September, 2019 Declaration
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Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
2017-2018 Updated Fashion Design
Fashion Design The Hoot Addendum #4 This addendum replaces the Fashion Design section (pages 231 – 238) of the 2017-18 The Hoot. Revised December 1, 2017 BACK TO CONTENTS | 231 FASHION DESIGN Innovation in fashion design results from a rigorous process of developing and editing ideas that address specific design challenges. Students in our program work alongside expert, professional faculty and guest mentors, who are current and visible designers, to become educated and practiced in all aspects of the design process. Throughout their experience, students produce original designs and develop collections for their portfolio. In their Junior and Senior year, students have the opportunity to work in teams to create unique designs under the guidance of mentors, emulating professional designers and following the industry's seasonal schedule. Recent mentors for the Junior and Senior class have included Anthropologie, Urban Outfitters, Nike, Roxy, Armani Exchange, BCBG, Trina Turk, Ruben & Isabel Toledo, and Bob Mackie. Junior and Senior designs are featured at the annual Scholarship Benefit and Fashion Show at the Beverly Hilton. FASHION DESIGN WITH AN EMPHASIS IN COSTUME DESIGN Students may choose to pursue an emphasis in Costume Design. With a focus on new directions in character development for film, television, live performance, concept art, and video, students emerge from the Costume Design Emphasis track as relevant, creative professionals prepared for the future direction of this exciting field. Under the guidance of critically-acclaimed costume design professionals and leading costume houses, students will produce original designs and dynamic illustrations, combining traditional and digital methods, for their portfolios. Costume Design mentors have included: Disney, Cirque du Soleil, Theadora Van Runkle, Betsy Heimann, Western Costume, Bill Travilla, and Bob Mackie. -
“Down the Rabbit Hole: an Exploration of Japanese Lolita Fashion”
“Down the Rabbit Hole: An Exploration of Japanese Lolita Fashion” Leia Atkinson A thesis presented to the Faculty of Graduate and Post-Doctoral Studies in the Program of Anthropology with the intention of obtaining a Master’s Degree School of Sociology and Anthropology Faculty of Social Sciences University of Ottawa © Leia Atkinson, Ottawa, Canada, 2015 Abstract An ethnographic work about Japanese women who wear Lolita fashion, based primarily upon anthropological field research that was conducted in Tokyo between May and August 2014. The main purpose of this study is to investigate how and why women wear Lolita fashion despite the contradictions surrounding it. An additional purpose is to provide a new perspective about Lolita fashion through using interview data. Fieldwork was conducted through participant observation, surveying, and multiple semi-structured interviews with eleven women over a three-month period. It was concluded that women wear Lolita fashion for a sense of freedom from the constraints that they encounter, such as expectations placed upon them as housewives, students or mothers. The thesis provides a historical chapter, a chapter about fantasy with ethnographic data, and a chapter about how Lolita fashion relates to other fashions as well as the Cool Japan campaign. ii Acknowledgements Throughout the carrying out of my thesis, I have received an immense amount of support, for which I am truly thankful, and without which this thesis would have been impossible. I would particularly like to thank my supervisor, Vincent Mirza, as well as my committee members Ari Gandsman and Julie LaPlante. I would also like to thank Arai Yusuke, Isaac Gagné and Alexis Truong for their support and advice during the completion of my thesis. -
The Future of Fashion Is Digital
7-8/2017 English edition The international premium magazine for the textile chain www.textile-network.com THE FUTURE THE FUTURE OF FASHION OF FASHION IS DIGITAL. IS DIGITAL. Go from Concept to Consumer Seamlessly. 1 0100011110100 1100 101 000 000 11 01 01 11 00 00 10 01 0 1 With the digital revolution now upon us, Gerber 1 0 0 0 0 1 0 0 1 1 Design 0 1 0 1 0 1 Technology has launched an integrated digital 1 1 0 1 0 Develop1 0 0 1 1 0 0 0 0 evolution of its own. Another step forward for 0 1 1 0 1 1 0 0 0 0 0 0 1 0 the company whose intelligent software and 1 1 1 1 1 1 Plan 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 automation solutions have been helping apparel 1 1 1 1 0 0 0 0 1 1 0 0 0 0 0 0 0 0 1 1 1 1 0 0 0 0 manufacturers around the world take their 1 1 0 0 1 1 Source 0 0 1 1 1 1 1 1 1 1 1 0 0 1 1 0 0 1 1 0 0 0 0 1 1 1 1 0 0 products to market faster and more efficiently 0 0 0 0 0 0 1 1 0 0 0 0 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 for nearly 50 years. -
Child's Play? Exploring the Significance of Kawaii for Decora and Fairy-Kei Fashion Practitioners in Harajuku Through a Case-F
Child’s Play? Exploring the Significance of Kawaii for Decora and Fairy-Kei Fashion Practitioners in Harajuku through a Case-Focused Analysis MEGAN CATHERINE ROSE UNSW Sydney and The University of Tokyo https://orcid.org/0000-0002-7741-854X ABSTRACT Literature that explores alternative kawaii (‘cute’; ‘adorable’) fashion associated with Harajuku, Japan, argues that it is an infantile practice in which practitioners seek to reject adult thoughts, feelings and responsibility through childish mannerisms and dress. These understandings ofkawaii fashion, however, are formed without input from practitioners themselves. Drawing upon a case-focused analysis of alternative kawaii fashion practitioners in Harajuku derived from semi-structured interviews, this article seeks to contribute to this discussion from a sociological perspective. The article focusses on decora and fairy kei, two alternative kawaii fashion styles in Harajuku that typically To link to this article: incorporate toys and clothing intended for children, and in doing so blur https://doi.org/10.21159/nvjs.12.05 the boundaries between acceptable attire for children and adults. The article ISSN 2205-3166 provides an overview of literature on the relationship between kawaii fashion and ‘the little girl’ (shōjo) and identifies new possibilities for expanding on New Voices in Japanese Studies is an interdisciplinary, peer-reviewed journal current understandings of kawaii. It also seeks to complicate views that equate showcasing the work of emerging alternative kawaii fashion practice with childishness by placing the voices of scholars with ties to Australia or New Zealand and research interests two practitioners in dialogue with scholarly research in this area to date. In in Japan. -
Blending Clothing and Digital Expression by Wearing Dynamic Fabric
“Can I wear this?” : blending clothing and digital expression by wearing dynamic fabric Citation for published version (APA): Mackey, A. M., Wakkary, R. L., Wensveen, S. A. G., & Tomico Plasencia, O. (2017). “Can I wear this?” : blending clothing and digital expression by wearing dynamic fabric. International Journal of Design, 11(3), 51-65. Document status and date: Published: 01/12/2017 Document Version: Publisher’s PDF, also known as Version of Record (includes final page, issue and volume numbers) Please check the document version of this publication: • A submitted manuscript is the version of the article upon submission and before peer-review. There can be important differences between the submitted version and the official published version of record. People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. -
USA- DIGITAL MARKETING STRATEGIES for FASHION Italian Trade Agency - New York
USA- DIGITAL MARKETING STRATEGIES FOR FASHION Italian Trade Agency - New York JUNE 2020 1 Contents An Overview 4 The 2022 Opportunity 11 Engagement Opportunities 15 Consumer Insights to Drive Approach 18 Digital Marketing and Communications 22 Channels Innovative Retail Trends to Watch 25 Options for Remote Work and Collaboration 32 Fashion Sources in NYC 37 Research Matrix 38 2 A Guide to Help Businesses Adapt their Digital Marketing Strategies and Prepare for What’s Next “Digital Marketing” is an umbrella term for all of your online marketing strategies, and it’s almost impossible to separate digital from the traditional marketing as a whole and the marketing landscape continues to evolve faster than we could have ever imagined” - SmartInsights, 2020. The coronavirus pandemic is shaping up It’s often the case in human affairs that to be the biggest global driver of change the greatest lessons emerge from the seen in most people’s lifetime and it is most devastating times of crises. already forging new consumer attitudes. Companies that were digitally and analytically mature outperformed competitors that hadn’t built robust McKinsey & Company, 2020 digital and analytics capabilities. Entire industries are having to adapt to a new reality that demands flexibility, resilience and, above all, creativity. 3 According to TotalRetail, by 2021 early adopter brands which redesign their An Overview websites to support visual and voice search will increase digital commerce revenue by 30 percent. Retailers that take action and invest in visual search, like the 15 percent of Data will change the respondents who said they will be way companies investing in the channel in the next 12 months, stand the best chance to capture merchandise a piece of a market that’s forecast to grow to nearly $26 billion in 2020. -
Anansi Boys Neil Gaiman
ANANSI BOYS NEIL GAIMAN ALSO BY NEIL GAIMAN MirrorMask: The Illustrated Film Script of the Motion Picture from The Jim Henson Company(with Dave McKean) The Alchemy of MirrorMask(by Dave McKean; commentary by Neil Gaiman) American Gods Stardust Smoke and Mirrors Neverwhere Good Omens(with Terry Pratchett) FOR YOUNG READERS (illustrated by Dave McKean) MirrorMask(with Dave McKean) The Day I Swapped My Dad for Two Goldfish The Wolves in the Walls Coraline CREDITS Jacket design by Richard Aquan Jacket collage from Getty Images COPYRIGHT Grateful acknowledgment is made for permission to reprint the following copyrighted material: “Some of These Days” used by permission, Jerry Vogel Music Company, Inc. Spider drawing on page 334 © by Neil Gaiman. All rights reserved. This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. ANANSI BOYS. Copyright© 2005 by Neil Gaiman. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of PerfectBound™. Library of Congress Cataloging-in-Publication Data Gaiman, Neil. -
Innovation and Sustainability in French Fashion Tech Outlook and Opportunities. Report By
Innovation and sustainability in French Fashion Tech outlook and opportunities Commissioned by the Netherlands Enterprise Agency and the Innovation Department of the Embassy of the Kingdom of the Netherlands in France December 2019 This study is commissioned by the Innovation Department of the Embassy of the Kingdom of the Netherlands in France and the Netherlands Enterprise Agency (RVO.nl). Written by Alice Gras and Claire Eliot Translated by Sophie Bramel pages 6-8 INTRODUCTION 7 01. Definition and key dates 8 02. Dutch fashion tech dynamics I 9-17 THE CONVERGENCE OF ECOLOGICAL AND ECONOMIC SUSTAINABILITY IN FASHION 11-13 01. Key players 14 02. Monitoring impact 14-16 03. Sustainable innovation and business models 17 04. The impact and long-term influence of SDGs II 18-30 THE FRENCH FASHION INNOVATION LANDSCAPE 22-23 01. Technological innovation at leading French fashion companies 25-26 02. Public institutions and federations 27-28 03. Funding programmes 29 04. Independent structures, associations and start-ups 30 05. Specialised trade events 30 06. Specialised media 30 07. Business networks 30 08 . Technological platforms III 31-44 FASHION AND SCIENTIFIC RESEARCH: CURRENT AND FUTURE OUTLOOK 34-35 01. Mapping of research projects 36-37 02. State of fashion research in France 38-39 03. Key fields of research in fashion technology and sustainability 40 04. Application domains of textile research projects 42-44 05. Fostering research in France IV 45-58 NEW TECHNOLOGIES TO INNOVATE IN THE FRENCH FASHION SECTOR 47 01. 3D printing 48 02. 3D and CAD Design 49-50 03. Immersive technologies 51 04. -
Florence Nelson Kennedy FASHION ILLUSTRATOR
^sp-""* ' Florence Nelson Kennedy FASHION ILLUSTRATOR Pat Kennedy Crump lorence Nelson Kennedy often called herself a "stubborn Swede." Determined would have been a better description. She started to draw at an early age and loved doing it; she ac knowledged that she was an artist and deter Fmined to pursue a career in fashion illustration. At first, she may not have known that this ambition had great potential in her time. In the early decades of the twentieth century, opportunities were plentiful for commercial artists of all types, as advertising and pub lishing depended heavily on illustration, rather than photography. One means of preparing for such a career, espe cially for students who lived far from metropolitan ar eas, was instruction by mail. Universities had proven that home study was an excellent method of training, but it was a new idea in the field of commercial art. The Federal School of Commercial Designing, estab lished in Minneapolis in 1914, was adapted from a thor ough course employed by the Bureau of Engraving, a Minneapolis printing and engraving firm. Early school advertisements drew immediate responses, and the firm's success grew. The school started thousands of artists on successful careers, and Florence Nelson Ken nedy was one of them.' 'Colgate Buckbee, "How An Idea Grew Into the World's Largest Home Study Art School," The Illustrator (Minneapo lis), Winter-Spring 1964, p. 4-5; Joseph G. Almars (son of Joseph Almars, one of the Federal Schools' founders), tele phone interview with the author, Feb. 11, 1992; Minneapolis Star, Jan. 2, 1964, p. -
PRESENTING 'MAKERS & DESIGNERS' 25+ New Creators of Alternative Fashion, Accessories and Lifestyle Products PLUS + CHECK
11-12TH FEBRUARY 2018 LONDONEDGE.COM BRAND SPOTLIGHTS & NEW LAUNCHES! The Seamstress of Bloomsbury Fearless Illustration Pamela Mann Sourpuss Retrospec’d Kira Don Jewellery STYLE SHOOTS The Heart of Darkness Route 66 The Edit by Kitty Cowell INFLUENCER INSIGHTS Kitty Cowell Stylist, PLUS + Blogger & Model CHECK MATE! Zoe Melissa Mae Model & MUA for Kat Von D Amazing Add-Ons! PRESENTING ‘MAKERS & DESIGNERS’ 25+ New Creators of Alternative Fashion, Accessories and Lifestyle Products WELCOME TO THE 6TH EDITION LOVE UR LOOK LONDON Stand VG19 LONDON EDGE MAGAZINE This season there’s a lot for our buyers to get excited about. Running over two days we’ve got a record number of new exhibitors including the new Maker & Designers group plus a bevvy of Australian brands that have never shown in Europe before. February is your chance to view and buy these We’re looking forward to welcoming you to the show beautiful collections that are new to the European in September. If you don’t have your badge yet, wholesale market. please register online at www.londonedge.com or contact Gemma at [email protected]. By ordering from these small, innovative companies to sit alongside your key staples, you’ll inject This seasons’ magazine gives you a preview of what originality and freshness into your store and your you can look forward to when you visit the show in customers will thank you! Of course all of these February and we very much look forward to seeing brands both new and old will be waiting to see you you then. between 11th & 12th February 2018 at the Business Design Centre, Islington, London. -
Towneplacesuites Lookbook.Pdf
Table of Contents • Front Desk / Housekeeping Female Fresh ......................................................3 • Front Desk / Housekeeping Female Versatile .................................................5 • Front Desk / Housekeeping Male Fresh ..........................................................7 • Front Desk / Housekeeping Male Versatile .....................................................9 • Breakfast Attendant .........................................................................................11 IMAGE APPAREL PROGRAM • Pool ...................................................................................................................13 • “Hello” Female and Male ...............................................................................15 • Outerwear / How to Order ..............................................................................17 Healthy Planet. AN IMAGE APPAREL PROGRAM TO HELP THE PLANET. Cintas, like TownePlace Suites, is dedicated to offering sustainable solutions. Our commitment to the environment is on display throughout the collection with many items made from recycled polyester to help reduce your carbon footprint. Look for the green throughout this document to identify eco-friendly products. SHOP.MYCINTAS.COM Front Desk Female Fresh Housekeeping Female Fresh A B A B C C D E D E F E A. Twinset Cardigan Sweater D. Modern Eco Stretch Slacks A. Short Sleeve Blouse D. Susan Fit® Work Pants 83355 (350) Black 82567 (350) Black, (620) Khaki 205 (251) Blue/White Check 390 (350) Black, (620) Khaki