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Norman Rule Cumbria 1 0
NORMAN RULE I N C U M B R I A 1 0 9 2 – 1 1 3 6 B y RICHARD SHARPE A lecture delivered to Cumberland and Westmorland Antiquarian and Archaeological Society on 9th April 2005 at Carlisle CUMBERLAND AND WESTMORLAND ANTIQUARIAN AND ARCHAEOLOGICAL SOCIETY N O R M A N R U L E I N C U M B R I A 1 0 9 2 – 1 1 3 6 NORMAN RULE I N C U M B R I A 1 0 9 2 – 1 1 3 6 B y RICHARD SHARPE Pr o f essor of Diplomat i c , U n i v e r sity of Oxfo r d President of the Surtees Society A lecture delivered to Cumberland and Westmorland Antiquarian and Archaeological Society on 9th April 2005 at Carlisle CUMBERLAND AND WESTMORLAND ANTIQUARIAN AND ARCHAEOLOGICAL SOCIETY Tract Series Vol. XXI C&W TRACT SERIES No. XXI ISBN 1 873124 43 0 Published 2006 Acknowledgements I am grateful to the Council of the Society for inviting me, as president of the Surtees Society, to address the Annual General Meeting in Carlisle on 9 April 2005. Several of those who heard the paper on that occasion have also read the full text and allowed me to benefit from their comments; my thanks to Keith Stringer, John Todd, and Angus Winchester. I am particularly indebted to Hugh Doherty for much discussion during the preparation of this paper and for several references that I should otherwise have missed. In particular he should be credited with rediscovering the writ-charter of Henry I cited in n. -
Ac C O R D No
AC C O R D No. 55, November 2015 NEWSLETTER OF THE NATIONAL NETWORK OF PASTORAL MUSICIANS Meet Frances at HANDING IT ON: NNPM 2016 Conference, 29-31 July: Introducing the High Leigh, Hertfordshire Barnet, where she played flute, and led next generation music for Mass from the piano. She Some young musicians introduced by Frances Novillo •Frances leads music for worship in her church in High Barnet and nationwide, training others to do likewise. He directed music in parishes around the Diocese of Westminster, where he was school chaplain at the Salvatorian College in Harrow. He covers music from across the stylistic spectrum as both a capable organist and a charismatic worship leader. He has led music for the National Justice and Peace Network at the Greenbelt has a particular gift for nurturing other Festival. people’s musical talent in worship, Dan Antonio’s training is in music and is sensitive to the demands of theatre which particular liturgies, making musical Matthew Johnson is a composer and has equipped adjustments throughout to match the organist specialising in liturgical music him well for changing moods of worship. for small parish choirs. Erstwhile r e l a t i n g t o Jennifer Ballentine holds one of cantor and chorister at the Birmingham musicians and the Edwin Fawcett Youth Music Schol- Oratory, he has led music in several congregations arships in the Diocese of Westminster. churches in the Archdioceses of a l i k e , She is still at school, but already Salford and Birmingham, and at o r g a n i s i n g confidently Diocesan pilgrimages. -
Bulletin-2020-04-19
OUR LADY OF LOURDES AND ST JOHN FISHER PARISH Roman Catholic Diocese of East Anglia Charity No. 278742 Parish Priest: Canon Hoan Minh Nguyen; Tel: 01223 832397 Presbytery: 135 High Street, Sawston, CB22 3HJ Office Mobile: 07754-227468 Email: [email protected] Parish Hall Bookings: 07427 737634 Our Lady of Lourdes (OLOL) Church St John Fisher (SJF) Church 135 High Street, Church Centre, High Street Sawston, CB22 3HJ Cambourne, CB23 6GW Week commencing Sunday, 19th April 2020 SECOND SUNDAY OF EASTER – (or of DIVINE MERCY) Year A, Weekday Cycle II, Psalter Week 2 THE HOLY FATHER'S PRAYER INTENTIONS FOR APRIL 2020. Addictions: That those who suffer from addictions will seek help and find freedom in Christ. ENTRANCE HYMN: Responsorial Psalm: (Ps 117:2-4,13-15,22-24. R. v.1) Alleluia, alleluia! Give thanks to the risen Lord R Give thanks to the Lord for he is good, for his love has no Alleluia, alleluia! Give praise to His name. end. Let the sons of Israel say: PENITENTIAL RITE ‘His love has no end.’ Let the sons of Aaron say: The following form will be used in our Parish until further notice. ‘His love has no end.’ Priest: Have mercy on us, O Lord. Let those who fear the Lord say: All: For we have sinned against you. His love has no end.’ R Priest: Show us, O Lord, your mercy. All: And grant us your salvation. I was thrust down, thrust down and falling, but the Lord was my helper. The Lord is my strength and my song; LITURGY OF THE WORD he was my saviour. -
Sacred Music Volume 103 Number 1
Mission site, St. Augustine, Florida CHURCH MUSIC SINCE VATICAN II It is impossible to consider the future of Catholic church music without an understanding of the reasons for the recent reform and the situation which caused it. At one time the Church was the main influence on the development of music; she employed musicians on a large scale and inspired many great com posers. Today this has changed and musical patronage is largely the concern of the state and the broadcasting and recording companies. Inevitably, this has made the practice of liturgical music a bleak and uninviting task for most profes sional musicians. When one recalls the great Catholic composers of the past Palestrina, Byrd, Victoria, Dufay, Josquin-and also the great secular composers who wrote for the liturgy-Monteverdi, Mozart and Haydn-one can see the decline that has taken place. Immediately before the II Vatican Council contemporary Catholic music was largely uninspired and provoked little interest. Even the potential of a Catholic composer such as Elgar was left unexplored. The output of our musicians was slight in comparison with the period of the renaissance and it seemed that little MA WBY: CHURCH MUSIC 3 could be done to remedy the situation. The general standard of Catholic choirs was low. There were exceptions, but one can well remember when the Sunday sung Mass was usually avoided by most Catholics. Church music had to be endured and it had ceased to have any real contact with the ordinary Catholic. Music, whose main purpose is the communication of beauty, had by and large ceased to communicate. -
Honor Choirs! Pre-Conference [email protected] - Website: Europacantatjunior
INTERNATIONAL CHORAL BULLETIN ISSN - 0896-0968 Volume XXXIX, Number 3 ICB 3rd Quarter, 2020 - English DOSSIER Composer’s Corner: BASIC COGNITIVE PROCESSES Choral Music is an Expression of our IN CONDUCTING Souls and our Social Togetherness Interview with John Rutter INTERNATIONAL CHORAL BULLETIN CONTENTS 3rd Quarter 2020 - Volume XXXIX, Number 3 COVER John Rutter 1 MESSAGE FROM THE PRESIDENT Emily Kuo Vong DESIGN & CONTENT COPYRIGHT © International Federation DOSSIER for Choral Music 3 BASIC COGNITIVE PROCESSES IN CONDUCTING Theodora Pavlovitch PRINTED BY PixartPrinting.it, Italy IFCM NEWS 13 IFCM AND THE QATAR NATIONAL CHORAL ASSOCIATION WORKING ON SUBMITTING MATERIAL THE WORLD SYMPOSIUM ON CHORAL MUSIC 2023/2024 When submitting documents to be IFCM Press Release considered for publication, please provide articles by Email or through the CHORAL WORLD NEWS ICB Webpage: 15 REMEMBERING COLIN MAWBY http://icb.ifcm.net/en_US/ Aurelio Porfiri proposeanarticle/. The following 18 CHOIRS AND CORONA VIRUS ... THE DAY AFTER electronic file formats are accepted: Aurelio Porfiri Text, RTF or Microsoft Word (version 97 21 CHATTING WITH ANTON ARMSTRONG or higher). Images must be in GIF, EPS, A PROUD MEMBER OF THE INTERNATIONAL FEDERATION FOR CHORAL TIFF or JPEG format and be at least MUSIC FOR MORE THAN 30 YEARS 300dpi. Articles may be submitted in one Andrea Angelini or more of these languages: English, French, German, Spanish. IMPOSSIBLE INTERVIEWS 27 THE TRUE HISTORY OF THE VESPERS OF THE BLESSED VIRGIN REPRINTS BY ALESSANDRO GRANDI Articles may be reproduced for non Andrea Angelini commercial purposes once permission has been granted by the managing editor CHORAL TECHNIQUE and the author. -
The ARCHAEOLOGIST
Summer 2007 Number 64 The ARCHAEOLOGIST This issue: POST-MEDIAEVAL ARCHAEOLOGY Images of change p16 Residues of industry and empire p28 What’s happening to Scotland’s rural past? p32 Institute of Field Archaeologists Finding and SHES, University of Reading, Whiteknights losing the PO Box 227, Reading RG6 6AB tel 0118 378 6446 fortifications of fax 0118 378 6448 Antwerp email [email protected] website www.archaeologists.net p47 C ONTENTS 1 Contents 2 Editorial 3 From the Finds Tray 5 Heritage Protection for the 21st century Peter Hinton 6 Merger with IHBC? Your views are needed Peter Hinton 7 Introducing IFA’s Membership Team Beth Asbury 8 News from CWPA Patrick Clay and Kate Geary page 26 9 Names and agenda: industrial and post-mediaeval archaeology today Marilyn Palmer 12 Post-medieval archaeology in Ireland: a 2007 perspective Audrey Horning 14 After ‘The Change’: recent military heritage in Europe John Schofield page 28 16 Images of change Sefryn Penrose 18 The Van: Screws and Christmas Crackers… Adrian Myers 20 Beetles from the Van Steve Davis 21 Edinburgh’s Tron Kirk Martin Cook and John A Lawson 22 Atherstone: The decline of a Warwickshire industrial town David Gilbert 24 The Portwall Lane Glassworks, Bristol Reg Jackson 26 Excavating the Bow Porcelain Factory of London Tony Grey and Jacqui Pearce 28 Residues of industry and empire: urban archaeology in the post-colonial age James Symonds 30 Living at the Edge: the Alderley Sandhills Project Eleanor Conlin Casella 32 What’s happening to Scotland’s rural past? Tertia Barnett -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
May 2016 Diocesan Issue 430 Catholic VOICE FREE What’S Guisborough’S Catenian Bishop’S Warm Celebrations Inside Welcome Page 9 Column Page 8
Middlesbrough May 2016 Diocesan Issue 430 Catholic VOICE FREE What’s Guisborough’s Catenian Bishop’s Warm Celebrations Inside Welcome Page 9 Column Page 8 One of the great joys of this time of the year, Parish Prepares For New from Easter, through Pentecost and into early summer, is to celebrate the Sacrament of Confirmation in different parts of the diocese and to meet and experience something of the faith-life of many of our young people. Church Dedication It goes hand in hand also with the witness that they give in Lourdes as they accompany our supported pilgrims on their journey of Catholics in Ingleby Barwick are preparing for faith. It is a genuine spiritual fillip for which the official opening of their new church, 22 we all ought to give thanks to God. years after the parish was founded. Services have been held in a school and other venues since 1994 and parish priest Canon Pat Continued on Page 2 Hartnett says the new church is the culmination of much hard work and prayer. “It’s been a very long road but we’re absolutely delighted to have our own purpose-built church at last,” he said. “We’ve had wonderful support from the school and other venues over the years but it’s great to be able to celebrate Mass and the other sacraments in a church of our own. “So much hard work has gone into the project Photo by Sharon Westcough from so many people, including our parishioners, the diocese, architects and builders. It really has been worth the wait now we have such a beautiful building that will enhance our worship and enable us to build on the thriving community we already have in our parish. -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles. -
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Cantate 17 Our program today features the choirs of Westminster Cathedral in London. Westminster Cathedral is one of the greatest secrets of London; people heading down Victoria Street on the well-trodden route to more famous sites are astonished to come across a piazza opening up the view to an extraordinary facade of towers, balconies and domes. The architecture of Westminster Cathedral certainly sets it apart from other London landmarks, owing more to the Byzantine style of the eastern Roman Empire than the familiar Gothic of their native cathedrals. Its uniqueness is, however, not merely in its external form. Visitors find in Westminster Cathedral a very special place of prayer, a refuge from the busy city, a space to find one's own thoughts. This spiritual atmosphere, shaped through the silence as well as through the music of its celebrated choir, is the chief glory of the Cathedral, and the most extraordinary treasure to be discovered by visitors. Westminster Cathedral Choir is widely considered to be one of the finest choirs in the world. The establishment of a fine choral foundation was part of the original vision of the founder of Westminster Cathedral, Cardinal Herbert Vaughan. Vaughan laid great emphasis on the beauty and integrity of the new Cathedral’s liturgy, and regarded a residential choir school as essential to the realization of his vision. Daily sung Masses and Offices were immediately established when the Cathedral opened in 1903, and have continued without interruption ever since. Today, Westminster Cathedral Choir is the only professional Catholic choir in the world to sing daily Mass and Vespers. -
THE DISSOLUTION of the MONASTERIES: an ECONOMIC STUDY by John Clifford Solomon
THE DISSOLUTION OF THE MONASTERIES: AN ECONOMIC STUDY by John Clifford Solomon Thesis submitted to the Faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History APPROVED: M. A. Alexander, Chairman T. C. Howard W. E. Mackie May, 1982 Blacksburg, Virginia ACKNOWLEDGMENTS I would like to thank Dr. Thomas Howard and Dr. William Mackie for their helpful suggestions and criticisms of this paper. I also greatly appreciate the friendship and encouragement that I received from my fellow graduate students particularly Ms. Wendy Walker. The writer would also like to thank Mrs. Connie Aikens for her diligence and patience in typing my manuscript. I am especially grateful to Dr. Michael Alexander, who gave so willingly of himself during the preparation of this paper. Most of all I would like to thank my parents, Saul and Alberta, for their love, understanding, and willingness to listen. ii TABLE OF CONTENTS Page Acknowledgments ii Introduction 1 Chapters I. The Road to Dissolution 12 II. The Dissolution and the Successors to the Monks ............... 35 III. The Dissolution and its Contribution to Industrial Development in England . 71 IV. The Dissolution and its Contribution to Agriculture . 104 Bibliography 137 Vita 148 Abstract iii Introduction When Henry VIII ascended the throne in 1509 there were close to 850 monastic foundations of various size, descrip- tion, and wealth in England. ·These included over 500 monasteries, 136 nunneries, and 200 friaries, in addition of course to several thousand chantries and various minor religious establishments. During the 1520's some twenty- nine of the smaller monasteries were dissolved by Cardinal Wolsey for his special purposes; and between 1535 and 1540 Henry VIII and his chief minister, Thomas Cromwell, dissolved all the remaining ones. -
CHOIR MUSIC ANDREW NUNN (Dean)
SOUTHWARK CATHEDRAL PETER WRIGHT (Organist) STEPHEN DISLEY (Assistant Organist) JUNE 2019 RACHEL YOUNG (Succentor) GILLY MYERS (Canon Precentor) CHOIR MUSIC ANDREW NUNN (Dean) DAY SERVICE RESPONSES PSALMS HYMNS SETTING ANTHEMS THE CATHEDRAL CHOIR IS ON HOLIDAY UNTIL 1st JUNE 1 Saturday 4.00pm Evensong (Choir of St John the Divine, Selsdon) Ayleward 85 368 Harwood in A flat Greater love (John Ireland) 2 SUNDAY 11.00am Eucharist Easter 388; SP 192 (t. 103); Missa Sancti Nicolai (Haydn) Coelos ascendit hodie (Charles Villiers Stanford) EASTER VII Anthems 272; CP 376 Come, holy Ghost (Thomas Attwood) 3.00pm Evensong Smith 68 (1-10) 140; 361 (t. 235) Noble in B minor The Spirit of the Lord (Edward Elgar) 6.00pm Eucharist (Trad Rite) 275; 355; 138; 246 Merbecke 3 Monday 5.30pm Evensong Plainsong 121 440; CP 519; 408 (i) Dyson in D Greater love (John Ireland) 4 Tuesday 5.30pm Evensong Smith 68 (1-10) 377; 436 Sumsion in G How beauteous are their feet (Charles Villiers Stanford) 7 Friday 5.30pm Evensong (men’s voices) Harris 147 339 Veni, sancte Spiritus, reple (William Byrd) 8 Saturday 4.00pm Confirmation (Choir of St Mary’s, Merton) See printed sheet Paul Edwards in C sharp minor If ye love me (Philip Wilby) 9 SUNDAY 11.00am Eucharist (Great Choir) 104 (26-37) CP 179 (t. 352); 342 (i); 137 Darke in F Dum complerentur (Giovanni da Palestrina) PENTECOST God is a spirit (William Sterndale Bennett) 3.00pm Evensong Clucas 33 (1-12) 431; 367 (ii) Stanford in B flat Listen, sweet dove (Grayston Ives) Te Deum: Stanford in B flat 10 Monday 5.30pm Evensong Morley 1 225 (ii) Stanford in C O clap your hands (Ralph Vaughan Williams) 11 Tuesday 5.30pm Evensong Clucas 147 (1-12) 167 Second service (Byrd) Justorum animae (Charles Villiers Stanford) 14 Friday 5.30pm Evensong Clucas 145 140 Sumsion in A Listen, sweet dove (Grayston Ives) 16 TRINITY 11.00am Eucharist 8 466; CP 206 (t.