael W Balfe, a portrait made in one English opera. Born in Dublin in May 1808 into London circa 1860. (original photograph modest circumstances, Balfe received his early musical in the author’s collection) training there. At age nine, he appeared as a solo violinist at the Rotunda Concert Rooms with remarkable success. However, his real training was Italian. In total, he spent about eight years in Italy during three different periods. In the 1820s he studied music in Rome (with F. -
The Bohemian Girl
The Bohemian Girl Michael William Balfe Characters Arline, daughter of Count Arnheim soprano Thaddeus, a proscribed Pole tenor Count Arnheim, governor of Presburg baritone [2] Queen of the Gypsies contralto [3] Devilshoof, chief of the Gypsies bass Florestein, nephew of the Count tenor Buda, Arline’s attendant soprano [4] Captain of the Guard bass [5] An Officer tenor [4] Gypsies, huntsmen, guests, etc. The scene is laid in Presburg and environs. Arline Queen of the Gypsies Thaddeus Devilshoof Count Arnheim Florestein THE BOHEMIAN GIRL (At the end of the chorus, Count Arnheim and Florestein enter from chateau, followed by various neighboring nobles, pages, huntsmen, etc., and his Act One child, Arline, attended by Buda, etc.) 1 Overture 3 Count The chateau and grounds of Count Arnheim, on the A soldier’s life Danube, near Presburg. On one side, the principal Has seen of strife entrance to the castle; opposite is a statue of the In all its forms so much, Emperor, above which a party is employed raising That no gentler theme the Austrian flag. The world will deem A soldier’s heart can touch; (On the rising of the curtain, the retainers of Count Arnheim are discovered preparing for the chase.) A soldier’s life Has seen of strife 2 Chorus In all its forms so much, Up with the banner, and down with the slave That no gentler theme Who shall dare to dispute the right, The world will deem Wherever its folds in their glory wave, A soldier’s heart can touch, Of the Austrian Eagle’s flight, a soldier’s heart, a soldier’s heart can touch; of the Austrian Eagle’s flight, The world will deem no gentler theme of the Austrian Eagle’s flight.