The Dynamics of Culture
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On the Postmodern Condition
1 Journal of Undergraduate Research and Scholarly Works Volume 7 December 2020 On the Postmodern Condition Sean Carroll Abstract University of Texas at San Antonio As a cultural movement, Postmodernism begun to solidify itself since the 1970s. Despite what some may say of its necessarily unstructured nature, coherent reflection about it is useful. While there is a growing literature on this topic, the present study, as suggested by David Harvey, seeks to use an historical, materialist framework, as developed by Karl Marx, to interpret postmodern culture. To do this, I began with the studies of the substructures of postmodern culture (political-economic and material conditions), and then sought to find reflective cohesion among its ‘aesthetic’ superstructures (social, philosophical, cinematic, literary, and musical) and their underlying conditions. As a result, from these studies, I found that the aesthetic sentiments of postmodern culture quite neatly map onto the material conditions, which inform its context. These sentiments imply a complicit disposition towards many aspects of late capitalism (such as consumerism and alienation). These findings are significant because it forces postmodernism to take a more honest look at itself, and become self-aware of its implications. My findings imply that if postmodern sentiments truly want to harbor an activism toward the status quo, it must first realign itself with more unifying attitudes. While a single resolution has yet to be concluded, the present study provides some general directions -
ABSTRACT Title of Document: the ANTI-CONFUCIAN CAMPAIGN
ABSTRACT Title of Document: THE ANTI-CONFUCIAN CAMPAIGN DURING THE CULTURAL REVOLUTION, AUGUST 1966-JANUARY 1967 Zehao Zhou, Doctor of Philosophy, 2011 Directed By: Professor James Gao, Department of History This dissertation examines the attacks on the Three Kong Sites (Confucius Temple, Confucius Mansion, Confucius Cemetery) in Confucius’s birthplace Qufu, Shandong Province at the start of the Cultural Revolution. During the height of the campaign against the Four Olds in August 1966, Qufu’s local Red Guards attempted to raid the Three Kong Sites but failed. In November 1966, Beijing Red Guards came to Qufu and succeeded in attacking the Three Kong Sites and leveling Confucius’s tomb. In January 1967, Qufu peasants thoroughly plundered the Confucius Cemetery for buried treasures. This case study takes into consideration all related participants and circumstances and explores the complicated events that interwove dictatorship with anarchy, physical violence with ideological abuse, party conspiracy with mass mobilization, cultural destruction with revolutionary indo ctrination, ideological vandalism with acquisitive vandalism, and state violence with popular violence. This study argues that the violence against the Three Kong Sites was not a typical episode of the campaign against the Four Olds with outside Red Guards as the principal actors but a complex process involving multiple players, intraparty strife, Red Guard factionalism, bureaucratic plight, peasant opportunism, social ecology, and ever- evolving state-society relations. This study also maintains that Qufu locals’ initial protection of the Three Kong Sites and resistance to the Red Guards were driven more by their bureaucratic obligations and self-interest rather than by their pride in their cultural heritage. -
Honoring a Lesser-Known Music Titan
THE CIFF DAY 6 / MONDAY / 3.23.2015 Sponsored by Honoring a Lesser-Known Music Titan t was a haunting, quiet song that was upstaged by power ballads and the sheer glitter of the Oscars, but anyone who Iwatched the 70th Academy Awards may still be able to hear a quiet croon in their heads: “Do you miss me, miss misery, like you say you do?” It was, technically, Elliott Smith’s most widely-seen performance, of which he only said, “I wouldn’t want to live in that world, but it was fun to walk around on the moon for a day.” ABOVE: A writer, director, Seventeen years later, and more than a cinematographer and editor, in addition to a producer, Jeremiah decade after Smith’s death in an incident that Gurzi’s work ranges from indie shorts still perplexes and divides his fans, producer and to major TV shows. “Heaven Adores You” was a particular labor of love cinematographer Jeremiah Gurzi has released from the moment he and director Nickolas Rossi first discussed it. a tribute film, “Heaven Adores You,” which RIGHT: Musician Elliott Smith was explores the full depths of the talent that the nominated for an Academy Award for “Best Original Song” in 1997 for “Miss world lost. Misery,” which appeared in the film, For Gurzi, the journey of bringing “Good Will Hunting.” Smith’s music to the screen began in the “I was flabbergasted at the amount of summer of 2009. unreleased Elliott Smith music safely preserved “I had coffee with [director] Nickolas in the official archives,” he says. -
Elliott Smith Dead at by Will Bryant
Pitchfork | http://www.pitchforkmedia.com/news/03-10/22.shtml 22 October 2003 Elliott Smith Dead at by Will Bryant Elliott Smith has died at age , according to an obituary posted late Tuesday on Sweet Adeline, Smith’s official website. Rumors had been circulating on the Internet yesterday afternoon about Smith’s apparent suicide; by early evening, the overwhelm- ing traffic from well-wishers and fans was crashing Sweet Adeline’s discussion board. A handful of posts indicated that representatives from Smith’s label, Dreamworks, were attempting to contact Charlie Ramirez, the webmaster for Sweet Adeline. Within hours, Ramirez posted the following: “As you probably realize, I’m pretty devastated about having to say goodbye to Elliott. it’s never easy to put into words what someone means to you. Elliott was such a lovely man. I will always have his love, kindness, intelligence, humbleness, creativeness, greatness and so much more in me forever because that’s what he was and i’ll always love him for being who he was. I’ll miss you so much. We will all miss you. See you in heaven, Elliott.” Kill Rock Stars, who released Smith’s self-titled solo album and ’s Either/Or, changed their website’s splash page to a pensive photo of Smith this afternoon in silent tribute to the beloved songwriter. “We are deeply saddened by Elliott Smith’s tragic death and send our condolences to his friends and family,” read a statement released by Dreamworks and reported by Reuters’ wire service. “He was perhaps his generation’s most gifted songwriter. -
Cross-Cultural Differences in Free Body Movement Responses to Argentinian and Afro-Brazilian Music
11th International Symposium on Computer Music Multidisciplinary Research. University of Plymouth, Plymouth, 2015. Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music. Naveda, Luiz, Martínez, Isabel Cecilia, Dámenson, Javier, Pereira Ghiena, Alejandro y Herrera, Romina. Cita: Naveda, Luiz, Martínez, Isabel Cecilia, Dámenson, Javier, Pereira Ghiena, Alejandro y Herrera, Romina (Junio, 2015). Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music. 11th International Symposium on Computer Music Multidisciplinary Research. University of Plymouth, Plymouth. Dirección estable: https://www.aacademica.org/martinez.isabel.cecilia/96 Esta obra está bajo una licencia de Creative Commons. Para ver una copia de esta licencia, visite http://creativecommons.org/licenses/by-nc-nd/4.0/deed.es. Acta Académica es un proyecto académico sin fines de lucro enmarcado en la iniciativa de acceso abierto. Acta Académica fue creado para facilitar a investigadores de todo el mundo el compartir su producción académica. Para crear un perfil gratuitamente o acceder a otros trabajos visite: http://www.aacademica.org. Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music Luiz Naveda1, Isabel C. Martínez2, Javier Damesón2, Alejandro Pereira Ghiena2, Romina Herrera2, M. Alejandro Ordás2, 1 School of Music - State University of Minas Gerais 2 Laboratorio para el Estudio de la Experiencia Musical. Facultad de Bellas Artes. [email protected] Abstract. From all hidden assumptions behind the models of musical meter and rhythm, the notion that all individuals understand the periodic structure of music in the same way might be the most intractable and risky one. A number of evidences show that musical cultures differ in a number of aspects including cognitive priorities, musical function and relationships between music, movement and dance. -
The Harlem Renaissance: Nation, Physically and Mentally
Faith (New York, NY: Christian College Coalition, 1990), shift, changing the previous image of the rural, 204. uneducated AfricanAmerican to one of urban, [54] Chewning, Business Through the Eyes of Faith, cosmopolitan sophistication. This new identity led to 29;66. increased social consciousness, and endowed a [55] Ibid., 194. population that until this time had only experienced [56] Michael Briznek, “S. Truett Cathy: From Young inferiority and depravity. This movement provided a Entrepreneur to a Foodservice Industry Leader,” Journal source of release of their oppression and gave them of Hospitality & Tourist Education 19, no. 4 (2007): 9. hope, faith, and inspiration to create an empowered [57] Auntie Anne’s Inc., “Store Locator,” Auntie Anne’s, identity. This new movement wasn’t just a coincidence, 2012, however, it was driven by several key circumstances http://web.archive.org/web/20010604192524/http://aunti and figures, and among the most important of these was eannes.knowwhere.com/auntieannes/region/intl.html, Charles Spurgeon Johnson. He, with the support of (November 2012). philosopher and professor Alain LeRoy Locke, guided [58] Calvin Redekop, Mennonite Entrepreneurs the emergence of AfricanAmerican culture into white (Baltimore, MD: The Johns Hopkins University Press, dominated society, and this effort was formally and 1995), 162. symbolically launched through their orchestration of the [59] Cathy Enz, Hospitality Strategic Management Civic Club Dinner in Manhattan on March 21st, 1924. (Hoboken, NJ: John Wiley & Songs, 2010), 107. [60] Nabil Ibrahim and John Angelidis, “Christian Migration to Harlem Companies and Their Secular Counterparts,” Journal of In the South, AfricanAmericans were trapped in Business Ethics 58, no.1 (Spring 2005): 188191. -
Cultural Movements and Their Impact on Business and Marketing
International Journal of Business and Social Science Vol. 5 No. 2; February 2014 Cultural Movements and Their Impact on Business and Marketing Navid Ghani, PhD Professor Five Towns College Department of Liberal Arts 305 North Service Road Dix Hills, New York 11746 Abstract Focusing on market-oriented cultural movements, this article examines how they have affected people’s behavior and lifestyles, as well as what people are seeking through them. Are there group dynamics with people working to achieve common goals? Do cultural movements stem from a passion for social change or compelling ideas that can build on and grow the momentum of desire, both in business and in the way people become consumers of these creative and dynamic ideas? We look at cultural movements from the perspective of business marketing, technology, and culture. The article highlights the digital age, which is creating opportunities for people, and its effect on the way in which our culture and business are shaping and reshaping our lifestyle. Keywords: Cultural movement, cultural change, business, marketing, online communities, mobilization, cultural diffusion and communication technology Introduction The two major aspects of our world are technology—which is making the world more advanced and effective— and culture, representing our lifestyle and behavior. Cultural movements are a collection of informal networks and unaffiliated individuals engaging in a more or less coherent struggle for change in this shrinking world. As we go forward, we are experiencing a profound cultural transformation, in which modern technology and innovations are making it easier to produce changes through innovative ideas and collaboration. Resource mobilization theory points to the need to share ideas and interests over a broader spectrum. -
Socialism As a Cultural Movement?
REVIEW ESSAY Ahlrich Meyer SOCIALISM AS A CULTURAL MOVEMENT? WEBER, PETRA. Sozialismus als Kulturbewegung. Fruhsozialistische Ar- beiterbewegung und das Entstehen zweier feindlicher Bruder Marxismus und Anarchismus. [Beitrage zur Geschichte des Parlamentarismus und der politischen Parteien, Band 86.] Droste Verlag, Diisseldorf 1989. 545 pp. DM 98.00. There is nothing wrong in tackling the intellectual history of social move- ments from a contemporary interest and perspective. Such an approach often uncovers things previously buried under the debris of received wis- dom. Moreover, early socialism, the topic under discussion here, has long been used as a screen on which to project topical ideological arguments. This dissertation by Petra Weber on the "early socialist labour movement and the rise of the two hostile brothers Marxism and anarchism" (thus the subtitle), sponsored by the Friedrich Ebert Stiftung, supervised by Profes- sor Heinrich August Winkler and Professor Wilhelm Hennis and published by the Bonn Commission on Parliamentary History and Political Parties, is the latest attempt to respond to "the demand for alternative concepts of socialism" (p. 13) by recalling socialist traditions preceding and contempo- raneous with Marx. The author stresses primarily two themes in her at- tempted actualization: firstly she highlights the much neglected continuity between early socialism and anarchism and endeavours to reverse the suppression of anarchism from the history of socialism, and secondly she relies on the change of paradigm in sociohistorical research pioneered by E. P. Thompson and others by adopting a broad notion of "working-class culture" and the labour movement as a "cultural movement". Together these provide the thesis of her book, namely that "the continuity of early socialism and anarchism must be sought in its self-image as a cultural movement" (p. -
THE GRAND THEORY of EVERYTHING Where Would Civilization Be Without the Flush Toilet Which Nobody Discusses
page 1 of 10 THE GRAND THEORY OF EVERYTHING Where Would Civilization Be Without the Flush Toilet which Nobody Discusses Studies in toilet-making in universities in the last two decades have been marked by the growing interest in and bitter division over a set of related theoretical approaches known collectively as Toiletry Theory. Many Departments have become divided between "theory people" and oppo- nents who see themselves as defending the traditional values central to the toiletry against The- ory’s perceived anti-humanism. Toiletry Theory is part of a wide-spread movement in the toiletry field which has affected a number of disciplines, occasioning similar disputes in some, a move- ment which has explored and elucidated the complexities of meaning, toiletuality and interpreta- tion. Toiletry Theory is not a single enterprise but a set of related concepts and practices — most importantly deconstruction, post-Crapperian ideological or 'political' criticism, post-technological psychoanalytic criticism (e.g. Freudian hosiery-connection to analism), New Historicist or 'cul- tural' (minimalist) criticism (e.g. is a hole in the ground a toilet?), and much feminist criticism (e.g. why are they allowed to do it standing up?). The aim of this essay is to define the issues that ground these contemporary Toiletry theories. There have always been Toiletry theories — about how toilet-making works, what toilet-mean- ing is, what it is to be an toilet-designer and so forth. The central interpretive practices in force and in power in the academy which are being challenged by Theory were themselves revolution- ary, theory-based practices which became the norm. -
Actually, Gen X Did Sell Out, Invent All Things Millennial, and Cause
Actually, Gen X Did Sell Out, Invent All Things Millennial, and Cau... https://www.nytimes.com/2019/05/14/style/gen-x-millenials.html Actually, Gen X Did Sell Out, Invent All Things Millennial, and Cause Everything Else That’s Great and Awful Gen X set the precedent for today’s social justice warriors and capitalist super- soldiers. Enjoy, and also, sorry! By Alex Williams May 14, 2019 What is an X? An empty set, a place-holder, a nothing that fills a void until an actual something comes along. For the members of Generation X, born between 1965 and 1980, that was never us. “They have few heroes, no anthems, no style to call their own,” wrote Time magazine in a 1990 cover story called “20-something” that marked our debut, as a class, on the national stage. “They crave entertainment, but their attention span is as short as one zap of a TV dial. They hate yuppies, hippies and druggies. They postpone marriage because they dread divorce. They sneer at Range Rovers, Rolexes and red suspenders.” Leave aside the fact that struggling 20-somethings of any era tend to sneer at luxury goods. At that point, the oldest members of Generation X were 25. No one really knew what we were. But someone apparently knew what we weren’t: dreamers, revolutionaries, world-changers, like the baby boomers before us. To the extent that we were defined, we were defined in the negative — the first generation in American history to be written off before it had a chance to begin. -
Applying Social Movement Theory to Nonhuman Rights Mobilization and the Importance of Faction Hierarchies
WellBeing International WBI Studies Repository 10-2012 Applying Social Movement Theory to Nonhuman Rights Mobilization and the Importance of Faction Hierarchies Corey Lee Wrenn Rocky Mountain College of Art and Design, [email protected] Follow this and additional works at: https://www.wellbeingintlstudiesrepository.org/anirmov Part of the Animal Studies Commons, Civic and Community Engagement Commons, and the Politics and Social Change Commons Recommended Citation Wrenn, C. L., & Collins, F. (2012). Applying Social Movement Theory to Nonhuman Rights Mobilization and the Importance of Faction Hierarchies. Peace Studies Journal, 5(3), 27-44. This material is brought to you for free and open access by WellBeing International. It has been accepted for inclusion by an authorized administrator of the WBI Studies Repository. For more information, please contact [email protected]. Vol. 5, Issue 3 October 2012 ______________________________________________________________________________ Applying Social Movement Theory to Nonhuman Rights Mobilization and the Importance of Faction Hierarchies Author: Corey Lee Wrenn, M.S. Adjunct Professor, Liberal Arts Department Rocky Mountain College of Art + Design 1600 Pierce St. Denver, CO 80214 Instructor, Sociology Department Colorado State University B271 Clark Building Ft. Collins, CO 80523 Email: [email protected] APPLYING SOCIAL MOVEMENT THEORY TO NONHUMAN RIGHTS MOBILIZATION AND THE IMPORTANCE OF FACTION HIERARCHIES Abstract This paper offers an exploratory analysis of social movement theory as it relates to the nonhuman animal rights movement. Individual participant motivations and experiences, movement resource mobilization, and movement relationships with the public, the political environment, historical context, countermovements, and the media are discussed. In particular, the hierarchical relationships between factions are highlighted as an important area for further research in regards to social movement success. -
The Art of Being Human First Edition
The Art of Being Human First Edition Michael Wesch Michael Wesch Copyright © 2018 Michael Wesch Cover Design by Ashley Flowers All rights reserved. ISBN: 1724963678 ISBN-13: 978-1724963673 ii The Art of Being Human TO BABY GEORGE For reminding me that falling and failing is fun and fascinating. iii Michael Wesch iv The Art of Being Human FIRST EDITION The following chapters were written to accompany the free and open Introduction to Cultural Anthropology course available at ANTH101.com. This book is designed as a loose framework for more and better chapters in future editions. If you would like to share some work that you think would be appropriate for the book, please contact the author at [email protected]. v Michael Wesch vi The Art of Being Human Praise from students: "Coming into this class I was not all that thrilled. Leaving this class, I almost cried because I would miss it so much. Never in my life have I taken a class that helps you grow as much as I did in this class." "I learned more about everything and myself than in all my other courses combined." "I was concerned this class would be off-putting but I needed the hours. It changed my views drastically and made me think from a different point of view." "It really had opened my eyes in seeing the world and the people around me differently." "I enjoyed participating in all 10 challenges; they were true challenges for me and I am so thankful to have gone out of my comfort zone, tried something new, and found others in this world." "This class really pushed me outside my comfort