Jazz Collection: Booker T. Jones – Architekt Des Memphis Soul

Jazz Collection: Booker T. Jones – Architekt des Memphis Soul Dienstag, 12. November 2019, 21.00 – 22.00 Uhr Radio SRF 2 Kultur Samstag, 16. November 2019, 17.06 – 18.30 Uhr (mit Bonustracks) Er ist für Dutzende bedeutende Aufnahmen mitverantwortlich, selber aber verhältnismässig wenig bekannt: Booker T Jones hat das typische Schicksal des Begleitmusikers. Der Organist und Multiinstrumentalist ist aber viel mehr als «nur» erstklassiger Begleiter. Mit «Booker T. & The M.G.s», der berühmten Hausband des Soul-Labels «Stax», erfindet Booker T. Jones noch als Teenager den sogenannten «Memphis Soul» mit und leistet damit einen unschätzbaren Beitrag zur Musik, wie wir sie heute kennen. Wie er aus dem Hintergrund heraus als Backing-Musiker und Produzent einen ganzen Sound geprägt hat, darüber redet Annina Salis mit Philippe Kuhn, Organist und Musikproduzent aus Baden. Gast: Philipp Kuhn Redaktion und Moderation: Annina Salis Albert King with Booker T. & The M.G.s: Born Under a Bad Sign Label: Stax (1967) Titel: Born under a bad sign Carla & Rufus Thomas: Satellite Records Label: Stax (1960) Titel: ‘Cause I love you Booker T. & The M.G.s: Green Onions Label: Stax/Atlantic (1962) Titel: Green onions Otis Redding: The Dock of the Bay Label: Stax (1967) Titel: Let me come on home Otis Redding with Booker T & The M.G.s And the Mar-Keys Captured Live at the Monterey International Pop Festival Label: Monterey International Pop Festival Foundation (1967) Titel: Hip hug-her Bill Withers: Just As I Am Label: Sussex 1971 Titel: Do it good Willie Nelson: Stardust Label: Columbia (1978) Titel: Georgia Booker T. Jones: The Road from Memphis Label: ANTI-Records (2011) Titel: Walking papers Booker T. Jones: The Runaway (1989) Titel: The cool dude Bonustracks (nur am Samstag, 16. November 2019) Soul Department: Stripped Label: Mondstein Records Titel: Spargel Booker T. & The M.G.s: Uptight Label: Stax Titel: Time is tight Valerie June: Pushing Against a Stone Label: Sunday Best Titel: On my way Booker T. & The M.G.s: Soul Dressing Label: Stax Titel: Tic tac toe Booker T. & The M.G.s: Green Onions Label: Stax Titel: Booker-loo Booker T. & The M.G.s: McLemore Avenue Label: StaxConcord Titel: - Summertime - She came in through the bathroom window - I want you (she’s so heavy) .

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Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band.
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NOTE TO USERS Page(s) not included in the original manuscript and are unavailable from the author or university. The manuscript was microfilmed as received. This reproduction is the best copy available. Psychedelic Music in San Francisco: Style, Context, and Evolution Craig Morrison A Thesis in The Department of Humanities Presented in Partial Fulfillment d the Requirements for the Degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada Septernber 2000 O Craig Morrison 2000 National Library Bibliothèque nationale 1*1 of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington OttawaON KlAON4 Ottawa ON K1A ON4 Canada Canada Yovr lFie Votre réf8rmce Our lile Noire reftirence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seli reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts from it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author7s ou autrement reproduits sans son permission. autorisation. ..- III ABSTRACT Psychedelic Music in San Francisco: Style, Context, and Evolution Craig Momson, Ph-D Concordia University, 2000 Psychedelic rock began in 1965 and was popular until around 1970.
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