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Systemic Thought and Subjectivity in Percy Bysshe Shelley's Poetry
Systemic Thought and Subjectivity in Percy Bysshe Shelley‟s Poetry Sabrina Palan Systemic Thought and Subjectivity in Percy Bysshe Shelley’s Poetry Diplomarbeit zur Erlangung eines akademischen Grades einer Magistra der Philosophie an der Karl- Franzens Universität Graz vorgelegt von Sabrina PALAN am Institut für Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Martin Löschnigg Graz, 2017 1 Systemic Thought and Subjectivity in Percy Bysshe Shelley‟s Poetry Sabrina Palan Eidesstattliche Erklärung Ich erkläre an Eides statt, dass ich die vorliegende Arbeit selbstständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den benutzen Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Überdies erkläre ich, dass dieses Diplomarbeitsthema bisher weder im In- noch im Ausland in irgendeiner Form als Prüfungsarbeit vorgelegt wurde und dass die Diplomarbeit mit der vom Begutachter beurteilten Arbeit übereinstimmt. Sabrina Palan Graz, am 27.02.2017 2 Systemic Thought and Subjectivity in Percy Bysshe Shelley‟s Poetry Sabrina Palan Table of Contents 1. Introduction ............................................................................................................................ 5 2. Romanticism – A Shift in Sensibilities .................................................................................. 8 2.1 Etymology of the Term “Romantic” ............................................................................. 9 2.2 A Portrait of a Cultural Period ..................................................................................... -
Shelley's Poetic Inspiration and Its Two Sources: the Ideals of Justice and Beauty
SHELLEY'S POETIC INSPIRATION AND ITS TWO SOURCES: THE IDEALS OF JUSTICE AND BEAUTY. by Marie Guertin •IBtlOrHEQf*' * "^ «« 11 Ottawa ^RYMtt^ Thesis presented to the School of Graduate Studies of the University of Ottawa as partial fulfillment of the requirements for the degree of Master of Arts in English Literature Department of English Ottawa, Canada, 1977 , Ottawa, Canada, 1978 UMI Number: EC55769 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform EC55769 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 SHELLEY'S POETIC INSPIRATION AND ITS TWO SOURCES: THE IDEALS OF JUSTICE AND BEAUTY by Marie Guertin ABSTRACT The purpose of this dissertation is to show that most of Shelley's poetry can be better understood when it is related: (1) to each of the two ideals which constantly inspired Shelley in his life, thought and poetry; (2) to the increasing unity which bound these two ideals so closely together that they finally appeared, through most of his mature philosophical and poetical Works, as two aspects of the same Ideal. -
Red River Radio Ascertainment Files April 2018 – June 2018 STORY LOG – CHUCK SMITH, NEWS PRODUCER, RED RIVER RADIO
Red River Radio Ascertainment Files April 2018 – June 2018 STORY LOG – CHUCK SMITH, NEWS PRODUCER, RED RIVER RADIO 2604 Louisiana Has Fewes Number Of Women In State Government (1:53) Interview: Dr. G. Pearson Cross, ass’t. professor of politics at University of La. – Lafayette Airdate: Apr 2, 2018 Type: Interview Wrap 2605 La. House Passes Bill Making Hazing A Felony (1:55) Interview: Rep. Nancy Landry (R) Lafayette, LA Airdate: Apr 3, 2018 Type: Interview Wrap 2606 USDA Recalls Beef From Texas Meat Processor (1:00) Interview: Chuck Smith, Red River Radio News Producer Airdate: Apr 4, 2018 Type: Interview Wrap 2607 Higher Ed Leaders Ask Louisiana Lawmakers For Budget Stability (1:06) Interview:. King Alexander, President-LSU System Airdate: Apr 4, 2018 Type: Interview Wrap 2608 La. Bill To Raise Age For Buying Assault-Style Weapons Goes To Senate (1:49) Interview: Sen. Troy Carter, D-New Orleans Airdate: Apr 4, 2018 Type: Interview Wrap 2609 La. Lawmakers Reject Armed Teachers In School Proposal (1:00) Interview: Rep. Raymond Garofalo (R-Chalmette) Airdate: Apr 5, 2018 Type: Interview Wrap 2610 Bills To Raise TOPS Eligibility Head To La. House (2:41) Interview: Rep. Julie Emerson (R-Carencro, LA) Airdate: Apr 6, 2018 Type; Interview Wrap 2611 Gov. Edwards Warns "Clock Is Running Out" On Avoiding Budget Cuts (2:46) Interview: Gov. John Bel Edwards, La. Airdate: Apr 9, 2018 Type: Interview Wrap 2612 La. Sen. Kennedy To Question Facebook's Mark Zuckerberg Today (1:35) Interview: Sen. John Kennedy (R-La.) Airdate: Apr 10, 2018 Type: Interview -
Shelley's “Ode to the West Wind” As the Reflection and Expression Of
Culturalistics: Journal of Cultural, Literary, and Linguistic Studies 3 (2); 2019; 26-32 Available online at: http://ejournal.undip.ac.id/index.php/culturalistics Research Article Received: 03-11-2019; Accepted: 10-11-2019; Published: 12-12-2019 Shelley’s “Ode to the West Wind” as the Reflection and Expression of the Romantic Era Christine Renitriwati Respatio English Department, Diponegoro University,Semarang, 50277 Abstract Literary works usually act as a mirror of the society is life. A literary work can represent historical, social and political background of an era. A poem as one of literary works can do the same thing. In this paper, the writer took the Ode to the West Wind by Shelley, that is as the reflection of the Romantic Age. The writer used the historical approach to understand the historical background of the Romantic Period, and the aspect of the Romanticism era to explore the contain of the poem. The result shows that Ode to The West Wind is really reveals the condition of that era. Keywords: Romanticism; imagination; individual; the post; nature. 1. Introduction Literary works usually act as a mirror of the society’s life in which they are produced, or in other words we can say that the literary works act as the time spirit of an era. When and what kind of situation the literary works are produced are really describe a period of time. A literary work, thus, can represent historical, social and political background of an era. 2. Methods A poem as one of literary works can do the same thing. -
[SD0]= Livre Free Zastrozzi
Register Free To Download Files | File Name : Zastrozzi PDF ZASTROZZI Tapa blanda 22 marzo 2020 Author : It's OK it is interesting to read and entertaining. The style is quite pompous, which is normal for many novels of its time, but it is not a boring book at all. However, there is nothing more than that! I recommend it, but don't expect something spectacular with great suspence and pathos. There is very little Gothic flavour in this simple novel, in my opinion. Flawed but simultaneously completely perfect Zastrozzi: A Romance is a Gothic novel by Percy Bysshe Shelley first published in 1810 in London by George Wilkie and John Robinson anonymously, with only the initials of the author's name, as "by P.B.S.". The first of Shelley's two early Gothic novellas, the other being St. Irvyne, outlines his atheistic worldview through the villain Zastrozzi and touches upon his earliest thoughts on ... Zastrozzi: A Romance: With Geff Francis, Mark McGann, Tilda Swinton, Hilary Trott. An adaptation of Shelley's Gothic novel, presented as a contemporary romance. Zastrozzi, A Romance was first published in 1810 with only the author's initials "P.B.S." on its title page. Percy Bysshe Shelley wrote it when he was seventeen while at Eton College. it was the first of Shelley's two early Gothic novels and considered to be his first published prose work as well. Zastrozzi: A Romance (1810) is a Gothic horror novel masterpiece by Percy Bysshe Shelley. Zastrozzi was the first publushed work by Shelley in 1810. He wrote Zastrozzi when he was seventeen and a student at Eton. -
From Calcutta to California and Back Again Neil Degrasse Tyson “I Get To
From Calcutta to California and back again Sandip Roy turns novelist (p.4) Neil deGrasse Tyson In San Francisco: February 11th (p.3) “I get to DJ radio stories!” Ashleyanne Krigbaum on The Spot (p.6) Your Call special series: Policing, community, and justice (p.3) Music From Other Minds’ 10 years at KALW (p.13) Liner Notes returns Wednesday nights at 11 (p.12) CBC Fun Facts! (p.7) Winter 2015 KALW: By and for the community . COMMUNITY BROADCAST PARTNERS America Scores Bay Area • Association for Continuing Education • Berkeley Symphony Orchestra • Burton High School • East Bay Express • Global Exchange • INFORUM at The Commonwealth Club • Jewish Community Center of San Francisco • LitQuake • Mills College • New America Media • Other Minds • outLoud Radio • Radio Ambulante • San Francisco Arts Commission • San Francisco Conservatory of Music • San Quentin Prison Radio • SF Performances • Stanford Storytelling Project • StoryCorps • Youth Radio KALW VOLUNTEER PRODUCERS Dennis Aman, Wendy Baker, Luisa Beck, Dan Becker, David Boyer, Susie Britton, Jennie Butler, Sarah Cahill, Bob Campbell, Ronnie Cohen, Olivia Cuevas, Jeremy Dalmas, Jack Detsch, Julie Dewitt, Matt Fidler, Chuck Finney, Marcy Fraser, Richard Friedman, Ninna Gaensler-Debs, Chris Hambrick, Anne Huang, Eric Jansen, Linda Jue, Hannah Kingsley-Ma, Carol Kocivar, David Latulippe, Sukey Lewis, Alexis Luna-Torres, Martin MacClain, JoAnn Mar, Holly McDede, Marlo McKenzie, Rhian Miller, Charlie Mintz, Sandy Miranda, Daniel Moore, Ted Muldoon, Emmanuel Nado, Marty Nemko, Erik Neumann, -
Bibliography
Bibliography Allott , Miriam (ed.) ( 1982 ), Essays on Shelley (Liverpool: Liverpool University Press). Angeli , Helen Rossetti ( 1911 ), Shelley and His Friends in Italy (London: Methuen). Arditi , Neil (2001 ), ‘T. S. Eliot and The Triumph of Life ’, Keats-Shelley Journal 50, pp. 124–43. Arnold , Matthew ( 1960 –77), The Complete Prose Works , ed. R. H. Super, 11 vols (Ann Arbor: University of Michigan Press). Bainbridge , Simon ( 1995 ), Napoleon and English Romanticism (Cambridge: Cambridge University Press). Baker , Carlos ( 1948 ), Shelley’s Major Poetry: The Fabric of a Vision (Princeton: Princeton University Press). Bandiera , Laura ( 2008 ), ‘Shelley’s Afterlife in Italy: From 1922 to the Present’, in Schmid and Rossington ( 2008 ), pp. 74–96. Barker-Benfield , Bruce ( 1991), ‘Hogg-Shelley Papers of 1810–12’, Bodleian Library Record 14, pp. 14–29. Barker-Benfield , Bruce ( 1992 ), Shelley’s Guitar: An Exhibition of Manuscripts, First Editions and Relics to Mark the Bicentenary of the Birth of Percy Bysshe Shelley, 1792– 1992 (Oxford: Bodleian Library). Beatty, Bernard ( 1992 ), ‘Repetition’s Music: The Triumph of Life ’, in Everest ( 1992 a), pp. 99–114. Beavan , Arthur H . ( 1899 ), James and Horace Smith: A Family Narrative (London: Hurst and Blackett). Behrendt , Stephen C . ( 1989 ), Shelley and His Audiences (Lincoln: University of Nebraska Press). Bennett , Betty T ., and Curran, Stuart (eds) ( 1996 ), Shelley: Poet and Legislator of the World (Baltimore: Johns Hopkins University Press). Bennett , Betty T ., and Curran , Stuart (eds) ( 2000), Mary Shelley in Her Times (Baltimore: Johns Hopkins University Press). Bieri, James (1990 ), ‘Shelley’s Older Brother’, Keats-Shelley Journal 39, pp. 29–33. Bindman , David , Hebron , Stephen , and O’Neill , Michael ( 2007 ), Dante Rediscovered: From Blake to Rodin (Grasmere: Wordsworth Trust). -
Celebrating Joan Baez KQED Perks KQED Member Day at SFMOMA — Free Admission to New Museum on June 23
Member Magazine JUNE 2016 Celebrating Joan Baez KQED Perks KQED Member Day at SFMOMA — Free Admission to New Museum on June 23 After a three-year-long expansion, the new San Francisco Museum of Modern Art (SFMOMA) is a must-see San Francisco destination. The largest museum of its kind in the United States, SFMOMA now offers free public spaces, free admission for visitors 18 and under, 170,000 square feet of gallery space, and almost an entire floor devoted to photography. To celebrate the newly transformed museum, KQED is partnering with SFMOMA for KQED Member Day! On Thursday, June 23, KQED members plus one guest are admitted free to SFMOMA (current KQED MemberCard and valid ID required). These free, timed tickets must be picked up on-site, cannot be reserved in advance, and are subject to availability. For hours, information about exhibitions and more, visit sfmoma.org Ask/Tell: LGBT Event Focuses on Veterans Hosted by famed drag queen Landa Lakes, this year’s LGBT celebration will focus on KQED’s continued work with veterans. Former and active military personnel will speak about their experiences serving in the military through song, dance and spoken word — and glitter. Ask/Tell will include the whole spectrum of the queer population and © Henrik Kam, courtesy SFMOMA. will highlight important issues for the LGBT community today. Wednesday, June 8 Oasis, 298 11th St., San Francisco Doors open at 7pm Free, please register to attend. asktell.eventbrite.com courtesy Joseph Sinnott/WNET. KQED Members Save on Tickets to Snøhetta expansion of the new SFMOMA, San Jose Summer Concert Series Downtown San Jose’s 2016 Music in the Park concert series kicks off with Grammy Award winners Los Lobos on Friday, June 24. -
In Shelley, Dickens and Priestley's Mister Creecher Chloe
How monsters are made: ‘No remorse, no pity’ in Shelley, Dickens and Priestley’s Mister Creecher Chloe Alexandra Germaine Buckley, Lancaster University Abstract Chris Priestley’s 2011 novel, Mister Creecher, promises to show ‘the making of a monster…’ Set in 1818, the novel is a metafictional rewriting of Mary Shelley’s Frankenstein (1818), imagining the monster’s journey as he tracks his creator to Scotland. In this version, the monster is aided by London pickpocket, Billy, whose provenance, the early novels of Charles Dickens, suggests further intertexts for this contemporary novel. It is Billy, rather than the eponymous ‘Creecher’, who is the novel’s protagonist: a sentimentalized, suffering Dickensian child, whose narrative is reconfigured through encounters with Shelley’s gothic novel and a range of other intertexts. Through Billy, Mister Creecher (2011) re-imagines Dickens’ children and the Dickensian bildungsroman, reconfiguring the positions of villain and innocent. Neo-Victorian texts have been characterized by a doubled relationship to their intertexts, a relationship that is parasitic on the one hand, revisiting the traumas of a past reconstructed as barbaric, and redemptive on the other hand, since these reconstructions are usually aimed at a revisionist critique. In the case of Mister Creecher (2011) the parasitic relationship of contemporary metafiction to past gothic and Victorian works is a part of the novel’s active intertextual fabric. This is a novel that explores how intertextuality itself functions as a corrupting parasite, problematizing and infecting any future encounter with back-grounded works. The introduction of Shelley’s creation into Dickens’ landscape is a wilfully contradictory gesture. -
Singh Upadhi Mahavidyalaya, Pilibhit
Paper 3, Module 5: Text I. (A) Personal Details Name Affiliation Principal Investigator Prof. Tutun University of Hyderabad Mukherjee Paper Coordinator Dr. Neeru Tandon CSJM University, Kanpur Content Writer/Author (CW) Dr. Jaba Kusum Upadhi Mahavidyalaya, Singh Pilibhit Content Reviewer (CR) Dr Neeru Tandon CSJM University, Kanpur Language Editor (LE) Dr. Ram Prakash VSSD College, CSJMU Kanpur Pradhan (B) Description of Module Item Description of module Subject Name English literature Paper name Nineteenth Century English Literature Module title P B SHELLEY Module ID MODULE O5 Pre-requisites The reader is expected to have familiarity with the trends of the romantic age and major poets. Objectives To familiarize the reader with the poems and persona of P B SHELLEY as a poet. Key words Romanticism, Ode to the West Wind, Ode to a Skylark, Hymn to Intellectual Beauty 5.0 The Upshot 5.1 Shelley at a Glance 5.2 Introduction 5.3 Biographic and Career Details 5.4 Shelley, the Poet 5.5 Shelley and His Critics 5.6 Shelley and his Poetic Technique 5.7 Some Interesting Facts 5.8 ‘Ode to the West Wind’: A Study 5.9 ‘Ode to a Skylark’: A Critique 5.10 ‘Hymn To Intellectual Beauty’: An Analysis 5.11 Important Excerpts from the Poems 5.12 Conclusion 5.13 Self-assessment: Test Your Knowledge (Multiple Choice Questions) 5.14 Self-assessment: Explain the excerpts 5.15 Self-assessment: Answer the questions. 5.16 Bibliography /Web Links 5.0 The upshot The present module discusses P.B. Shelley‟s „Ode to the West Wind‟, „Ode to Skylark‟ and „Hymn to Intellectual Beauty.‟ The study begins with a general introduction of romantic poetry. -
Alix Spiegel March 2015
The Transom Review Volume 15/Issue 1 Alix Spiegel March 2015 (Edited by Sydney Lewis) Alix Spiegel The Transom Review – Vol.15/ Issue 1 Intro from Jay Allison It’s always a treat to happen upon an Alix Spiegel piece on NPR. Her tone is sure-footed and real, her subjects large and important, but life-sized. Her writing and interviewing blend perfectly, musically even. In her new Transom Manifesto Alix offers “A Practical Guide to Different Radio Techniques” a.k.a. “Dorky Radio Dork Shares With Other Dorky Radio Dorks Information That Most Sane People Would Not Have The Remotest Interest In.” I’m not so sure. I think it’s useful for Non-Radio-Dorks too, because Alix decodes the storytelling of outfits like This American Life and Radiolab, and lets us in on the secrets of why we are enthralled. The First Time I remember the first time I ever listened to the raw tape of a radio interview. It was actually the very first interview we ever did for This American Life, Ira talked to a man named Kevin Kelly and my job was to transcribe their conversation. I hadn't been at the interview myself, I don't know what I was doing instead, probably trying to set up computer equipment for the real producers who worked on the show. That was my first job as an intern –– I took care of the computers. If you know me at all, you know that the fact that I was put in charge of the computers is actually a sign of the apocalypse. -
Views, Playbills, Prompt Books Or Practitioner Interviews
Staging the Shelleys: A Case Study in Romantic Biodrama by Brittany Reid A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies University of Alberta © Brittany Reid, 2018 ii Abstract Although it has been nearly two hundred years since they lived and wrote, Romantic writers Mary and Percy Bysshe Shelley continue to haunt the theatre in the twenty-first century. However, it is not only their plays, poems, and novels that have been adapted for the modern stage. Beginning in the twentieth century, renewed interest in the Shelleys’ lives led to the composition of numerous biographical plays based on Mary and Percy’s personal and creative partnership. But while these nineteenth-century writers enjoyed particular moments of such interest in the 1980s, the early twenty-first century has seen this interest flourish like never before. Consequently, the turn of the twenty-first century coincided with an unprecedented increase in the number and variety of plays about the Shelleys’ lives, writing, and literary legacies. As a testament to this recent resurgence, more than twenty theatrical adaptations of the Shelleys have been created and staged in the last twenty years. But although these plays continue to feature both Shelleys, most contemporary biographical plays about the couple now privilege Mary as their focal figure and prioritize her life, writing, and perspective. In this way, these plays represent a creative corollary of a broader cultural shift in interest from Percy to Mary as a biographical subject, which was first initiated in the 1980s through the recovery efforts of Mary Shelley scholars.