Sangoma Everett & Lionel Martin – Revisiting Afrique of Count

Total Page:16

File Type:pdf, Size:1020Kb

Sangoma Everett & Lionel Martin – Revisiting Afrique of Count Sangoma Everett & Lionel Martin – Revisiting Afrique of Count Basie & Oliver Nelson Pascal Anquetil Crédit photo : Bertrand Gaudillère / Item La métamorphose d’un big band en duo « Ce duo, c’est l’histoire d’une rencontre du troisième type » écrit avec pertinence Jacques Denis dans son texte de pochette. Cinquante ans après son enregistrement par le grand orchestre de Count Basie, Lionel Martin et Sangoma Everett se sont lancé le défi de revisiter en tandem Afrique. Ce superbe album, trop méconnu, produit en 1970 par Bob Thiele, est basé sur un répertoire original écrit spécialement par Oliver Nelson. Bien que de génération et origine différentes, Lionel Martin, saxophoniste volcanique au gros son charnu, au vibrato enfiévré et aux phrases grasses et épaisses, incandescentes comme de la lave, et Sangoma Everett, batteur souple et élégant qui connaît sur le bout de ses baguettes toutes les subtilités des rythmes du monde, ont tenté et réussi avec ce disque une mission impossible : faire sonner leur duo comme un big band et transformer leur joute joyeuse en une conversation interactive, captivante de bout en bout. Ce que Lionel Martin, initiateur du projet, aime d’abord dans l’album de Basie, « c’est au fond une certaine simplicité, un rapport à la ligne de basse très simple et répétitive avec des thèmes très puissants. » Résultat : la réussite principale des deux amis est d’avoir su transmuer le swing “basique” en groove grondant et entrainant ; à savoir une certaine manière organique de faire pulser la musique en un roulis polyrythmique irrésistible. Cela crève les oreilles : les deux complices tout au long de leur dialogue vif et chaud s’entendent bien et savent s’écouter pour élaborer ensemble une architecture sonore singulière et enfanter librement une musique entêtante, fertilisée à l’humus du blues et aiguillonnée par l’appel du gospel. L’écoute de ce disque donne l’envie de vite découvrir le duo sur scène, seul espace où la musique se vit dans sa part de chance et de risque. Acheter le disque ici..
Recommended publications
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • Trumpeter Scotty Barnhart Appointed New Director of the Count Basie Orchestra
    September 23, 2013 To: Listings/Critics/Features From: Jazz Promo Services Press Contact: Jim Eigo, [email protected] www.jazzpromoservices.com Trumpeter Scotty Barnhart Appointed New Director of The Count Basie Orchestra For Immediate Release The Count Basie Orchestra and All That Music Productions, LLC, is pleased to announce the appointment of Scotty Barnhart as the new Director of The Legendary Count Basie Orchestra. He follows Thad Jones, Frank Foster, Grover Mitchell, Bill Hughes, and Dennis Mackrel in leading one of the greatest and most important jazz orchestras in history. Founded in 1935 by pianist William James Basie (1904-1984), the orchestra still tours the world today and is presently ending a two-week tour in Japan. The orchestra has released hundreds of recordings, won every respected jazz poll in the world at least once, has appeared in movies, television shows and commercials, Presidential Inaugurals, and has won 18 Grammy Awards, the most for any jazz orchestra. Many of its former members are some of the most important soloists, vocalists, composers, and arrangers in jazz history. That list includes Lester Young, Billie Holiday, Harry “Sweets” Edison, Jo Jones, Frank Foster, Frank Wess, Thad Jones, Joe Williams, Sonny Payne, Snooky Young, Al Grey, John Clayton, Dennis Mackrel and others. Mr. Barnhart, born in 1964, is a native of Atlanta, Georgia. He discovered his passion for music at an early age while being raised in Atlanta's historic Ebenezer Baptist Church where he was christened by Dr. Martin Luther King, Jr.He has been a featured trumpet soloist with the Count Basie Orchestra for the last 20 years, and has also performed and recorded with such artists as Wynton Marsalis, Marcus Roberts, Frank Sinatra, Diana Krall, Clark Terry, Freddie Hubbard, The Duke Ellington Orchestra, Nat Adderley, Quincy Jones, Barbara Streisand, Natalie Cole, Joe Williams, and many others.
    [Show full text]
  • With Over Fteen Years of Touring to Date, the Quebe Sisters Have Delivered Their My Tracks When I Heard Them the Rst Time
    “The Quebe Sisters simply stopped me in With over fteen years of touring to date, The Quebe Sisters have delivered their my tracks when I heard them the rst time. authentic triple ddle and three-part harmony sound to the concert halls and festivals Their blend of swing with a dash of of North America and Europe. contemporary color is unique in today’s music world. They project a cannonball of Grace, Sophia, and Hulda Quebe front an innovative Progressive Western Swing band stage presence and man can they play.” of archtop guitar, upright bass, ddles and sibling harmony. The Dallas-based ve-piece JIMMY BUFFETT presents a unique Americana blend of Western Swing, Jazz-in uenced Swing, Country, Texas-Style Fiddling, and Western music. “The Quebe Sisters are some of the most talented people I’ve ever met. They do “We differentiate our music as ‘Progressive Western Swing’ from simply ‘Western Swing’ Texas proud. They live in Texas, sound because we aren’t trying to sound just like Bob Wills,” Grace Quebe explains. like Texas and they’re prettier than Texas “Instead, we continue his vision, playing the style he pioneered in an authentic way by Bluebonnets, and sweeter than sugar cane. I love the Quebe Sisters”. incorporating new genres and songs, interpreting them using our own unique voice RICKY SKAGGS through Country instrumentation.” The band’s stripped-down acoustic instrumentation breathes new life into seasoned sounds “I rst heard the Quebe Sisters at the Philly Folk Festival, and was pretty blown away. I begged once found in Texas dance halls and honky-tonks.
    [Show full text]
  • DISCOGRAFIA BASICA DEL JAZZ Prof.: Willie Campins
    DISCOGRAFIA BASICA DEL JAZZ Prof.: Willie Campins ESTILO DE NUEVA ORLEANS O HOT JAZZ: Original Dixieland Jazz Band: • Sensation! (ASV AJA 5023R)(1920) • The Original Dixieland Jazz Band 1917-1921 (Timeless CBC 1-009) New Orleans Rhythm Kings: • The New Orleans Rhythm Kings and Jelly Roll Morton (Milestone MCD 47020-2) (1922- 1925) Jelly Roll Morton: • Jelly Roll Morton 1923-1924 (Classics 584) • The Complete Jelly Roll Morton 1926-1930 (RCA Bluebird ND82361) • Jelly Roll Morton Vol. 1 (JSP CD 321) (1926/1927) King Oliver: • King Oliver Vol. 1 1923-1929 (con Louis Armstrong) (CDS RPCD 607) • King Oliver 1923 (con Louis Armstrong) (Classics 650) Sidney Bechet: • The Legendary Sidney Bechet (Bluebird ND 86590) • New Orleans Jazz (Columbia 462954) Kid Ory: • Kid Ory’s Creole Jazz Band (Good Time Jazz 12022) ESTILO DE CHICAGO O JAZZ TRADICIONAL: Louis Armstrong: • Con King Oliver: King Oliver Vol. 1 (1923-1929) • Hot Fives and Sevens Vol. 1 (JSP 312) (1925/26), Vol. 2 (JSP 313) (1927), Vol. 3 (JSP 314) (1929) • Louis Armstrong & His Orchestra (1929-1932) (Classics 570, 557, 547 y 536) • Louis Armstrong & His Orchestra (1932-1939) (Classics 529, 509, 512, 515, 523) Bix Beiderbecke: • Bix’n’Bing (Con Bing Crosby) (ASV AJA 5005) • Bix Beiderbecke Vol. 1 Singin’ the Blues (Columbia 4663092) (1927) • Bix Beiderbecke Vol. 2 At the Jazz Band Ball (Columbia 4608252) (1928) Eddie Condon: • Dixieland All Stars (MCA GRP 16372) (1939-1946) Fletcher Henderson: • Fletcher Henderson 1924-1925 (Classics 633) SWING: Duke Ellington: • The Complete Brunswick Recordings Vol. 1 y 2 (MCA MCAD 42325 y 42348) (1927-1931) • Early Ellington 1927-1934 (RCA Buebird 86852) • Rockin’ In Rhythm (ASV AJA 5057) (1927-1936) • Black, Brown and Beige (RCA Bluebird 86641) (1944-1946) Benny Goodman: • The Birth of Swing (RCA Bluebird ND 90601) (1935-1936) • Stompin’ at the Savoy (RCA Bluebird ND 90631) (1935-1938) • After You’ve Gone (RCA Bluebird ND 85631) (1935-1937) • Live at Carnegie Hall (Columbia 4509832) (1938) • Sextet Featuring Charlie Christian (Columbia 4656792) (1939-1941) • B.G.
    [Show full text]
  • 6. Count Basie's Cleveland Connections
    6. Count Basie's Cleveland Connections illiam Basie, pianist and bandleader, was not a In his autobiography, Good Morning Blues, Basie Clevelander, but he certainly perfonned recalled he married the girl from Cleveland in 1943 in Wfrequently in Cleveland and hired a number of Seattle. Their honeymoon was a series ofone-night band Clevelanders to play in his swinging band. Basie' s appearances. strongest tie to Cleveland is frequently forgotten. He The Basie band was working in New York when Katy married a girl from Cleveland and their only child was was about to have a baby. She returned to Cleveland and born here. stayed with her parents. Katy and Bill Basie's only child, Diane Basie, was born in Cleveland. He rushed to Catherine Morgan Basie Cleveland to be with his wife and Catherine Morgan left Cleveland daughter. at the age of 16 in 1931 to become a Later, when they rejoined Basie in dancer. She joined a very popular New York, he said he had vivid vaudeville act, the Whitman Sisters. memories of seeing Katy getting off She was one of three girls in the the plane from Cleveland carrying dance company who called their baby. He said, "It was a special themselves "The Snake Hips thrill bringing my family home from Queens." When they appeared at the the airport that day, Old Base, his Lafayette Theatre in New York City, wife and daughter." there was a jazz band from Kansas They moved into an apartment City on the same bill. The young building near New York' s Central dancer from Cleveland noticed the Park.
    [Show full text]
  • SAMMY NESTICO Music Distributed by K ENDOR M Usic
    enDor usic K Doug Beach MuMsic V o l u M e 3 azz 3 eJnseMBle visit us at kendormusic.com : • free recordings • SoloMate accompaniment tracks • complete viewable scores • detailed descriptions • brass ranges • dealer directory Jazz Series Kendor Jazz Doug Beach Jazz Gateway Series Foundations Series Easy charts for developing groups, Very easy charts for 4 horns with many featuring Kendor Konvertible rhythm section that are expandable to scoring for 9-17 pieces. A guitar chord full-size big band. chart is included. Download Jazz Gateway MP3 Album Doug Beach First Edition Series Easy charts for developing groups, playable by 12-17 players. Kendor Jazz Journey Series Medium charts for advancing groups. A guitar chord chart is included. Doug Beach Threshold Series Download Jazz Medium easy to medium charts for Journey MP3 Album advancing groups. Kendor Jazz Doug Beach Summit Series Jazz Ensemble Series Advanced charts for proficient big Medium to medium advanced charts bands. for proficient big bands. Download Jazz Download Doug Summit MP3 Album Beach MP3 Album Encore Editions are repromoted titles Kendor Music, Inc. with full recorded versions and online MUSIC PUBLISHER 21 Grove Street • PO Box 278 enhancements. Delevan, New York 14042-0278 • U.S.A. phone 716-492-1254 fax 716-492-5124 www.kendormusic.com e-mail: [email protected] ENCORE E DItION Kendor Jazz Jamie Gateway Series by Sammy Nestico Recorded by Count Basie on the album “Have A Nice ENCORE E DItION Day” (Daybreak Records), this highly expressive ballad is a study in subtle textures and colors featuring short Bossa Bonito written or improvised piano solos and fills, muted by Jon Phelps brasses, and a directed ending that closes in a whisper.
    [Show full text]
  • Oscar Peterson & Roy Eldridge
    Oscar Peterson Oscar Peterson & Roy Eldridge mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Oscar Peterson & Roy Eldridge Country: US Released: 1975 MP3 version RAR size: 1217 mb FLAC version RAR size: 1410 mb WMA version RAR size: 1900 mb Rating: 4.7 Votes: 313 Other Formats: XM DMF MP1 MOD MPC WMA AA Tracklist A1 Little Jazz 4:45 A2 She's Funny That Way 7:38 A3 The Way You Look Tonight 6:22 B1 Sunday 5:45 B2 Bad Hat Blues 7:34 B3 Between The Devil And The Deep Blue Sea 5:22 B4 Blues For Chu 5:06 Companies, etc. Manufactured By – Pablo Records, Inc. Phonographic Copyright (p) – Pablo Records Recorded At – MGM Recording Studios Credits Photography By – Phil Stern Piano, Organ – Oscar Peterson Producer – Norman Granz Trumpet – Roy Eldridge Other versions Title Category Artist Label Category Country Year (Format) Oscar Peterson Oscar & Roy Eldridge Peterson & - Oscar 2310 739 Pablo Records 2310 739 UK 1975 Roy Peterson & Eldridge Roy Eldridge (LP, Album) Oscar Oscar Peterson, Roy Peterson, Eldridge - 2310 739 Pablo Records 2310 739 Germany 1975 Roy Oscar Peterson Eldridge & Roy Eldridge (LP) Oscar Peterson Oscar & Roy Eldridge Peterson & - Oscar PN 4048 Pablo Records PN 4048 Spain 1984 Roy Peterson & Eldridge Roy Eldridge (LP, Album) Oscar Peterson Oscar & Roy Eldridge Peterson & - Oscar 2310 739 Pablo Records 2310 739 Brazil 1977 Roy Peterson & Eldridge Roy Eldridge (LP, Album) Oscar Peterson Original Jazz & Roy Eldridge Oscar Classics, Pablo - Oscar Peterson & Records, 00025218672726 Peterson & 00025218672726 Europe Unknown
    [Show full text]
  • Thad Jones Chronology Copy
    Thad Jones Chronology Compiled by David Demsey • 1923/March 28 - Born, Pontiac Michigan; father a lumber inspector for General Motors, had moved to MI from Vicksburg, MS. One of ten children – Thad: “We lost one sister in a drowning accident, and Elvin had a twin brother that died at an early age, but the remaining eight survive.” (Source: liner of H. Jones Have You Met This Jones?) • Professional career began during high school (later 1930s) • C. 1936-7, started to play trumpet at age 14 • C. 1936 in Arcadia Club Band in Pontiac, MI, led by trumpet-playing uncle Bill; band also contained Hank Jones • C. 1939, Formed The Hungry Five, played school dances; contained pianist Vivian Scott, tenorist Dan Turner • Last year in high school (1939?) played in 13-piece band in Saginaw, MI; had first contact with Big Nick Nicolas and Sonny Stitt, formed group with others from Flint, MI, went on road for 2.5 years, broke up in Indianapolis • 1941 traveling with Connie Cornell band through South • 1943 in Dallas for about six months, with band led by altoist Red Calhoun • 1943/December-April 1946 – U.S. Army; first big band experience in G.I. band led by Jack Teagarden, Jr.; arranged for G.I. band that toured with the show “Bedtime Stories” • 1946, formed own band in Oklahoma City • 1946, played in Des Moines with Harold and Seymour Gray for 7 months • 1948, recorded Swing, Not Spring, w/Billy Mitchell, Terry Pollard, piano/vibes; James Richardson? Alvin Jackson?, b; Elvin Jones, d. • 1950-53 formed group with tenor saxophonist Billy Mitchell, also
    [Show full text]
  • Count Basie and His Bands
    NEW YORKJAZZ MUSEUM , . (:OU~T 13A,I~ and 171,13A~u, _.......-- · ' - . -~•,.,. - (:OU~T 13Ail~ and I-iii 13A~l)i Edited by Dan Morgenstern and Jack Bradley Biographies by Bill Esposito Dan Morgenstern Arnold J. Smith © Copyright 1975 by New York Jazz Museum Cover photo/Phil Stern Cover design/ Fran Greenberg WILLIAM "COUNT" BASIE A PROFILE OF HIS LI FE & MUSIC 1904 Born , August 21, at Red Bank, N.J. 1917 Starts as a drummer, switches to piano. 1919-20 Plays in local bands and stage shows in N. Y. and N.J. Takes lessons from Fats Waller. 1925-27 Tours theaters accompanying variety acts: Kate Crippen and Her Kids, Sonny Thompson Band, Gonzelle White. Vaudevillians ; first hears Kansas City style music in Tulsa, Walter Page Blue Devils; Gonzelle White Show folds in Kansas City; Accompanies Whitman Sisters in Kansas City . 1928 Join s Blue Devils in Dallas, Texas in July. 1929 Plays briefly with Elmer Payne and his Ten Royal Americans (summer). 1930 Basie and members of the Blue Devils join Benny Mote.n's band. 1934 Leaves Moten early in year to lead own band (under Mote.n's auspices) in Little Rock, Arkansas, then rejoins Moten. 1935 Death of Moten breaks up the famous Kansas City unit, after working a short time under Mote.n's brother Buster's leadership; returning to Kansas City, · works as a single, then with own trio before jointly leading "Barons of Rhythm" with altoist, Buster Smith. 1936 Broadcasts over Station WIXBY and is heard by John Hammond, famed jazz buff and sponsor, who initiates the band's first national tour; plays at Grand Terrace in Chicago - not a rousing success - then the Vendome Hotel in Buffalo, N.Y.
    [Show full text]
  • RCA Victor LEJ “Educational Jazz Series” 10 Inch LP
    RCA Discography Part 30 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor LEJ “Educational Jazz Series” 10 Inch LP LEJ 1 – The RCA Victor Encyclopedia of Recorded Jazz Volume 1: A-Bec – Various Artists [1956] Pleasin’ Paul – Henry “Red” Allen/Boogie Woogie – Albert Ammons with Pete Johnson/High Society – Louis Armstrong/Rockin’ Chair – Louis Armstrong/Night Whispers – Buster Bailey with John Kirby//Georgia on My Mind – Mildred Bailey/Between 18th and 19th on Chestnut Street – Charlie Barnet/South – Count Basie/Money is Honey – Count Basie/Nobody Knows the Way I Feel Dis Mornin’ – Sidney Bechet LEJ 2 – The RCA Victor Encyclopedia of Recorded Jazz Volume 2: Bei to Cla – Various Artists [1956] Barnacle Bill the Sailor – Bix Beiderbecke with Hoagy Carmichael and his Orchestra/Sobbin’ Blues – Bunny Berigan and His Orchestra/Shufflin’ at eh Hollywood – Chu Berry with Lionel Hampton and His Orchestra/Ready Eddy – Barney Bigard and His Orchestra/That Da Da Strain – George Brunis with Muggsy Spanier and His Ragtime Band//The Scat Song – Cab Calloway and His Orchestra/Lazy River – Hoagy Carmichael and His Orchestra/Goodbye – Barbara Carroll Trio/My Favourite Blues – Benny Carter and His Orchestra/Buckin’ the Blues – Buck Clayton with Esquire All-American Award Winners LEJ 3 – The RCA Victor Encyclopedia of Recorded Jazz Volume 3: Cli to Dor – Various Artists [1956] Rockin' Chair - Larry Clinton And His Orchestra/Every Time - Al Cohn And His Orchestra/Tip Easy Blues - Lee Collins, Trumpet, Jones And Collins
    [Show full text]
  • Satin Doll Full Score
    Jazz Lines Publications satin doll Presents recorded by ella fitzgerald Arranged by quincy jones prepared for publication by rob duboff and jeffrey sultanof full score jlp-9626 Words by Johnny Mercer and Billy Strayhorn, Music by Billy Strayhorn and Duke Ellington Copyright © 1953 (Renewed) RESERVOIR MEDIA MANAGEMENT, INC. Sony/ATV Music Publishing LLC, and Tempo Music, Inc. c/o Music Sales Corporation in the U.S.A. Copyright Renewed All Rights for RESERVOIR MEDIA MUSIC Administered by RESERVOIR MEDIA MANAGEMENT, INC. RESERVOIR MEDIA MUSIC Administered by ALFRED MUSIC This Arrangement © 2017 RESERVOIR MEDIA MANAGEMENT, INC. Sony/ATV Music Publishing LLC, and Tempo Music, Inc. c/o Music Sales Corporation. All Rights Reserved. Used by Permission of Alfred Music, Hal Leonard LLC, and Music Sales Corporation Logos, Graphics, and Layout Copyright © 2017 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Ella Fitzgerald Estate. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA ella fitzgerald series satin doll (1963) Background: Truly the First Lady of Song, Ella Fitzgerald was one of the greatest singers in American history. As her official website perfectly states, “Her voice was flexible, wide-ranging, accurate, and ageless. She could sing sultry ballads, sweet jazz, and imitate every instrument in an orchestra.” She enthralled audiences all over the world for decades, worked with everyone from Duke, Dizzy, and Count Basie to Nat King Cole and Sinatra, and left a recorded legacy that is second to none.
    [Show full text]
  • Download the Tenor Saxophone of Buddy Tate
    1 The TENORSAX of GEORGE HOLMES TATE “BUDDY” Solographer: Jan Evensmo Last update: Jan. 4, 2020 2 Born: Sherman, Texas, Feb. 22, 1914 Died: Chandler, Arizona, Feb. 10, 2001 Introduction: We became familiar with Buddy Tate very early through his recordings with Count Basie. I met him once, many years ago, at the Molde International Jazz Festival. He was a very kind man, and when he realized I was doing some useful work on ja zz tenor saxophone, he invited me to his hotel room for whisky. We had a very nice time together in the light summer night of Norway! Early history: His brother, a saxophonist, gave Buddy an alto in 1925. Two years later began gigging with McCloud's Night Owls (led by his cousin, trumpeter Roy McCloud). In 1929 played for several months in Wichita Falls with the St. Louis Merrymakers, later that year joined Troy Floyd's Band in San Antonio. Briefly with Gene Coy's Band, then with Terrence Holder's 12 Clouds of Joy from 1930-33. Worked with E. J. Malone and his Rhythm Kings (early 1933), Wesley Smiths' Band, ‘Tan Town Topics’, and Ethel May's Band before joining Count Basie in Little Rock, Arkansas (ca. July 1934). From late 1934 until early summer 1935 with Andy Kirk, played with band at Wiley College, Texas, then long spell with Nat Towles until joining Count Basie in spring 1939. Remained with Basie until September 1948, brief return in early 1949, then for the rest of that year worked mostly with Hot Lips Page, occasionally with Lucky Millinder.
    [Show full text]