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Uzbek National Musical Instrument Performance

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Uzbek National Musical Instrument Performance NOVATEUR PUBLICATIONS JournalNX- A Multidisciplinary Peer Reviewed Journal ISSN No: 2581 - 4230 VOLUME 7, ISSUE 1, Jan. -2021 UZBEK NATIONAL MUSICAL INSTRUMENT PERFORMANCE NOSIROV DILMURODJON TURSINOVICH Faculty of Arts, Department of Music Education, Senior Lecturer, Kokand State Pedagogical Institute ABSTRACT: of the art of music, one of the artistic means with This article provides information a strong spiritual and educational potential, about the Uzbek national performance, gives good results, including the fact that national musical instruments. The study of classical music has a unique and very important the Uzbek national musical heritage, the place among these means. Every piece of music, types of national musical instruments. firstly, serves the task of giving a person KEYWORDS: National, traditional, national spiritual relief, on the other hand, it shapes a music, national musical instruments, dutar, •≤≥ï≥ °•≥¥®•¥©£ °©¥§• ¥®• ¥≥©§• ≤¨§â tanbur, rubob, gijjak, chang, soloist, and the educational effect on the third also performance, etc. serves a function. Music has a powerful power that INTRODUCTION: envelops the human heart with its melodies. It is In the process of radical reforms in the no coincidence that music is the heart of the economic, political and social spheres of our people, the nation. In particular, Uzbek classical country, special attention is paid to the factors music has been purifying people's hearts and of national culture and art, spirituality and raising their spirits for thousands of years. It not enlightenment and development in our society. only leads people to the world of sophistication, It is important to fully restore as much as but also to aesthetic pleasures, and to the possible the invaluable national values and acquisition of high spiritual and moral qualities. traditions inherited from our ancestors, to study Encourages humanity and patriotism. National in detail our historical and cultural monuments, music is a unique expression of the past life of including our musical heritage. In his speeches our people in words and melodies. There has on personnel issues, the head of state said that been a lot of talk lately about the national Uzbek the most important task of every teacher ideology and national idea. The national (regardless of profession) is to serve our youth ideology, the national idea based on it, is a in all respects, to be patriotic, selfless, in powerful force that unites the people and the everything. One of the main goals is to form an nation into a program of action that unites its enterprising and harmoniously developed identity and mentality and directs the generation, to bring up a perfect person who aspirations of the whole people to a single goal. will be able to fully pass on their knowledge to So the original music never loses its expression the next generation. The effective and efficient To study the Uzbek musical heritage and pass it use of all forms, methods and means of on to the next generation Delivery has long been educational influence is necessary in the a criterion for performing teacher-to-student spiritual development of a person. The modern traditions. Based on the Master-Apprentice process and the education system will tradition the establishment of traditional music inevitably be in line with this. Everything that is in the education system is one of the most being done is aimed at reforming the education important aspects of modern education is an system. Especially in this work, the skillful use important step. This is part of a continuing 315 | P a g e NOVATEUR PUBLICATIONS JournalNX- A Multidisciplinary Peer Reviewed Journal ISSN No: 2581 - 4230 VOLUME 7, ISSUE 1, Jan. -2021 education system formation, as well as sorting it performance", Sh.Shorakhmetov's "Rubob according to the requirements of each stage is songs", S.Azizbaev's "Gijjak melodies", primarily knowledgeable it is the basis of R.Samadov's "Circle drums", "Ensemble class" specialist training, as well as important in the by S. Begmatov and N. Kadyrov, "Traditional folk upbringing of a harmoniously developed instruments" by S. Begmatov and M. generation is important. Usually, performance Matyakubov, "F. Sodikov" by M. Ziyayeva Life issues are long-term and appropriate requires °Æ§ #≤•°¥©©¥ä ó 4®• °≤ ¶ ¥≤°§©¥©Æ°¨ attitude. Of course, his technical mastery of instrumental music plays an important role in instrumental performance The goal is to master the rich musical culture of the Uzbek people. the levels at the primary and secondary levels of The great scholar al-Farabi wrote in his treatise education suitable. It is no exaggeration to say Æ ≥©£ã ò4®• ©Æ≥¥≤•≥ ¥®°¥ °• ° ≥Ƨ that in the process of mastering the profession, close to the human voice are the rubab, the nay the performer develops the ability to and the trumpet, which are very similar to the understand and interpret the work, both in sound. The instruments accompany the song, content and in spirit. At the same time, it is creating the initial music of the song and the important to learn the traditions and qualities of °≤¥ ¶ ¥®• ©Æ≥¥≤• ©Æ •••ä ó 4®• the teacher-student The process of shaping is function of the words of the instrument as very important for musicians. The most described by Al-Farabi is preserved to this day. important step is to understand the traditions of There is some information about when this teaching. Study in the system of higher musical instrument came to our region and education to form students at the level of became popular. For example, according to specialists it is more accurate to say that it is a Darvish Ali Changi's "Musiqiy Risola", the rubab full lesson period. Because students are (i.e. rubab) also existed during the reign of universities have mastered the necessary Sultan Muhammad Khorezmshah. At that time, technical criteria of musical performance. And the rubab had five strings, but four of them were in higher education, to understand the essence made of silk and the fifth was made of silver of the works and to understand they learn wire. 'lgan. In 1936, an ensemble of Uzbek folk lessons on perfect interpretation. The heritage instruments was formed in Tashkent. The of Uzbek classical music includes many ensemble is led by Tokhtasin Jalilov. In the monumental works embodied their worthy and ensemble nay, gijjak, chang, dutor, tanbur, doira, beautiful interpretations are performed by and rubab were added later. Because at that classical and modern master musicians. time the word rubab did not fit the ensemble. Admittedly, one of the most important aspects His number of curtains was small. of teacher-student teaching is the "individual" Muhammadjon Mirzayev, who joined the interpretation of the performance. However, in ensemble in 1936, later played the rubab the performance of the dutar, this criterion is contributed to the increase in the number of different. Probably, this is the reason why each rubab curtains (sound intervals), the musician plays the dutar with a unique style. replacement of rubab strings with gut and steel The maqom melodies are adapted to our wire strings, and the adaptation of curtain national instruments (tanbur, dutar, ud, rubob, sounds to the ensemble. M.Mirzayev made the gijjak, nay, chang, kanun), ie to the level of word Kashgar rubobi popular among our performance of each instrument. R.Kasimov's people. The master artist attracted the attention "Rubob melodies", "Traditional rubob of the audience with his attractive performance. performance", "Traditional tanbur In various oases, this instrument has become a 316 | P a g e NOVATEUR PUBLICATIONS JournalNX- A Multidisciplinary Peer Reviewed Journal ISSN No: 2581 - 4230 VOLUME 7, ISSUE 1, Jan. -2021 convenient and favorite word for amateur or specific resonant sounds and certain performers and professionals. According to rhythmic structures; used to perform music as a sources, the history of national musical soloist or ensemble (various ensembles, instruments dates back to ancient times. That is, orchestras, etc.). Each musical instrument has as early as the XIII millennium BC, first its own timbre, range of sound and expression. percussion instruments, and then noisy words Musical instruments. The quality of the sound began to appear. The reason why percussion often depends on the shape, general structure, words were first discovered is explained by device, and material used of a particular great scholars as the fact that the earliest labor instrument. Musical instruments. From ancient songs originated in direct connection with the times it is made of reeds, bamboo, wood, stone, rhythmic structure of work. Later, craftsmen bone, metal, leather, silk, coconut, pumpkin and made instruments such as trumpets, flutes, others. The pronunciation can be changed by whistles, rattles, and chiltors (harps) from reed additional means (eg, surdinayaan use), or bamboo stalks. After some time, stringed performance styles (eg, scratching strings, instruments and stringed bows were created. flajolet, etc.), and some musical ornaments. Its In the process of centuries of cultural emergence dates back to the earliest periods of development, traditional words such as dutar, human history; Its development is connected tanbur, rubob, gijjak, chang have been created, with the development of the art of music and which have a unique structure and sound. In the performance, as well as with the development of process of evolutionary development of society, techniques for the production of musical folk instruments have become an integral part instruments. Gijjak According to medieval of human activity, absorbed into the life and musical treatises, Gijjak (under the name work of the peoples of Central Asia and the Gipchak) was created by Farobi, Ibn Sina forged Middle East. Instruments have been widely used the first two strings into a quartet, and by peoples in their national ceremonies and Kulmuhammad Udi added a third string to family celebrations. Undoubtedly, the art of Gijjak. Prior to that, the number of strings instrumental performance was also known woven from silk or wire echoes in a 2-wire during this period The people began to develop string was 8-11.
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