Saint's Church, Horsey, Norfolk
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The William Cole Archive on Stained Glass Roundels for the Corpus Vitrearum
THE WILLIAM COLE ARCHIVE ON STAINED GLASS ROUNDELS FOR THE CORPUS VITREARUM Contents of the Archive NB All material is arranged alphabetically. Listed Material 1. List of Place Files: British, Overseas - arranged alphabetically according to place. Tours - arranged chronologically. 2. List of Articles by William Cole, draft and published material. 3. List of Correspondence with Museums and Organisations. 4. List of Articles about Stained Glass Roundels by other Authors. 5. List of Photographs from various Museums and Collections. 6. List of Slides. 7. Correspondence: A-G, H-P, Q-Z (listed) General, with individuals (unlisted) Unlisted Material 8. Notebooks, cassettes and manuscripts made by William Cole. 9. Corpus Vitrearum conferences. 10. A range of guidebooks and pamphlets. 11. Box of iconography reference cards. 12. William Cole‟s card index of Netherlandish and North European Roundels, by place. 1 1a. Place files Place Location Catalogue Contents of file reference Addington St Mary the Virgin, 7–73 Draft article [WC] Buckinghamshire Correspondence Alfrick St Mary Magdalene, 74–90 Correspondence Hereford & Worcester Banwell St Andrew, Avon 113–119 Correspondence Begbroke St Michael, Oxfordshire 120–137 Correspondence Berwick-upon- Holy Trinity, 138–165 Correspondence Tweed Northumberland Birtles St Catherine, Cheshire 166–211 Draft article [WC] Bishopsbourne St Mary, Kent 212–239 Correspondence Blundeston St Mary, Suffolk 236–239 Correspondence Bradford-on- Holy Trinity, Wiltshire 251–275 Correspondence Avon Photocopied images Bramley -
The Making of the Victorian Organ Nicholas Thistlethwaite Index More Information
Cambridge University Press 978-0-521-34345-9 - The Making of the Victorian Organ Nicholas Thistlethwaite Index More information Index ABBREVIATIONS archt architect(s) ob organ builder(s) orgt organist r register PC Parish Church For locations of particular organs, the reader should also consult section 3 of the List of References (pp. 548-64). Italics denote the page reference of a stop list. Abbott & Smith (ob) 291, 299, 300, 391 Ashton-under-Lyne, St Michael and All Angels: Aberdeen, Music Hall 335 Hill 1845: 189, 197, 198, 199, 205, 244, 367, 522 action 31-2, 94, 230, 233-5 case: 247, 248, PI. 32 Adams, Thomas (orgt) 60-1, 89, 90, 97, 104, 165 Attercliffe (S. Yorks), Christ Church 351 aeoline (r) 378 Attwood, Thomas (orgt) 49, 104, 164, 185 AlfretonPC (Derbys) 51 Avery, John (ob) 4, 56, 97 Alkmaar, Holland 211 diagonal bellows 26 Allen, Charles (ob) 52, 99-101, 305 duplication of open diapason 11,12 see also: Everingham, Catholic Chapel keyboards 35 Allen, William (ob) 49, 52 pedal pipes 15, 16, 19, 20 Allom, Thomas (archt) 339 retention of cornet 13 Alton, Revd Henry 426 Amersham, St Mary 101 Bach, Johann Sebastian (orgt) 14, 141, 281, 341, Amsterdam, Holland 128, 210 342, 343 Andrews, Joseph (ob) 300 organ works: influence on Gauntlett 188; see also'. Forster & Andrews influence on Hodges 153; influence on Antigua Cathedral 57 design of Pedal Organ 103, 105, 190; antiquarianism 324, 327 performance 89, 103, 153, 172-5, Table Antwerp, Belgium 175 16, 183, 272, 273, 520—1; publication 168— Armitage (Staffs), Mission Church 238 72, Table 15; recovery 105, 164-72, 181, Arnold, Dr Samuel (orgt) 17 182 Arundel (Sussex): Banfield, John (ob) 260, 299 RC Cathedral, 237, 244, 524 Barker, Charles Spackman (ob) 125, 416 St Nicholas 13, 17 career 356, 530 Ashridge (Herts) 9, 11, 238, 444 compensating bellows 355, Fig. -
December 2012
PRESS RELEASE July 2014 Poetry for the Palace Poets Laureate from Dryden to Duffy The Queen’s Gallery, Palace of Holyroodhouse 7 August – 2 November 2014 From William Wordsworth and Alfred, Lord Tennyson to Sir John Betjeman and Ted Hughes, some of Britain's most famous poets have held the position of Poet Laureate. This special honour, and appointment to the Royal Household, is awarded by the Sovereign to a poet whose work is of national significance. An exhibition opening at The Queen's Gallery, Palace of Holyroodhouse in August is the first ever to explore this royal tradition and the relationship between poet and monarch over 350 years. Through historic documents from the Royal Library and newly commissioned works of art, Poetry for the Palace: Poets Royal Collection Trust / Laureate from Dryden to Duffy marks the halfway point in the © Her Majesty Queen Elizabeth II 2014. tenure of the current Poet Laureate, Carol Ann Duffy. The Artwork by Stephen Raw exhibition includes original manuscripts and rare editions presented to monarchs by Poets Laureate from the 17th century to the present day, many personally inscribed, handwritten or illustrated by the poets themselves. Over three-quarters of the 52 items will go on display for the first time. Born in Scotland, Carol Ann Duffy was appointed the 20th Poet Laureate by The Queen in 2009 and is the first woman to hold the position. Her poems cover a range of subjects, from the Royal Wedding in 2011 (Rings) and the 60th anniversary of The Queen's Coronation (The Crown), to the publication of the Hillsborough Report (Liverpool) and climate change (Atlas). -
Parish Registers and Transcripts in the Norfolk Record Office
Parish Registers and Transcripts in the Norfolk Record Office This list summarises the Norfolk Record Office’s (NRO’s) holdings of parish (Church of England) registers and of transcripts and other copies of them. Parish Registers The NRO holds registers of baptisms, marriages, burials and banns of marriage for most parishes in the Diocese of Norwich (including Suffolk parishes in and near Lowestoft in the deanery of Lothingland) and part of the Diocese of Ely in south-west Norfolk (parishes in the deanery of Fincham and Feltwell). Some Norfolk parish records remain in the churches, especially more recent registers, which may be still in use. In the extreme west of the county, records for parishes in the deanery of Wisbech Lynn Marshland are deposited in the Wisbech and Fenland Museum, whilst Welney parish records are at the Cambridgeshire Record Office. The covering dates of registers in the following list do not conceal any gaps of more than ten years; for the populous urban parishes (such as Great Yarmouth) smaller gaps are indicated. Whenever microfiche or microfilm copies are available they must be used in place of the original registers, some of which are unfit for production. A few parish registers have been digitally photographed and the images are available on computers in the NRO's searchroom. The digital images were produced as a result of partnership projects with other groups and organizations, so we are not able to supply copies of whole registers (either as hard copies or on CD or in any other digital format), although in most cases we have permission to provide printout copies of individual entries. -
The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages. -
WRAP THESIS Shilliam 1986.Pdf
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/34806 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. FOREIGN INFLUENCES ON AND INNOVATION IN ENGLISH TOMB SCULPTURE IN THE FIRST HALF OF THE SIXTEENTH CENTURY by Nicola Jane Shilliam B.A. (Warwick) Ph.D. dissertation Warwick University History of Art September 1986 SUMMARY This study is an investigation of stylistic and iconographic innovation in English tomb sculpture from the accession of King Henry VIII through the first half of the sixteenth century, a period during which Tudor society and Tudor art were in transition as a result of greater interaction with continental Europe. The form of the tomb was moulded by contemporary cultural, temporal and spiritual innovations, as well as by the force of artistic personalities and the directives of patrons. Conversely, tomb sculpture is an inherently conservative art, and old traditions and practices were resistant to innovation. The early chapters examine different means of change as illustrated by a particular group of tombs. The most direct innovations were introduced by the royal tombs by Pietro Torrigiano in Westminster Abbey. The function of Italian merchants in England as intermediaries between Italian artists and English patrons is considered. Italian artists also introduced terracotta to England. -
9780521633482 INDEX.Pdf
Cambridge University Press 0521633486 - A History of the English Parish: The Culture of Religion from Augustine to Victoria N. J. G. Pounds Index More information INDEX abandonment, of settlement 90–1 rail 442 Abbots Ripton, briefs 270, 271 (map) tomb 497 abortion 316–17; herbs for 316 altarage 54 Abraham and Isaac 343 Altarnon church 347, 416 absenteeism 564 Alvingham priory 63 abuse, verbal 258 Ancaster stone 402 accounts, clerical 230 Andover parish 22, 23 (map) parochial 230 Anglican liturgy 481 wardens’ 230 Anglo-Saxon churches 113 acolyte 162 Annates 229 Act of Unification 264 anticlericalism 220, 276 Adderbury, building of chancel 398–9 in London 147 adultery 315 apparition 293 Advent 331 appropriation 50–4, 62–6, 202 (map) Advowson 42, 50, 202 apse 376, 378 Ælfric’s letter 183 Aquae bajulus 188 Æthelberht, King 14 Aquinas, Thomas 161, 459 Æthelflaeda of Mercia 135 archdeaconries 42 Æthelstan, law code of 29 archdeacons 162, 181, 249 affray, in church courts 291–2; over seats 477 courts of 174–6, 186, 294–6, 299, 303 aged, support of 196 and wills 307 agonistic principle 340 archery 261–2 aisles 385–7, 386 (diag.) Arles, Council of 7, 9 ales 273, see church-ales, Scot-ales Ascension 331 Alexander III, Pope 55, 188, 292 Ashburton 146 Alkerton chapel 94 accounts of 231 All Hallows, Barking 114 church-ale at 241 All Saints, Bristol, library at 286–8 pews in 292 patrons of 410 Ashwell, graffiti at 350–1 All Saints’ Day 331, 333 audit, of wardens’ accounts 182–3 altar 309 auditory church 480 candles on 434 augmentations, court of 64 consecration of 442–3 Augustinian order 33, 56 covering of 437 Austen, Jane 501 desecration of 454 Avicenna 317 frontals 430, 437 Aymer de Valence 57 material of 442 number of 442 Bag Enderby 416 placement of 442 Bakhtin, Mikhail 336 position of 486 balance sheet of parish 236–9 © Cambridge University Press www.cambridge.org Cambridge University Press 0521633486 - A History of the English Parish: The Culture of Religion from Augustine to Victoria N. -
Domine Dirige
Kevin J. Gardner is Associate Professor of English at Baylor University in Waco, Texas. A Betjeman scholar, he is the author of Betjeman and the Anglican Imagination (SPCK, 2010). He is also the editor of Faith and Doubt of John Betjeman: An anthology of his religious verse (Continuum, 2005) and Poems in the Porch: The radio poems of John Betjeman (Continuum, 2008). In addition to his work on Betjeman, he has published on a wide variety of literary figures over the years, and has a particular interest in twentieth-century writers who address issues of faith and religion. BETJEMAN ON FAITH An anthology of his religious prose Edited by Kevin J. Gardner First published in Great Britain in 2011 Society for Promoting Christian Knowledge 36 Causton Street London SW1P 4ST www.spckpublishing.co.uk Preface copyright © Kevin J. Gardner 2011 All other chapters copyright © the Estate of Sir John Betjeman 2011 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. SPCK does not necessarily endorse the individual views contained in its publications. Scripture quotations are taken from the Authorized Version of the Bible (The King James Bible), the rights in which are vested in the Crown, and are reproduced by permission of the Crown’s Patentee, Cambridge University Press. Extracts from The Book of Common Prayer, the rights in which are vested in the Crown, are reproduced by permission of the Crown’s Patentee, Cambridge University Press. -
Norfolk Archaeological Services Advisory Committee a G E N
NORFOLK ARCHAEOLOGICAL SERVICES ADVISORY COMMITTEE Please note: Members taking part in the electric boat tour from Ranworth Broad Visitor Centre (at the end of the board walk) to St Benet’s Abbey and back are reminded that they will need meet up at Malthouse Staithe by no later than 9.10am on the day of the meeting. Departure from Ranworth Broad Visitor Centre will be at 9.30am and arrival at St Benet’s Abbey is expected at 10.15am. It is anticipated the boat will depart from St Benet’s Abbey at 11.15am to arrive back at Ranworth Broad Visitor Centre at approximately 12.00 noon. Depending on time constraints, there will then be a brief opportunity for Members to visit the Centre. For those taking part in the morning’s activities, lunch will be provided at Broadland District Council’s offices at 1.00pm, prior to the start of the meeting at 2.00pm. A plan showing the location of Malthouse Staithe and Ranworth Broad Visitor Centre, together with a list of those taking part in the morning’s activities, can be found with the agenda papers. Please note that there are no spare seats on the boat. Date Time Place Friday 2 October 2009 2.00 pm The Council Chamber Broadland District Council Thorpe Lodge, 1 Yarmouth Road, Thorpe St Andrew, Norwich A G E N D A 1. Election of Chairman (Note of membership enclosed) (PAGE ) 2. Election of Vice-Chairman 3. To Receive the Minutes of the Previous Meeting held on 14 May 2009 (PAGE ) 4. -
English Monks Suppression of the Monasteries
ENGLISH MONKS and the SUPPRESSION OF THE MONASTERIES ENGLISH MONKS and the SUPPRESSION OF THE MONASTERIES by GEOFFREY BAS KER VILLE M.A. (I) JONA THAN CAPE THIRTY BEDFORD SQUARE LONDON FIRST PUBLISHED I937 JONATHAN CAPE LTD. JO BEDFORD SQUARE, LONDON AND 91 WELLINGTON STREET WEST, TORONTO PRINTED IN GREAT BRITAIN IN THE CITY OF OXFORD AT THE ALDEN PRESS PAPER MADE BY JOHN DICKINSON & CO. LTD. BOUND BY A. W. BAIN & CO. LTD. CONTENTS PREFACE 7 INTRODUCTION 9 I MONASTIC DUTIES AND ACTIVITIES I 9 II LAY INTERFERENCE IN MONASTIC AFFAIRS 45 III ECCLESIASTICAL INTERFERENCE IN MONASTIC AFFAIRS 72 IV PRECEDENTS FOR SUPPRESSION I 308- I 534 96 V THE ROYAL VISITATION OF THE MONASTERIES 1535 120 VI SUPPRESSION OF THE SMALLER MONASTERIES AND THE PILGRIMAGE OF GRACE 1536-1537 144 VII FROM THE PILGRIMAGE OF GRACE TO THE FINAL SUPPRESSION 153 7- I 540 169 VIII NUNS 205 IX THE FRIARS 2 2 7 X THE FATE OF THE DISPOSSESSED RELIGIOUS 246 EPILOGUE 273 APPENDIX 293 INDEX 301 5 PREFACE THE four hundredth anniversary of the suppression of the English monasteries would seem a fit occasion on which to attempt a summary of the latest views on a thorny subject. This book cannot be expected to please everybody, and it makes no attempt to conciliate those who prefer sentiment to truth, or who allow their reading of historical events to be distorted by present-day controversies, whether ecclesiastical or political. In that respect it tries to live up to the dictum of Samuel Butler that 'he excels most who hits the golden mean most exactly in the middle'. -
Brian Knight
STRATEGY, MISSION AND PEOPLE IN A RURAL DIOCESE A CRITICAL EXAMINATION OF THE DIOCESE OF GLOUCESTER 1863-1923 BRIAN KNIGHT A thesis submitted to the University of Gloucestershire in accordance with the requirements of the degree of Doctor of Philosophy in the Faculty of Arts and Humanities August, 2002 11 Strategy, Mission and People in a Rural Diocese A critical examination of the Diocese of Gloucester 1863-1923 Abstract A study of the relationship between the people of Gloucestershire and the Church of England diocese of Gloucester under two bishops, Charles John Ellicott and Edgar Charles Sumner Gibson who presided over a mainly rural diocese, predominantly of small parishes with populations under 2,000. Drawing largely on reports and statistics from individual parishes, the study recalls an era in which the class structure was a dominant factor. The framework of the diocese, with its small villages, many of them presided over by a squire, helped to perpetuate a quasi-feudal system which made sharp distinctions between leaders and led. It is shown how for most of this period Church leaders deliberately chose to ally themselves with the power and influence of the wealthy and cultured levels of society and ostensibly to further their interests. The consequence was that they failed to understand and alienated a large proportion of the lower orders, who were effectively excluded from any involvement in the Church's affairs. Both bishops over-estimated the influence of the Church on the general population but with the twentieth century came the realisation that the working man and women of all classes had qualities which could be adapted to the Church's service and a wider lay involvement was strongly encouraged. -
North Norfolk Landscape Character Assessment Contents
LCA cover 09:Layout 1 14/7/09 15:31 Page 1 LANDSCAPE CHARACTER ASSESSMENT NORTH NORFOLK Local Development Framework Landscape Character Assessment Supplementary Planning Document www.northnorfolk.org June 2009 North Norfolk District Council Planning Policy Team Telephone: 01263 516318 E-Mail: [email protected] Write to: Planning Policy Manager, North Norfolk District Council, Holt Road, Cromer, NR27 9EN www.northnorfolk.org/ldf All of the LDF Documents can be made available in Braille, audio, large print or in other languages. Please contact 01263 516318 to discuss your requirements. Cover Photo: Skelding Hill, Sheringham. Image courtesy of Alan Howard Professional Photography © North Norfolk Landscape Character Assessment Contents 1 Landscape Character Assessment 3 1.1 Introduction 3 1.2 What is Landscape Character Assessment? 5 2 North Norfolk Landscape Character Assessment 9 2.1 Methodology 9 2.2 Outputs from the Characterisation Stage 12 2.3 Outputs from the Making Judgements Stage 14 3 How to use the Landscape Character Assessment 19 3.1 User Guide 19 3.2 Landscape Character Assessment Map 21 Landscape Character Types 4 Rolling Open Farmland 23 4.1 Egmere, Barsham, Tatterford Area (ROF1) 33 4.2 Wells-next-the-Sea Area (ROF2) 34 4.3 Fakenham Area (ROF3) 35 4.4 Raynham Area (ROF4) 36 4.5 Sculthorpe Airfield Area (ROF5) 36 5 Tributary Farmland 39 5.1 Morston and Hindringham (TF1) 49 5.2 Snoring, Stibbard and Hindolveston (TF2) 50 5.3 Hempstead, Bodham, Aylmerton and Wickmere Area (TF3) 51 5.4 Roughton, Southrepps, Trunch