Form vs. Function in Ovid's "Remedia Amoris" Author(s): Christopher Brunelle Source: The Classical Journal, Vol. 96, No. 2 (Dec., 2000 - Jan., 2001), pp. 123-140 Published by: The Classical Association of the Middle West and South Stable URL: http://www.jstor.org/stable/3298120 Accessed: 25-06-2015 17:09 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. The Classical Association of the Middle West and South is collaborating with JSTOR to digitize, preserve and extend access to The Classical Journal. http://www.jstor.org This content downloaded from 151.100.47.155 on Thu, 25 Jun 2015 17:09:45 UTC All use subject to JSTOR Terms and Conditions FORM VS. FUNCTION IN OVID'S REMEDIA AMORIS Ich zweifle aber,ob so ein Gedicht,das die Liebezwar abwehrend,aber doch so reizend behandelt,nicht eher zur Liebelockt, als davon wegschreckt.1 As August Graf von Platen noticed, there is something odd about Ovid's Remedia amoris: the poem claims to teach us how to escape love, but its generally charming tone may well have the opposite effect. The dangerous charm of its tone is at least in part a result of the meter of the poem, since Ovid has already claimed that the elegiac couplet is naturally suited to themes of eros (369, discussed below).