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Electronically Filed Filing Date: 07/21/2017 04:45:27 PM

Electronically Filed Delovely Leasing Inc. Filing Date: 07/21/2017 04:45:27 PM EDT 245 N. Beverly Dr. Beverly Hills, CA 90210 Eighteen Leasing Corporation 245 N. Beverly Dr. Beverly Hills, CA 90210 Great White Buffalo Productions LLC 245 N. Beverly Dr. Beverly Hills, CA 90210 Hercules Productions Ltd. 245 N. Beverly Dr. Beverly Hills, CA 90210 It’s a Wrap Productions LLC 245 N. Beverly Dr. Beverly Hills, CA 90210 London Films Inc. 245 N. Beverly Dr. Beverly Hills, CA 90210 MCEG Sterling Entertainment 245 N. Beverly Dr. Beverly Hills, CA 90210 Metro-Goldwyn-Mayer Animation Inc. 245 N. Beverly Dr. Beverly Hills, CA 90210 Metro-Goldwyn-Mayer Distribution Company 245 N. Beverly Dr. Beverly Hills, CA 90210 Metro-Goldwyn-Mayer Home Entertainment LLC 245 N. Beverly Dr. Beverly Hills, CA 90210 Metro-Goldwyn-Mayer Pictures Inc. 245 N. Beverly Dr. Beverly Hills, CA 90210 Metro-Goldwyn-Mayer Studios Inc. 245 N. Beverly Dr. Beverly Hills, CA 90210 Metro Pictures Corporation of America 245 N. Beverly Dr. Beverly Hills, CA 90210 MGM Channel International Holdings LLC 245 N. Beverly Dr. Beverly Hills, CA 90210 MGM Global Holdings Inc. 245 N. Beverly Dr. Beverly Hills, CA 90210 MGM International Television Distribution Inc. 245 N. Beverly Dr. Beverly Hills, CA 90210 MGM Television Entertainment Inc. 245 N. Beverly Dr. Beverly Hills, CA 90210 MGM Ventures LLC 245 N. Beverly Dr. Beverly Hills, CA 90210 Nineteen Leasing Corporation 245 N. Beverly Dr. Beverly Hills, CA 90210 NSNA Co. 245 N. Beverly Dr. Beverly Hills, CA 90210 OCP Productions LLC 245 N. Beverly Dr. Beverly Hills, CA 90210 Orion Pictures Corporation 245 N. Beverly Dr. Beverly Hills, CA 90210 Orion Pictures Distribution Corporation 245 N. Beverly Dr. Beverly Hills, CA 90210 Orion TV Productions, Inc. 245 N. Beverly Dr. Beverly Hills, CA 90210 Tangled Web Productions Inc. 245 N. Beverly Dr. Beverly Hills, CA 90210 Seventeen Leasing Corporation 245 N. Beverly Dr. Beverly Hills, CA 90210 They’re Here Productions LLC 245 N. Beverly Dr. Beverly Hills, CA 90210 Thrace Productions LLC 245 N. Beverly Dr. Beverly Hills, CA 90210 Twenty Leasing Corporation 245 N. Beverly Dr. Beverly Hills, CA 90210 Twenty-One Leasing Company LLC 245 N. Beverly Dr. Beverly Hills, CA 90210 United Artists Corporation 245 N. Beverly Dr. Beverly Hills, CA 90210 United Artists Entertainment LLC. 245 N. Beverly Dr. Beverly Hills, CA 90210 United Artists Pictures Inc. 245 N. Beverly Dr. Beverly Hills, CA 90210 United Artists Production Finance LLC 245 N. Beverly Dr. Beverly Hills, CA 90210 White Commission Productions LLC 245 N. Beverly Dr. Beverly Hills, CA 90210 .

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Mrs. Sidney Drew
Mrs. Sidney Drew Also Known As: Lucille McVey Drew, Lucille McVey, Jane Morrow Lived: April 18, 1890 - November 3, 1925 Worked as: co-director, co-producer, co-screenwriter, director, film actress, producer, screenwriter, theatre actress Worked In: United States by Casiana Ionita There were two Mrs. Sidney Drews. Both wrote for their husband’s films. The first wife, Gladys Rankin, was a dramatist who wrote under the name of George Cameron. Her play became the scenario for Sidney Drew’s first motion picture The Still Voice (1913). After the death of the first Mrs. Sidney Drew in January 1914, Sidney Drew married Lucille McVey the following July. The second Mrs. Drew, who also used the name Jane Morrow, began her career as a stage actress and then joined Vitagraph in early 1914. That same year she was part of Sidney Drew’s company of players. Sidney Drew was already established as an urbane and irreverent comedy actor-director, whose work is perhaps epitomized in the semi-scandalous race and gender-bending The Florida Enchantment (1914), which he directed at Vitagraph. The Drews (Lucille and Sidney) created their own style of domestic comedies, playing an on-screen couple, Polly and Henry, the woman towering over the man, poking fun at middle-class married life. Unlike the bawdy female partners played by Mabel Normand, Marie Dressler, and Alice Howell to make working-class couples look stupid, Mrs. Drew’s haughty matron helped to make middle-class couples look ridiculous. The extant Nothing to Wear (1917), for instance, is based on the premise that a woman with some money has entirely too much to wear, and her protest that she has “nothing to wear,” produces the inevitable exercise in comic futility for the brow-beaten husband seeking to please.
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