State District Organization Name Discipline / Field City Project Description Fiscal Year Grant Amount

Total Page:16

File Type:pdf, Size:1020Kb

State District Organization Name Discipline / Field City Project Description Fiscal Year Grant Amount State District Organization Name Discipline / Field City Project Description Fiscal Year Grant Amount To support the translation from the Spanish of the novel "Jaguars' Tomb" by Argentine writer Angelica Gorodischer. The author of 30 novels, short story collections, and essays, Gorodischer (b. 1928) is known for her science fiction, fantasy, crime, and feminist writing. She is the recipient of numerous national and international awards, including the World Fantasy Award for Lifetime Achievement previously won by such writers as Ray OR 0 Gladhart, Amalia Literature Eugene 2018 $12,500 Bradbury, Ursula K. Le Guin, and Stephen King. Published in 2005, "Jaguars' Tomb" is a 218-page novel of 3 distinct parts that addresses the abductions and disappearances that occurred during the military dictatorship in Argentina's "Dirty War" of 1976-83. Each of the sections repeats images from the others and circles a central space that, though it serves different functions in each section, always has a sense of loss at its center. OR 0 Van Landingham, Corey Literature Ashland N/A 2017 $25,000 To support a performance project, A Fond Farewell. The project will celebrate the legacy of the late Portland-based American singer, songwriter, and musician Elliott Smith, who died in 2003 at the age of 34. Third Angle musicians will collaborate with the theater ensemble Hand2Mouth in a program inspired by Smith's songs from his six studio albums. Community engagement activities will involve a partnership with Outside In, the homeless Third Angle New Music OR 1 Music Portland youth shelter in Portland. Residents of the shelter will have an opportunity to assist with 2017 $10,000 Ensemble Inc. lighting, set design, and other technical elements relating to the production. Other activities will include post-concert question-and-answer sessions, panel discussions on the collaborative process, Smith's place in the history of American music, and a screening of "Heaven Adores You," the 2014 documentary film on Smith by director Nickolas Dylan Rossi. To support introductory circus arts training and public performance opportunities. The Presenting & program will teach fundamental skills in tumbling, partner acrobatics, juggling, object OR 1 Circus Project Portland 2018 $20,000 Multidisciplinary Works manipulation, and performance to youth, many of who will be from underserved communities. Workshops will culminate in student performances open to the public. To support The Right Brain Initiative. Professional development for classroom teachers, arts specialists, principals, and teaching artists will provide strategies to ensure effective arts-integrated learning that is aligned with Common Core State Standards, promotes Regional Arts & Culture OR 1 Arts Education Portland 21st-century skills, and creates environments where students thrive academically and 2017 $30,000 Council artistically. The Right Brain Initiative will broaden access by reaching out to Title I Portland area schools with high free or reduced lunch percentages as well as those in rural communities with limited access to the arts. To support a performance tour to underserved communities in Alaska. The company plans to tour to Alaskan communities, which have little to no access to artistic OR 1 BodyVox Dance Portland performances by professional contemporary dance companies. In each community, 2017 $10,000 BodyVox will engage in outreach activities that may include community conversations, student performances, open rehearsals, dance classes, and choreography workshops. To support a year-round transmedia arts project for Oregon youth from underserved communities. The Geography of We program includes an overnight summer arts camp, in- school and after-school arts learning sessions, Saturday classes, spring break workshops, and professional development for teaching artists. Focused on storytelling techniques OR 1 Caldera Arts Education Portland 2017 $35,000 that range from traditional forms to digital media, professional artists in film, animation, photography, writing, music, painting, sculpture, and design will guide students to explore their identity through the central theme of air. Students will create and showcase both web-based and physical maps that link their art to a sense of place. To support JAW: A Playwrights Festival. Named for the phrase "Just Add Water," the JAW Festival brings together playwrights with directors, dramaturgs, and actors to develop new work in an artist-focused process. The festival will be augmented with community OR 1 Portland Center Stage Theater Portland 2017 $25,000 activities including a Promising Playwrights program for local high school writers, Community Artist Labs focused on professional development, and Press Play Performances featuring site-specific performances by local artists. To support JAW: A Playwrights Festival. Named for the phrase "Just Add Water," the JAW Festival brings together playwrights with directors, dramaturgs, and actors to develop new work in an artist-focused process. Plays nurtured at JAW have advanced to full OR 1 Portland Center Stage Theater Portland productions at professional theaters around the globe. The festival will be augmented 2018 $15,000 with community activities including a Promising Playwrights program for local high school writers, Community Artist Labs focused on professional development, and Press Play Performances featuring site-specific performances by local artists. To support the commission and performance of a multimedia dance work by artists with disabilities. Artists Alice Sheppard, Michael Maag, and John Jeanrenaud, all wheelchair Peter Britt Gardens Music users, will create and perform "Descent - Kinetic Light" at Crater Performing Arts Center. OR 2 and Arts Festival Challenge America Medford Led by Sheppard, dancers will use a variety of mobility devices to dance on a ramped 2017 $10,000 Association stage, interacting with light and projections of Auguste Rodin's sculptures of incomplete human forms. Outreach activities including lecture-demonstrations and master classes in dance techniques with mobility devices are planned. To support residencies for artists and scientists. Residencies will provide fieldwork and collaboration opportunities for artists and scientists investigating the issues surrounding Summer OR 2 Playa Artist Communities climate change. Residents will receive lodging in fully equipped cabins, studio space, and 2017 $20,000 Lake meals. In addition, a symposium and monthly presentations will be offered and selected works related to the field will be published. To support residencies for artists and scientists and related activities. Visual, literary, and performing artists will collaborate with scientists about environmental themes through residencies and related activities. Residents will have opportunities for fieldwork, Summer collaborative interaction, and other resources to produce their work. As part of this OR 2 Playa Artist Communities 2018 $10,000 Lake project, an exhibit about the intersections of art and science, complemented by a full color printed catalogue and a series of artist presentations, will tour to multiple local venues such as Atelier 6000 (Bend, Oregon) and the Hallie Ford Museum of Art at Willamette University (Salem, Oregon). To support the 17th Ashland Independent Film Festival and related public programming. Held in the spring, the festival presents independent feature-length and short narrative, documentary, and animated films, as well as art installations, live cinema, and interactive media offerings. With a special focus on regional filmmaking, the festival offers free film contests and screenings such as the Locals Only filmmaking program and a student Southern Oregon Film OR 2 Media Arts Ashland filmmaking competition. Additional festival activities include a series of educational panels 2018 $10,000 Society and community conversations featuring industry leaders, scholars, and experts. Recent panel topics include women in independent filmmaking and transmedia and virtual reality platforms in documentary film, featuring artists such as Mridu Chandra ("Out in the Night"), Rachel Grady and Heidi Ewing ("Norman Lear: Just Another Version of You"), Brad Lichtenstein ("As Goes Janesville"), and Helen De Michiel ("Lunch Love Community"). To support after-school arts programming culminating in a public art project. ArtSpeak, a series of after-school arts classes, is intended to serve middle school students in a rural Crossroads Creative and OR 2 Challenge America Baker City and high-poverty community in Eastern Oregon. Local teaching artists will lead students 2018 $10,000 Performing Arts Center, Inc. through the creation of a series of mini-murals on canvas, which will be installed temporarily on a fence surrounding the Crossroads Arts Center. To support artist fees for the world premiere of "UniSon," a new work written and performed by the multidisciplinary ensemble UNIVERSES. The production will be directed by Robert O'Hara and based on a suite of unpublished poems by the late August Wilson. Oregon Shakespeare OR 2 Theater Ashland The poems traverse Wilson's entire career, from his early years to the end of his life at the 2017 $70,000 Festival Association age of 60. Working in their signature theatrical aesthetic, UNIVERSES will fuse Wilson's poetry with rhythm, music, lyrics, and percussive storytelling, creating a work that explores the passage of legacy through language, music, and memory. To support the Summer Fishtrap Gathering of Writers and Fishtrap
Recommended publications
  • The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
    The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours.
    [Show full text]
  • The Newness of It All
    the Newness of it all... SEPTEMBER 16–18, 2016 Michelle Djokic, Artistic Director Friday,Concert September 16, 1 2016 7:00 pm The Barn at Glen Oaks Farm, Solebury, PA “Oh Gesualdo, Divine Tormentor” Bruce Adolphe SEPTEMBER for string quartet (b. 1955) 16–18, 2016 chamberfest IN THE HEART OF BUCKS COUNTY Deh, come in an sospiro Belta, poi che t'assenti Resta di darmi noia nco Gia piansi nel dolore Moro, lasso Adolphe - More or Less Momenti Clarinet Quintet in A major, K. 581 Wolfgang A. Mozart for clarinet and string quartet (1756 – 1791) THE ARTISTS Allegro Larghetto Piano - Anna Polonsky Menuetto Clarinet - Romie de Guise-Langlois Alllegretto con variazione-Adagio-Allegro Violin - Philippe Djokic, Emily Daggett-Smith Viola - Molly Carr, Juan-Miguel Hernandez Cello - Michelle Djokic k INTERMISSION k C String Quintet in C major, Opus 29 Ludwig van Beethoven for two violins, two violas and cello (1770 – 1827) Allegro moderato Adagio molto espressivo Scherzo -Allegro Presto k 1 OpenSaturday, SeptemberRehearsal 17, 2016 Sunday,Concert September 18,2 2016 10:30 am-1:00 pm & 2:00-5:00 pm 3:00 pm The Barn at Glen Oaks Farm, Solebury, PA The Barn at Glen Oaks Farm, Solebury, PA Art of the Fugue, BWV 1080 Contrapunctus I-IV Johann S. Bach Open rehearsal will feature works from for string quartet (1685 – 1750) Sunday’s program of Bach, Copland and Schumann Contrapunctus I - Allegro Contrapunctus II- Allegro moderato k Contrapunctus III - Allegro non tanto Contrapunctus IV - Allegro con brio Sextet Aaron Copland for clarinet, piano and string quartet (1900 – 1990) Allegro vivace Lento Finale k INTERMISSION k Piano Quartet in Eb Major, Opus 47 Robert Schumann for piano, violin, viola and cello (1810 – 1856) Sostenuto assai - Allegro ma non troppo Scherzo, Molto vivace Andante cantabile Finale, Vivace k For today's performance we are using a Steinway piano selected from Jacobs Music Company 2 3 PROGRAM NOTES Momenti, which consists of some of the strangest moments in Gesualdo’s music orga- nized into a mini tone-poem for string quartet.
    [Show full text]
  • Eagle Rock Entertainment Acquires Worldwide
    For Immediate Release Contact: Victoria Varela, Varela Media Email: [email protected] - Phone: 212-332-3485 Eagle Rock Entertainment Acquires Worldwide Rights to Elliott Smith Documentary “Heaven Adores You” -- Partners with SpectiCast on Global Theatrical Release, beginning May 7th, 2015. (March 24th, 2015) Eagle Rock Entertainment, SpectiCast, and the producers of “Heaven Adores You” -- the new feature documentary about the life and music of Elliott Smith (1969-2003) -- are pleased to announce that Eagle Rock has acquired all worldwide rights to the film and will partner with SpectiCast on a global theatrical release, beginning May 7th, 2015. Directed by Nickolas Rossi, and produced by Jeremiah Gurzi, Kevin Moyer and Marc Smolowitz, “Heaven Adores You” is the first comprehensive film about Elliott Smith’s life and music. It features both unheard tracks by the prolific singer/songwriter and over 30 on-screen interviews with Smith’s closest friends and collaborators, creating an intimate and personal history never seen before. The film premiered in May 2014 at the San Francisco International Film Festival and has since gone on to screen at 35+ film festivals on 4 continents, including AFI Docs, DOC NYC, Melbourne International Film Festival, International Documentary Festival Amsterdam, CPH: Dox, among others. “Eagle Rock is happy to be spearheading the world distribution of this excellent film about Elliott Smith, in co-ordination with Universal Music,” said Geoff Kempin, Executive Director of Eagle Rock Entertainment. “‘Heaven Adores You’ has already been very well received at a number of film festivals, and we will be dedicating our distribution network to have the world see it through cinema, DVD, TV and Digital platforms!” SpectiCast Co-founder and President Mark Rupp said, “SpectiCast is excited to partner with Eagle Rock on the theatrical release of this wonderful film.” He added, “Since his death in 2003, the media has portrayed Elliott Smith as a ‘sad-sack’ genius.
    [Show full text]
  • Festival Artists
    Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts.
    [Show full text]
  • Artist Series: David Shifrin Program Notes on the Program
    ARTIST SERIES: DAVID SHIFRIN PROGRAM WOLFGANG AMADEUS MOZART (1756-1791) Quintet in A major for Clarinet, Two Violins, Viola, and Cello, K. 581 (1789) Allegro Larghetto Menuetto Allegretto con variazioni David Shifrin, clarinet • Danbi Um, violin • Bella Hristova, violin • Mark Holloway, viola • Dmitri Atapine, cello LUIGI BASSI (1833-1871) Concert Fantasia on Themes from Verdi’s Rigoletto for Clarinet and Piano David Shifrin, clarinet • Gloria Chien, piano DUKE ELLINGTON (1899-1974) Clarinet Lament for Clarinet and Piano (1936) (arr. David Schiff) David Shifrin, clarinet • Gloria Chien, piano NOTES ON THE PROGRAM Quintet in A major for Clarinet, Two Violins, Viola, and Cello, K. 581 (1789) Wolfgang Amadeus Mozart (Salzburg, 1756 – Vienna, 1791) Mozart wrote this quintet for Vienna’s Society of Musicians (Tonkünstler-Societät) in 1789. The society raised money to provide pensions to widows and orphans of Viennese musicians. Its concerts were regular occurrences on the Viennese social calendar and Mozart composed and performed for them, even though he was not a member, something he would regret right before his death at the age of 35. This quintet premiered at a society concert on December 22, 1789, in between two halves of a cantata by Vincenzo Righini. The clarinetist was Anton Stadler, one of the first virtuosos on the instrument and Mozart’s close personal friend. Mozart wrote all of his major clarinet works— this one, the Kegelstatt Trio, and the Clarinet Concerto—with Stadler’s playing in mind. Chamber Music Society of Lincoln Center The clarinet was a relatively new instrument in Mozart’s day yet he expertly tapped into the instrument’s unique singing quality.
    [Show full text]
  • Honoring a Lesser-Known Music Titan
    THE CIFF DAY 6 / MONDAY / 3.23.2015 Sponsored by Honoring a Lesser-Known Music Titan t was a haunting, quiet song that was upstaged by power ballads and the sheer glitter of the Oscars, but anyone who Iwatched the 70th Academy Awards may still be able to hear a quiet croon in their heads: “Do you miss me, miss misery, like you say you do?” It was, technically, Elliott Smith’s most widely-seen performance, of which he only said, “I wouldn’t want to live in that world, but it was fun to walk around on the moon for a day.” ABOVE: A writer, director, Seventeen years later, and more than a cinematographer and editor, in addition to a producer, Jeremiah decade after Smith’s death in an incident that Gurzi’s work ranges from indie shorts still perplexes and divides his fans, producer and to major TV shows. “Heaven Adores You” was a particular labor of love cinematographer Jeremiah Gurzi has released from the moment he and director Nickolas Rossi first discussed it. a tribute film, “Heaven Adores You,” which RIGHT: Musician Elliott Smith was explores the full depths of the talent that the nominated for an Academy Award for “Best Original Song” in 1997 for “Miss world lost. Misery,” which appeared in the film, For Gurzi, the journey of bringing “Good Will Hunting.” Smith’s music to the screen began in the “I was flabbergasted at the amount of summer of 2009. unreleased Elliott Smith music safely preserved “I had coffee with [director] Nickolas in the official archives,” he says.
    [Show full text]
  • Strategic Intertextuality in Three of John Lennonâ•Žs Late Beatles Songs
    STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs. This may at first seem entirely obvious, especially since nowadays such a practice has been adopted routinely by many songwriters and producers, and is in fact the prevailing compositional strategy within certain pop and rock genres, rap being probably the most blatant example. Many rap artists are well known for their so-called “rap versions,” as Tim Hughes has described them, in which a distinctive element of a pre-existing song is lifted out of its original context—typically via digital sampling—and used as the foundation upon which a new song is built.1 Will Smith’s hit “Wild Wild West” (1999), for example, is composed around a sample of the bass-driven main groove from Stevie Wonder’s funk classic “I Wish” (1976); and Eminem’s hit “Like Toy Soldiers” * This essay is based in part on the first chapter of my dissertation, “British Pop-Rock Music in the Post-Beatles Era” (Ph.D. dissertation, Yale University, 2001). An earlier version was presented at the annual meeting of the Society for Music Theory, Columbus, in November 2002.
    [Show full text]
  • Elliott Smith Dead at  by Will Bryant
    Pitchfork | http://www.pitchforkmedia.com/news/03-10/22.shtml 22 October 2003 Elliott Smith Dead at by Will Bryant Elliott Smith has died at age , according to an obituary posted late Tuesday on Sweet Adeline, Smith’s official website. Rumors had been circulating on the Internet yesterday afternoon about Smith’s apparent suicide; by early evening, the overwhelm- ing traffic from well-wishers and fans was crashing Sweet Adeline’s discussion board. A handful of posts indicated that representatives from Smith’s label, Dreamworks, were attempting to contact Charlie Ramirez, the webmaster for Sweet Adeline. Within hours, Ramirez posted the following: “As you probably realize, I’m pretty devastated about having to say goodbye to Elliott. it’s never easy to put into words what someone means to you. Elliott was such a lovely man. I will always have his love, kindness, intelligence, humbleness, creativeness, greatness and so much more in me forever because that’s what he was and i’ll always love him for being who he was. I’ll miss you so much. We will all miss you. See you in heaven, Elliott.” Kill Rock Stars, who released Smith’s self-titled solo album and ’s Either/Or, changed their website’s splash page to a pensive photo of Smith this afternoon in silent tribute to the beloved songwriter. “We are deeply saddened by Elliott Smith’s tragic death and send our condolences to his friends and family,” read a statement released by Dreamworks and reported by Reuters’ wire service. “He was perhaps his generation’s most gifted songwriter.
    [Show full text]
  • SPECIAL THANKS Music in the Somerset Hills and the Center for Musical Excellence Extend Their Gratitude to the Event Sponsors
    1 SPECIAL THANKS Music in the Somerset Hills and The Center for Musical Excellence extend their gratitude to the event sponsors: Rebecca and Tom Casey for their beautiful property Anonymous & Tree Tech Penelope Bourbon Bacardi Grey Goose Bourbon Street Liquors of Hunterdon County Thank You to All Who Donated to Our Silent Auction AND Thank You to All of Our Volunteers 2 PROGRAM MOZART ON THE MEADOW Mozart on the Meadow celebrates some of the master’s best loved music on the grounds of one of Bedminster’s most idyllic estates nestled in the rolling Somerset Hills. Befitting this setting, the program weaves pieces written for outdoor entertainment between three concertos in the sunny key of A major, what some call Mozart’s key of love: the smiling Violin Concerto No. 5, the exuberant Piano Concerto No. 23, and the swan song Clarinet Concerto, performed here in its original version on a rare extended clarinet. CME’s soloists and orchestra join forces for an intimate, chamber orchestra reading of the great G minor Symphony. And on-site food and drink vendors will allow everyone to enjoy the world-class musicians as Mozart would have — with a glass in hand! 3 SOLOIST Benjamin Bowman Metropolitan Opera Concertmaster American-Canadian violinist Benjamin Bowman is concertmaster of the Metropolitan Opera. He is a member of the Orchestra of St. Luke’s and until recently he was also concertmaster of the American Ballet Theatre Orchestra. Benjamin is very active and engaged as a chamber musician, recitalist and so- loist. He regularly performs in concerts and festivals in Europe and North America.
    [Show full text]
  • SUNSHONE STILL to RELEASE THIRD ALBUM Thewaytheworlddies
    FOR IMMEDIATE RELEASE SUNSHONE STILL TO RELEASE THIRD ALBUM ThewaytheworldDies Critically Acclaimed South Carolina Band Tackles A Tough Loss On New Album New York, NY – November 10, 2011 – Sunshone Still lead by singer/songwriter Chris Smith have announced they will release their third album: ThewaytheworldDies on February 7 th , 2012 on Potato Eater Records. On the band’s forthcoming album, Smith and the group tackle and explore a tough personal loss. In the fall of 2010, Sunshone Still’s Chris Smith spent a week alone in the mountains of North Carolina. It was on this trip, in the streets, coffee shops and pathways of Asheville and Cashiers; he began to write the songs for the band’s upcoming third album: ThewaytheworldDies . It was only a few months prior on July 1 st 2010, when Smith lost his only brother to suicide who struggled for years with depression. ThewaytheworldDies searches for resolution in this sobering chronological analysis of his brother’s last years and the aftermath of his death. In February 2011, after a handful of rehearsals, the band convened at Gastonia, NC’s Old House Studio and recorded the album with chief engineer, Chris Garges . “It was cathartic to return to Gastonia. This is where my brother and I grew up and where we laid him to rest.” The album begins with “Someone to Call Home.” Baritone guitar and pedal steel (both performed by Rodney Lanier (Jolene/Sea of Cortez)) set a David Lynch- style mood for a story about finding new love in a dark, seedy bar. “After completing basic tracking on “Someone to Call Home”, I recall getting chill bumps when we sat in the control room.
    [Show full text]
  • Vivaldi Explosion Program
    Program notes by Laura Keller, CMS Editorial Manager © 2020 Chamber Music Society of Lincoln Center VIVALDI EXPLOSION PROGRAM ANTONIO VIVALDI (1678-1741) Sonata in A minor for Cello and Continuo, RV 43 (c. 1739) Largo Allegro Largo Allegro Efe Baltacigil, cello; Dane Johansen, cello; Paul O’Dette, lute; John Gibbons, harpsichord VIVALDI Concerto in G minor for Flute, Oboe, and Bassoon, RV 103 Allegro ma cantabile Largo Allegro non molto Sooyun Kim, flute; Stephen Taylor, oboe; Bram van Sambeek, bassoon VIVALDI Concerto in F major for Three Violins, Strings, and Continuo, RV 551 (1711) Allegro Andante Allegro Todd Phillips, violin; Bella Hristova, violin; Chad Hoopes, violin; Sean Lee, violin; Aaron Boyd, violin; Pierre Lapointe, viola; Timothy Eddy, cello; Anthony Manzo, bass; Michael Sponseller, harpsichord --INTERMISSION (Discussion with artists)-- VIVALDI Sonata in D minor for Two Violins and Continuo, RV 63, “La Follia” (published c. 1705) Adam Barnett-Hart, violin; Aaron Boyd, violin; Brook Speltz, cello; Jason Vieaux, guitar VIVALDI Concerto in D major for Mandolin, Strings, and Continuo, RV 93 (1730-31) Allegro giusto Largo Chamber Music Society of Lincoln Center Allegro Avi Avital, mandolin; Paul Huang, violin; Danbi Um, violin; Ani Kavafian, violin; Chad Hoopes, violin; Mihai Marica, cello; Daniel McDonough, cello; Anthony Manzo, bass; Jiayan Sun, harpsichord NOTES ON THE PROGRAM Violin virtuosity reached a new height around the year 1700. From the start of the Baroque Period a hundred years earlier, skilled craftsmen like Gasparo da Salò advanced string instrument building technique until it reached its apex with the instruments of Antonio Stradivari and Giuseppe Guarneri. The burgeoning music publishing industry also inspired composers to write pieces that would stand out and establish their international reputations.
    [Show full text]
  • Norfolk Chamber Music Festival Also Has an Generous and Committed Support of This Summer’S Season
    Welcome To The Festival Welcome to another concerts that explore different aspects of this theme, I hope that season of “Music you come away intrigued, curious, and excited to learn and hear Among Friends” more. Professor Paul Berry returns to give his popular pre-concert at the Norfolk lectures, where he will add depth and context to the theme Chamber Music of the summer and also to the specific works on each Friday Festival. Norfolk is a evening concert. special place, where the beauty of the This summer we welcome violinist Martin Beaver, pianist Gilbert natural surroundings Kalish, and singer Janna Baty back to Norfolk. You will enjoy combines with the our resident ensemble the Brentano Quartet in the first two sounds of music to weeks of July, while the Miró Quartet returns for the last two create something truly weeks in July. Familiar returning artists include Ani Kavafian, magical. I’m pleased Melissa Reardon, Raman Ramakrishnan, David Shifrin, William that you are here Purvis, Allan Dean, Frank Morelli, and many others. Making to share in this their Norfolk debuts are pianist Wendy Chen and oboist special experience. James Austin Smith. In addition to I and the Faculty, Staff, and Fellows are most grateful to Dean the concerts that Blocker, the Yale School of Music, the Ellen Battell Stoeckel we put on every Trust, the donors, patrons, volunteers, and friends for their summer, the Norfolk Chamber Music Festival also has an generous and committed support of this summer’s season. educational component, in which we train the most promising Without the help of so many dedicated contributors, this festival instrumentalists from around the world in the art of chamber would not be possible.
    [Show full text]