Stevehoffman.Tv for Discussions on Lps, Sacds, Hi-End Audio Etc

Total Page:16

File Type:pdf, Size:1020Kb

Stevehoffman.Tv for Discussions on Lps, Sacds, Hi-End Audio Etc Acoustic Sounds, Inc. Volume 7 Volume Inc. Sounds, Acoustic The world’s largest selection of audiophile recordings • Published 06/03 Published • recordings audiophile of selection largest world’s The The world’s largest selection of audiophile recordings PO Box 1905, Salina, Kansas 67402-1905 USA • (785) 825-8609 • FAX (785) 825-0156 • ORDERS 1-800-716-3553 • www.acousticsounds.com HOW SMART ARE YOU? Get your Ph.D. for $3,000. Introducing the battery-powered Sutherland Ph.D. Phono Preamp. “I don’t know why anyone would spend more than $3,000 on a phono stage now that the Ph.D. is available.” John Blando, President of Electronic Marketing Associates Hear the music,not the noise. After about 800 hours of playing time (roughly half AC power lines create noise. Period. There’s only one the life of a cartridge), a feasible way around that annoyance. Batteries. red light will indicate BINGO! Designer Ron Sutherland brings us a new that your batteries are battery-powered phono stage with smart circuitry that running low. allows this preamp to turn on and off automatically, Replacements cost about thereby maximizing the life of your batteries. a buck a piece. One of the noisiest components in your home stereo is The Ph.D. turns on the incoming AC power. Even if it were delivered to your the moment your stylus is stimulated. From there, the home as idealized 60 Hz sine wave, it would not stay that unit automatically looks for a signal every half-hour for way long. The audio power amplifier does not draw just a fraction of a second. If it doesn’t find a signal, it will current from the power line evenly. There is a large stay on for an additional half-hour with a yellow light current spike drawn when the sine wave reaches its indicating that it is preparing to turn off. voltage extremes, while What’s more, the Ph.D. has four different loading options at other times current and gain-stage settings that are simple to adjust. draw is essentially zero. High frequency harmonics and noise are introduced There’s never into the same power line that’s used for sensitive been anything phono preamplification. The Ph.D. doesn’t even have a power cord. Instead, quite like 16 alkaline D cell batteries line the sides of the chassis. the Ph.D. Sound Smart. Ph.D. Dimensions: 17´´wide x 4´´ high x 14´´deep To order, call 1-800-716-3553 or order online at www.acousticsounds.com PO Box 1905 • Salina, KS 67402-1905 USA PH 785-825-8609 • FAX 785-825-0156 Dear Customer, P.O. Box 1905 • 1000 West Elm St. Behold Acoustic Sounds Volume 7. This is our most complete listing of albums and accessories in more than Salina, KS 67402-1905 • USA TELEPHONE: (785) 825-8609 • FAX: (785) 825-0156 four years and the most thorough collection of sealed audiophile recordings available anywhere. To help your navigation, we’ve separated these listings into basic categories including New Arrivals, LPs, CDs, SACDs, DVD Audios and Equipment. Additionally, you’ll find some features informing you about a few of the latest products TABLE OF CONTENTS and biggest players in this industry. One such story details the career and inventions of high-end audio designer Ron Sutherland, New Music . .4-50 who has just designed exclusively for Acoustic Sounds a battery-powered phono preamp, called the Ph.D. If you’re into vinyl, you HAVE to check this thing out. See LP listing . 52-81 pages 108-110 and 112-113. Seriously, the Ph.D. is a revolutionary product. CD listing. 82-89 And then there’s the remastered LP and SACD versions of Pink Floyd’s Dark Side of the Moon. From interviews with mastering engineers Doug Sax and Kevin Gray to pictures of the LP SACD listing. 90-101 mastering session at AcousTech Mastering and the plating process at Record Technology, Inc., we’ve got you covered on this very exciting story featuring one of the most popular pop and DVD Audio listing. 102-106 audiophile records of all time. See pages 18-19. By now many of you know of the tremendous acclaim lauded on Analogue Productions’ Equipment. 107-128 Fantasy 45 Series. Kevin Gray and Steve Hoffman remastered the Top 25 titles cherry-picked from Stax Records/Art Pepper 45s . .2-3 some of the most classic jazz labels of all time. We’ve cut these records at 45 RPM and limited them to 1,000 pressings of each title to be released at two per month. Just a few months into this project, we’ve sold out of the The Police on SACD . 5 Bill Evans/Waltz For Debby 45 and are almost out of the Miles Davis/Relaxin.’ Read more about these classics and what the reviewers and customers are saying on pages 30-31. CCR on LP & SACD. .10-11 And continuing on for those of you hip to the sonic superiority of vinyl and to the further audio advancement of 45- RPM LPs, we’re releasing hit singles from the Stax Records catalog, all remastered and cut at 45. First up are The Dark Side of The Moon . .18-19 Staple Singers smash hits "Respect Yourself" backed with "I’ll Take You There." Then we’ve got the three best Eighty-Eight’s LPs & SACDs. 24-25 songs from the classic movie Shaft sung by Isaac Hayes. Side One is "Theme From Shaft" and "Soulsville" with the 20-minute "Do Your Thing" filling Side Two. And for blues lovers, we’re remastering the monumental Albert Peter Gabriel on SACD . .44 King with Stevie Ray Vaughan/In Session in its entirety for two 45-RPM discs. Read all about it on pages 2-3. Of course we won’t forsake the ever-growing legion of Steve Hoffman picks his favorite SACD collectors. Our SACD releases of the first five Creedence DCC LPs & Gold CDs . 48-49 Clearwater Revival titles were so successful that we’ve gone ahead and licensed the remaining two CCR studio titles for SACD. All seven are Meet high-end designer already available on 180-gram vinyl. See pages 10-11. Ron Sutherland . 108-110 Also, be sure to see pages 24-25 to read about our exciting LP and SACD distribution deal with the Eighty-Eight’s jazz label. This is some of the best contemporary jazz available. Naturally, as blues nuts, we’re excited about the United States Congress proclamation of 2003 as the Year of the Blues. We’re happy to be represented on their www.yearoftheblues.org website, and we’re hopeful that this cooperative effort will IFind out what’s new at Acoustic Sounds attract attention to such historically-important music. Please see page 7 for the latest listing of our APO Records releases recorded at Blue Heaven Studios. And remember that the annual Blues Masters at the Crossroads concerts will again be at RECEIVE OUR Blue Heaven on Oct. 17 and 18, 2003. While we hope you’ll enjoy this thorough listing of great music and equipment, we remind you that you can find all of this New and more at www.acousticsounds.com where you can shop on our secure site 24 hours a day. While you’re there, be sure to sign up for our New Arrivals weekly email. We’ll tell you about your favorite records as they arrive at our warehouse. Plus, you’ll be eligible for regular giveaways. And we’re not talking cheap giveaways. How about a $6,800 pair of MartinLogan speakers? We Arrival just made someone’s day in New Jersey with that exact prize, all for being on our weekly email. Don’t miss out! So much has happened at Acoustic Sounds since our Volume 6 catalog. Many of you have followed our story of growth Updates through the update catalogs we’ve published every few months. If you’ve missed the happenings, check out our Acoustic every week via email. Sounds News link at www.acousticsounds.com. Thank you so much for your support and for your part in establishing Acoustic Sounds as the leading source for audiophile recordings. We sincerely appreciate your business. Sign up on our web site. www.acousticsounds.com/subscribe/ Our office hours are 8 a.m. to 6 p.m. Monday through Friday and 11 a.m. to 3 p.m. Saturday (CST). To order, call 1-800-716-3553 or buy online at www.acousticsounds.com. If we can do anything to serve you better, please let us know. Sincerely, Chad Kassem Acoustic Sounds, Inc. CEO newI music LALATESTTEST Analogue Production Art Pepper — New York Album "An exceptional quartet date from '79, with Pepper having just established what became a regular working relationship with pianist George Cables, who plays with passion and conviction. He Art Pepper LPs hadn't yet hired a bassist and drummer, so for the occasion Charlie Haden and Billy Higgins were used. Pepper was certainly inspired by what they contributed; his alto sax solos are intense and often $37.50 each jubilant." — Ron Wynn. Remixed by Rik Pekkonen and John Koenig; remastering supervised by John Koenig and Chad or buy all three LPs Kassem. Galaxy 5154. LP = AAPR 3012-45 $37.50 (two 45-RPM LPs) for $100 SACD = CAPR 3012 SA ($21.98 List) Introductory Price $19.99 Offer good thru 12-31-03 Art Pepper — So In Love Of the new releases issued under Art Pepper's Release date: July, 2003 name in 1980, So In Love was overall the finest.
Recommended publications
  • Santa Fe Daily New Mexican, 07-06-1896 New Mexican Printing Company
    University of New Mexico UNM Digital Repository Santa Fe New Mexican, 1883-1913 New Mexico Historical Newspapers 7-6-1896 Santa Fe Daily New Mexican, 07-06-1896 New Mexican Printing Company Follow this and additional works at: https://digitalrepository.unm.edu/sfnm_news Recommended Citation New Mexican Printing Company. "Santa Fe Daily New Mexican, 07-06-1896." (1896). https://digitalrepository.unm.edu/ sfnm_news/5356 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Santa Fe New Mexican, 1883-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. SANTA. FE DAILY NEW-MEXICA- N VOL.33. SANTA FE, N. Mm MONDAY, JULY G, 1896- - NO. 110 assembling from the several states take THE WAR IS ON. 4en. Young Dead. A..T.& S. F. EARNINGS. Highest of all in Leavening Power. Latest U. S. Gov't Report ON CHICAGO A ALL EYES ARE immediate aotion looking to the preserva- Washington, July 6. dispatch re tion of our party from destruction. The ceived at the Btate y an A War Fires on An Am- department from the Keceivera I'pon the exigencies of the situation admit neither Spanish Ship that Gen. Pierce M. B. Figures would erican Boat-Ure- at Excitement nonnced Young, Two How It Looks on the Eve of the Great of delay or compromise. If we U. S. minister to Gnstamala and Hon' Last Years' Operations.' we must aot. now un- at Key West.
    [Show full text]
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • BIO INDIA.ARIE Lauded As a Soul Music Superstar from Her Early
    BIO INDIA.ARIE Lauded as a soul music superstar from her early twenties, India.Arie has always been at once angelic and mystical while managing to never isolate her audience – she is as at home accompanying a hip hop artist as she is producing truly spine-tingling soul music. India’s message of healing, love, and compassion viewed through the lens of her indelible artistry and spiritual practice has made her a global difference-maker for nearly two decades. It was 2001’s seminal Acoustic Soul (nominated for seven GRAMMYs) and the groundbreaking self-acceptance anthem “Video”, that established her as a bold new transformative force in music. Twenty-two GRAMMY nominations later (with four GRAMMY wins), she endures as one of the most empowering artists in music history (she launched her own lifestyle/music brand SoulBird in 2011), notching multiple award-winning albums and influential, chart-topping singles, meshing soul, folk, pop, R&B and hip hop and redefining the boundaries of the socially conscious singer/songwriter. Recognized as a major influence for a new generation of socially aware artists, India is both ahead of her time and of it - an evocative creative force on a mission to spread healing, peace, love and unconditional self-acceptance through the power of words and music. It’s no secret to India.Arie fans that the word ‘worthy’ has been an empowering expression of self-love for her and her audience over the years. Faithfully repurposed as the title and theme of her brand new 16-track album, including 13 songs and 3 interludes, India’s first full-length offering in five years is set to impact a world finally attuned to the kind of empathic sea-change the humanitarian singer/songwriter has embraced her entire career.
    [Show full text]
  • Robert GADEN: Slim GAILLARD
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • Mariella Cassar
    University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2014 Creative Responses to Maltese Culture and Identity: Case Study and Portfolio of Compositions Cassar, Mariella http://hdl.handle.net/10026.1/3112 Plymouth University All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. CREATIVE RESPONSES TO MALTESE CULTURE AND IDENTITY: CASE STUDY AND PORTFOLIO OF COMPOSITIONS by MARIELLA CASSAR A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY University College Falmouth Incorporating Dartington College of Arts January 2014 MARIELLA CASSAR CREATIVE RESPONSES TO MALTESE CULTURE AND IDENTITY: CASE STUDY AND PORTFOLIO OF COMPOSITIONS Abstract The aim of this thesis is to explore the relationship between place, identity and musical practice. The study is inspired by Malta’s history and culture. This work presents a portfolio of seven musical compositions with a written component that highlights the historical and socio-cultural issues that had a bearing on the works presented.
    [Show full text]
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1.
    [Show full text]
  • Dossier De Presse
    rec tdic iph cseé uqp, luoJ Dossier de presse ieuo e"rn rAMH qka uas iDrs laie stfl eral saS tb cir oJea naev cvta oaei c"nl t,cl éqo ,uma aipv ulae tegc onp bril aeé pgdt tieh isDo sthr érae Fefd oae uvr reYt tcoi hlus West ose rmes lufd http://www.amr-geneve.ch/amr-jazz-festival dseo (itn Compilation des groupes du festival disponible sur demande qcPt uiaB Contact médias: Leïla Kramis [email protected], tél: 022 716 56 37/ 078 793 50 72 aeo tnla AMR / Sud des Alpes rsob 10, rue des Alpes, 1201 Genève iAFa T + 41 22 716 56 30 / F + 41 22 716 56 39 èbrM mdea eosa 35e AMR Jazz Festival – dossier de presse 1 mul oM., nbH Table des matières I. L’AMR EN BREF....................................................................................................................................... 3 II. SURVOL DES CONCERTS..................................................................................................................... 4 III. DOSSIERS ARTISTIQUES..................................................................................................................... 5 PARALOG.............................................................................................................................................. 5 JOE LOVANO QUARTET...................................................................................................................... 7 PLAISTOW........................................................................................................................................... 10 J KLEBA............................................................................................................................................
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • FORMATO MÍNIMO* Para La Presentación De Trabajos Titulación
    FACULTAD DE ARTES Y HUMANIDADES CARRERA DE MÚSICA TEMA: Utilización de recursos orquestales del compositor Sammy Nestico para la creación de un arreglo en formato big band del tema “Bye Bye Blackbird” basado en el tema “88 Basie Street” AUTOR: Torres Ortega, Rafael Antonio Componente práctico del examen complexivo previo a la obtención del título de LICENCIADO EN MÚSICA TUTOR Bravo Ollague, Carlos Ivan Mgs. Guayaquil, Ecuador 02 de marzo del 2020 FACULTAD DE ARTES Y HUMANIDADES CARRERA DE MÚSICA CERTIFICACIÓN Certificamos que el presente componente práctico del examen complexivo, fue realizado en su totalidad por Torres Ortega, Rafael Antonio, como requerimiento para la obtención del título de LICENCIADO EN MÚSICA TUTOR f._________________________ Bravo Ollague, Carlos Iván DIRECTOR DE LA CARRERA f. ____________________________ Vargas Prías, Gustavo Daniel Guayaquil, a los 02 del mes de marzo del año 2020 FACULTAD DE ARTES Y HUMANIDADES CARRERA DE MÚSICA DECLARACIÓN DE RESPONSABILIDAD Yo, Torres Ortega, Rafael Antonio DECLARO QUE: El componente práctico del examen complexivo, “Utilización de recursos orquestales del compositor Sammy Nestico para la creación de un arreglo en formato big band del tema “Bye Bye Blackbird” basado en el tema “88 Basie Street”, previo a la obtención del título de LICENCIADO EN MÚSICA, ha sido desarrollado respetando derechos intelectuales de terceros conforme las citas que constan en el documento, cuyas fuentes se incorporan en las referencias o bibliografías. Consecuentemente este trabajo es de mi total autoría.
    [Show full text]
  • 1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
    GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement.
    [Show full text]