DOCSLIB.ORG

Katalog a TEMPO .Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Katalog a TEMPO .Pdf eset godina A TEMPA je vrijeme naše postojanosti u D velikim promjenama. Na čvrstim osloncima naše posvećenosti i pomoći prijatelja koja je rasla zajedno sa festivalom, od početka smo htjeli da stvaramo, održimo i razvijamo ono što je nedostajalo u našem muzičkom životu. Oko nas su se mijenjali ljudi, institucije čak i države, a mi nijesmo promijenili svoj kredo: uvijek najbolje što možemo, uvijek najbolji koje imamo i uvijek sa onima od kojih treba da učimo. Od resitala, filmova, promocija, okupljanja naših umjetnika u dijaspori, do uvažavanja muzičkog nasleđa i osvješćivanja muzičke sadašnjosti; od skromne domaće produkcije i rijetkih gostiju do međunarodnog festivala sa umjetnicima iz dvanaest zemalja Evrope... Takvim A TEMPOM govorili smo o potrebi unapređivanja naše kulture, posvećivanju pažnje muzici i ljudima koji se njome bave, i svjedočili želju da tome damo svoj doprinos. Deset godina festivala, novi prostori u kojima će se uskoro odvijati, ovogodišnje priredbe, posebno završni koncert kojim na specifičan način potvrđujemo svoj muzički identitet, govore o našim snovima, nastojanjima i dometima, o našem kontinuitetu kao prilogu našoj muzičkoj sadašnjosti, i vjerovanju da će A TEMPO postati dio naše muzičke tradicije. Zahvaljujemo svima sa kojima smo prvih deset godina stvarali A TEMPO. Vaši, ŽARKO MIRKOVIĆ JANKO LJUMOVIĆ Selektor festivala Producent festivala 3 en years of A TEMPO are symbol of perseverance and good sounding in the time of great changes. Based on the solid support of our dedication and the assistance of friends that grew together with the festival, from the very beginning we wanted to create, maintain and develop what what missing in our music life. Around us changed people, institutions, even states, but we did not change our credo: always do the best we can, with the best ones and with those we should learn from. From recitals, films, promotions, gathering of our artists from diaspora, to appreciations of music heritage and reviving of our music present; from modest domestic production and rare guests to international festival with artists from twelve European countries... With such A TEMPO we spoke about the need to improve our culture, devote attention to music and people dealing with it, and witnessed the desire to give our contribution to this. Ten years of the festival, new spaces in which it will soon be happening, this year’s performances, especially the final concert whereby we confirm in a special manner our musical identity, speak about our dreams, aspirations and achievements, about our continuity as a contribution to music presence, and the belief that A TEMPO will become a part of our music tradition. We thank all those with whom we created A TEMPO during the first ten years. Yours, ŽARKO MIRKOVIĆ JANKO LJUMOVIĆ Festival Selector Festival Producer 4 A TEMPO Za podsjećanje... To Remind... I A TEMPO 10 – 14. DECEMBAR 2001. • 10 – 14 DECEMBER 2001 a Tempo u tempu, u muzičkom vremenu… a Tempo in tempo, in a time of music… music festival a tempo montenegrin national theatre music festival a tempo montenegrin national theatre 6 Vladana Perović • klavir | piano GUDAČKI ORKESTAR RTV CRNE GORE STRING ORCHESTRA OF RTV MONTENEGRO DIRIGENT | CONDUCTOR Radovan Papović SOLISTI | SOLOISTS Boris Kraljević • klavir | piano Bojan Martinović • klavir | piano Jan Kžištof Broja | Jan Krzysztof Broya • klavir | piano [Poljska – Poland] KLAVIRSKI DUO| PIANO DUO Gordana i Dejan Sinadinović [Srbija – Serbia] ACADEMIA KONCERT STUDENATA KLAVIRA| CONCERT OF PIANO STUDENTS Dušan Stojanović, Cetinje Milan Miladinović, Novi Sad Nikola Vučković, Cetinje Nebojša Maksimović, Beograd Ratimir Martinović • klavir | piano Vladimir Krpan • klavir | piano [Hrvatska – Croatia] 7 II A TEMPO 2 – 6. DECEMBAR 2002. • 2 – 6 DECEMBER 2002 Posvećeno violini Dedicated to Violin 8 IZLOŽBA FOTOGRAFIJA | PHOTO EXHIBITION AMBIANCES BAROQUES Herve Negre | Herve Negre [Francuska – France] DUO Roman Simović • violina | violin Panta Veličković • viola | viola TRIO ORLANDO [Hrvatska – Croatia] ACADEMIA Gudački trio Muzičke Akademije, Sarajevo String trio of Music Academy, Sarajevo Trio Fakulteta Muzičke umetnosti, Beograd Trio of Musical Arts Faculty, Beograd Gudački kvartet T.A.M.A, Cetinje String quartet T.A.M.A, Cetinje GUDAČKI KVARTET | STRING QUARTET BELLOTTI Miloš Petrović • klavir, vokal, udaraljke | piano, vocal, percussion [Srbija– Serbia] PROMOCIJA | PROMOTION Manja Radulović-Vulić Drevne muzičke kulture Crne Gore The Ancient Musical Culture of Montenegro GUDAČKI KVARTET | STRING QUARTET FELIX [Italija – Italy] AMI FLAMER TRIO [Francuska – France] 9 III A TEMPO 1 – 8. DECEMBAR 2003. • 1 – 8 DECEMBER 2003 10 BEOGRADSKI PERKUSIONISTI I KLAVIRSKI DUO ŠANDOROV BELGRADE PERCUSSIONISTS AND PIANO DUO ŠANDOROV [Srbija– Serbia] Monika Limonjeli | Monika Limongelli • flauta | flute Antonio D Avino | Antonio D Avino • gitara | guitar Đovani Đamarino | Giovani Giammarino • klavir | piano [Italija – Italy] ZAGREBAČKI KVARTET SAKSOFONA ZAGREB SAXOPHONE QUARTET [Hrvatska – Croatia] FILM | MOVIE ALEKSANDAR NEVSKI| ALEKSANDAR NEVSKY REŽIJA | DIRECTOR • Sergej Ejzenštajn | Sergey Eisenstein MUZIKA | MUSIC • Sergej Prokofjev | Sergey Prokofieff A TEMPO U GOSTIMA A TEMPO GUEST PERFORMANCES KOTOR • Crkva Sv. Duha • Holly Spirit Church Monika Limonjeli | Monika Limongelli • flauta | flute Antonio D Avino | Antonio D Avino • gitara | guitar Đovani Đamarino | Giovani Giammarino • klavir | piano [Italija – Italy] BEOGRADSKI BIG BAND BEOGRADSKI BIG BAND DIRIGENT | CONDUCTOR • Ivan Ilić SOLISTI | SOLOISTS Jelena Jovović-Revišin Vladana Marković ACADEMIA KONCERT STUDENATA MUZIČKIH AKADEMIJA CONCERT OF STUDENTS FROM MUSIC ACADEMIES Jovana Trifunović • violina | violin Danijel Popović • kontrabas | double bass FMU Beograd Milan Šumenković • klavir | piano Muzička akademija Cetinje | Music Academy Cetinje Ksenija Mijatović • flauta | flute Svetlana Novaković • flauta | flute Miroslav Fejdi • klarinet | clarinet Ksenija Đukić • klavir | piano Akademija umetnosti Novi Sad | Academy of Arts Novi Sad FILM | MOVIE HELP REŽIJA | DIRECTOR • Richard Lester MUZIKA | MUSIC • The Beatles RICHARD GALLIANO SEPTET [Francuska – France] 11 IV A TEMPO 8 – 26. MART 2005. • 8– 26 MARCH 2005 12 SIMFONIJSKI ORKESTAR RTV CRNE GORE SYMPHONY ORCHESTRA OF RTV MONTENEGRO DIRIGENT | CONDUCTOR • Radovan Papović Nada Kolundžija • klavir | piano [Srbija – Serbia] GUDAČKI ORKESTAR MAKEDONSKE FILHARMONIJE STRING ORCHESTRA MACEDONIAN PHILHARMONIC DIRIGENT | CONDUCTOR • Le Fi Fi [Vijetnam – Vietnam] SOLISTA | SOLOIST Gordana Josifova-Nedelkovska • oboa | oboa [Makedonija – Macedonia] TRIO LOREN BUTRO [Francuska – France] GUDAČKI ANSAMBL SIMFONIJSKOG ORKESTRA MLADIH JUGOISTOČNE EVROPE STRING ENSEMBLE YOUTH SYMPHONY ORCHESTRA SOUTH EAST EUROPE DIRIGENT | CONDUCTOR • Siniša Marković [Bosna i Hercegovina – Bosnia and Herzegovina] Egon Mihailović • čembalo | harpsichord Igor Perazić • violončelo | violoncello Boris Kraljević • klavir | piano DONNE IN JAZZ [Italija – Italy] ZAGREBAČKI DUVAČKI KVINTET ZAGREB BRASS QUINTET [Hrvatska – Croatia] SIMFONIJSKI ORKESTAR RTV ALBANIJE SYMPHONY ORCHESTRA OF RTV ALBANIA DIRIGENT | CONDUCTOR • Jetmir Barbuluši [Albanija – Albania] SOLIST | SOLOIST Roman Simović • violina | violin SIMFONIJSKI ORKESTAR RTV ALBANIJE SYMPHONY ORCHESTRA OF RTV ALBANIA Mješoviti hor KRSMANOVIĆ-OBILIĆ Mixed Choir KRSMANOVIĆ-OBILIĆ DIRIGENT | CONDUCTOR • Darinka Matić-Marović SOLISTI | SOLOISTS Svetlana Bojčević-Cicović • sopran | soprano Dušan Plazinić • tenor | tenor Vladimir Andrić • bariton | baritone [Srbija – Serbia] 13 V A TEMPO 14 – 26. APRIL 2006. • 14 – 26 APRIL 2006 14 GUDAČKI ORKESTAR RTV CRNE GORE STRING ORCHESTRA OF RTV MONTENEGRO DIRIGENT | CONDUCTOR • Radovan Papović Nemanja Radulović • violina | violin Stanislav Kučinski • kontrabas | double bass [Francuska – France] Ljubiša Jovanović • flauta | flute Egon Mihailović • čembalo | harpsichord [Crna Gora-Njemačka – Montenegro-Germany] Zoran Marković • kontrabas | double bass [Crna Gora-Slovenija – Montenegro-Slovenia] Rita Kinka • klavir | piano [Srbija – Serbia] GUDAČKI KVARTET | STRING QUARTET RUBICON SOLIST | SOLOIST Aleksandar Tasić • klarinet | clarinet AMARILLI Amanda Stojović • mecosopran | mezzosoprano Danijel Cerović • gitara | guitar SLOVENAČKI DUVAČKI KVINTET SLOVENIAN BRASS QUINTET ZAGREBAČKI GITARISTIČKI KVARTET ZAGREB GUITAR QUARTET 15 16 2 – 14. APRIL 2007. • 2TEMPO – VI A 14 APRIL 2007 WithA ourtempo people VI INTERNATIONAL MUSIC FESTIVAL Podgorica, 2. - 14. april 2007. MONTENEGRO Milica Vicković • klavir | piano Radoš Malidžan • gitara | guitar Saša Aleksić • kontrabas | double bass Vukan Matić • klavir | piano Eva Vučeković-Vajt • violončelo | violoncello Aleksej Molčanov • klavir | piano GUDAČKI ORKESTAR SLOVENAČKE FILHARMONIJE STRING CHAMBER ORCHESTRA OF SLOVENE PHILHARMONIC SOLISTI | SOLOISTS Zoran Marković • kontrabas | double bass Amanda Stojović • mecosopran | mezzosoprano Miloš Karadaglić • gitara | guitar GUDAČKI ORKESTAR SLOVENAČKE FILHARMONIJE STRING CHAMBER ORCHESTRA OF SLOVENE PHILHARMONIC SOLIST | SOLOIST Ivan Vukčević • viola | viola Duško Žarković • klarinet | clarinet Bojan Martinović • klavir | piano Vedrana Kovač • klavir | piano Ivan Vukčević • viola | viola Aleksej Molčanov • klavir | piano Goran Krivokapić • gitara | guitar Tatjana Prelević • klavir | piano KAMERNI ORKESTAR GUDAČI SV. ĐORĐA CHAMBER ORCHESTRA ST. GEORGE’S STRINGS DIRIGENT | CONDUCTOR • Bojan Suđić [Srbija – Serbia] SOLIST | SOLOIST • Goran Krivokapić • gitara | guitar 17 VII A TEMPO 7 – 17. APRIL 2008. • 7 – 17 APRIL
Load more

Recommended publications
  • 2016 Program Booklet
    Rebecca Penneys Piano Festival Fourth Year July 12 – 30, 2016 University of South Florida, School of Music 4202 East Fowler Avenue, Tampa, FL The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida Rebecca Penneys Ray Gottlieb, O.D., Ph.D President & Artistic Director Vice President Rebecca Penneys Friends of Piano wishes to give special thanks to: The University of South Florida for such warm hospitality, USF administration and staff for wonderful support and assistance, Glenn Suyker, Notable Works Inc., for piano tuning and maintenance, Christy Sallee and Emily Macias, for photos and video of each special moment, and All the devoted piano lovers, volunteers, and donors who make RPPF possible. The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] 2 FACULTY PHOTOS Seán Duggan Tannis Gibson Christopher Eunmi Ko Harding Yong Hi Moon Roberta Rust Thomas Omri Shimron Schumacher D mitri Shteinberg Richard Shuster Mayron Tsong Blanca Uribe Benjamin Warsaw Tabitha Columbare Yueun Kim Kevin Wu Head Coordinator Assistant Assistant 3 STUDENT PHOTOS (CONTINUED ON P. 51) Rolando Mijung Hannah Matthew Alejandro An Bossner Calderon Haewon David Natalie David Cho Cordóba-Hernández Doughty Furney David Oksana Noah Hsiu-Jung Gatchel Germain Hardaway Hou Jingning Minhee Jinsung Jason Renny Huang Kang Kim Kim Ko 4 CALENDAR OF EVENTS University of South Florida – School of Music Concerts and Masterclasses are FREE and open to the public Donations accepted at the door Festival Soirée Concerts – Barness Recital Hall, see p.
    [Show full text]
  • Boris Radulovic´ Curriculum Vitae Biography
    BORIS RADULOVIC´ CURRICULUM VITAE BIOGRAPHY Lauded as the “new star in the celestial canvas of pianists” (General-Anzeiger Bonn), Boris Radulovic has long been keeping the press assured of and the audiences captivated with his exceptional skills and talent. His diligence and aspiration to embody as many facets of life as possible in his music are reflected both within this charismatic artist and the “many and varied hues of his sagacious playing” (Siegerland Rundschau). Born in 1984 in Belgrade, Serbia, Boris had his first encounter with classical music very early on, an experience which immediately fomented the desire in him to pick up the piano. At a mere five years of age he received his first piano lesson at the hands of Smilja Todorovic and some years later at the Josip Slavenski Music School, under the tuition of Prof. Olga Bauer, who, together with her husband Prof. Aleksandar Bauer, played a big role in his artistic development. Thanks both to his high artistic and technical standards, he graduated at the top of his class, with his graduation concert earning him the first prize of the Ivan Petkovic Foundation. In recognition of his cultural and academic performances, the young talent received the Belgrade Angel award, as well as the honorable title of Student of the Generation, granted to him by the heir apparent Aleksandar Karadjordjevic. At the end of 2004, Boris Radulovic began his studies at the Cologne Music Academy under the tutelage of Prof. Dr. h.c. Arbo Valdma, a former student of Bruno Lukk’s, who, in turn, could name Arthur Schnabel and Paul Hindemith among his mentors.
    [Show full text]
  • Knjizica 2021
    Bosna i Hercegovina / Bosnia and Herzegovina Republika Srpska / Republic of Srpska Istočno Sarajevo / East Sarajevo AKORDEON ART plus 2021 11th INTERNATIONAL ACCORDION FESTIVAL (Online) 2nd INTERNATIONAL PIANO COMPETITION (Online) AKORDEON ART plus 2021 Sadržaj/Contents ORGANIZACIONI ODBOR FESTIVALA / FESTIVAL ORGANIZING BOARD ............................................................................................................ 3 PROGRAM FESTIVALA / FESTIVAL PROGRAM ................................ 4 ČLANOVI ŽIRIJA / JURY MEMBERS .................................................... 6 PARTNERI FESTIVALA / FESTIVAL PARTNERS ............................ 59 PROPOZICIJE ............................................................................................. 64 NAGRADNI FOND/PRIZE FUND ........................................................... 74 TAKMIČENJE HARMONIKA / ACCORDION COMPETITION ...... 75 TAKMIČENJE KLAVIR/PIANO COMPETITION ................................ 98 ŽIRI HARMONIKA, KLAVIR/ JURY ACCORDION, PIANO ........... 115 2 AKORDEON ART plus 2021 ORGANIZACIONI ODBOR FESTIVALA / FESTIVAL ORGANIZING BOARD 1. Prof. mr Maja Žuža - dekan MA UIS*/Dean, AM UES** 2. Prof. mr Sandra Ivanović - prorektor UIS / Vice Rector UES 3. prof. mr Biljana Štaka - prodekan MA UIS / Vice dean AM, UES 4. Prof. mr Dušan Erak - prodekan MA UIS / Vice dean AM, UES 5. Prof. mr Danijela Gazdić - rukovodilac Katedre za harmoniku/ Head of the Accordion Department 6. Prof. mr Dražan Kosorić 7. Prof. mr Vladimir Blagojević 8. Prof. dr Miradet Zulić 9.
    [Show full text]
  • EYM Programmheft.Pdf
    1 Introduction Hannelore Kraft (Premier of the State of North Rhine-Westfalia) Tom Buhrow (Director General, WDR) Jürgen Roters (Lord Mayor of the City of Cologne) Dr. Ursula Sinnreich and Dr. Fritz Behrens (Kunststiftung NRW) Dr. Bettina Brinkmann (Eurovision Head of TV) Prof. Dr. Lothar Mattner (WDR/EBU) WELCOME GREETINGS Eurovision Young Musicians Cologne / Germany / 31 May 2014 05 ➔ Welcome HANNELORE KRAFT Premier of the State of North Rhine-Westfalia Music speaks for itself, according to the late Sir Yehudi Menuhin, if only we let it. This is especially true when the performance is done by brilliant musicians. The European Broadcasting Union’s Eurovision Young Musicians is an impressive event, in the best sense of the word. It is not any old talent show, to be quickly forgotten. No, this competition provides a spring- board for talented young solo performers of classical music to enter the international scene. I am delighted that this year’s Eurovision Young Musicians is held in Cologne, a city known for its enthusiastic audienc- es and home to renowned symphony and chamber orches- tras as well as the University of Music and Dance. For one week, musical artists from 14 countries are demon- strating their technical brilliance and artistic flair. And they are well motivated: many international celebrity artists started out at the Eurovision Young Musician, the final in Cologne’s central Roncalliplatz square will be broadcast live to a European audience and the winner will be given the op- portunity to perform with the Vienna Philharmonic. Now, if that is not an incentive, I don’t know what is.
    [Show full text]
  • WPC 2016 Copy2.Indd
    MOZART CONCERT SONATA RECITAL BACH BACH INSTRUMENTAL WORLD COMPOSER PIANO OPENING GALA PIANO RECITAL RACHMANINOFF PIANO MUSIC CONCERT BACH PIANO RECITAL WORLD NOVI SAD PIANO CHOPIN BRAHMS ISIDOR BAJIĆ BRAHMS COMPOSER CHOPIN PIANO INSTRUMENTAL WORLD WORLD MOZART HARMONY MUSIC CONFERENCE GALA OPENING BACH COMPOSER BACH CONFERENCE WORLD MOZART BRAHMSRACHMANINOFF MASTER CLASS PIANO RECITAL SONATA BACH HARMONY 8th MASTER CLASS LAUREATES ISIDOR BAJI PIANO MEMORIAL MUSIC RACHMANINOFF World BACH DEBUSSY CHOPIN ConferencePiano CONCERT BACH MOZARTBRAHMSBACH BACH COMPOSER PIANO NOVI SAD, SERBIA CONFERENCE DEBUSSYCHOPIN RECITAL WORLD June 27 to July 03, 2016 LAUREATES GALA OPENING HARMONY CHOPIN 1 SONATA “Music should enrich the soul; it should teach spirituality by showing a person a portion of himself that he would not discover otherwise. It's easy to rediscover part of yourself, but through art you can be shown part of yourself you never knew existed. That's the real mission of art. The artist has to fi nd something within himself that's universal and which he can put into terms that are com- municable to other people. The magic of it is that art can communicate to a person without his realizing it... enrichment, that's the function of music.” Bill Evans 2 WORLD PIANO CONFERENCE NOVI SAD World Piano Conferences are held annually in the organization of Isidor Bajić Music School, World Piano Teachers Association (WPTA) and Isidor Bajić Piano Memorial. The Eighth World Piano Conference will be held in Novi Sad, from 27 June to 3 July, 2016. 8th World Piano Conference Radmila Rakin-Martinović Dorian Leljak Executive Director President Isidor Bajić Music School was founded on the and forming a strong bond between pianists and piano teachers from initiative of Isidor Bajić in 1909.
    [Show full text]
  • Fanfare Magazine Archive of CD Reviews: an Inte
    Fanfare Magazine Archive of CD Reviews: An Inte... http://www.fanfarearchive.com/articles/atop/34_2... Related Articles Feature Article by Walter Simmons Issue 34:2 Nov/Dec 2010 An Interview with Tatjana Rankovich Feature Articles Walter Simmons I was first introduced to pianist Tatjana BACH Rankovich through a mutual friend, back in the early 1980s. At that point she had just graduated CHOPIN with her master’s degree from Juilliard. I can MOZART still remember the pieces she played that initially RACHMANINOFF so impressed me: the Bach Toccata in C minor RAVEL and No. 8 of Frank Martin’s wonderful Eight SCHUMANN Preludes. Both the power and the sensitivity of SHOSTAKOVICH her performances struck me immediately, as well IBOX as her ability to modify her approach to Live Recordings Bojan Sudjic accommodate each composer’s style or area of AUDIO CD the repertoire. I later began to appreciate the way Mladen Djordjevic she highlights the sensuality inherent in Novi Sad CO whatever she plays. Although she had been Tatjana Rankovich trained in the Grand Tradition in her native piano Belgrade, in the former Yugoslavia, her selection trumpet of the Martin prelude pointed to a curiosity and a willingness to explore less familiar areas of the repertoire, and, indeed, when I told her of my interest in bringing to light lesser-known works of American music that I thought were of the highest caliber, she expressed a winning eagerness to delve into them. Initially I introduced her to the piano music of Nicolas Flagello, including his three concertos, one of Juilliard Recital which had been performed once; the other two, AUDIO CD never.
    [Show full text]
  • Catalogue and Musik” (Degenerate Music) Opened in Documentation of Sound) Should Düsseldorf
    zagreb | 2018. XVIII. SVJETSKI KONGRES SAKSOFONISTA ODRŽAVA SE POD POKROVITELJSTVOM MILANA BANDIĆA, GRADONAČELNIKA GRADA ZAGREBA | THE XVIII WSC IS HELD UNDER THE PATRONAGE OF MR MILAN BANDIĆ, MAYOR OF THE CITY OF ZAGREB gradonačelnik grada zagreba Poštovani sudionici, dragi gosti, Zagreb prvi put ugošćuje renomirani Svjetski kongres saksofonista. Domaćin ovogodišnjega 18. kongresa je naša Muzička akademija koja je u svijetu poznata po izvrsnosti svoje Zagrebačke saksofonističke škole koju je utemeljio profesor Josip Nochta. Tijekom 5 dana, na više od 400 događanja, na brojnim mjestima u gradu će se predstaviti i susresti vrhunski glazbeni profesionalci, studenti i amateri. Bit će to, uvjeren sam, praznik glazbe, prigoda za promociju različitih stilova i izričaja te za razmjenu ideja. Svojom otvorenosti za publiku Kongres će obogatiti Zagrebačko kulturno ljeto te će doprinijeti boljem pozicioniranju Zagreba i Hrvatske na svjetskoj karti kulturnog turizma. Zahvaljujem organizatorima na uspješnoj realizaciji Kongresa, osobito red. prof. art. Draganu Sremcu, umjetničkomu ravnatelju Kongresa i prodekanu za umjetnost i poslovanje Muzičke akademije Sveučilišta u Zagrebu. Svim sudionicima želim uspješno sudjelovanje i ugodan boravak u našem gradu! Gradonačelnik Grada Zagreba Milan Bandić Major of the City of Zagreb Esteemed participants, dear guests, Zagreb is hosting the renowned World Saxophone Congress for the irst time. The host of this 18th Congress is our Academy of Music, world- famous for the excellence of its Zagreb School of Saxophone, established by professor Josip Nochta. In the course of 5 days, in more than 400 events at various locations in the city, top music professionals, students and amateurs will present themselves and meet each other. I am sure that it will be a celebration of music, an opportunity to promote various styles and expressions and to exchange ideas.
    [Show full text]
  • Budapest, the Banks of the Danube and the Buda Castle Quarter
    WHC Nomination Documentation File name: 400.pdf UNESCO Region EUROPE SITE NAME ("TITLE") Budapest, the Banks of the Danube and the Buda Castle Quarter DATE OF INSCRIPTION ("SUBJECT") 11/12/1987 STATE PARTY ("AUTHOR") HUNGARY CRITERIA ("KEY WORDS") C (ii)(iv) DECISION OF THE WORLD HERITAGE COMMITTEE: 11th Session The Committee took note of the statement made by the observer from Hungary that his Government undertook to make no modifications to the panorama of Budapest by adding constructions out of scale. BRIEF DESCRIPTION: This site, with the remains of monuments such as the Roman city of Aquincum and the Gothic castle of Buda, which have exercised considerable architectural influence over various periods, is one of the world's outstanding urban landscapes and illustrates the great periods in the history of the Hungarian capital. 1.b. State, province or region: Budapest 1.d Exact location: La zone concernée est situées au centre de la capitale, sur les deux rives du fleuve Danube. Sur la rive droite, à Buda, elle comprend le mont du Chateau avec le quartier annexe situé sur la rive et la masse du mont Géllert surplombant la fleuve. Application by the Hungarian Republic for the expansion of Budapests World Heritage Site Editor: Bálint Nagy and Partners Éva Tétényi Terézváros Program Office of Urban Development Zsófia Burányi, Erzsébet Buzál, László Jeager, András Tasnády Advisor: János Jelen, Ferenc Németh, Nóra Némethy, Dr. Lia Bassa, Ferenc Bor Szilvia Ódor, Róbert Kuszinger, Ilona Tahi Tóth, Piroska Czétényi Photographies: István Halas, Péter Tímár, József Hajdú, Zoltán Fábry, Teampannon Translation: Charles Horton, Csaba Czuczka Design: István Halas Published by: György Farkas Terézváros Municipality of Budapest Capital Supporter: Prof.
    [Show full text]
  • Muzikološki Z B O R N I K Liv
    MUZIKOLOŠKI ZBORNIK MUSICOLOGICAL ANNUAL LIV / 1 ZVEZEK/VOLUME L J U B L J A N A 2 0 1 8 MZ_2018_1_FINAL.indd 1 27.6.2018 7:28:01 Izdaja • Published by Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani Glavni in odgovorni urednik • Editor-in-chief Jernej Weiss (Ljubljana) Asistentka uredništva • Assistant Editor Tjaša Ribizel (Ljubljana) Uredniški odbor • Editorial Board Matjaž Barbo (Ljubljana), Aleš Nagode (Ljubljana), Svanibor Pettan (Ljubljana), Leon Stefanija (Ljubljana), Andrej Rijavec (Ljubljana), častni urednik • honorary editor Mednarodni uredniški svet • International Advisory Board Michael Beckermann (Columbia University, USA) Nikša Gligo (University of Zagreb, Croatia) Robert S. Hatten (Indiana University, USA) David Hiley (University of Regensburg, Germany) Thomas Hochradner (Mozarteum Salzburg, Austria) Bruno Nettl (University of Illinois, USA) Helmut Loos (University of Leipzig, Germany) Jim Samson (Royal Holloway University of London, UK) Lubomír Spurný (Masaryk University Brno, Czech Republic) Katarina Tomašević (Serbian Academy of Sciences and Arts, Serbia) John Tyrrell (Cardiff University, UK) Michael Walter (University of Graz, Austria) Urednici recenzij • Review editors Danijela Špirić Beard (Cardiff University, UK) Katarina Šter (Research Centre of the Slovenian Academy of Sciences and Arts, Slovenia) Uredništvo • Editorial Address Oddelek za muzikologijo Filozofska fakulteta Aškerčeva 2, SI-1000 Ljubljana, Slovenija e-mail: [email protected] http://revije.ff.uni-lj.si/MuzikoloskiZbornik Prevajanje • Translations Urban Šrimpf Cena posamezne številke • Single issue price 10 EUR Letna naročnina • Annual subscription 20 EUR Založila • Published by Znanstvena založba Filozofske fakultete Univerze v Ljubljani Za založbo • For the publisher Roman Kuhar, dekan Filozofske fakultete Tisk • Printed by Birografika Bori d.o.o., Ljubljana Naklada 300 izvodov • Printed in 300 copies Rokopise, publikacije za recenzije, korespondenco in naročila pošljite na naslov izdajatelja.
    [Show full text]
  • IKAALINEN Finland 28.6.–3.7.2011
    Programme 2011 28.6.–3.7.2011 IKAALINEN Finland TICKETS tel. +358 3 440 0224 www.satahamesoi.fi 1 Welcome to Ikaalinen Sata-Häme Soi Accordion Festival! Organizer Sata-Häme Soi Festival Valtakatu 7, PO Box 33, 39501 Ikaalinen tel. +358 3 440 0224 www.satahamesoi.fi [email protected] Background communities: • Finnish Accordion Association • Finnish Accordion Institute Tickets Web store www.satahamesoi.fi Tickets are also available - by telephone +358 3 440 0224 - by e-mail [email protected] - at the Festival office in advance and during the festival - from the Oma Tupa building during the festival - one hour before each concert at the door Pre-booked tickets will be mailed. Mailing charge €4.00 e-orders, mailing charge €2.00 Children’s tickets for ages 5–12, children under 5 years free of charge. Family ticket for the Park includes 1–2 adults and 1–4 children under 13 years of age. The Ikaalinen Hall has numbered seats. Tickets are also available from Lipputoimisto ticket offices and www. lipputoimisto.fi Festival Pass to all concerts Access to all Sata-Häme Soi Festival concerts and events, €120. The Access pass is valid for one person only. Card payments in the office and at the concert hall doors: Finnish bank cards, Visa, Visa Debit, Visa Electron, V PAY, Business Eurocard, MasterCard, Debit MasterCard and Maestro cards. The Sata-Häme Soi office is open during the festival as follows: Tue 09–21.00 Wed-Sat 09–22.00 Sun 09–13.00 Confédération Internationale Opetus- des Accordéonistes (CIA) ministeriö 2 Tuesday, 28.6.
    [Show full text]
  • Presentation with Pictures of the Zuglo Philharmonics Budapest the Zuglo Philharmonics Budapest Was Established in 1954
    Presentation with pictures of the Zuglo Philharmonics Budapest The Zuglo Philharmonics Budapest was established in 1954. Back in the days its name was István Orchestra with students of the I. István Grammar School History in Budapest. The first conductor and art director was József Záborszky. After two years of its foundation the orchestra had a concert in the Liszt Academy. From 1958 it have had Season Pass in the Liszt Academy. In 1965 János Ferencsik, the famous Hungarian conductor entered the orchestra’s professional education and until his death he was guest conductor of the Zuglo Philharmonics. József Záborszky, János Ferencsik, Dénes Kovács Zuglo Function Philharmonics Zuglo Philharmonics are a priority category symphonic orchestra, according to this it fulfills the strict requirements of the Art law: The Zuglo Philharmonics Budapest used to be • Organize at least 50 concerts per year a youth orchestra for decades but in 2006 with the support of the Local Authority of Zuglo • Have the appropriate fixed assets it became a professional music ensemble. Thanks to its professional advance from 2011 to 2017 the orchestra got the National Youth Orchestra award. • Accomplish the yearly prescribed paid admission numbers In 2012 it became a high level quality music group which means our orchestra is one of the most prom- inent ones of Hungary. In September 2014 the or- • Its musicians in employment relationship have university degree chestra celebrated its 60th anniversary. Its various and colourful programs invite all ages • Performs outstandingly public benefit in the program-structure from little kindergarteners, students, senior concert visitors, mature music lovers, and also all of those people who recently have got aquainted with music.
    [Show full text]
  • The Habsburg Cities: Budapest, Vienna, Prague & Bohemia 2021
    The Habsburg Cities: Budapest, Vienna, Prague & Bohemia 2021 3 SEP – 24 SEP 2021 Code: 22141 Tour Leaders Dr Iva Rosario, Tony Rosario Physical Ratings Enjoy the art, architecture and music of Budapest, Vienna and Prague, and the beautiful landscapes and lovely UNESCO World Heritage-listed towns of Bohemia. Overview Led by Dr Iva Rosario, this tour examines the development of the three nation-states, Hungary, Austria and the Czech Republic, by visiting their capitals: Budapest, Vienna and Prague. Iva will be assisted by Tony Rosario. Attend 4 musical performances (two in Vienna and two in Prague), and learn of the rich music tradition and legacy of the Habsburg empire. Enjoy cosmopolitan Budapest’s grand boulevards and beautiful 19th-century architecture, including the Neo-Renaissance Opera House and the Jungenstil house facades. Visit the great Baroque and Secession monuments of Vienna, and tour the city’s 19th-century landmarks, such as the Hofburg palace and the grand public museums, galleries, town hall and post office. Walk Prague’s winding streets and delight in this beautiful city’s wonderful mix of architecture from all eras of its long history. Visit Wenceslas Square in the New Town (founded 1348) and tour the Old Town’s medieval Coronation Route, including the famous gabled Charles Bridge and Peter Parler’s great Gothic Cathedral. Explore great art collections in each city: the Museum of Fine Arts and the Hungarian National Gallery in Budapest; the Kunsthistorisches Museum and the Schloss Belvedere (Klimt collection) in Vienna; and the Gallery of Old Bohemian Art at the Agnes Convent in Prague.
    [Show full text]