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“Down the Rabbit Hole: an Exploration of Japanese Lolita Fashion”
“Down the Rabbit Hole: An Exploration of Japanese Lolita Fashion” Leia Atkinson A thesis presented to the Faculty of Graduate and Post-Doctoral Studies in the Program of Anthropology with the intention of obtaining a Master’s Degree School of Sociology and Anthropology Faculty of Social Sciences University of Ottawa © Leia Atkinson, Ottawa, Canada, 2015 Abstract An ethnographic work about Japanese women who wear Lolita fashion, based primarily upon anthropological field research that was conducted in Tokyo between May and August 2014. The main purpose of this study is to investigate how and why women wear Lolita fashion despite the contradictions surrounding it. An additional purpose is to provide a new perspective about Lolita fashion through using interview data. Fieldwork was conducted through participant observation, surveying, and multiple semi-structured interviews with eleven women over a three-month period. It was concluded that women wear Lolita fashion for a sense of freedom from the constraints that they encounter, such as expectations placed upon them as housewives, students or mothers. The thesis provides a historical chapter, a chapter about fantasy with ethnographic data, and a chapter about how Lolita fashion relates to other fashions as well as the Cool Japan campaign. ii Acknowledgements Throughout the carrying out of my thesis, I have received an immense amount of support, for which I am truly thankful, and without which this thesis would have been impossible. I would particularly like to thank my supervisor, Vincent Mirza, as well as my committee members Ari Gandsman and Julie LaPlante. I would also like to thank Arai Yusuke, Isaac Gagné and Alexis Truong for their support and advice during the completion of my thesis. -
Child's Play? Exploring the Significance of Kawaii for Decora and Fairy-Kei Fashion Practitioners in Harajuku Through a Case-F
Child’s Play? Exploring the Significance of Kawaii for Decora and Fairy-Kei Fashion Practitioners in Harajuku through a Case-Focused Analysis MEGAN CATHERINE ROSE UNSW Sydney and The University of Tokyo https://orcid.org/0000-0002-7741-854X ABSTRACT Literature that explores alternative kawaii (‘cute’; ‘adorable’) fashion associated with Harajuku, Japan, argues that it is an infantile practice in which practitioners seek to reject adult thoughts, feelings and responsibility through childish mannerisms and dress. These understandings ofkawaii fashion, however, are formed without input from practitioners themselves. Drawing upon a case-focused analysis of alternative kawaii fashion practitioners in Harajuku derived from semi-structured interviews, this article seeks to contribute to this discussion from a sociological perspective. The article focusses on decora and fairy kei, two alternative kawaii fashion styles in Harajuku that typically To link to this article: incorporate toys and clothing intended for children, and in doing so blur https://doi.org/10.21159/nvjs.12.05 the boundaries between acceptable attire for children and adults. The article ISSN 2205-3166 provides an overview of literature on the relationship between kawaii fashion and ‘the little girl’ (shōjo) and identifies new possibilities for expanding on New Voices in Japanese Studies is an interdisciplinary, peer-reviewed journal current understandings of kawaii. It also seeks to complicate views that equate showcasing the work of emerging alternative kawaii fashion practice with childishness by placing the voices of scholars with ties to Australia or New Zealand and research interests two practitioners in dialogue with scholarly research in this area to date. In in Japan. -
PRESENTING 'MAKERS & DESIGNERS' 25+ New Creators of Alternative Fashion, Accessories and Lifestyle Products PLUS + CHECK
11-12TH FEBRUARY 2018 LONDONEDGE.COM BRAND SPOTLIGHTS & NEW LAUNCHES! The Seamstress of Bloomsbury Fearless Illustration Pamela Mann Sourpuss Retrospec’d Kira Don Jewellery STYLE SHOOTS The Heart of Darkness Route 66 The Edit by Kitty Cowell INFLUENCER INSIGHTS Kitty Cowell Stylist, PLUS + Blogger & Model CHECK MATE! Zoe Melissa Mae Model & MUA for Kat Von D Amazing Add-Ons! PRESENTING ‘MAKERS & DESIGNERS’ 25+ New Creators of Alternative Fashion, Accessories and Lifestyle Products WELCOME TO THE 6TH EDITION LOVE UR LOOK LONDON Stand VG19 LONDON EDGE MAGAZINE This season there’s a lot for our buyers to get excited about. Running over two days we’ve got a record number of new exhibitors including the new Maker & Designers group plus a bevvy of Australian brands that have never shown in Europe before. February is your chance to view and buy these We’re looking forward to welcoming you to the show beautiful collections that are new to the European in September. If you don’t have your badge yet, wholesale market. please register online at www.londonedge.com or contact Gemma at [email protected]. By ordering from these small, innovative companies to sit alongside your key staples, you’ll inject This seasons’ magazine gives you a preview of what originality and freshness into your store and your you can look forward to when you visit the show in customers will thank you! Of course all of these February and we very much look forward to seeing brands both new and old will be waiting to see you you then. between 11th & 12th February 2018 at the Business Design Centre, Islington, London. -
The Fashion Industry As a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention
THE FASHION INDUSTRY AS A SLIPPERY DISCURSIVE SITE: TRACING THE LINES OF FLIGHT BETWEEN PROBLEM AND INTERVENTION Nadia K. Dawisha A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication in the College of Arts and Sciences. Chapel Hill 2016 Approved by: Patricia Parker Sarah Dempsey Steve May Michael Palm Neringa Klumbyte © 2016 Nadia K. Dawisha ALL RIGHTS RESERVED ii ABSTRACT Nadia K. Dawisha: The Fashion Industry as a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention (Under the direction of Dr. Patricia Parker) At the intersection of the glamorous façade of designer runway shows, such as those in Paris, Milan and New York, and the cheap prices at the local Walmart and Target, is the complicated, somewhat insidious “business” of the fashion industry. It is complicated because it both exploits and empowers, sometimes through the very same practices; it is insidious because its most exploitative practices are often hidden, reproduced, and sustained through a consumer culture in which we are all in some ways complicit. Since fashion’s inception, people and institutions have employed a myriad of discursive strategies to ignore and even justify their complicity in exploitative labor, environmental degradation, and neo-colonial practices. This dissertation identifies and analyzes five predicaments of fashion while locating the multiple interventions that engage various discursive spaces in the fashion industry. Ultimately, the analysis of discursive strategies by creatives, workers, organizers, and bloggers reveals the existence of agile interventions that are as nuanced as the problem, and that can engage with disciplinary power in all these complicated places. -
Sustainable Fashion: from Trend to Paradigm?
Sustainable Fashion: from Trend to Paradigm? CAROLINA OBREGÓN Master of Arts in Design at The Department of Fashion and Clothing Design Aalto University School of Arts, Design & Architecture Helsinki, Finland September 2012 ACKNOWLEDGMENTS This thesis is the result of a long process of learning and writing for which I am grateful to several people: first, my sister Liliana, my greatest supporter and most adamant advisor and motivator who always encouraged me to continue and to overcome the many hurdles along the road. I am also thankful to Grace Schutte, who contributed her expertise as graphic designer in helping me do the layout of the thesis. She was also a great friend who gave me her positive attitude and good energy through this process. Anderson Allen contributed with his revisions of my English writing and his academic expertise was helpful in making sense of my non-sense. I also appreciate Juan Hinestroza’s generous remarks, encouragement and interest in my work which gave me the extra push to the finish line, an invaluable contribution that he may not be aware of. And last -but not least- this thesis would not have reached its final form without the expert comments and helpful suggestions of Cindy Kohtala. To all of the above, I am most grateful, but I also wish to acknowledge the friends and family who indirectly have supported this thesis by believing in me and being there to support me through the good times and the bad. Graphic Designer: Grace Schutte ABSTRACT Sustainable Fashion Design: from Trend to Paradigm? The fashion industry is one of today’s most unsustainable global businesses. -
An Anthropological Perspective Into the World of Fashion Ava Carnevale Union College - Schenectady, NY
Union College Union | Digital Works Honors Theses Student Work 6-2014 Why Am I Buying Another Black Dress?: An Anthropological Perspective into the World of Fashion Ava Carnevale Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Fashion Design Commons, and the Social and Cultural Anthropology Commons Recommended Citation Carnevale, Ava, "Why Am I Buying Another Black Dress?: An Anthropological Perspective into the World of Fashion" (2014). Honors Theses. 492. https://digitalworks.union.edu/theses/492 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. ! Why Am I Buying Another Black Dress?: An Anthropological Look into the World of Fashion By Ava L. Carnevale ************ Submitted in partial fulfillment of the requirements for Honors in the Department of Anthropology UNION COLLEGE June 2014 ! !ii! Abstract Carnevale, Ava. Why Am I Buying Another Black Dress?: An Anthropological Look into the World of Fashion. Department of Anthropology, June, 2014. This thesis explores how the world of fashion permeates all facets of human life, including social success, individual identity and self-acceptance. The fashion decisions we make each day are, indeed, personal decisions that we use to express ourselves and convey our story to society, however the cultures, people, and society that surround us are what intrinsically make these choices for us. Through extensive research in New York City and at Union College, evidence proves that persons are influenced by their surroundings, including media and friend groups, which ultimately establish his or her wardrobes and his or her level of social freedom or social pressure. -
Air Jordan 1 Retro High Dark Mocha Jordan Brand Pokračovala Vo Svojej Dizaj- Novej Téme Black Toe V Roku 2020
1 ÚVOD Milí naši zákazníci, pripravili sme pre Vás katalóg limitovaných tenisiek a doplnkového oblečenia. Naše produkty už zrejme poznáte z nášho novootvoreného e-shopu. Každý kúsok je jedinečný tak, ako jeho majiteľ, s ktorým budú vytvárať dokonalú spojitosť. Tieto jedinečné modely sú unikátnou príležitosťou pre milovníkov tenisiek a ich zberateľov. Z nášho sortimentu máme pre Vás pripravené aj oblečenie rôznych značiek. Naším veľkým BONUSOM je ošetrenie a dokonalé vyčistenie vašich tenisiek zakúpených u nás. Chceme tak prispieť k Vášmu celkovému pohodliu, komfortu a opätovnému nákupu. Celý kolektív sneak•zon3 Vám praje príjemné prezeranie našej ponuky a pohodlné nakupovanie produktov najvyššej kvality. Váš sneak•zon3 2 PRODUKTY/SLUŽBY 1. TENISKY 1.1 NIKE...........................................................4 1.2 AIR JORDAN...............................................6 1.3 ADIDAS.....................................................10 1.4 INÉ............................................................12 2. DOPLNKOVÉ OBLEČENIE 2.1 MIKINY.....................................................14 2.2 TRIČKÁ.....................................................16 3. SLUŽBY........................................................ .....17 3 NIKE Nike Air Force 1 Low Travis Scott Sail Nike a Travis Scott spojil so Swooshom na inej farebnej línii siluety AF1 Low. Najpútavejším prvkom tohto páru je pochrómovaný Swoosh Nike na bočnej aj strednej strane a nášivka Cactus Jack na šnúrkach. 1 080 € Nike Air Force 1 Low Stussy Fossil Stüssy a Nike sa vracajú s treťou kolekciou všestranných doplnkov. Stüssy’s prevzala iko- nickú siluetu Nike AF1, tentokrát prepra- covanú z odolného konope. 324 € Nike x Travis Scott SB Dunk low-top sneakers Travis Scott sa spojil s Nike SB a vydal svoju prvú oficiálnu skate obuv. Dizajn sleduje podobnú estetiku, ako je vidieť na AF1 Low Travis Scott Cactus Jack. 1 300 € Nike Air Force 1 Low Off-White Nike používa svoje vlastné a vydáva AF1 Low Off-White Black White. -
Estta1128986 04/22/2021 in the United States
Trademark Trial and Appeal Board Electronic Filing System. https://estta.uspto.gov ESTTA Tracking number: ESTTA1128986 Filing date: 04/22/2021 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91231624 Party Plaintiff Rolex Watch U.S.A., Inc. Correspondence BETH M. FRENCHMAN Address GIBNEY ANTHONY & FLAHERTY LLP 665 FIFTH AVENUE NEW YORK, NY 10022 UNITED STATES Primary Email: [email protected] Secondary Email(s): [email protected], [email protected], as- [email protected], [email protected], [email protected], bw- [email protected], [email protected] 212-906-3334 Submission Plaintiff's Notice of Reliance Filer's Name Adam Sgro Filer's email [email protected], [email protected] Signature /Adam Sgro/ Date 04/22/2021 Attachments 01852500.PDF(266649 bytes ) 01852514.PDF(3221248 bytes ) 01852517.PDF(4190443 bytes ) 01852518.PDF(3980436 bytes ) 01852511.PDF(950670 bytes ) 01843613.PDF(117827 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD ROLEX WATCH U.S.A., INC., Opposition No.: 91231624 Serial No.: 79172020 Opposer vs. PWT A/S Applicant. OPPOSER’S EIGHTH NOTICE OF RELIANCE Internet Evidence Pursuant to 37 C.F.R. § 2.122, and Rule 704 of the TBMP, Opposer, Rolex Watch U.S.A., Inc. (“Rolex”) submits this Eighth Notice of Reliance. Specifically, Rolex seeks to rely upon the following internet evidence attached as Exhibit A, which was available to the public and recorded by Rolex on April 6, 2021 at the various URLs identified on each document. Rolex is submitting this evidence in rebuttal to Applicant’s Trial Testimony Declaration of Ole Koch Hansen wherein he describes Applicant’s brand as a “street tailoring” style of fashion; yet this evidence shows the appeal of streetwear and street tailoring fashion on consumers of luxury fashion brands. -
The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community
Georgia State University ScholarWorks @ Georgia State University Anthropology Theses Department of Anthropology 12-17-2014 The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community Chancy J. Gatlin [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/anthro_theses Recommended Citation Gatlin, Chancy J., "The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/anthro_theses/87 This Thesis is brought to you for free and open access by the Department of Anthropology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Anthropology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE FASHION OF FRILL: THE ART OF IMPRESSION MANAGEMENT IN THE ATLANTA LOLITA AND JAPANESE STREET FASHION COMMUNITY by CHANCY J. GATLIN Under the Direction of Emanuela Guano, PhD ABSTRACT The Atlanta Lolita and Japanese Street Fashion Community is a multifaceted fashion community that developed in the early 2000s. The majority of the members wear Lolita fashion which is a fusion of Victorian era dress, Rococo costume, and various Japanese street fashions. Lolita fashion developed on the streets of Tokyo Japan in the 1990s and has since spread across the world. The Atlanta Lolita and Japanese Street Fashion Community heavily relies on the building and maintenance of impressions by its members. In this thesis, I analyze face-to-face and virtual community organization, fashion, and photography to illustrate how members of the community build their impressions, how they are maintained, or how they are threatened. -
Ruled by Venus
Senior Project: Ruled By Venus By: Audrey Cathalifaud Orfalea College of Business Marketing Management Spring Quarter June 2021 Advisor: Catherine Hillman 1 Brand Development Brand name The chosen brand name is Ruled by Venus. This is an astrological term and in astrology Venus governs love, beauty, personal taste, and aesthetics. Associations in consumers' minds of Venus outside of astrological knowledge would be love, sensuality, or femininity. These associations are aligned with the desired brand image. Mission Statement Our mission at Ruled By Venus is making people of all shapes and sizes feel confident and good about themselves with innovation, originality and creativity. Brand Promise Ruled By Venus delivers ethically sourced, inclusive clothing that showcases your unique style. There are several ways in which Ruled By Venus will prove its brand promise. First, we will use diverse models, meaning we will have representation of different ethnicities, body types, and gender identity. We will also be very transparent about business practices and show proof of ethical labor and production practices. A goal for this proof would be to achieve a “Great” rating on Good on You (https://directory.goodonyou.eco/brand/loomstate) or some other official badge of sustainable fashion. Goals Because the brand is new, building brand awareness and establishing a brand reputation will be the biggest goals. Both of these goals will primarily be accomplished through social media marketing because competing fashion brands largely rely on social media and the target audience is a younger demographic. The desired brand reputation is ethical, people centered, and a good alternative to fast fashion market leaders, such as Dolls Kill. -
ROBYN HEALY B.A School of Architecture and Design College of Design and Social Context RMIT University October 2009
STRIPTEASE: An investigation of curatorial practices for fashion in the museum A project submitted in fulfilment of the requirements for the degree of Doctor of Philosophy ROBYN HEALY B.A School of Architecture and Design College of Design and Social Context RMIT University October 2009 CChapter1-Final-B.inddhapter1-Final-B.indd 1 117/3/107/3/10 111:28:551:28:55 PPMM DECLARATION I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or part, to qualify for any other academic award; the content of the exegesis is the result of work which has been carried out since the official commencement date of the approved research program; and, any editorial work, paid or unpaid, carried out by a third party is acknowledged. Robyn Healy August 2009 CChapter1-Final-B.inddhapter1-Final-B.indd 2 117/3/107/3/10 111:28:551:28:55 PPMM Strip 2 STRIPTEASE: An investigation of curatorial practices for fashion in the museum CChapter1-Final-B.inddhapter1-Final-B.indd 3 117/3/107/3/10 111:28:551:28:55 PPMM 4 CChapter1-Final-B.inddhapter1-Final-B.indd 4 117/3/107/3/10 111:28:551:28:55 PPMM What still dignity dwells in a suit of Cast Clothes! How meekly it bears its honours! No haughty looks, no scornful gesture: silent and serene, it fronts the world; neither demanding worship, nor afraid to miss it. Thomas Carlyle Sartor Resartus 1838 (1965, p. -
(JD 7204) [email protected] Ashly E
Jason M. Drangel (JD 7204) [email protected] Ashly E. Sands (AS 7715) [email protected] Brieanne Scully (BS 3711) [email protected] Danielle S. Yamali (DY 4228) [email protected] EPSTEIN DRANGEL LLP 60 East 42nd Street, Suite 2520 New York, NY 10165 Telephone: (212) 292-5390 Facsimile: (212) 292-5391 Attorneys for Plaintiffs Palace Skateboards Group and GSLT Holdings Limited UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK PALACE SKATEBOARDS GROUP and GSLT HOLDINGS LIMITED, CIVIL ACTION No. 2___1-cv-3951 Plaintiffs v. COMPLAINT AIMEEY, ALZTECH, CONG~690, DENNIS AHO, DGVH~56, ERIC GANDY, FGFH~456, FUBA246, GITROSTORE, GULF_COAST_BOUND, Jury Trial Requested HUANGGUANGHAI3221, HUANGRUIXIAN65812, HUANGZHILONGER, JIAYIMNEI, KENGKENG, FILED UNDER SEAL LINDSAYYYA, LOOM, MUK63211, NEW YEAH, NIKITAMODA, OBD HOME LIVING MUSEUM, SHENPOHUANG21, STAR'S OCEAN CLOTHING MALL, VANGCHENGYUN, WORLD WE, XEE82293, XIEZHIWEI, XIONGHOU DAMIYA BETTER and ZHUSHIHAO62923, Defendants GLOSSARY Term Definition Palace Palace Skateboards Group GSLT GSLT Holdings Limited Plaintiffs Palace and GSLT Defendants Aimeey, Alztech, cong~690, Dennis Aho, dgvh~56, Eric Gandy, fgfh~456, fuba246, GitroStore, gulf_coast_bound, huangguanghai3221, huangruixian65812, Huangzhilonger, Jiayimnei, kengkeng, Lindsayyya, Loom, muk63211, New yeah, nikitamoda, OBD Home living museum, shenpohuang21, Star's ocean clothing mall, Vangchengyun, World we, xee82293, XIEZHIWEI, Xionghou Damiya Better and zhushihao62923 Wish Wish.com, a San Francisco, California-based,