DOCSLIB.ORG

Urban Parasites: Re-Appropriation of Interstitial Spaces in Architecture Through the Act of Graffiti

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Urban Parasites: Re-Appropriation of Interstitial Spaces in Architecture Through the Act of Graffiti URBAN PARASITES: RE-APPROPRIATION OF INTERSTITIAL SPACES IN ARCHITECTURE THROUGH THE ACT OF GRAFFITI A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF NATURAL AND APPLIED SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY SENEM YILDIRIM IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE IN ARCHITECTURE SEPTEMBER 2013 URBAN PARASITES: RE-APPROPRIATION OF INTERSTITIAL SPACES IN ARCHITECTURE THROUGH THE ACT OF GRAFFITI submitted by SENEM YILDIRIM in partial fulfillment of the requirements for the degree of Master of Architecture in Department of Architecture, Middle East Technical University by, Prof. Dr. Canan Özgen _____________________ Dean, Graduate School of Natural and Applied Sciences Prof. Dr. Güven Arif Sargın _____________________ Head of Department, Department of Architecture Prof. Dr. Aydan Balamir _____________________ Supervisor, Department of Architecture, METU Examining Committee Members: Prof. Dr. Güven Arif Sargın, _____________________ Department of Architecture, METU Prof. Dr. Aydan Balamir, _____________________ Department of Architecture, METU Prof. Dr. Abdi Güzer, _____________________ Department of Architecture, METU Assoc. Prof. Dr. Müge Akkar Ercan, _____________________ Department of City and Regional Planning, METU Prof. Dr. Zeynep Uludağ, _____________________ Department of Architecture, Gazi University Date: _________________ I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Senem Yıldırım iv ABSTRACT URBAN PARASITES: RE-APPROPRIATION OF INTERSTITIAL SPACES IN ARCHITECTURE THROUGH THE ACT OF GRAFFITI Yıldırım, Senem M.Arch., Department of Architecture Supervisor : Prof. Dr. Aydan Balamir September 2013, 161 pages This thesis focuses on parasitic spaces as areas of re-appropriation displaying radical stands against sterility of urban environment. The aim is to search for the potential of the formation and spread of urban parasites in the city for a new method in designing architectural environment. Urban parasites are indicated in the study as areas of individual intervention formed in interstitial spaces of city. They form alternative zones within the urban fabric that emerge from spatial and symbolic connection of individually transformed interstices sharing the same context. As a unique form of urban parasites, the study grounds on the act of graffiti, since it forms an architectural discourse on reconstruction of interstices, and encourages alternative spatial configurations. Referred as observers of city, graffiti artists are studied as creators of urban scenes and intervenors of new foregrounds for alternative territories. The process of choosing graffiti spots is researched as a way of recognizing and interacting with interstices of city, through the act of walking. While choosing spots, graffiti artists provide the continuity of parasitic zones by spatially and symbolically referring to other spots. To trace back the development of interstitial spaces, parallel with the heritage of graffiti forming them, this thesis focuses on the city of Berlin as a significant case on the subject. To observe urban parasites formed by connection of graffiti spots and examine the changing identity of interstices in different contexts, the graffiti map of Berlin is reinterpreted along the route from Mitte, the center of former East Berlin, to Friedrichshain, the housing district of former East Berlin. By producing maps based on personal observations and comparing them with other available maps, the study traced the continuity of urban parasites overlapping with graffiti spots in Mitte and Friedricshain before and after Berlin Wall, while documenting the changing identity of interstitial nodes by observing Kunsthaus Tacheles in Mitte and Yaam in Friedrichshain. Keywords: Urban Parasites, Interstitial Spaces in Architecture, Re-Appropriation of Space, the Act of Graffiti, Berlin v ÖZ KENT PARAZİTLERİ: MİMARİDE ARA MEKANLARIN GRAFİTİ MÜDAHALESİ İLE YENİDEN SAHİPLENİLMESİ Yıldırım, Senem Yüksek Lisans, Mimarlık Bölümü Tez Yöneticisi: Prof. Dr. Aydan Balamir Eylül 2013, 161 sayfa Bu tez, yeniden sahiplenme alanları olan ve varolan kentsel çevrenin sterilliğine karşı radikal duruşlar sergileyen parazit mekanlara odaklanmaktadır. Tezin amacı, kent parazitlerinin biçimlenişi ve kent içinde yayılmasının mimari çevrenin tasarlanması için yeni bir method olma potansiyelini araştırmaktır. Kent paraziti kavramı tezde kentin ara mekanlarında şekillenen bireysel müdahale alanlarını işaret etmektedir. Kent parazitleri, aynı bağlamı paylaşan dönüştürülmüş ara-mekanların, mekansal ve sembolik olarak birbirine bağlanmasıyla oluşan, kent dokusu içinde alternatif bölgeler oluşturur. Dikkate değer bir kent paraziti örneği olarak grafiti, ara-mekanların yeniden tasarlanması üzerine mimari bir söylem ileri sürdüğü ve alternatif mekansal biçimlenmeleri teşvik ettiği için, çalışmanın temelini oluşturmaktadır. Tezde kent gözlemcileri olarak anılan grafiti sanatçıları, kent görünümünün yaratıcıları ve alternatif mekanların oluşabilmesi için yeni zeminler hazırlayan kent müdahalecileri olarak incelenmiştir. Potansiyel grafiti noktalarının seçimi, yürüme eylemini kullanarak kent mekanını gözlemleme ve onunla etkileşmenin bir metodu olarak araştırıldı. Grafiti sanatçısı, grafiti noktalarını seçerken, mekansal ve sembolik olarak diğer noktalara referans vererek kent parazitlerinin sürekliliğini sağlar. Çalışma, ara-mekanların, onları şekillendiren grafiti mirasına paralel olarak, farklı zaman aralıklarında gelişiminin izini sürmek için, bu konuda önemli bir örnek olan Berlin şehrine odaklandı. Ara mekanların farklı bağlamlara göre değişen kimliklerini incelemek ve grafiti noktalarının birleşmesi ile şekillenen kent parazitlerini gözlemlemek için; eski Doğu Berlin merkezi Mitte’den eski Doğu Berlin’in toplu konut bölgesi Friedrichshain’e uzanan rota üzerinde Berlin grafiti haritası yeniden çizildi. Kişisel gözlemlere dayanarak hazırlanan ve mevcut diğer görsellerle karşılaştırılan haritalar aracılığıyla, tez, Berlin Duvarı ve sonrası Mitte ve Friedrichshain’de grafiti noktalarıyla kesişen kent parazitlerinin devamlılığının izini sürdü, bu sayede, ara mekanların düğüm noktaları oluşturduğu Mitte’de Kunsthaus Tacheles ve Friedrichshain’de Yaam’ı gözlemleyerek, parazitlerin bağlamlarına göre değişen kimliklerini belgeledi. Anahtar Kelimeler: Kent Parazitleri, Mimaride Ara Mekan Kavramı, Mekanın Yeniden Örgütlenmesi, Grafiti, Berlin vi To My Family vii ACKNOWLEDGEMENTS I would like to express my deepest gratitude to my advisor, Prof. Dr. Aydan Balamir for all her incredible supports, guidance and patience throughout this research. I would also like to thank the examining committee, Prof. Dr. Güven Arif Sargın, Prof Dr. Abdi Güzer, Assoc. Prof. Dr. Müge Akkar Ercan, and Prof. Dr. Zeynep Uludağ for their guidance all through my undergraduate and graduate years and also for their valuable suggestions and comments for the thesis. I owe special thanks first and foremost to Erkan Kerti for his support, help and caring throughout this difficult process, without him I wouldn’t be able to finish this thesis. I would like to offer my special thanks to all my professors at Middle East Technical University and Gazi University, and my colleagues at Gazi University for their supports throughout my thesis studies. I will always be grateful; to Su Ertürkmen, Beril Kapusuz and Oya Memlük who has always accompanied me with such patience. I would also like to thank Marli King for all her contributions to this thesis whom I have taken advice throughout the whole process, and all others whom I forget to name for their contributions to this thesis but also for their moral support. Last but upmost I would like to express my appreciation to my family for all their love and support: To my brother Ahmet Yıldırım for being so caring and supportive, my father Mustafa Yıldırım, my mother Zeynep Yıldırım and my aunt Neriman Yıldırım for always helping me out and taking care of me. viii TABLE OF CONTENTS ABSTRACT……………….……………………………………………………….……….. v ÖZ ………………………………………………………………………………………….. vi ACKNOWLEDGEMENTS ……………………………………………………..……….. viii TABLE OF CONTENTS ………………………………………………………….………. ix LIST OF FIGURES ………………………………………………………..……………... xii CHAPTERS 1. INTRODUCTION ……………………………………………………………… 1 1.1. Definition of the Problem …………………………………………….. 1 1.2. Aim and Scope of the Thesis …………………………………………. 2 1.3. Method of the Study ……………………………….………………….. 4 2. OF INTERSTITIAL SPACES …………………………………..……………... 11 2.1. Conditions of Space: Placing the Place-less Individual in the Post- Modern City Space ……………………………………………………..… 11 2.2. Intervention to Architectural Space: Re-Appropriating Urban Space ………………………………………………………………..….… 15 2.2.1. Do-It-Yourself Urbanism ……………………………….. 17 2.2.2. Minor Geographies …………...…………………………. 18 2.3. Parasitic Spaces: A Reading of Interstitial Spaces for the Creation of the Re-Appropriated Spaces in the Existing Architectural Fabric …………… 19 2.3.1. Architectural Parallax ………………………………...…. 21 2.3.2. The Fold ……………………………...………………….. 23 2.3.3. Heterotopias …………………………...………………… 24 2.4. Interconnections in Architectural Space: Binding Urban Parasites: A semiological search of urban parasites in the city space …………………. 26 2.4.1. The Cell .......................................................................….
Load more

Recommended publications
  • Learning Information Literacy and Teaching: an Action Research Project
    The Fifth European Conference on Information Literacy (ECIL) September 18th-21st, 2017, Saint-Malo, France Abstracts Saint-Malo, 2017 The Fifth European Conference on Information Literacy (ECIL) September 18th-21st, 2017, Saint-Malo, France Abstracts Editors: Sonja Špiranec, Serap Kurbanoğlu, Joumana Boustany, Esther Grassian, Diane Mizrachi, Loriene Roy, Denis Kos Information Literacy Association (InLitAs) Saint-Malo, 2017 The Fifth European Conference on Information Literacy, September 18th-21st, 2017, Saint-Malo, France: Abstracts http://ecil2017.ilconf.org Publisher: Information Literacy Association (InLitAs) http://inlitas.org ISBN 978-2-9561952-0-7 Copyright © 2017 by Information Literacy Association (InLitAs) and authors All rights reserved Organization The Fifth European Conference on Information Literacy (ECIL) was co-organized by the Department of Information Management of Hacettepe University, the Department of Information and Communication Sciences of the University of Zagreb and Information Literacy Association (InLitAs), France. Standing Committee 1. Paul G. Zurkowski, USA (Honorary Chair) 2. Serap Kurbanoğlu, Hacettepe University, Turkey (General Co-chair for ECIL & ECIL 2016) 3. Sonja Špiranec, University of Zagreb, Croatia (General Co-chair for ECIL & ECIL 2016) 4. Joumana Boustany, Information Literacy Association (InLitAs), France (Co-chair for ECIL 2017) 5. Szarina Abdullah, MARA Technology University, Malaysia 6. Buket Akkoyunlu, Hacettepe University, Turkey 7. Aharon Aviram, Ben-Gurion University, Israel 8. George Awad, UNESCO Regional Office, Lebanon 9. Tomaz Bartol, University of Ljubljana, Slovenia 10. Athina Basha, Albanian Library Association, Albania 11. David Bawden, City University, UK 12. Dilara Begum, East West University, Bangladesh 13. Albert K. Boekhorst, University of Pretoria, South Africa 14. Alexander Botte, German Inst. for International Educational Research, Germany 15.
    [Show full text]
  • PIER 34 Something Possible Everywhere Something Possible
    NYC 1983–84 NYC PIER 34 Something Possible Everywhere Something Possible PIER 34 Something Possible Everywhere NYC 1983–84 PIER 34 Something Possible Everywhere NYC 1983–84 Jane Bauman PIER 34 Mike Bidlo Something Possible Everywhere Paolo Buggiani NYC 1983–84 Keith Davis Steve Doughton John Fekner David Finn Jean Foos Luis Frangella Valeriy Gerlovin Judy Glantzman Peter Hujar Alain Jacquet Kim Jones Rob Jones Stephen Lack September 30–November 20 Marisela La Grave Opening reception: September 29, 7–9pm Liz-N-Val Curated by Jonathan Weinberg Bill Mutter Featuring photographs by Andreas Sterzing Michael Ottersen Organized by the Hunter College Art Galleries Rick Prol Dirk Rowntree Russell Sharon Kiki Smith Huck Snyder 205 Hudson Street Andreas Sterzing New York, New York Betty Tompkins Hours: Wednesday–Sunday, 1–6pm Peter White David Wojnarowicz Teres Wylder Rhonda Zwillinger Andreas Sterzing, Pier 34 & Pier 32, View from Hudson River, 1983 FOREWORD This exhibition catalogue celebrates the moment, thirty-three This exhibition would not have been made possible without years ago, when a group of artists trespassed on a city-owned the generous support provided by Carol and Arthur Goldberg, Joan building on Pier 34 and turned it into an illicit museum and and Charles Lazarus, Dorothy Lichtenstein, and an anonymous incubator for new art. It is particularly fitting that the 205 donor. Furthermore, we could not have realized the show without Hudson Gallery hosts this show given its proximity to where the the collaboration of its many generous lenders: Allan Bealy and terminal building once stood, just four blocks from 205 Hudson Sheila Keenan of Benzene Magazine; Hal Bromm Gallery and Hal Street.
    [Show full text]
  • Draft Itinerary: Subject to Change INSIDE JEWISH POLAND
    Draft Itinerary: Subject to Change INSIDE JEWISH POLAND & BERLIN JDC Entwine Insider Trip in Partnership with Northwestern March 19-26 , 2017 Once the largest Jewish community in Europe, Polish Jewry was nearly extinguished by the Nazis during World War II. Those Jews who remained after the war suffered further repression under communist rule. The country’s Jewish community numbered a mere 6,000—primarily aging Holocaust survivors—in the early 1980s. Since then, many Polish Jews have reconnected to Judaism and the Jewish community and population estimates now range from 12,000 to as high as 25,000 Jews. The 1990s ushered in a new economy that has since become one of the strongest in Eastern Europe. Yet Poland is still challenged by unemployment, an aging and inadequate infrastructure, and extreme disparities in income, social services, and community development. Poland’s Jewish community has doubled in the last 30 years, creating an increased need for critical social services and Jewish life programming. At the same time, meeting the needs of the nation’s aging Holocaust survivors and other elderly Jews remains a primary concern for JDC. JDC works with Polish Jewish organizations to provide critical basic needs and care to the elderly and to vulnerable families. It also is investing in a vibrant Jewish future through youth clubs, camps, student organizations, and leadership training. Day One: Sunday, March 19: Travel to Warsaw Afternoon Depart Chicago for Warsaw Day Two: Monday, March 20: Arrive in Warsaw Warsaw is the sprawling capital of Poland. Its widely varied architecture reflects the city's long, turbulent history, from Gothic churches and neoclassical palaces to Soviet-era blocks and modern skyscrapers.
    [Show full text]
  • Contemporary American Painting and Sculpture
    AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J.
    [Show full text]
  • Art and Economics in the City
    Caterina Benincasa, Gianfranco Neri, Michele Trimarchi (eds.) Art and Economics in the City Urban Studies Caterina Benincasa, art historian, is founder of Polyhedra (a nonprofit organi- zation focused on the relationship between art and science) and of the Innovate Heritage project aimed at a wide exchange of ideas and experience among scho- lars, artists and pratictioners. She lives in Berlin. Gianfranco Neri, architect, teaches Architectural and Urban Composition at Reggio Calabria “Mediterranea” University, where he directs the Department of Art and Territory. He extensively publishes books and articles on issues related to architectural projects. In 2005 he has been awarded the first prize in the international competition for a nursery in Rome. Michele Trimarchi (PhD), economist, teaches Public Economics (Catanzaro) and Cultural Economics (Bologna). He coordinates the Lateral Thinking Lab (IED Rome), is member of the editoral board of Creative Industries Journal and of the international council of the Creative Industries Federation. Caterina Benincasa, Gianfranco Neri, Michele Trimarchi (eds.) Art and Economics in the City New Cultural Maps An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-4214-2. More information about the initiative and links to the Open Access version can be found at www.know- ledgeunlatched.org. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial-No- Derivatives 4.0 (BY-NC-ND) which means that the text may be used for non-commer- cial purposes, provided credit is given to the author.
    [Show full text]
  • Truth Is Concrete #16 B Y T He P Ink Y Sho W
    Truth is concrete #16 by The Pinky Show 14.00 Black Cube Some kind of beginning Truth is An opening proposal by Tim Etchells / Forced Entertainment (GB) Performed by Jerry Killick (GB) Questions, hellos, dedications, fragments, answers concrete and yet more questions. In characteristic seriously unserious and unseriously serious style “Some kind of beginning“ is a tentative and extremely partial “Art is a left-wing hobby.” introduction to things otherwise not spoken about Geert Wilders or yet unspoken. A proposal of a structure of brief Fri exchange, call and response to kick off the Marathon. These have been months, years of unbelievably fast change all over the world. Uprisings in the Arabic world. Revolutions and counter-revolutionary attempts. Tim Etchells is an artist and a writer. His work shifts between performance, visual art and fiction. He has Islamistic threats and the fetishisation of Islamistic threats. Demonstrations worked in a wide variety of contexts, notably as the and repercussions in Russia, Ukraine, Belorussia … Persecution of artists – leader of the performance group Forced Entertainment. sometimes under a bright spotlight as in the cases of Pussy Riot or Ai Wei Wei, Jerry Killick is a performer and actor who has been but more often unnoticed by a broader public. The nuclear disaster in Japan. The devising and performing in about a dozen of Forced Entertainment's plays and many other productions. appearance (and disappearance?) of Occupy all over the world. The rise of the right wing in many countries – often as a side-effect of the financial devastations day that threaten the whole European project.
    [Show full text]
  • Bibliographical Index
    Bibliographical Index BIBLIOGRAPHICAL ACCESS TO THIS VOLUME Bacon, Roger. Opus Majus. 305, 322, 345 Basil, Saint. Homilies. 328 Three modes of access to bibliographical information are used Bede, the Venerable. De natura rerum. 137 in this volume: the footnotes; the bibliographies; and the Bib­ ---. De temporum ratione. 321 liographical Index. The footnotes provide the full form of a reference the first Cassiodorus. Institutiones divinarum et saecularium time it is cited in each chapter with short-title versions in litterarum. 172, 255, 259, 261 subsequent citations. In each of the short-title references, the Cato the Elder. Origines. 205 note number of the fully cited work is given in parentheses. Censorinus. De die natalie 255 The bibliographies following each chapter provide a selec­ Chaucer, Geoffrey. Prologue to the Canterbury Tales. 387 tive list of major books and articles relevant to its subject Cicero. Arataea (translation of Aratus's versification of matter. Eudoxus's Phaenomena). 143 The Bibliographical Index comprises a complete list, ar­ ---. Letters to Atticus. 255 ranged alphabetically by author's name, of all works cited in ---. De natura deorum. 160,168 the footnotes. Numbers in bold type indicate the pages on --. The Republic. 159, 160, 255 which references to these works can be found. This index is ---. Tusculan Disputations. 160 divided into two parts. The first part identifies the texts of Cleomedes. De motu circulari. 152, 154, 169 classical and medieval authors. The second part lists the mod­ Cosmas Indicopleustes. Christian Topography. 143, 144, ern literature. 261 Ctesias of Cnidus. Indica. 149 TEXTS OF CLASSICAL AND MEDIEVAL ---. Persica. 149 AUTHORS Dicuil.
    [Show full text]
  • Das "TACHELES" in Berlin. Vom Passage-Kaufhaus Zum Kunsthaus
    Das „TACHELES“ in Berlin Vom Passage-Kaufhaus zum Kunsthaus Der Nutzungswandel einer Bautypologie im Kontext soziokultureller Stadtentwicklung Die approbierte gedruckte Originalversion dieser Diplomarbeit ist an der TU Wien Bibliothek verfügbar. The approved original version of this thesis is available in print at TU Wien Bibliothek. Diplomarbeit Das „TACHELES“ in Berlin Vom Passage-Kaufhaus zum Kunsthaus Der Nutzungswandel einer Bautypologie im Kontext soziokultureller Stadtentwicklung ausgeführt zum Zwecke der Erlangung des akademischen Grades einer Diplom-Ingenieurin unter der Leitung von Univ. Prof. Dr. Ing. Marina Döring-Williams M.A. E251-01 Institut für Kunstgeschichte, Bauforschung und Denkmalpflege eingereicht an der Technischen Universität Wien Fakultät für Architektur und Raumplanung von Insa Luise Höhne, Bsc Die approbierte gedruckte Originalversion dieser Diplomarbeit ist an der TU Wien Bibliothek verfügbar. The approved original version of this thesis is available in print at TU Wien Bibliothek. 01429162. (E066 443) Wien, im November 2019 Insa Luise Höhne Die approbierte gedruckte Originalversion dieser Diplomarbeit ist an der TU Wien Bibliothek verfügbar. The approved original version of this thesis is available in print at TU Wien Bibliothek. KURZFASSUNG In meiner Masterarbeit mit dem Titel „Das „TACHELES“ Vom Passage-Kaufhaus zum Kunsthaus. Der Nutzungswandel einer Bautypologie im Kontext soziokultureller Stadtentwicklung“ zeige ich die Verbindung von Architektur, und soziokulturellen sowie städtebaulichen Entwicklungen auf. Anhand des Forschungsobjektes „Tacheles“ in Berlin und dessen Nutzungswandel setze ich diese Themenbereiche in Kontext zueinander. Die Betreuung dieser Arbeit übernahm Frau Univ. Prof. Döring-Williams. Im Speziellen befasse ich mich im ersten Themenbereich meiner Arbeit zunächst ausführlich mit der baugeschichtlichen Analyse der Bautypologie „Passage“. Diese liegt dem Forschungsobjekt zugrunde.
    [Show full text]
  • İncəsənət Və Mədəniyyət Problemləri Jurnalı
    AZƏRBAYCAN MİLLİ ELMLƏR AKADEMİYASI AZERBAIJAN NATIONAL ACADEMY OF SCIENCES НАЦИОНАЛЬНАЯ АКАДЕМИЯ НАУК АЗЕРБАЙДЖАНА MEMARLIQ VƏ İNCƏSƏNƏT İNSTİTUTU INSTITUTE OF ARCHITECTURE AND ART ИНСТИТУТ АРХИТЕКТУРЫ И ИСКУССТВА İncəsənət və mədəniyyət problemləri Beynəlxalq Elmi Jurnal N 4 (74) Problems of Arts and Culture International scientific journal Проблемы искусства и культуры Международный научный журнал Bakı - 2020 Baş redaktor: ƏRTEGİN SALAMZADƏ, AMEA-nın müxbir üzvü (Azərbaycan) Baş redaktorun müavini: GULNARA ABDRASİLOVA, memarlıq doktoru, professor (Qazaxıstan) Məsul katib : FƏRİDƏ QULİYEVA, sənətşünaslıq üzrə fəlsəfə doktoru (Azərbaycan) Redaksiya heyətinin üzvləri: ZEMFİRA SƏFƏROVA – AMEA-nın həqiqi üzvü (Azərbaycan) RƏNA MƏMMƏDOVA – AMEA-nın müxbir üzvü (Azərbaycan) RƏNA ABDULLAYEVA – sənətşünaslıq doktoru, professor (Azərbaycan) SEVİL FƏRHADOVA – sənətşünaslıq doktoru (Azərbaycan) RAYİHƏ ƏMƏNZADƏ - memarlıq doktoru, professor (Azərbaycan) VLADİMİR PETROV – fəlsəfə elmləri doktoru, professor (Rusiya) KAMOLA AKİLOVA – sənətşünaslıq doktoru, professor (Özbəkistan) MEYSER KAYA – fəlsəfə doktoru (Türkiyə) VİDADİ QAFAROV – sənətşünaslıq üzrə fəlsəfə doktoru, dosent (Azərbaycan) Editor-in-chief: ERTEGIN SALAMZADE, corresponding member of ANAS (Azerbaijan) Deputy editor: GULNARA ABDRASSILOVA, Prof., Dr. (Kazakhstan) Executive secretary: FERİDE GULİYEVA Ph.D. (Azerbaijan) Members to editorial board: ZEMFIRA SAFAROVA – academician of ANAS (Azerbaijan) RANA MAMMADOVA – corresponding-member of ANAS (Azerbaijan) RANA ABDULLAYEVA – Prof., Dr. (Azerbaijan)
    [Show full text]
  • 2006 Annual Conference Program Sessions
    24 CAA Conference Information 2006 ARTspace is a conference within the Conference, tailored to the interests and needs of practicing artists, but open to all. It includes a large­ audience session space and a section devoted to the video lounge. UNLESS OTHERWISE NOTED. ALL ARTSPACE EVENTS ARE IN THE HYNES CONVENTION GENTER, THIRD LEVEl, ROOM 312. WEDNESDAY, FEBRUARY 22 ------------------- 7:30 AM-9:00 AM MORNING COFFEE, TEA, AND JUICE 9:30 AM-NOON SlOPART.COM BRIAN REEVES AND ADRIANE HERMAN Slop Art corporate representatives will share popular new product­ distribution and expression-formatting strategies they've developed to address mounting consumer expectation for increasing affordability, portability, familiar formatting, and validating brand recognition. New franchise opportunities, including the Slop Brand Shippable Showroom™, will be outlined. Certified Masterworks™ and product submission guidelines FREE to all attendees. 12:30 PM-2:00 PM RECENT WORK FROM THE MIT MEDIA LAB Christopher Csikszelltlnihalyi, a visual artist on the faculty at the MIT Media Lab, coordinates a presentation featuring recent faculty work from the MIT Media Lab; see http;llwww.media.mit.edu/about! academics.htm!. 2:30 PM-5:00 PM STUDIO ART OPEN SESSIOII PAINTING Chairs; Alfredo Gisholl, Brandeis University; John G. Walker, Boston University Panelists to be announced. BOSTON 25 THURSDAY, FEBRUARY 23 2:30 PM-5:00 PM STUDIO ART OPEN SESSIOII 7:30 AM-9:00 AM PRINTERLY PAINTERLY: THE INTERRELATIONSHIP OF PAINTING AND PRINTMAKING MORNING COFFEE, TEA, AND JUICE Chair: Nona Hershey, Massachusetts College of Art Clillord Ackley, Museum of Fine Arts, Boston 9:00 AM-5:30 PM Michael Mazur, independent artist James Stroud, independent artist, Center Street Studio, Milton Village, VIDEO lOUNGE: EXPANDED CINEMA FOR THE DIGITAL AGE Massachusetts A video screening curated by leslie Raymond and Antony Flackett Expanded Cinema emerged in the 19605 with aspirations to explore expanded consciousness through the technology of the moving image.
    [Show full text]
  • Street Art: Lesson What Is Street Art? 9 How Is It Diferent from Grafti? Why Can It Be Perceived As Controversial?
    Street Art: Lesson What is Street Art? 9 How is it diferent from Grafti? Why can it be perceived as controversial? LESSON OVERVIEW/OBJECTIVES Students will learn about Street Art, its history and evolution. They will explore the differences between Street Art and Graffti and talk about why Street Art can be controversial. Students will learn about a well known street artist named Banksy and his work and style as well as look at samples of street art from aroud the world. Students will use stencils, paints and pens to create their own personal brand in the form of street art. KEY IDEAS THAT CONNECT TO VISUAL ARTS CORE CURRICULUM: Based on Utah State Visual Arts Core Curriculum Requirements (3rd Grade) Standard 1 (Making): The student will explore and refne the application of media, techniques, and artistic processes. Objective 1: Explore a variety of art materials while learning new techniques and processes. b. Use simplifed forms, such as cones, spheres, and cubes, to begin drawing more complex forms. d. Make one color dominant in a painting. e. Create the appearance of depth by drawing distant objects smaller and with less detail than objects in the foreground. Objective 3: Handle art materials in a safe and responsible manner. a. Ventilate the room to avoid inhaling fumes from art materials. b. Dispose and/or recycle waste art materials properly. c. Clean and put back to order art making areas after projects. d. Respect other students’ artworks as well as one’s own. Standard 2 (Perceiving): The student will analyze, refect on, and apply the structures of art.
    [Show full text]
  • A Culture of Appropriation: Strategiesof Temporaryreuse in Eastgermany by Michaelaheinemann Diplom-Ingenieurarchitektur Technicaluniversity of Berlin
    A Culture of Appropriation: Strategies of Temporary Reuse in East Germany by Michaela Heinemann Diplom-Ingenieur Architektur Technical University of Berlin 2002 CA'HUSE INS OF T ECHNOLOI~V Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies LIBRARIES at the Massachusetts Institute of Technology June, 2005 ROTCH) Signature of Author Michaela Heinemann, Department of Architecture, May 19, 2005 Certified by Professor Mark JartornbekWs,6ciate Professor of History and Architecture, Thesis Supervisor Accepted by - Professor Julia< inart, Professor &FAkhitecture, Chair, Committee on Graduate Students Copyright 2005 Michaela Heinemann. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. S,0jlMML Reader Caroline Jones Associate Professor of the History of Art History, Theory and Criticism Department of Architecture 3 A Culture of Appropriation: Strategies of Temporary Reuse in East Germany by Michaela Heinemann Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies Abstract This thesis examines the possibilities of creative appropriation of existing spaces. It defines interstitial practices as both critical and imaginative forces that actively participate in the production of social space. Temporary interventions assert their topicality by inserting themselves into specific urban discourses in which they have the potential to act as cultural catalysts. Two recent festivals, Volkspalast (2004) in Berlin and Hotel Neustadt (2003) in Halle (Saxony-Anhalt), serve as case studies that exemplify different strategies of the temporary.
    [Show full text]