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Herakles Iconography on Tyrrhenian Amphorae
HERAKLES ICONOGRAPHY ON TYRRHENIAN AMPHORAE _____________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia _____________________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts ______________________________________________ by MEGAN LYNNE THOMSEN Dr. Susan Langdon, Thesis Supervisor DECEMBER 2005 ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Dr. Susan Langdon, and the other members of my committee, Dr. Marcus Rautman and Dr. David Schenker, for their help during this process. Also, thanks must be given to my family and friends who were a constant support and listening ear this past year. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………ii LIST OF ILLUSTRATIONS……………………………………………………………..v Chapter 1. TYRRHENIAN AMPHORAE—A BRIEF STUDY…..……………………....1 Early Studies Characteristics of Decoration on Tyrrhenian Amphorae Attribution Studies: Identifying Painters and Workshops Market Considerations Recent Scholarship The Present Study 2. HERAKLES ON TYRRHENIAN AMPHORAE………………………….…30 Herakles in Vase-Painting Herakles and the Amazons Herakles, Nessos and Deianeira Other Myths of Herakles Etruscan Imitators and Contemporary Vase-Painting 3. HERAKLES AND THE FUNERARY CONTEXT………………………..…48 Herakles in Etruria Etruscan Concepts of Death and the Underworld Etruscan Funerary Banquets and Games 4. CONCLUSION………………………………………………………………..67 iii APPENDIX: Herakles Myths on Tyrrhenian Amphorae……………………………...…72 BIBLIOGRAPHY………………………………………………………………………..77 ILLUSTRATIONS………………………………………………………………………82 iv LIST OF ILLUSTRATIONS Figure Page 1. Tyrrhenian Amphora by Guglielmi Painter. Bloomington, IUAM 73.6. Herakles fights Nessos (Side A), Four youths on horseback (Side B). Photos taken by Megan Thomsen 82 2. Tyrrhenian Amphora (Beazley #310039) by Fallow Deer Painter. Munich, Antikensammlungen 1428. Photo CVA, MUNICH, MUSEUM ANTIKER KLEINKUNST 7, PL. 322.3 83 3. Tyrrhenian Amphora (Beazley #310045) by Timiades Painter (name vase). -
VIVERE MILITARE EST from Populus to Emperors - Living on the Frontier Volume I
VIVERE MILITARE EST From Populus to Emperors - Living on the Frontier Volume I BELGRADE 2018 VIVERE MILITARE EST From Populus to Emperors - Living on the Frontier INSTITUTE OF ARCHAEOLOGY MONOGRAPHIES No. 68/1 VIVERE MILITARE EST From Populus to Emperors - Living on the Frontier VOM LU E I Belgrade 2018 PUBLISHER PROOFREADING Institute of Archaeology Dave Calcutt Kneza Mihaila 35/IV Ranko Bugarski 11000 Belgrade Jelena Vitezović http://www.ai.ac.rs Tamara Rodwell-Jovanović [email protected] Rajka Marinković Tel. +381 11 2637-191 GRAPHIC DESIGN MONOGRAPHIES 68/1 Nemanja Mrđić EDITOR IN CHIEF PRINTED BY Miomir Korać DigitalArt Beograd Institute of Archaeology, Belgrade PRINTED IN EDITORS 500 copies Snežana Golubović Institute of Archaeology, Belgrade COVER PAGE Nemanja Mrđić Tabula Traiana, Iron Gate Institute of Archaeology, Belgrade REVIEWERS EDITORiaL BOARD Diliana Angelova, Departments of History of Art Bojan Ðurić, University of Ljubljana, Faculty and History Berkeley University, Berkeley; Vesna of Arts, Ljubljana; Cristian Gazdac, Faculty of Dimitrijević, Faculty of Philosophy, University History and Philosophy University of Cluj-Napoca of Belgrade, Belgrade; Erik Hrnčiarik, Faculty of and Visiting Fellow at the University of Oxford; Philosophy and Arts, Trnava University, Trnava; Gordana Jeremić, Institute of Archaeology, Belgrade; Kristina Jelinčić Vučković, Institute of Archaeology, Miomir Korać, Institute of Archaeology, Belgrade; Zagreb; Mario Novak, Institute for Anthropological Ioan Piso, Faculty of History and Philosophy Research, -
Analecta Romana Instituti Danici Xxxv/Xxxvi
ANALECTA ROMANA INSTITUTI DANICI XXXV/XXXVI ANALECTA ROMANA INSTITUTI DANICI XXXV/XXXVI 2010/11 ROMAE MMX-MMXI ANALECTA ROMANA INSTITUTI DANICI XXXV-XXXVI © 2011 Accademia di Danimarca ISSN 2035-2506 Published with the support of a grant from: Det Frie Forskningsråd / Kultur og Kommunikation SCIENTIFIC BOARD Ove Hornby (Bestyrelsesformand, Det Danske Institut i Rom) Jesper Carlsen (Syddansk Universitet) Astrid Elbek (Det Jyske Musikkonservatorium) Karsten Friis-Jensen (Københavns Universitet) Helge Gamrath (Aalborg Universitet) Maria Fabricius Hansen (Ny Carlsbergfondet) Michael Herslund (Copenhagen Business School) Hannemarie Ragn Jensen (Københavns Universitet) Kurt Villads Jensen (Syddansk Universitet) Mogens Nykjær (Aarhus Universitet) Gunnar Ortmann (Det Danske Ambassade i Rom) Bodil Bundgaard Rasmussen (Nationalmuseet, København) Birger Riis-Jørgensen (Det Danske Ambassade i Rom) Lene Schøsler (Københavns Universitet) Poul Schülein (Arkitema, København) Anne Sejten (Roskilde Universitet) EDITORIAL BOARD Marianne Pade (Chair of Editorial Board, Det Danske Institut i Rom) Erik Bach (Det Danske Institut i Rom) Patrick Kragelund (Danmarks Kunstbibliotek) Gitte Lønstrup Dal Santo (Det Danske Institut i Rom) Gert Sørensen (Københavns Universitet) Birgit Tang (Det Danske Institut i Rom) Maria Adelaide Zocchi (Det Danske Institut i Rom) Analecta Romana Instituti Danici. — Vol. I (1960) — . Copenhagen: Munksgaard. From 1985: Rome, «L’ERMA» di Bretschneider. From 2007 (online): Accademia di Danimarca ANALECTA ROMANA INSTITUTI DANICI encourages scholarly contributions within the Academy’s research fields. All contributions will be peer reviewed. Manuscripts to be considered for publication should be sent to: [email protected]. Authors are requested to consult the journal’s guidelines at www.acdan.it. Contents STINE BIRK Third-Century Sarcophagi from the City of Rome: A Chronological Reappraisal 7 URSULA LEHMANN-BROCKHAUS Asger Jorn: Il grande rilievo nell’Aarhus Statgymnasium 31 METTE MIDTGÅRD MADSEN: Sonne’s Frieze versus Salto’s Reconstruction. -
Cambridge University Press 978-1-107-12012-9 — the Cambridge World History of Violence Edited by Garrett G
Cambridge University Press 978-1-107-12012-9 — The Cambridge World History of Violence Edited by Garrett G. Fagan , Linda Fibiger , Mark Hudson , Matthew Trundle Index More Information Index Abbink, Jon 608 Aijmer, Göran 608 Abner, and Joab 619–20 Akhenaton, pharaoh 188, 191 ‘abomination’, biblical notion of 615–16 Akhtoy III, pharaoh 345 Abram (Abraham) 611 Akkad, kingdom of 221, 228 sacrifice of son 617 culture 460 Abu-Lughod, Lila 395 fall of 230 Abydos, Egypt, First Dynasty burials 464 Alcibiades 542 acephalous society warfare see hunter- treatment of wife and dog 392–4 gatherers; raiding Alesia, battle of (52 BCE) 154 Achaemenides, son of Amestris 370 Alexander the Great 29, 235, 552 Acts of Ptolemy and Lucius 583, 584 Alexander Severus, emperor 254 Acy-Romance, France, Iron Age human Alexandria, destruction of the Serapeion (391 sacrifice 453 CE) 513, 515, 520–2 Adrianople, battle of (378 CE) 264, 268 Alken Enge, Jutland, Iron Age massacre adultery deposit 448 biblical punishment of women 616 Allan, William 540 punishment by male members of Allen, Danielle 383 household 385 Alvarado, Pedro de 214 by women in Greece 384, 390 Amarna Letters, between Babylon and Aegospotami, battle of (405 BCE) 538 Egypt 234 Aeneas 550 Amenemhet II, pharaoh 346 and Anchises 676, 681 Amenhotep II, pharaoh 183, 186 Africa Americas Homo erectus 58 evidence of violence in Paleoamericans Homo sapiens in 58 23, 54 Later Stone Age 99–104, 104 initial colonisation 199 see also hunter-gatherers; Kalahari ritualised violence 7 Agathonike, martyr 583 skeletal evidence -
Front Matter
Cambridge University Press 978-1-107-02320-8 - Campus Martius: The Field of Mars in the Life of Ancient Rome Paul W. Jacobs II and Diane Atnally Conlin Frontmatter More information CAMPUS MARTIUS A mosquito-infested and swampy plain lying north of the city walls, Rome’s Campus Martius, or Field of Mars, was used for much of the Roman Republic as a military training ground and as a site for celebratory rituals and the occasional political assembly. Initially punctuated with temples vowed by victorious generals, during the imperial era it became filled with extraordinary baths, theaters, porticoes, aqueducts, and other structures – many of which were architectural firsts for the capital. This book explores the myriad factors that contributed to the transformation of the Campus Martius from an occasionally visited space to a crowded center of daily activity. It presents a case study of the repurposing of urban landscape in the Roman world and explores how existing topographical features that fit well with the republic’s needs ultimately attracted architecture that forever transformed those features but still resonated with the area’s original military and ceremonial traditions. Paul W. Jacobs II is an independent scholar who focuses on ancient Rome and its topographical development. A graduate of Harvard College and the University of Virginia Law School, and a litigator by training, Jacobs has practiced and published in the area of voting rights, where knowledge of demographics, mapmaking, and geography is essential. He has spent extensive time in Rome and has studied the ancient city and its development for decades. Diane Atnally Conlin is Associate Professor of Classics at the University of Colorado, Boulder. -
The Roman Empire During the Severan Dynasty
The Roman Empire during the Severan Dynasty John Cabot University, Rome, April 15-16, 2011 FRIDAY, APRIL 15, 2011, (TIBER CAMPUS, JCU) 9:00-9:15 Introduction by Eric C. De Sena SESSION I – ROMAN PROVINCES DURING THE SEVERAN PERIOD 9:15-9:35 Simone Rambaldi (Università degli Studi di Bologna/ Facoltà di Conservazione dei Beni Culturali, Trapani). L’attività edilizia romana a destinazione pubblica fra i Severi e i Soldatenkaiser: trasformazioni e continuità. 9:35-9:55 Jean-Paul Petit (Parc Archeologique europeen de Bliesbruck-Reinheim) and Sara Santoro (Università degli Studi di Chieti). Lo sviluppo del vicus Bliesbruck (Moselle, France) agli inizi del III sec. d.C. e la vitalità della Gallia Belgica mosellana nell’epoca dei Severi. 9:55-10:15 Alice Dazzi (Università degli Studi di Parma). Water works and monuments in the Severan Age: some considerations. 10:15-10:30 Discussion Coffee Break 10:30-10:45 10:45-11:05 Giovanni Distefano (Università della Calabria/Parco Archeologico di Camarina). Cartagine durante l'età Severiana. 11:05-11:25 Tino Lelekovic (Croatian Academy of Sciences and Arts). Southern Pannonia in the time of the Severans. 11:25-11:45 Müjde Turkmen (Istanbul University). Architectural decoration of the Severan period in Pamphylia and Cilicia. 11.45-12:00 Discussion Lunch Break 12:00-12:50 SESSION II – ASPECTS OF THE ECONOMY DURING THE SEVERAN PERIOD 12:50-13:10 Giancarlo Germanà (Accademia di Belle Arti di Siracusa). Some observations on Sicily during the Severan Dynasty. 13:10-13:30 Daniele Malfitana (CNR – Università di Catania). Economy of Sicily during the Severan Period. -
A Study of the Latin Epigraphic Evidence
THE PRODUCTION OF SHOWS IN THE CITIES OF THE ROMAN EMPIRE THE PRODUCTION OF SHOWS IN THE CITIES OF THE ROMAN EMPIRE: A STUDY OF THE LATIN EPIGRAPHIC EVIDENCE by GUY CHAMBERLAND, M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University © Copyright by Guy Chamberland, March 2001 DOCTOR OF PHILOSOPHY (2001) McMaster University (Classics) Hamilton, Ontario TITLE: The Production ofShows in the Cities of the Roman Empire: A Study ofthe Latin Epigraphic Evidence AUTHOR: Guy Chamberland, B.A. (McGill University), M.A. (University of Ottawa) SUPERVISOR: Professor W.J. Slater NUMBER OF PAGES: vi,329 McMASTER UNtVEiiSITY UBRARl'l ABSTRACT The "games" - scenic representations, chariot races, gladiatorial combats and athletic displays - played a fundamental role in the Roman world. A great deal has been said on the program and cost of such events, on their social function, on the role of the senatorial elite and emperors as providers of games. These issues, however, can be treated almost only with the city of Rome in view; there is very little in the sources that allows for a study along these lines at the level of the several thousands of cities of the Latin part of the Empire. The main reason for this is easy to identify: ancient authors show very little interest for municipal life and institutions. Our documentation on the production of games at the municipal level happens to be almost entirely composed of inscriptions written in a highly formalized language. This material can be deciphered only by bringing together and studying most or all relevant inscription on a given issue. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date: 11-09-2006 I, Mark Andrew Atwood, hereby submit this work as part of the requirements for the degree of: Master of Arts in: The Department of Classics It is entitled: Trajan’s Column: The Construction of Trajan’s Sepulcher in Urbe This work and its defense approved by: Chair: Peter van Minnen William Johnson Trajan’s Column: The Construction of Trajan’s Sepulcher in Urbe A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati In partial fulfillment of the Requirements for the degree of MASTER OF ARTS in the Department of Classics of the College of Arts and Sciences 2006 By MARK ANDREW ATWOOD B.A., University of Minnesota, Minneapolis, MN 2004 Committee Chair: Dr. Peter van Minnen Abstract Eutropius (8.5.2) and Dio (69.2.3) record that after Trajan’s death in A.D. 117, his cremated remains were deposited in the pedestal of his column, a fact supported by archeological evidence. The Column of Trajan was located in urbe. Burial in urbe was prohibited except in certain circumstances. Therefore, scholars will not accept the notion that Trajan overtly built his column as his sepulcher. Contrary to this opinion, I argue that Trajan did in fact build his column to serve as his sepulcher. Chapter 1 examines the extensive scholarship on Trajan’s Column. Chapter 2 provides a critical discussion of the relevant Roman laws prohibiting urban burial. Chapter 3 discusses the ritual of burial in urbe as it relates to Trajan. Chapter 4 identifies the architectural precedent for Trajan’s Column and precedent for imperial burials in urbe. -
Dying by the Sword: Did the Severan Dynasty Owe Its Downfall to Its Ultimate Failure to Live up to Its Own Militaristic Identity?
Dying by the Sword: Did the Severan dynasty owe its downfall to its ultimate failure to live up to its own militaristic identity? Exam Number: B043183 Master of Arts with Honours in Classical Studies Exam Number: B043183 1 Acknowledgements Warm thanks to Dr Matthew Hoskin for his keen supervision, and to Dr Alex Imrie for playing devil’s advocate and putting up with my daft questions. Thanks must also go to my family whose optimism and belief in my ability so often outweighs my own. Exam Number: B043183 2 TABLE OF CONTENTS List of Illustrations 3 Introduction 4 Chapter One – Living by the Sword 6 Chapter Two – Dying by the Sword 23 Chapter Three – Of Rocky Ground and Great Expectations 38 Conclusion 45 Bibliography 48 Word Count: 14,000 Exam Number: B043183 3 List of Illustrations Fig. 1. Chart detailing the percentage of military coin types promoted by emperors from Pertinax to Numerian inclusive (Source: Manders, E. (2012), Coining Images of Power: Patterns in the Representation of Roman Emperors on Imperial Coinage, AD 193-284, Leiden, p. 65, fig. 17). Fig. 2. Portrait statue showing Caracalla in full military guise (Source: https://www.dailysabah.com/history/2016/08/02/worlds-only-single-piece-2nd-century- caracalla-statue-discovered-in-southern-turkey (Accessed 14/01/17). Fig. 3. Bust of Caracalla wearing sword strap and paludamentum (Source: Leander Touati, A.M. (1991), ‘Portrait and historical relief. Some remarks on the meaning of Caracalla’s sole ruler portrait’, in A.M. Leander Touati, E. Rystedt, and O. Wikander (eds.), Munusula Romana, Stockholm, 117-31, p. -
Foust Handout Images.Pdf
Figure 2. Roman coin from 56 BCE under Pompey. The three trophies represent his three Figure 1. Trajan’s Column, open battle genre Triumphs.ii Scene (XXIV) i Figure 3: Dionysiac Cult Celebration, mid to late Figure 2: Scythian Funerary Sceneiv fifth century BCE.iii Figure 3: Portonaccio Sarcophagus, 190-200 CE, National Museum of Rome, for a general of Marcus Aurelius, showing battle with the Sarmatians. The trophy on the right shows a face mask used in battle. Another relief on the column of M. Aurelius shows a trophy with this type of mask.v Figure 5: Reliefs of the Temple of Hadrian, held at the National Archaeology Museum of Naples.vi Figure 6: Victory carrying the standard of military success from Hadrian’s temple on the Campus Martius, 145 CE, the location where the Roman Triumphs began.vii i From http://arts.st-andrews.ac.uk/trajans-column/the-project/numbering-conventions-and-site-guide/, Univ. of Saint Andrews, [accessed 6 July 2017]. ii Image from ancient Coin Search Engine; a similar coin also appears in Beard, The Roman Triumph, 20. iii https://www.britannica.com/topic/mystery-religion, Louvre, Paris. iv https://www.thecultureconcept.com/scythians-warriors-of-ancient-siberia-british-museum-show. v Open source image from https://en.wikipedia.org/wiki/Portonaccio_sarcophagus. vi http://ancientrome.ru/art/artworken/img.htm?id=7303 From the Temple of Hadrian on the Campus Martius, dates to 145 CE. (Museo archeologico nazionale di Napoli). This represents another image of a trophy. vii From http://ancientrome.ru/art/artworken/img.htm?id=7300 from http://ancientrome.ru/art/artworken/art-search-e.htm. -
The Persistence of Relief: Relief Sculpture in Contemporary Art
The Persistence of Relief: Relief Sculpture in Contemporary Art Author Reynolds, Bruce Published 2018-09 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/1491 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/382698 Griffith Research Online https://research-repository.griffith.edu.au The Persistence of Relief Relief Sculpture in Contemporary Art Bruce Reynolds September 2018 Candidate for a Doctorate of Visual Art Queensland College of Art, AEL, Griffith University Supervised by Dr Julie Fragar and Dr Rosemary Hawker All photographs by the author unless otherwise noted. ! ! Submitted in Partial fulfilment of the requirements of the degree of Doctor of Visual Arts. This work has not previously been submitted for a degree or diploma in any university. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person except where due reference is made in the thesis itself. 11th September, 2018 ! ! Acknowledgements Thank you to my supervisors, Dr. Julie Fragar and Dr. Rosemary Hawker who generously enabled me to benefit from their invaluable experience. Thank you to Isabella Reynolds and Genevieve Reynolds and Marian Drew for their patience and support. Thank you to all of the artists and students of art who continue to inspire and to The British School at Rome. ! III! Abstract Relief sculpture can be understood as a form in two and a half dimensions, between drawing or painting and sculpture. Relief is also a renewed area of artistic practice, long in decline and marginalized in the 20th Century. -
Imperial Women and the Evolution of Succession Ideologies in the Third Century
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School July 2020 Embodying the Empire: Imperial Women and the Evolution of Succession Ideologies in the Third Century Christina Hotalen University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Ancient History, Greek and Roman through Late Antiquity Commons Scholar Commons Citation Hotalen, Christina, "Embodying the Empire: Imperial Women and the Evolution of Succession Ideologies in the Third Century" (2020). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8452 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Embodying the Empire: Imperial Women and the Evolution of Succession Ideologies in the Third Century by Christina Hotalen A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of History College of Arts and Sciences University of South Florida Major Professor: Julie Langford, Ph.D. William Murray, Ph.D. Sheramy Bundrick, Ph.D. Matthew King, Ph.D. Alex Imrie, Ph.D. Date of Approval: July 2, 2020 Keywords: Numismatics, Epigraphy, Material Culture, Digital Humanities Copyright © 2020, Christina Hotalen ACKNOWLEDGEMENTS It is quite an understatement to say that it takes a village to write a dissertation. This was written during a global pandemic, civic unrest, and personal upheavals. However, to quote a dear friend, “non bellum, sed completum est.” I could not have ventured into and finished such a monumental undertaking, and at such a time, without my very own village.