DOCSLIB.ORG

SAMMY NESTICO Music Distributed by K ENDOR M Usic

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SAMMY NESTICO Music Distributed by K ENDOR M Usic enDor usic K Doug Beach MuMsic V o l u M e 3 azz 3 eJnseMBle visit us at kendormusic.com : • free recordings • SoloMate accompaniment tracks • complete viewable scores • detailed descriptions • brass ranges • dealer directory Jazz Series Kendor Jazz Doug Beach Jazz Gateway Series Foundations Series Easy charts for developing groups, Very easy charts for 4 horns with many featuring Kendor Konvertible rhythm section that are expandable to scoring for 9-17 pieces. A guitar chord full-size big band. chart is included. Download Jazz Gateway MP3 Album Doug Beach First Edition Series Easy charts for developing groups, playable by 12-17 players. Kendor Jazz Journey Series Medium charts for advancing groups. A guitar chord chart is included. Doug Beach Threshold Series Download Jazz Medium easy to medium charts for Journey MP3 Album advancing groups. Kendor Jazz Doug Beach Summit Series Jazz Ensemble Series Advanced charts for proficient big Medium to medium advanced charts bands. for proficient big bands. Download Jazz Download Doug Summit MP3 Album Beach MP3 Album Encore Editions are repromoted titles Kendor Music, Inc. with full recorded versions and online MUSIC PUBLISHER 21 Grove Street • PO Box 278 enhancements. Delevan, New York 14042-0278 • U.S.A. phone 716-492-1254 fax 716-492-5124 www.kendormusic.com e-mail: [email protected] ENCORE E DItION Kendor Jazz Jamie Gateway Series by Sammy Nestico Recorded by Count Basie on the album “Have A Nice ENCORE E DItION Day” (Daybreak Records), this highly expressive ballad is a study in subtle textures and colors featuring short Bossa Bonito written or improvised piano solos and fills, muted by Jon Phelps brasses, and a directed ending that closes in a whisper. this accessible Latin chart employs a tuneful melody, a Parts for F horns (2) and tuba are included. sophisticated chord progression and solid orchestration. #2400 ........................................................................ $45 Written or ad lib solos for alto and trombone are included. Features Kendor Konvertible scoring for 9-17 View Score Play MP3 players. #60065 ...................................................................... $45 View Score Play MP3 Play SoloMate Latin Nights by Jerry Nowak Play SoloMate Here’s a great Latin-rock original with written or ad lib solos for trumpet and alto or tenor saxophone. Scored Chromatic Probiotic for AAttB saxophones, 6 brass and rhythm section, it’s by Lennie Niehaus playable by AAt saxophones, 4 brass, piano, bass and this moderate swing original uses chromatic scale drums. Optional parts for flute, clarinet, horn in F, tuba, patterns and contrapuntal writing to build sectional percussion (cabasa or maracas, claves) and vibes are independence in the band. Written or ad lib solos are included. offered for all winds. Features Kendor Konvertible #60443 ...................................................................... $45 scoring for 9-17 players. Optional parts for flute, clarinet, horn in F, tuba and vibes are included. View Score Play MP3 Play SoloMate #60098 ...................................................................... $45 Play SoloMate View Score Play MP3 Play SoloMate Lucky Boy by Gregory Yasinitsky this fun-loving bossa nova features a memorable Gandy Dancer melody and an irresistible groove throughout. Highlights by Jeff Jarvis include a written or ad lib solo for trumpet, a great Named after a ski run in Vail, Colorado, this driving funk saxophone section soli, and a roaring shout chorus for a original with lots of audience appeal sports a solid strong finish. Features Kendor Konvertible scoring for 9- introduction, tuneful melody and rich chord progression. 17 players. Optional parts for flute, clarinet, horn in F, Written or ad lib solos are offered for all winds. Features tuba and vibes are included. Kendor Konvertible scoring for 9-17 players. Optional #60475 ...................................................................... $45 parts for flute, clarinet, horn in F, tuba and vibes are included. View Score Play MP3 Play SoloMate #60245 ...................................................................... $45 View Score Play MP3 Play SoloMate ENCORE E DItION Orange Sherbert Hugh’s Blues by Sammy Nestico Originally recorded in 1975 by Count Basie and bearing by Jeff Jarvis the name of one of his favorite treats, this simplified A pleasing melody with dense ensemble scoring, well- setting features strong jazz figures and a bright, free- articulated swing figures, and a written or ad lib solo sec - swinging style. Highlights include a written or ad lib tion for all make this a definite program winner. Features trumpet solo and an ensemble chorus before the quiet KendorKonvertible scoring for 9-17 players. Optional ending. parts for flute, clarinet, horn in F, tuba and vibes are #2592 ........................................................................ $45 included. #60315 ...................................................................... $45 View Score Play MP3 Play SoloMate View Score Play MP3 Play SoloMate 1 Playin’ The Blues Kendor Jazz by Jerry Nowak Featuring an even-8th-note rock style with an on-the- Journey Series beat feel in the melody, this chart offers written or ad lib solos for saxophone, trumpet and trombone. Scored for AAttB saxophones, 6 brass and rhythm section, it’s Blues To Begin With playable by AAt saxophones, 4 brass, piano, bass and by Bill Liston drums. Optional parts for flute, clarinet, horn in F, tuba, Opening with unison saxophones playing an exciting 24- percussion and vibes are included. bar swing chorus, this unique blues grabs the attention #60625 ...................................................................... $45 of audiences right from the start. Performances can be customized according to which ad lib solos for alto, View Score Play MP3 Play SoloMate tenor, guitar and/or piano are used. Optional parts are included for flute and vibes. Play SoloMate #61067 .................................................................... $52 Stuck In A Groove View Score Play MP3 Play SoloMate by Lennie Niehaus Opening with a trumpet and alto saxophone soli that emulates the bebop sound pioneered by Dizzy Gillespie and Charlie Parker in the 1940’s, this solid swing excur - Boz sion with written or ad lib solos for all features Kendor by Jeff Jarvis Konvertible scoring for 9-17 players. Optional parts for Given the widespread popularity of Jeff Jarvis’ accessi - flute, clarinet, horn in F, tuba and vibes are included. ble funk charts, you’ll love this spirited original that pays #60752 ...................................................................... $45 tribute to legendary songwriter/performer Boz Scaggs. Featuring material that’s reminiscent of his great music View Score Play MP3 Play SoloMate of the 1970’s and 1980’s, the chart includes open ad lib solo space for alto and tenor saxophone. #61075 .................................................................... $52 Swing Time View Score Play MP3 Play SoloMate by Jerry Nowak this swingin’ blues features written or ad lib solos for alto and trumpet, and a series of solo fills by the ENCORE E DItION drummer that create a dramatic dialogue with the band. Scored for AAttB saxophones, 6 brass and rhythm Critical Mass section, it’s playable by AAt saxophones, 4 brass, piano, by Jeff Jarvis bass and drums. trumpets double on flugelhorn, and this popular funk tune features abundant horn articula - optional parts for flute, clarinet, horn in F, tuba, percus - tions, striking dynamic contrasts, and an ad lib alto sion and vibes are included. saxophone solo that can be opened up for additional #60760 ...................................................................... $45 choruses. In select passages the guitarist plays a key role by adding single-note lines so the pianist can View Score Play MP3 Play SoloMate concentrate on chords. #1545 ...................................................................... $52 View Score Play MP3 Play SoloMate Top Dog by Gregory Yasinitsky this high-energy blues is a real crowd pleaser with a “horns alone” chorus, a swingin’ saxophone soli, a Deep written or ad lib solo for trumpet, and a full band shout by Steve Brown for a big finish. Features Kendor Konvertible scoring for Featuring the drummer, this fast bebop tribute to Danny 9-17 players. Optional parts for flute, clarinet, horn in F, D’Imperio, whose playing experience includes Woody tuba and vibes are included. Herman, Maynard Ferguson, the Vanguard Orchestra, #60825 .................................................................... $45 Chuck Mangione and others, was inspired by Victor Feldman’s “Seven Steps to Heaven” as recorded by View Score Play MP3 Play SoloMate Miles Davis. A challenging saxophone soli and ad lib trumpet solo section that can be opened up add to the overall excitement. #61130 .................................................................... $52 View Score Play MP3 Play SoloMate 2 Escape To Brazil Mood Swings by Jeff Jarvis by Lennie Niehaus this authentic Brazilian bossa is an appealing blend of Swinging hard every step of the way, this chart lives up gently syncopated rhythms and rich harmonies. Chord to its name by moving through a variety of moods. changes for the open solo section are included for alto, Highlights include a strong start and finish, a pensive tenor, trumpet or trombone, and trumpets double on chorale, a brief jazz waltz, a solid saxophone soli and a flugelhorn. An optional vibes part is included. rousing ensemble
Load more

Recommended publications
  • Highly Recommended New Cds for 2018
    Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin
    [Show full text]
  • Part 2 of Selected Discography
    Part 2 of Selected Discography Milt Hinton Solos Compiled by Ed Berger (1949-2017) - Librarian, journalist, music producer, photographer, historian, and former Associate Director, Institute of Jazz Studies, Rutgers University. This is a chronological list of representative solos by Hinton as a sideman in a variety of settings throughout his career. Although not definitive, Milt was such a consistent soloist that one could cite many other equally accomplished performances. In some cases, particularly from the 1930s when bass solos were relatively rare, the recordings listed contain prominent bass accompaniment. November 4, 1930, Chicago Tiny Parham “Squeeze Me” (first Hinton recording, on tuba) 78: Recorded for Victor, unissued CD: Timeless CBC1022 (Tiny Parham, 1928–1930) January–March 1933, Hollywood Eddie South “Throw a Little Salt on the Bluebird’s Tail” (vocal) “Goofus” CD: Jazz Oracle BDW8054 (Eddie South and His International Orchestra: The Cheloni Broadcast Transcriptions) May 3, 1933, Chicago Eddie South “Old Man Harlem” (vocal) 78: Victor 24324 CD: Classics 707 (Eddie South, 1923–1937) June 12, 1933, Chicago Eddie South “My, Oh My” (slap bass) 78: Victor 24343 CD: Classics 707 (Eddie South, 1923-1937) March 3, 1937 Cab Calloway “Congo” 78: Variety 593 CD: Classics 554 (Cab Calloway, 1934–1937) January 26, 1938 Cab Calloway “I Like Music” (brief solo, slap bass) 78: Vocalion 3995 CD: Classics 568 (Cab Calloway, 1937–1938) August 30, 1939 Cab Calloway “Pluckin’ the Bass” (solo feature —slap bass) 78: Vocalion 5406 CD: Classics
    [Show full text]
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Basie, Ballads, Bebop & Blues
    BASIE, BALLADS, BEBOP & BLUES RECOMMENDED CLASSIC & NEWER WORKS FOR THE JAZZ ENSEMBLE, GRADES 2 – 4+ Compiled by Dr. Michael Parkinson Chair, Department of Music Webster University, St. Louis, Missouri © 2006 Educational Specialist – Benge Trumpets, Conn-Selmer, Inc. With the assistance of Robert Waggoner, Jim Cochran, and Ron Allen AND Tom Whaley, CMEA Jazz Representative (2005-2007) Works selected from the following publishing sources: Advance, Alfred, Barnhouse, Doug Beach (Kendor), CPP-Belwin, DPZ, FJH, Hal Leonard Heritage, Increase Music, JPM, Jazz at Lincoln Center (Alfred-JLC), Kendor, Kjos, Little Bear, Ludwig, Matrix, Really Good Music, Second Floor (Leonard), Sierra, Smart Chart, Stitzel, Three-Two, UNC & Walrus Bold face = recommended works; CAPITALIZED = outstanding choices, * Playable by a smaller ensemble BALLADS: TITLE: COMP/ARR: SOURCE and/or RECORDING: FEATURES: PUB: GR: A Child is Born Thad Jones Trumpet/Flugel Kendoe 3 AFTER YOU’VE GONE Layton/M. Taylor 1920s standard, Publisher’s disc Swing 8th, ensemble, piano Leonard 4 All The Things You Are J. Kern/S. Kenton 1950s Stan Kenton Orchestra Trombones, piano, sax soli Sierra 4 ALWAYS & FOREVER P. Metheny/B. Curnow 1990s Pat Metheny Group & Bob Curnow Big Band Alto sax, flugel horn, or guitar Sierra 4 At First Light Ellen Rowe Original , publisher’s disc Alto sax, light rock ballad Sierra 3 AUTUMN Bob Florence 1980s Bob Florence Orchestra (opt. doubles) Tenor sax feature Walrus 4 Beauty and the Beast G. Goodwin Band/Tenor Leonard 5 Black, Brown & Beautiful Oliver Nelson 1970s Oliver Nelson Orchestra Alto Sax (Johnny Hodges) Sierra 3 BLUE B. Shew/G. Brisker 1970s Louie Bellson Orchestra Trumpet (Bobby Shew) Beach/Kendor 4 Blue & Sentimental C.
    [Show full text]
  • Sangoma Everett & Lionel Martin – Revisiting Afrique of Count
    Sangoma Everett & Lionel Martin – Revisiting Afrique of Count Basie & Oliver Nelson Pascal Anquetil Crédit photo : Bertrand Gaudillère / Item La métamorphose d’un big band en duo « Ce duo, c’est l’histoire d’une rencontre du troisième type » écrit avec pertinence Jacques Denis dans son texte de pochette. Cinquante ans après son enregistrement par le grand orchestre de Count Basie, Lionel Martin et Sangoma Everett se sont lancé le défi de revisiter en tandem Afrique. Ce superbe album, trop méconnu, produit en 1970 par Bob Thiele, est basé sur un répertoire original écrit spécialement par Oliver Nelson. Bien que de génération et origine différentes, Lionel Martin, saxophoniste volcanique au gros son charnu, au vibrato enfiévré et aux phrases grasses et épaisses, incandescentes comme de la lave, et Sangoma Everett, batteur souple et élégant qui connaît sur le bout de ses baguettes toutes les subtilités des rythmes du monde, ont tenté et réussi avec ce disque une mission impossible : faire sonner leur duo comme un big band et transformer leur joute joyeuse en une conversation interactive, captivante de bout en bout. Ce que Lionel Martin, initiateur du projet, aime d’abord dans l’album de Basie, « c’est au fond une certaine simplicité, un rapport à la ligne de basse très simple et répétitive avec des thèmes très puissants. » Résultat : la réussite principale des deux amis est d’avoir su transmuer le swing “basique” en groove grondant et entrainant ; à savoir une certaine manière organique de faire pulser la musique en un roulis polyrythmique irrésistible. Cela crève les oreilles : les deux complices tout au long de leur dialogue vif et chaud s’entendent bien et savent s’écouter pour élaborer ensemble une architecture sonore singulière et enfanter librement une musique entêtante, fertilisée à l’humus du blues et aiguillonnée par l’appel du gospel.
    [Show full text]
  • Trumpeter Scotty Barnhart Appointed New Director of the Count Basie Orchestra
    September 23, 2013 To: Listings/Critics/Features From: Jazz Promo Services Press Contact: Jim Eigo, [email protected] www.jazzpromoservices.com Trumpeter Scotty Barnhart Appointed New Director of The Count Basie Orchestra For Immediate Release The Count Basie Orchestra and All That Music Productions, LLC, is pleased to announce the appointment of Scotty Barnhart as the new Director of The Legendary Count Basie Orchestra. He follows Thad Jones, Frank Foster, Grover Mitchell, Bill Hughes, and Dennis Mackrel in leading one of the greatest and most important jazz orchestras in history. Founded in 1935 by pianist William James Basie (1904-1984), the orchestra still tours the world today and is presently ending a two-week tour in Japan. The orchestra has released hundreds of recordings, won every respected jazz poll in the world at least once, has appeared in movies, television shows and commercials, Presidential Inaugurals, and has won 18 Grammy Awards, the most for any jazz orchestra. Many of its former members are some of the most important soloists, vocalists, composers, and arrangers in jazz history. That list includes Lester Young, Billie Holiday, Harry “Sweets” Edison, Jo Jones, Frank Foster, Frank Wess, Thad Jones, Joe Williams, Sonny Payne, Snooky Young, Al Grey, John Clayton, Dennis Mackrel and others. Mr. Barnhart, born in 1964, is a native of Atlanta, Georgia. He discovered his passion for music at an early age while being raised in Atlanta's historic Ebenezer Baptist Church where he was christened by Dr. Martin Luther King, Jr.He has been a featured trumpet soloist with the Count Basie Orchestra for the last 20 years, and has also performed and recorded with such artists as Wynton Marsalis, Marcus Roberts, Frank Sinatra, Diana Krall, Clark Terry, Freddie Hubbard, The Duke Ellington Orchestra, Nat Adderley, Quincy Jones, Barbara Streisand, Natalie Cole, Joe Williams, and many others.
    [Show full text]
  • Jazz, Pop, Concert Styles, by Arranger Manny
    ly in rein. The one dull track is Morello's romp through This Can't Be Love, in ans. Only Evans is heard on piano on long drum solo of tiresome music. which his flowing lines mingle elements this dise, however; Costa concentrates on of Django Reinhardt and Charlie Chris- vibes, which he plays so well that one tian. hesitates to designate it as his second in- CHARLIE BYRD: Blues for Night People strument. There is an interesting contrast SAVOY 12116. LP. $4.98. EDDIE CHAMBLEE AND HIS OR- between Costa at the piano, where he is CHESTRA: Doodlin' fond of making stirring forays into the The unamplified Spanish guitar, plucked EmAnca 36131. LI'. $3.98. lower register, and on the vibes, on in classical style, jazz or entered a year which he' is more apt to be light and so ago on an impressive EmArcy record- The appearance of Eddie Chamblee's Glancing. Ile dances sure-footedly through ing by Bill Harris. Byrd plays the saune unpretentious little jump band serves as this disc while Evans, who shares some instrument in the sanie way, but his per- a reminder that this once prolific species Piano ch irawteristics with Costa, provides formances on this record are a decided has, for the must part, been absorbed and a spare prodding contrast. Unfortunately, advance over those bv Harris. The depths twisted by rock 'n' roll. Chamblee's group the selections-siw tunes from Guys and of Byrd's wreathe resources and his well is more polished and versatile than the Dolls -arc generally kept going too long of melodic invention an strikingly illus- jump band of old, and this disc, the to be sustained by only two soloists.
    [Show full text]
  • Cpfj 2014 Spring Concert Series Sunday March 16 5
    Connecting Jazz Lovers CPFJ Newsletter JANUARY/FEBRUARY with Each Other 2014 & the Music! Issue #20 CPFJ 2014 SPRING CONCERT SERIES SUNDAY MARCH 16 5 P.M. SHERATON HARRISBURG HERSHEY . JOEY DEFRANCESCO TRIO PAUL BOLLENBACK(G) CARMEN INTORRE (DR) SUNDAY APRIL 6 7 P.M. POLLOCK CENTER FOR THE ARTS, CAMP HILL . CECILE McLORIN SALVANT , SUNDAY MAY 25 WITF PUBLIC MEDIA CENTER . EHUD ASHERIE & This series is underwritten by a generous contribution from the Shearer Family Fund KEN PEPLOSKI of the Foundation for Enhancing Communities on behalf of R. Scott Shearer LOOK. INSIDE THE VIBE! Exec. Dir. Letter - pg.2 Jazz Passings 2013 - pg. 10 &11 Grants & Donors - pg. 3 New Scholarship & Spring Concert Series - pg. 4 & 5 Ticket order form - pg.12 Area Clubs & Concerts - 6 & 7 Phil Woods/Dave Stahl - pg. 13/14 Jazz Camp & Youth Band - pg. 8 Membership Application - pg. 15 Dauphin Co. Grant - pg. 9 CPFJ Jam Sessions - pg. 16 1 The Vibe is published monthly at the Central PA Friends of Jazz, 5721 Jonestown Road, Harrisburg PA 17112 EXECUTIVE DIRECTOR'S REPORT: Central Pennsylvania Friends of Jazz HAPPY NEW YEAR! Thanks to all for your support in 2013. We had a very successful year with great concerts: the Cyrus Chestnut tribute to Dave Brubeck, violinist Christian Howes, legendary 5721 Jonestown Road vocalist Freddy Cole, the Kenton Alumni Big Band, drummer Clarence Penn’s Monk tribute, and Harrisburg PA 17112 dynamic pianist Anthony Wonsey; our best Jazz Camp ever with a great faculty and 70 students; TEL: 717-540-1010 membership in CPFJ reached 600 - a level not seen for over 15 years; WEB: We have been awarded a generous grant from the Dauphin County Commissioners that will enable www.friendsofjazz.org us to present a concert on September 5th at Fort Hunter Park as part of the Dauphin County Jazz EMAIL: & Wine Festival.
    [Show full text]
  • Concert: Ithaca College Jazz Workshop
    Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 12-1-1998 Concert: Ithaca College Jazz Workshop Monday Jazz Lab Wednesday Jazz Lab Todd Hearn Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Jazz Lab, Monday; Jazz Lab, Wednesday; and Hearn, Todd, "Concert: Ithaca College Jazz Workshop" (1998). All Concert & Recital Programs. 7849. https://digitalcommons.ithaca.edu/music_programs/7849 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. ITHACA COLLEGE JAZZ WORKSHOP Monday Jazz Lab and Wednesday Jazz Lab Todd Hearn, musical director Nutville Horace Silver arranged by Greg Hopkins A Warm Breeze Sammy Nestico Us Thad Jones Hay Burner Sammy Nestico Early Bird Special Lennie Niehaus INTERMISSION Yardbird Suite Charlie Parker arranged by Dick Lieb Emancipation Blues Oliver Nelson Ballad for Benny Oliver Nelson Big Dipper Thad Jones Basie Straight Ahead Sammy Nestico Ford Hall Auditorium Tuesday, December 1, 1998 8:15 p.m. ITHACA COLLEGE JAZZ WORKSHOP Monday Jazz Lab Todd Hearn, musical director Saxophone Trumpets Joe Tubiolo John Lufburrow Gordon Greenley Bill Bertram Jeff Stepien Matt Leskovic Dieter Winterle Karl Smith Jason Rugg Devin Sokolowski Trombone Guitar Kristina Westin Brock Smith Christopher Clark Chris DeGraw Bass Brian Lane Patrick Rodgers Piano Sandy Hales Drums ' I Phil Shrut The Jazz Workshop was organized to give those sincerely interested in Jazz as an art form an opportunity to participate in organized ensembles where creativity through improvisation and composition is encouraged.
    [Show full text]
  • Jmu Jazz Band/Jazz Ensemble Audition Material
    JMU JAZZ BAND/JAZZ ENSEMBLE AUDITION MATERIAL SPRING 2018 Auditions: Monday, January 8, 2018, room B12 in the School of Music (in the practice room area of the basement) The audition sign up sheet is on the door to B12 (drummers sign up as indicated; others may sign up for any available time) Everyone hoping to be placed into one of the two big bands must audition. Auditions will consist of playing the prepared excerpts (see below) and optional improvisation on a blues. Drummers will also asked to demonstrate various styles. No sight reading will be required at this audition. Trumpet and tenor trombone players may prepare either lead or section excerpts. Vocalists: no required excerpt; sing a prepared piece (melody only) of your choice that you feel best demonstrates your interpretation of jazz style. Choose any key that fits your preferred tessitura; be prepared to sing the melody a cappella. Jazz standards or Great American Songbook pieces are preferred. You do not need to supply sheet music. All saxes/woodwinds/vibes (play as written, transposition is not necessary): Butch and Butch (recorded on Blues and the Abstract Truth, Oliver Nelson) The Queen Bee (Sammy Nestico; recorded on Basie Straight Ahead, the Count Basie Orchestra) Lead Trumpet/Section Trumpet/Lead Trombone/Trombone 2-3/Bass Trombone: Butch and Butch (recorded on Blues and the Abstract Truth, Oliver Nelson) Presidential Manor (Billy Byers; various recordings on youtube; excerpt may be played at the tempo indicated, not the faster tempi of many recordings) Piano Butch and Butch (recorded on Blues and the Abstract Truth, Oliver Nelson) Presidential Manor (Billy Byers; various recordings on youtube; excerpt should be played at the tempo indicated, not the faster tempi of many recordings) Guitar/Double Bass Butch and Butch (recorded on Blues and the Abstract Truth, Oliver Nelson) Told You So (Bill Holman; recorded on I Told You So, Count Basie Orchestra) Drumset The Queen Bee (Sammy Nestico; recorded on Basie Straight Ahead, the Count Basie Orchestra) .
    [Show full text]
  • North Allegheny School District January 19, 2011
    NORTH ALLEGHENY SCHOOL DISTRICT JANUARY 19, 2011 – WORK SESSION MINUTES Board in Attendance: Mrs. Grosheider, Mr. Shuckrow, Mrs. Bishop, Mrs. Boujoukos, Mr. Cunningham Mr. Hubert, Mrs. Ludwig, Mr. Pagone, Mr. Schwartzmier Board Absent: None Student in Attendance: Ms. Nahay - NAI Student Absent: Mr. Daye - NASH Also in Attendance: Dr. Green, Mr. Brungo (Solicitor), Dr. Andreyko, Mr. Botti, Mrs. Ed, Mr. Gaertner, Ms. Gaetano, Mrs. Ludwig (for Mr. Hopkins), Dr. Miller, Dr. Stropkaj, Dr. Wheat, Mrs. Ryan (Secretary) MST in Attendance: None Prior to the meeting, the Board presented a number of awards to staff and students. These included the following: ABOVE AND BEYOND AWARD The Board presented an Above and Beyond Award to Dr. Patricia Green for her receipt of the “Spirit of Unity” award earlier this month. KEYSTONE AWARDS The Keystone Awards were presented to 11 of our schools that achieved Adequate Yearly Progress (AYP) in their buildings. Below is a list of individuals who came out on this evening to accept this award for academic achievement: BRADFORD WOODS ELEMENTARY Ms. Debra Somerhalder Principal Ms. Jennifer McElroy Teacher - Speech/Language Ms. Danielle Harvey Teacher - Grade 3 FRANKLIN ELEMENTARY Mr. Jeff Anderchak Principal Ms. Joni Neuberger Teacher - Grade 2 Ms. Carly Price Teacher - Grade 3 Work Session January 19, 2011 Page 2 HOSACK ELEMENTARY Mr. Craig Slaubaugh Principal Ms. Christina Kralic Teacher - GOAL Ms. Amy DeVenzio Teacher - Grade 4 INGOMAR ELEMENTARY Dr. Paul Chmara Principal Ms. Marcia Casey Teacher - Grade 1 Ms. Christy Franck Teacher - Grade 4 MARSHALL ELEMENTARY Dr. James Bradley Principal Ms. Amanda Mathieson Asst. Principal Ms. Lynn Graper Teacher - Grade 1 Mr.
    [Show full text]