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Eagle Rock Entertainment Acquires Worldwide
For Immediate Release Contact: Victoria Varela, Varela Media Email: [email protected] - Phone: 212-332-3485 Eagle Rock Entertainment Acquires Worldwide Rights to Elliott Smith Documentary “Heaven Adores You” -- Partners with SpectiCast on Global Theatrical Release, beginning May 7th, 2015. (March 24th, 2015) Eagle Rock Entertainment, SpectiCast, and the producers of “Heaven Adores You” -- the new feature documentary about the life and music of Elliott Smith (1969-2003) -- are pleased to announce that Eagle Rock has acquired all worldwide rights to the film and will partner with SpectiCast on a global theatrical release, beginning May 7th, 2015. Directed by Nickolas Rossi, and produced by Jeremiah Gurzi, Kevin Moyer and Marc Smolowitz, “Heaven Adores You” is the first comprehensive film about Elliott Smith’s life and music. It features both unheard tracks by the prolific singer/songwriter and over 30 on-screen interviews with Smith’s closest friends and collaborators, creating an intimate and personal history never seen before. The film premiered in May 2014 at the San Francisco International Film Festival and has since gone on to screen at 35+ film festivals on 4 continents, including AFI Docs, DOC NYC, Melbourne International Film Festival, International Documentary Festival Amsterdam, CPH: Dox, among others. “Eagle Rock is happy to be spearheading the world distribution of this excellent film about Elliott Smith, in co-ordination with Universal Music,” said Geoff Kempin, Executive Director of Eagle Rock Entertainment. “‘Heaven Adores You’ has already been very well received at a number of film festivals, and we will be dedicating our distribution network to have the world see it through cinema, DVD, TV and Digital platforms!” SpectiCast Co-founder and President Mark Rupp said, “SpectiCast is excited to partner with Eagle Rock on the theatrical release of this wonderful film.” He added, “Since his death in 2003, the media has portrayed Elliott Smith as a ‘sad-sack’ genius. -
Torment Saint: the Life of Elliott Smith (Book Review)
From the SelectedWorks of Matthew Ryan Smith, Ph.D. 2013 Torment Saint: The Life of Elliott mithS (Book Review) Matthew Ryan Smith, Ph.D. Available at: https://works.bepress.com/matthewryansmith/65/ Compte rendu Ouvrage recensé : William Todd Schultz. 2013. Torment Saint: The Life of Elliott Smith. New York: Bloomsbury. 368 pp. ISBN 978-1-60819-973-0 par Matthew Ryan Smith Intersections: Canadian Journal of Music / Intersections : revue canadienne de musique, vol. 34, n° 1-2, 2014, p. 221-224. Pour citer ce compte rendu, utiliser l'adresse suivante : URI: http://id.erudit.org/iderudit/1030883ar DOI: 10.7202/1030883ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit : [email protected] Document téléchargé le 27 juillet 2015 01:42 34/1–2 (2013/2014) 221 Dorith Cooper, 114–23, CanMus Documents 2, Institute for Canadian Music, University of Toronto. Diamond, Beverley. 1994. “Narratives of Canadian Music History.” In Can- adian Music: Issues of Hegemony and Identity, ed. -
Boston LGBT Film Festival
Ah spring. That time of year when the snow (usually) starts to melt, spring is starting to be evident in the air, and Metro Boston goes absolutely film crazy. It’s the perfect time of the year for film buffs, because there are SEVEN full sized film festivals, and a number of film series and special film events, happening in the area. Every year, Kim and I look forward to this season…for some reason…it’s fun and exciting…also utterly exhausting…and we often don’t have time to see everything we want to. We try, and it’s easier when the festivals, publicists, and filmmakers offer up screeners, but still, it’s utterly exhausting. And you know what? We’ll do it again next year, because we can’t get enough of it. You have seven distinct genre festivals, each catering to a specific crowd, and yet, they’re all accessible to everyone. You don’t have to be part of each specific crowd to enjoy the films, because…well, film is supposed to be universal. And diverse as well. And this is the time of year when you find that out. Between March 1 and May 1 every year, Metro Boston plays host to festivals that feature all documentaries, all Irish related films, the lunatic fringe, the LGBT crowd, the middle eastern film goers, films with truly international flair, and that bastion of film festivals everywhere, the independent film. In 2011, as part of this crazy time of year, eCinemaBoston and Subject:CINEMA launched our annual “Boston Springs A Fethival” coverage – it was the first spinoff of our annual January “Fethival of Film Fethivals” podcast which covered all the big early-year fests – Sundance, Slamdance, Palm Springs and Santa Barbara, and which later grew to also include Victoria, Berlinale, and Big Sky Documentary festivals a few years later. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
"/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
{"/title/tt3702160/": {"director": [["Kimberly Jessy"]], "plot": ["\nBeautiful D anger is an Animated 3D Made for TV/Short Film. It's a Thriller that combines, M TV's Teen Wolf, Pretty Little Liars, Gossip Girl, Sorcery, Twilight, in one film , Epic fight scenes, No-one is who you think they are, Alternate Universes, Teen Young Adult Action Good Verses Evil, flick with tons of Cliff Hangers! It takes place In Dark Oak, CA were the typical mean girl with magical powers tries to t ake over the school with her mean girl clique. Brooke Charles Takes on Kimberly Jesika and her good girl team. Death Becomes Brook cause she keeps coming back, Think Katherine Vampire Diaries. Kimberly has magical powers and so does her cla n. It's a match to the death. No one is who they seem or who they appear to be! Excitement and sitting on the edge of your seat. Written by\nKimb erly Jessy "], "imdb_rating": [], "mpaa_rating": [], "poster_link": [], "stars": [["Kimberly Jessy"], ["Helena Evans"], ["Chloe Benoit"]], "title": "Beautiful D anger 3D Animated Teen Thriller", "genre": [[" Animation"]], "release_date": [], "writer": [["Kimberly Jesika"], ["Doll Face Animated Films"]]}, "/title/tt25692 02/": {"director": [["Emily Gossett"]], "plot": ["\nThe last year of high school has been barely tolerable for Maggie Masters. After being dumped by her three y ear relationship with Chad, to be traded in for a football dream at UF, she has to succumb to her mother leaving for a better life. Maggie is left to pick up th e remains of her fragmented life. When fate intervenes by the touch from the mys terious and handsome Caleb Jacobson, whom she saves, leaves Maggie breathless, s tartled and captivated. -
Honoring a Lesser-Known Music Titan
THE CIFF DAY 6 / MONDAY / 3.23.2015 Sponsored by Honoring a Lesser-Known Music Titan t was a haunting, quiet song that was upstaged by power ballads and the sheer glitter of the Oscars, but anyone who Iwatched the 70th Academy Awards may still be able to hear a quiet croon in their heads: “Do you miss me, miss misery, like you say you do?” It was, technically, Elliott Smith’s most widely-seen performance, of which he only said, “I wouldn’t want to live in that world, but it was fun to walk around on the moon for a day.” ABOVE: A writer, director, Seventeen years later, and more than a cinematographer and editor, in addition to a producer, Jeremiah decade after Smith’s death in an incident that Gurzi’s work ranges from indie shorts still perplexes and divides his fans, producer and to major TV shows. “Heaven Adores You” was a particular labor of love cinematographer Jeremiah Gurzi has released from the moment he and director Nickolas Rossi first discussed it. a tribute film, “Heaven Adores You,” which RIGHT: Musician Elliott Smith was explores the full depths of the talent that the nominated for an Academy Award for “Best Original Song” in 1997 for “Miss world lost. Misery,” which appeared in the film, For Gurzi, the journey of bringing “Good Will Hunting.” Smith’s music to the screen began in the “I was flabbergasted at the amount of summer of 2009. unreleased Elliott Smith music safely preserved “I had coffee with [director] Nickolas in the official archives,” he says. -
Strategic Intertextuality in Three of John Lennon╎s Late Beatles Songs
STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs. This may at first seem entirely obvious, especially since nowadays such a practice has been adopted routinely by many songwriters and producers, and is in fact the prevailing compositional strategy within certain pop and rock genres, rap being probably the most blatant example. Many rap artists are well known for their so-called “rap versions,” as Tim Hughes has described them, in which a distinctive element of a pre-existing song is lifted out of its original context—typically via digital sampling—and used as the foundation upon which a new song is built.1 Will Smith’s hit “Wild Wild West” (1999), for example, is composed around a sample of the bass-driven main groove from Stevie Wonder’s funk classic “I Wish” (1976); and Eminem’s hit “Like Toy Soldiers” * This essay is based in part on the first chapter of my dissertation, “British Pop-Rock Music in the Post-Beatles Era” (Ph.D. dissertation, Yale University, 2001). An earlier version was presented at the annual meeting of the Society for Music Theory, Columbus, in November 2002. -
The Dynamics of Culture
The Art of Being Human THE DYNAMICS OF CULTURE All cultures are dynamic and constantly changing as individuals navigate and negotiate the beliefs, values, ideas, ideals, norms, and meaning systems that make up the cultural environment in which they live. The dynamics between liberals and conservatives that constantly shape and re-shape American politics is just one example. Our realities are ultimately shaped not only in the realm of politics and policy-making, but in the most mundane moments of everyday life. Anthropologist Clifford Geertz famously noted, echoing Max Weber, that "Man is an animal suspended in webs of significance he himself has spun." These webs of significance create a vast network of associations that create the system that brings meaning to the most minute moments of our lives and dramatically shape the decisions we make. Due to these "webs of significance," even the simple decision of which coffee to drink can feel like a political decision or some deep representation of who we are as a person. 237 Michael Wesch In a recent BuzzFeed video, a woman sits down for a blind taste test of popular coffees from Dunkin' Donuts, Starbucks, McDonalds, and 7-11. As she sits, the young woman confidently announces her love for Dunkin Donuts coffee. "Dunkin' is my jam!" she says, declaring not only her love for the coffee but also expressing her carefree and expressive identity. But as she takes her first sip from the unmarked cup of Dunkin' Donuts coffee she nearly spits it out and screams, "This is the worst!" and then confidently proclaims that that cup had to be "7-11!" She eventually settles on the 4th cup from the left as the best. -
Elliott Smith Dead at by Will Bryant
Pitchfork | http://www.pitchforkmedia.com/news/03-10/22.shtml 22 October 2003 Elliott Smith Dead at by Will Bryant Elliott Smith has died at age , according to an obituary posted late Tuesday on Sweet Adeline, Smith’s official website. Rumors had been circulating on the Internet yesterday afternoon about Smith’s apparent suicide; by early evening, the overwhelm- ing traffic from well-wishers and fans was crashing Sweet Adeline’s discussion board. A handful of posts indicated that representatives from Smith’s label, Dreamworks, were attempting to contact Charlie Ramirez, the webmaster for Sweet Adeline. Within hours, Ramirez posted the following: “As you probably realize, I’m pretty devastated about having to say goodbye to Elliott. it’s never easy to put into words what someone means to you. Elliott was such a lovely man. I will always have his love, kindness, intelligence, humbleness, creativeness, greatness and so much more in me forever because that’s what he was and i’ll always love him for being who he was. I’ll miss you so much. We will all miss you. See you in heaven, Elliott.” Kill Rock Stars, who released Smith’s self-titled solo album and ’s Either/Or, changed their website’s splash page to a pensive photo of Smith this afternoon in silent tribute to the beloved songwriter. “We are deeply saddened by Elliott Smith’s tragic death and send our condolences to his friends and family,” read a statement released by Dreamworks and reported by Reuters’ wire service. “He was perhaps his generation’s most gifted songwriter. -
Swissted 4/3/13 11:41 PM
swissted 4/3/13 11:41 PM swissted swissted is an ongoing project by graphic designer mike joyce, owner of stereotype design in new york city. drawing from his love of punk rock and swiss modernism, two movements that have (almost) nothing to do with one another, mike has redesigned vintage punk, hardcore, new wave, and indie rock show flyers into international typographic style posters. each design is set in lowercase berthold akzidenz-grotesk medium (not helvetica). every single one of these shows actually happened.the swissted book is finally out from quirk books—get it here! http://www.swissted.com/ Page 1 of 135 swissted 4/3/13 11:41 PM http://www.swissted.com/ Page 2 of 135 swissted 4/3/13 11:41 PM ramones at the palladium, 1978 http://www.swissted.com/ Page 3 of 135 swissted 4/3/13 11:41 PM descendents at fender’s, 1987 agent orange at goodies, 1987 http://www.swissted.com/ Page 4 of 135 swissted 4/3/13 11:41 PM jawbreaker at irving plaza, 1995 patti smith at max’s kansas city, 1974 http://www.swissted.com/ Page 5 of 135 swissted 4/3/13 11:41 PM refused at the p.w.a.c., 1996 t.s.o.l. and others at fender’s, 1986 http://www.swissted.com/ Page 6 of 135 swissted 4/3/13 11:41 PM misfits at gildersleeves, 1983 lush at the fillmore, 1994 http://www.swissted.com/ Page 7 of 135 swissted 4/3/13 11:41 PM yo la tengo at cbgb, 1993 rollins band at the outhouse, 1990 http://www.swissted.com/ Page 8 of 135 swissted 4/3/13 11:41 PM david bowie at cleveland music hall, 1972 meat puppets at the roxy theatre, 1986 http://www.swissted.com/ Page 9 of 135 swissted 4/3/13 11:41 PM built to spill at fox theatre, 1997 modest mouse at speak in tongues, 1996 http://www.swissted.com/ Page 10 of 135 swissted 4/3/13 11:41 PM nick cave & the bad seeds at fillmore / 1989 the velvet underground at max’s k.c. -
Elliott Smith Son of Sam Mp3, Flac, Wma
Elliott Smith Son Of Sam mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Son Of Sam Country: UK & Europe Released: 2000 Style: Indie Rock MP3 version RAR size: 1801 mb FLAC version RAR size: 1135 mb WMA version RAR size: 1593 mb Rating: 4.3 Votes: 221 Other Formats: DMF MP4 DXD WAV MIDI AUD ASF Tracklist A Son Of Sam 2:59 B A Living Will 2:23 Companies, etc. Phonographic Copyright (p) – SKG Music LLC Copyright (c) – SKG Music LLC Licensed To – Polydor Ltd. (UK) Published By – Spent Bullets Published By – Careers-BMG Music Publishing, Inc. Pressed By – SNA Credits Art Direction, Design – Autumn DeWilde, Dale Smith Lacquer Cut By – JA* Management – Margaret Mittleman Mixed By – Rob Schnapf, Tom Rothrock Photography By [Photos] – Autumn DeWilde Producer – Rob Schnapf, Tom Rothrock Recorded By – Rob Schnapf, Tom Rothrock Written-By, Producer – Elliott Smith Notes Managed for M3. From the Dreamworks album Figure 8. Available on Compact Disc (450 225-2). The copyright in this sound recording is owned by SKG Music L.L.C. and is exclusively licensed to Polydor Ltd. (UK). A Universal Music Company. Track durations not on release. Barcode and Other Identifiers Rights Society: BMI Barcode (Text): 6 00445 09497 0 Other: UN 102 Label Code: LC 07266 Rights Society: BIEM/MCPS Matrix / Runout (Side A): JA 450 949-7 A¹ [SNA symbol] Matrix / Runout (Side B): 450 949-7 B¹ [SNA symbol] Other versions Category Artist Title (Format) Label Category Country Year Elliott Son Of Sam (CD, DreamWorks DRMR-13527-2 DRMR-13527-2 US 2000 Smith Single, Promo) -
The Student Newspaper Of
THE STUDENT NEWSPAPER OF NORTH CAROLINA STATE UNIVERSITY SINCE 1920 «— TUESDAY SEPT. TECH. www.technicianonlinecom Incoming students find problems Events to beheld byNC.Stateandstudent organizations this week. NCSU vs.WFU block seating on on—campus housing Block seating forms for the football game with Sept. 14 are due today. Online not inform University Housing that they forms must be submitted by 8:00 pm. N C. State dorms that are over- Tues,8:30 a.m.to 10:30 am. booked this year include Wood, are not coming, so their rooms are re— served and held. When the new students Reynolds Coliseum Lee and Sullivan. who do want housing arrive, rooms are forum not available because of rooms being CHASS Mary Garrison ”Presidents, National Security and StaffReporter held for people who have chosen anoth— Foreign Policy.” er school. Wed, 7:30 pm. Imagine applying for residence on—cam- The problem can be complicated be— N.C.l\/luseum oinstory - downtown pus and being told that you would not re— cause it becomes what Gobble would call Free event ceive a room. Visualize having to find “a judgment call.” University Housing your own residence, your own apart- does not want to tell those students plan— Senate Meeting ment, and simply not being able to reside ning to live on—campus that they have to First reading oftheTicket Distribution Act on campus. This is the reality for some find somewhere else to reside, nor do Wed,7:30 pm. ofNC. State’s incoming freshmen, who they want to take another student’s room Witherspoon Student Center would agree that being part ofthe largest from them before they arrive.