Cpfj 2014 Spring Concert Series Sunday March 16 5
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Morgenstern, Dan. [Record Review: Thad Jones & Mel Lewis: Live at the Village Vanguard] Down Beat 35:8 (April 18, 1968)
Records are reviewed by Don DeMicheal, Gilbert M. Erskine, Kenny Dorha m, Barbara Gardner, Bill Mathieu, Marian McPartland, Dan Mor 11e nslar Bill Quinn, Harvey Pekar, William Russo, Harvey Siders, Pete Welding, John S. Wilson, and Michael Zwerin. Reviews are signed by !lie Wr't n, I ers Ratings are : * * * * * excellent, * * * * very good, * * * good, * * fair, * poor . ' When two catalog numbers are listed, the first is mono, and the second is stereo . times (especially on Yellow Days) · his Thad Jones-Mel Lewis •- •- -. ... touch is uncannily close to the master 's. LIVE AT THE Vl.LLAGB VANGUA.ll." Solid S1A1e SS l80l6: L/lflc Pi:<lo ll; ,1 "/l'v..,. BIG BANDS Two ringers were brought in to beef up l'reodom; Barba l'eo/i11'; Do11'1 Git Sn1ty• tltl•, /0111 Tree; Samba Co11 Gde/m. ' "' 1I. Duke Ellington the trumpet section, currently the ban.d's weakest link. Everybody was on best be Personnel: Jone1, flu·cgelhoro; Snooky y 0 SOUL CALL-Verve V/V6·870l: La Pim Bell• Jimmy No1tingb3m, Marvin Stamm, Rkfiard ~•• Af.-i&11l11r;IVett litdia11 Pa11caltt; Soul C111/;Slti11 Jiavior, it seems-the band sounds tight Iiams, Bill Berry. trumpets; Bob Brool<o, II, Du/I; Jan, Will, Sm11. and together at all times. The superb ·re Garnett Bl'owo, Tom Mclmo,h, Cliff fi~a~yer, Personnel: Cnt Anderson, Herbie Jones, Cootie irombones; Jerome Richnrdson, Jerry Dad !>tr, \Villla 'ms. M,rccer I!llingron. uumpors; Buster cord ing brings out the foll flavor of the Joe Parcell, '.Eddie Daniels, -Pepper Adams r~t• lloiaod Hannn piano; Sam Herm an, • IM • Cooper, Lawrence Brown, Chuck Connors , rrom• magnificent Ellington sound; the reeds, in 1 bonci.: Russell Procope. -
The History and Development of Jazz Piano : a New Perspective for Educators
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot. -
Liebman Expansions
MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world. -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard. -
Album Reviews
a Album Reviews “LIKE PREVIN!” Andre Previn Trio—Contem- “OUR GOLDEN FAVORITES” — The McGuire porary M3575 Countering the success of Pre-vin’s string- Sisters—Coral CRL 57349 backed pop albums for is this All-Jazz The thrush trio has harmonized to resounding MGM date for Contemporary. This is by far the most success, numbering among its hits “Sincerely,” satisfying jazz session in recent months by the “Sugartime,” “It May Sound Silly,” “May You artist. He is completely on his own, playing 8 Always” and “Something’s Gotta Give.” These original pieces the way he wants to. Yet, despite and seven others make up this package, an al- the artistic superiority to the dates, this bum that should cash in handsomely. Lots of MGM album is only fairly successful jazz-wise. That strength here. spark of inspiration seems to be missing and the listener drifts along, though rather pleasantly, on the frills and runs of the Previn style. “JAZZ IN THE SPACE George Russell ’— AGE”— “THE GOLDEN HITS OF THE FOUR ACES and his Orchestra featuring Bill Evans at the Decca DL 4013 piano—Decca DL 79219 This group has racked up an impressive string The basis of this session: the title, tunes such of hits through the years of popularity. The as “Chromatic Universe” Parts 1, 2, 3; “Dimen- label has put them all together in a package that’s sions,” “Waltz From Outer Space,” might seem sure to stir up memories and big sales. Among far fetched and ridiculous but Russell instills the frontrunners are “Tell Me Why,” “Garden In them with a basic vibrant jazz feeling and has the Rain,” “Three Coins in the Fountain,” “Love excellent musicians to put his ideas on a solid is a Many-Splendored Thing” and “Heart and jazz foundation. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Jazzweek with Airplay Data Powered by Jazzweek.Com • September 27, 2010 Volume 6, Number 43 • $7.95
JazzWeek with airplay data powered by jazzweek.com • September 27, 2010 Volume 6, Number 43 • $7.95 Jazz Album No. 1: Esperanza Spalding, Smooth Album No. 1: Kenny G, Heart And Chamber Music Society (Heads Up) Soul (Concord) World Music No. 1: Olaf Arnalds, Innundir Smooth Single No. 1: Mindi Abair, “Be Skinni (One Little Indian) Beautiful” (Concord) Jazz Album Chart .................... 3 Jazz Add Dates ...................... 7 Smooth Jazz Album Chart ............. 4 Jazz Radio Currents .................. 8 Smooth Singles Chart ................. 5 Jazz Radio Panel ................... 11 World Music Album Chart.............. 6 Smooth Jazz Current Tracks........... 13 Smooth Jazz Station Panel............ 14 Jazz Birthdays September 27 October 7 October 13 Bud Powell (1924) Jo Jones (1911) Terry Gibbs (1924) Red Rodney (1927) Amiri Baraka (1934) Ray Brown (1926) Mike Nock (1940) George Young (1937) Lee Konitz (1927) Matt Wilson (1964) Larry Young (1940) Pharoah Sanders (1940) September 28 October 8 October 14 Kenny Kirkland (1955) J C Heard (1917) Kazumi Watanabe (1953) September 29 Hal Singer (1919) October 16 Jean-Luc Ponty (1942) Pepper Adams (1930) Ray Anderson (1952) September 30 October 9 Roy Hargrove (1970) Buddy Rich (1917) Mezz Mezzrow (1899) October 17 Oscar Pettiford (1922) Elmer Snowdon (1900) Cozy Cole (1906) Antonio Hart (1968) Lee Wiley (1915) Barney Kessel (1923) Yusef Lateef (1920) October 1 Sathima Bea Benjamin (1936) Abdullah Ibrahim (Dollar Brand) (1934) Dave Holland (1946) Howard Alden (1958) Dave Samuels (1948) Mark -
Joe Bonner Rashaad Kagris Urs Leimgruber Roberto Magris Byron Morris John Tchicai Frank Walton Cape Town Jazz Fest
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Joe Bonner Rashaad Kagris Urs Leimgruber Roberto Magris Byron Morris John Tchicai Frank Walton Cape Town Jazz Fest International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 42 Number 3 July Aug Sept 2016 THE DIFFERENT DRUMMER... IS ON OUR LABEL WWW.INNOVA.MU TWO GREAT BRAZILIAN JAZZ RELEASES BY AAM MUSIC CAROL SABOYA “CAROLINA” On her second solo release for the U.S. market, Carol Saboya presents “Carolina”. a suite of exquisite compositions by master composers such as Antonio Carlos Jobim, Pixinguinha, Joao Bosco, Edu Lobo, Djavan, Lennon and McCartney, and Sting. Her new CD is sure to become a classic. ANTONIO ADOLFO “TROPICAL INFINITO" On the heels of two consecutive Latin Grammy nominations in 2014 and 2015 for Best Instrumental Album, Antonio Adolfo pres- ents his latest work, “Tropical Infinito.” Continuing to mine the authentic samba jazz vein that is his specialty, Antonio offers his unique take on pieces by Benny Golson, Oliver Nelson and Horace Silver, and works in four of his own compositions. On this release, Antonio and his octet work to recreate the energy and intensity of "gafieiras" -- dance parties that were a prominent feature of Rio de Janeiro nightlife in the 1960s. CDs available at ITunes, Amazon, CDBaby and more… AAM music www.aammusic.com NICK FRASER QUARTET STARER Nick Fraser: drums, compositions Tony Malaby: saxophones Andrew Downing: cello Rob Clutton: bass "Nick Fraser's drumming is like a tide rushing in, its momentum surging and receding with engulfing force and polyrhythmic spray, cradling and upending its accompanying voices as it pours out into sonic space. -
Louis Fleury and the Early Life of Pierrot Lunaire
VOLUME 3 9 , NO . 1 F ALL 2 0 1 3 THE LUTI ST QUARTERLY Louis Fleury and the Early Life of Pierrot lunaire The Center of Gravity in Flute Pedagogy and Performance The Inner Flute: A Transcript of Music and Words THEOFFICIALMAGAZINEOFTHENATIONALFLUTEASSOCIATION, INC 695RB-CODA Split E THE ONLY SERIES WHERE CUSTOM Sterling Silver Lip Plate IS COMPLETELY STANDARD 1ok Gold Lip Plate Dolce and Elegante Series instruments from Pearl offer custom performance options to the aspiring C# TrillC# Key student and a level of artisan craftsmanship as found on no other instrument in this price range. Choose B Footjoint from a variety of personalized options that make this flute perform like it was hand made just for you. Dolce and Elegante Series instruments are available in 12 unique models starting at just $1600, and like all Pearl flutes, they feature our advanced pinless mechanism for fast, fluid action and years of reliable service. Dolce and Elegante. When you compare them to other flutes in this price range, you’ll find there is no comparison. pearlflutes.com Table of CONTENTSTHE FLUTIST QUARTERLY VOLUME 39, NO. 1 FALL 2013 DEPARTMENTS 11 From the Chair 47 Passing Tones 13 From the Executive Director 52 Honor Roll of Donors to the NFA 16 High Notes 54 New Products 36 From the Research Chair 56 Reviews 37 Across the Miles 37 The Inner Flute: A Transcript of 70 NFA Office, Coordinators, Music and Words Committee Chairs 43 Notes from Around the World 75 Index of Advertisers 20 FEATURES 20 Louis Fleury and the Early Life of Pierrot lunaire by Nancy Toff Front and center in new-music happenings of the early 1900s, Louis Fleury helped introduce Schönberg’s seminal work in Paris, London, and Italy. -
SAMMY NESTICO Music Distributed by K ENDOR M Usic
enDor usic K Doug Beach MuMsic V o l u M e 3 azz 3 eJnseMBle visit us at kendormusic.com : • free recordings • SoloMate accompaniment tracks • complete viewable scores • detailed descriptions • brass ranges • dealer directory Jazz Series Kendor Jazz Doug Beach Jazz Gateway Series Foundations Series Easy charts for developing groups, Very easy charts for 4 horns with many featuring Kendor Konvertible rhythm section that are expandable to scoring for 9-17 pieces. A guitar chord full-size big band. chart is included. Download Jazz Gateway MP3 Album Doug Beach First Edition Series Easy charts for developing groups, playable by 12-17 players. Kendor Jazz Journey Series Medium charts for advancing groups. A guitar chord chart is included. Doug Beach Threshold Series Download Jazz Medium easy to medium charts for Journey MP3 Album advancing groups. Kendor Jazz Doug Beach Summit Series Jazz Ensemble Series Advanced charts for proficient big Medium to medium advanced charts bands. for proficient big bands. Download Jazz Download Doug Summit MP3 Album Beach MP3 Album Encore Editions are repromoted titles Kendor Music, Inc. with full recorded versions and online MUSIC PUBLISHER 21 Grove Street • PO Box 278 enhancements. Delevan, New York 14042-0278 • U.S.A. phone 716-492-1254 fax 716-492-5124 www.kendormusic.com e-mail: [email protected] ENCORE E DItION Kendor Jazz Jamie Gateway Series by Sammy Nestico Recorded by Count Basie on the album “Have A Nice ENCORE E DItION Day” (Daybreak Records), this highly expressive ballad is a study in subtle textures and colors featuring short Bossa Bonito written or improvised piano solos and fills, muted by Jon Phelps brasses, and a directed ending that closes in a whisper.