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Revista Del Instituto De Investigación Musicológica "Carlos Vega"
REVISTA DEL INSTITUTO DE INVESTIGACIÓN MUSICOLÓGICA “CARLOS VEGA” REVISTA DEL INSTITUTO DE INVESTIGACIÓN MUSICOLÓGICA “CARLOS VEGA” Año XXIX– N° 29– 2015 FACULTAD DE ARTES Y CIENCIAS MUSICALES PONTIFICIA UNIVERSIDAD CATÓLICA ARGETINA SANTA MARÍA DE LOS BUENOS AIRES UNIVERSIDAD CATÓLICA ARGENTINA SANTA MARÍA DE LOS BUENOS AIRES Rector: Pbro. Dr. Víctor Manuel Fernández FACULTAD DE ARTES Y CIENCIAS MUSICALES Decana: Dra. Diana Fernández Calvo INSTITUTO DE INVESTIGACIÓN MUSICOLÓGICA “CARLOS VEGA” Director: Dr. Pablo Cetta Editora: Lic. Nilda G. Vineis Consejo editorial: Dr. Antonio Corona Alcalde (Universidad Nacional de México), Dra. Marita Fornaro Bordolli (Universidad de la República de Uruguay), Dra. Roxana Gardes de Fernández (Universidad Católica Argentina), Dr. Juan Ortiz de Zárate (Universidad Católica Argentina), Dra. Luisa Vilar Payá (Universidad de California, Berkeley, EEUU y Columbia University, New York, EEUU). Referato Dr. Enrique Cámara de Landa (Universidad de Valladolid, España), Dr. Oscar Pablo Di Lisica (Universidad Nacional de Quilmes), Dra. Marita Fornaro Bordolli (Universidad de la República de Uruguay), Dr. Juan Ortiz de Zárate (Universidad Católica Argentina), Dra. Amalia Suarez Urtubey (Universidad Católica Argentina) Los artículos y las reseñas firmados no reflejan necesariamente la opinión de los editores. Diseño: Dr. Julián Mosca Imagen de tapa: "La zarzuela", Madrid, estampilla alusiva Los autores de los artículos publicados en el presente número autorizan a la editorial, en forma no exclusiva, para que incorpore la versión digital de los mismos al Repositorio Institucional de la Universidad Católica Argentina como así también a otras bases de datos que considere de relevancia académica. El Instituto está interesado en intercambiar publicaciones .The Institute is interested in interchanging publications. -
Oscar Pablo Di Liscia (1955): Un Compositor Argentino Contemporáneo
FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE DIDÁCTICA DE LA EXPRESIÓN MUSICAL, PLÁSTICA Y CORPORAL SECCIÓN DE MÚSICA TESIS DOCTORAL Oscar Pablo Di Liscia (1955): un compositor argentino contemporáneo Aportaciones biográficas, entrevistas cualitativas, catalogación de obras y aproximaciones analíticas (1955-2013) Presentada por Juan Manuel Abras Contel Para optar al grado de doctor por la Universidad de Valladolid Dirigida por Prof. Dra. Victoria Cavia Naya 2016 Oscar Pablo Di Liscia (1955): un compositor argentino contemporáneo Aportaciones biográficas, entrevistas cualitativas, catalogación de obras y aproximaciones analíticas (1955-2013) A mi madre, María Amalia: la persona a quien todo debo y única razón de mi vida Agradecimientos Deo gratias et Mariae. Sea público y manifiesto mi renovado agradecimiento a Victoria Cavia Naya, Enrique Cámara de Landa, María Antonia Virgili Blanquet, Juan P. Arregui y Oscar Pablo Di Liscia. VII Índice de ilustraciones Ilustración 1. Relaciones funcionales entre tesis, fuentes y niveles. ............................. 27 Ilustración 2. Primera entrevista. Nube de palabras. ................................................ 251 Ilustración 3. Segunda entrevista. Nube de palabras. ................................................ 257 Ilustración 4. Que sean dos (espacios 1-9). Intervalos armónicos. ............................. 320 Ilustración 5. Que sean dos (espacios 1-9). Intervalos armónicos. ............................. 320 Ilustración 6. Que sean dos (espacios 1-9). Relaciones interválicas. .......................... 321 Ilustración 7. Que sean dos (espacios 1-24). Relación pitch class sets-espacios. .......... 323 Ilustración 8. Que sean dos (espacios 68-72). Pitch class sets e intervalos melódicos. 324 Ilustración 9. Que sean dos (espacios 68-72). Intervalos armónicos. .......................... 324 Ilustración 10. Que sean dos (espacios 68-72). Relaciones interválicas. ..................... 325 Ilustración 11. Que sean dos (espacios 68-72). Pitch class sets. -
The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
The Israel Philharmonic Orchestra
January 1987 Festive Events celebrating the Centenary of the birth of Arthur Rubinstein Under the Patronage of H.E. The President of Israel Series of 7 Concerts Zubin Mehta conductor Tel-Aviv, The Fredric R. Mann Auditorium The Israel Philharmonic Orchestra Founded in 1936 by Bronislaw Huberman Music Director : Zubin Mehta FESTIVE JUBILEE SEASON THE ISRAEL PHILHARMONIC ORCHESTRA Founded in 1936 by Bronislaw Huberman • Music Director: Zubin Mehta The Fredric R. Mann Auditorium • P.O.Box 11292, 61112 Tel-Aviv; Telephone (03) 295092 The 51st Season / 1986-7 Festive Jubilee Season Festive Events celebrating the Centenary of the birth of Arthur Rubinstein Under the Patronage of H.E. The President of Israel, Mr. Chaim Herzog Series of 7 Concerts Zubin Mehta conductor Tel-Aviv, The Fredric R. Mann Auditorium January 1987 At 8.30 p.m. PUBLIC MANAGEMENT BOARD: Mr. D. Ben-Meir, Mr. A. Duizin Mr. Y. Ettinger, Mr. B. Gal-Ed, Mr. M.B. Gitter, Dr. A. Goldenberg, Mrs. A. Harris, Mr. P. Jacobi, Judge A.F. Landau (Chm'n), Mr. A. Levinsky, Mr. Z. Litwak*, Mr. Y. Mishori*, Mr. M. Neudorfer, Mr. Y. Oren, Mr. Y. Pasternak*, Mr. J. Pecker, Judge L.A. Rabinowitz, Mr. A. Shalev, Mr. N. Wolloch. (• IPO Management members) THE IPO FOUNDATION - Founding Members: Abba Eban (Chairman), David Blass, Yona Ettinger, Dr. Amnon Goldenberg, M.B. Gitter, Lewis Harris, Ernst Japhet, Y. Macht, Joseph Pecker, Raphael Recanati. Dr. Dapnna Schachner (Dir. Gen.) AMERICAN FRIENDS OF THE IPO: Zubin Mehta (Hon. Ch'mn); Fredric R. Mann (Pres.); Norman Bernstein, Itzhak Perlman (Vice Pres.); Susan B. -
El Rol Del Intérprete En La Música Electrónica: Estado De La Cuestión
Anache, Damián El rol del intérprete en la música electrónica: estado de la cuestión Décima Jornada de la Música y la Musicología, 2013 Jornadas Interdisciplinarias de Investigación Facultad de Artes y Ciencias Musicales - UCA Este documento está disponible en la Biblioteca Digital de la Universidad Católica Argentina, repositorio institucional desarrollado por la Biblioteca Central “San Benito Abad”. Su objetivo es difundir y preservar la producción intelectual de la Institución. La Biblioteca posee la autorización del autor para su divulgación en línea. Cómo citar el documento: Anache, Damián. “El rol del intérprete en la música electrónica : estado de la cuestión” [en línea].Jornada de la Música y la Musicología. Jornadas Interdisciplinarias de Investigación : Investigación, creación, re-creación y performance, X, 4-6 septiembre 2013. Universidad Católica Argentina. Facultad de Artes y Ciencias Musicales; Instituto de Investigación Musicológica “Carlos Vega”, Buenos Aires. Disponible en: http://bibliotecadigital.uca.edu.ar/repositorio/ponencias/rol-interprete-musica-electronica-anache.pdf [Fecha de consulta: ….] Actas de la Décima Semana de la Música y la Musicología. Jornadas Interdisciplinarias de Investigación. Subsidio FONCYT RC-2013-0119 (en trámite) EL ROL DEL INTÉRPRETE EN LA MÚSICA ELECTRÓNICA - ESTADO DE LA CUESTIÓN DAMIÁN ANACHE ENSAYO Resumen Desde sus inicios, la interpretación ha sido la pieza clave para que exista la música. No obstante, a partir de la implementación de los medios electroacústicos, ese lugar determinante de la instancia interpretativa dejó de ser indispensable y tanto el campo de acción de la interpretación, como sus posibilidades de ser abordado se han expandido. Durante décadas, esas nuevas condiciones estuvieron supeditadas a las limitaciones de la tecnología para operar sonido en tiempo real. -
2016 Program Booklet
Rebecca Penneys Piano Festival Fourth Year July 12 – 30, 2016 University of South Florida, School of Music 4202 East Fowler Avenue, Tampa, FL The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida Rebecca Penneys Ray Gottlieb, O.D., Ph.D President & Artistic Director Vice President Rebecca Penneys Friends of Piano wishes to give special thanks to: The University of South Florida for such warm hospitality, USF administration and staff for wonderful support and assistance, Glenn Suyker, Notable Works Inc., for piano tuning and maintenance, Christy Sallee and Emily Macias, for photos and video of each special moment, and All the devoted piano lovers, volunteers, and donors who make RPPF possible. The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] 2 FACULTY PHOTOS Seán Duggan Tannis Gibson Christopher Eunmi Ko Harding Yong Hi Moon Roberta Rust Thomas Omri Shimron Schumacher D mitri Shteinberg Richard Shuster Mayron Tsong Blanca Uribe Benjamin Warsaw Tabitha Columbare Yueun Kim Kevin Wu Head Coordinator Assistant Assistant 3 STUDENT PHOTOS (CONTINUED ON P. 51) Rolando Mijung Hannah Matthew Alejandro An Bossner Calderon Haewon David Natalie David Cho Cordóba-Hernández Doughty Furney David Oksana Noah Hsiu-Jung Gatchel Germain Hardaway Hou Jingning Minhee Jinsung Jason Renny Huang Kang Kim Kim Ko 4 CALENDAR OF EVENTS University of South Florida – School of Music Concerts and Masterclasses are FREE and open to the public Donations accepted at the door Festival Soirée Concerts – Barness Recital Hall, see p. -
Boris Radulovic´ Curriculum Vitae Biography
BORIS RADULOVIC´ CURRICULUM VITAE BIOGRAPHY Lauded as the “new star in the celestial canvas of pianists” (General-Anzeiger Bonn), Boris Radulovic has long been keeping the press assured of and the audiences captivated with his exceptional skills and talent. His diligence and aspiration to embody as many facets of life as possible in his music are reflected both within this charismatic artist and the “many and varied hues of his sagacious playing” (Siegerland Rundschau). Born in 1984 in Belgrade, Serbia, Boris had his first encounter with classical music very early on, an experience which immediately fomented the desire in him to pick up the piano. At a mere five years of age he received his first piano lesson at the hands of Smilja Todorovic and some years later at the Josip Slavenski Music School, under the tuition of Prof. Olga Bauer, who, together with her husband Prof. Aleksandar Bauer, played a big role in his artistic development. Thanks both to his high artistic and technical standards, he graduated at the top of his class, with his graduation concert earning him the first prize of the Ivan Petkovic Foundation. In recognition of his cultural and academic performances, the young talent received the Belgrade Angel award, as well as the honorable title of Student of the Generation, granted to him by the heir apparent Aleksandar Karadjordjevic. At the end of 2004, Boris Radulovic began his studies at the Cologne Music Academy under the tutelage of Prof. Dr. h.c. Arbo Valdma, a former student of Bruno Lukk’s, who, in turn, could name Arthur Schnabel and Paul Hindemith among his mentors. -
Knjizica 2021
Bosna i Hercegovina / Bosnia and Herzegovina Republika Srpska / Republic of Srpska Istočno Sarajevo / East Sarajevo AKORDEON ART plus 2021 11th INTERNATIONAL ACCORDION FESTIVAL (Online) 2nd INTERNATIONAL PIANO COMPETITION (Online) AKORDEON ART plus 2021 Sadržaj/Contents ORGANIZACIONI ODBOR FESTIVALA / FESTIVAL ORGANIZING BOARD ............................................................................................................ 3 PROGRAM FESTIVALA / FESTIVAL PROGRAM ................................ 4 ČLANOVI ŽIRIJA / JURY MEMBERS .................................................... 6 PARTNERI FESTIVALA / FESTIVAL PARTNERS ............................ 59 PROPOZICIJE ............................................................................................. 64 NAGRADNI FOND/PRIZE FUND ........................................................... 74 TAKMIČENJE HARMONIKA / ACCORDION COMPETITION ...... 75 TAKMIČENJE KLAVIR/PIANO COMPETITION ................................ 98 ŽIRI HARMONIKA, KLAVIR/ JURY ACCORDION, PIANO ........... 115 2 AKORDEON ART plus 2021 ORGANIZACIONI ODBOR FESTIVALA / FESTIVAL ORGANIZING BOARD 1. Prof. mr Maja Žuža - dekan MA UIS*/Dean, AM UES** 2. Prof. mr Sandra Ivanović - prorektor UIS / Vice Rector UES 3. prof. mr Biljana Štaka - prodekan MA UIS / Vice dean AM, UES 4. Prof. mr Dušan Erak - prodekan MA UIS / Vice dean AM, UES 5. Prof. mr Danijela Gazdić - rukovodilac Katedre za harmoniku/ Head of the Accordion Department 6. Prof. mr Dražan Kosorić 7. Prof. mr Vladimir Blagojević 8. Prof. dr Miradet Zulić 9. -
EYM Programmheft.Pdf
1 Introduction Hannelore Kraft (Premier of the State of North Rhine-Westfalia) Tom Buhrow (Director General, WDR) Jürgen Roters (Lord Mayor of the City of Cologne) Dr. Ursula Sinnreich and Dr. Fritz Behrens (Kunststiftung NRW) Dr. Bettina Brinkmann (Eurovision Head of TV) Prof. Dr. Lothar Mattner (WDR/EBU) WELCOME GREETINGS Eurovision Young Musicians Cologne / Germany / 31 May 2014 05 ➔ Welcome HANNELORE KRAFT Premier of the State of North Rhine-Westfalia Music speaks for itself, according to the late Sir Yehudi Menuhin, if only we let it. This is especially true when the performance is done by brilliant musicians. The European Broadcasting Union’s Eurovision Young Musicians is an impressive event, in the best sense of the word. It is not any old talent show, to be quickly forgotten. No, this competition provides a spring- board for talented young solo performers of classical music to enter the international scene. I am delighted that this year’s Eurovision Young Musicians is held in Cologne, a city known for its enthusiastic audienc- es and home to renowned symphony and chamber orches- tras as well as the University of Music and Dance. For one week, musical artists from 14 countries are demon- strating their technical brilliance and artistic flair. And they are well motivated: many international celebrity artists started out at the Eurovision Young Musician, the final in Cologne’s central Roncalliplatz square will be broadcast live to a European audience and the winner will be given the op- portunity to perform with the Vienna Philharmonic. Now, if that is not an incentive, I don’t know what is. -
WPC 2016 Copy2.Indd
MOZART CONCERT SONATA RECITAL BACH BACH INSTRUMENTAL WORLD COMPOSER PIANO OPENING GALA PIANO RECITAL RACHMANINOFF PIANO MUSIC CONCERT BACH PIANO RECITAL WORLD NOVI SAD PIANO CHOPIN BRAHMS ISIDOR BAJIĆ BRAHMS COMPOSER CHOPIN PIANO INSTRUMENTAL WORLD WORLD MOZART HARMONY MUSIC CONFERENCE GALA OPENING BACH COMPOSER BACH CONFERENCE WORLD MOZART BRAHMSRACHMANINOFF MASTER CLASS PIANO RECITAL SONATA BACH HARMONY 8th MASTER CLASS LAUREATES ISIDOR BAJI PIANO MEMORIAL MUSIC RACHMANINOFF World BACH DEBUSSY CHOPIN ConferencePiano CONCERT BACH MOZARTBRAHMSBACH BACH COMPOSER PIANO NOVI SAD, SERBIA CONFERENCE DEBUSSYCHOPIN RECITAL WORLD June 27 to July 03, 2016 LAUREATES GALA OPENING HARMONY CHOPIN 1 SONATA “Music should enrich the soul; it should teach spirituality by showing a person a portion of himself that he would not discover otherwise. It's easy to rediscover part of yourself, but through art you can be shown part of yourself you never knew existed. That's the real mission of art. The artist has to fi nd something within himself that's universal and which he can put into terms that are com- municable to other people. The magic of it is that art can communicate to a person without his realizing it... enrichment, that's the function of music.” Bill Evans 2 WORLD PIANO CONFERENCE NOVI SAD World Piano Conferences are held annually in the organization of Isidor Bajić Music School, World Piano Teachers Association (WPTA) and Isidor Bajić Piano Memorial. The Eighth World Piano Conference will be held in Novi Sad, from 27 June to 3 July, 2016. 8th World Piano Conference Radmila Rakin-Martinović Dorian Leljak Executive Director President Isidor Bajić Music School was founded on the and forming a strong bond between pianists and piano teachers from initiative of Isidor Bajić in 1909. -
Katalog a TEMPO .Pdf
eset godina A TEMPA je vrijeme naše postojanosti u D velikim promjenama. Na čvrstim osloncima naše posvećenosti i pomoći prijatelja koja je rasla zajedno sa festivalom, od početka smo htjeli da stvaramo, održimo i razvijamo ono što je nedostajalo u našem muzičkom životu. Oko nas su se mijenjali ljudi, institucije čak i države, a mi nijesmo promijenili svoj kredo: uvijek najbolje što možemo, uvijek najbolji koje imamo i uvijek sa onima od kojih treba da učimo. Od resitala, filmova, promocija, okupljanja naših umjetnika u dijaspori, do uvažavanja muzičkog nasleđa i osvješćivanja muzičke sadašnjosti; od skromne domaće produkcije i rijetkih gostiju do međunarodnog festivala sa umjetnicima iz dvanaest zemalja Evrope... Takvim A TEMPOM govorili smo o potrebi unapređivanja naše kulture, posvećivanju pažnje muzici i ljudima koji se njome bave, i svjedočili želju da tome damo svoj doprinos. Deset godina festivala, novi prostori u kojima će se uskoro odvijati, ovogodišnje priredbe, posebno završni koncert kojim na specifičan način potvrđujemo svoj muzički identitet, govore o našim snovima, nastojanjima i dometima, o našem kontinuitetu kao prilogu našoj muzičkoj sadašnjosti, i vjerovanju da će A TEMPO postati dio naše muzičke tradicije. Zahvaljujemo svima sa kojima smo prvih deset godina stvarali A TEMPO. Vaši, ŽARKO MIRKOVIĆ JANKO LJUMOVIĆ Selektor festivala Producent festivala 3 en years of A TEMPO are symbol of perseverance and good sounding in the time of great changes. Based on the solid support of our dedication and the assistance of friends that grew together with the festival, from the very beginning we wanted to create, maintain and develop what what missing in our music life. -
Copyright by Mariana Stratta Gariazzo 2005
Copyright by Mariana Stratta Gariazzo 2005 The Treatise Committee for Mariana Stratta Gariazzo certifies that this is the approved version of the following dissertation: Argentine Music for Flute with the Employment of Extended Techniques: An Analysis of Selected Works by Eduardo Bértola and Marcelo Toledo Committee: Gerard Béhague, Co-Supervisor Karl Kraber, Co-Supervisor Lorenzo Candelaria Eugenia Costa-Giomi Patrick Hughes Nicolas Shumway Argentine Music for Flute with the Employment of Extended Techniques: An Analysis of Selected Works by Eduardo Bértola and Marcelo Toledo by Mariana Stratta Gariazzo, B.A.; M.M. Treatise Presented to the Faculty of the Graduate School of The University of Texas at Austin In Partial Fulfillment Of the Requirements For the Degree of Doctor of Musical Arts The University of Texas at Austin May, 2005 Dedication I would like to thank my parents, Inés and Jorge Stratta, for their encouragement and support throughout my entire education and their immense generosity in letting me pursue my dreams in spite of the distance. For that, I will be forever grateful. I also extend an immense amount of gratitude to those who accompanied me during the years of my graduate studies. My family-in-law became the main source of encouragement while pursuing my doctoral education. They have witnessed and assisted me through hectic times from the comprehensive exams to researching and so much more that it would not be possible to describe everything in the frame of this note. I am deeply grateful to all of them. Lastly, but most importantly, I would like to dedicate all the effort, gray hair, and time this work has taken to my dear husband, Claudio.