Writing for Visual Thinkers Ptg
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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
A Chilling Look Back at Jeph Loeb and Tim Sale's
Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch . -
Methods for a Critical Graphic Design Practice
Title Design as criticism: methods for a critical graphic design p r a c tic e Type The sis URL https://ualresearchonline.arts.ac.uk/id/eprint/12027/ Dat e 2 0 1 7 Citation Laranjo, Francisco Miguel (2017) Design as criticism: methods for a critical graphic design practice. PhD thesis, University of the Arts London. Cr e a to rs Laranjo, Francisco Miguel Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) University of the Arts London – London College of Communication February 2017 First submission: October 2015 2 Abstract This practice-led research is the result of an interest in graphic design as a specific critical activity. Existing in the context of the 2008 financial and subsequent political crisis, both this thesis and my work are situated in an expanded field of graphic design. This research examines the emergence of the terms critical design and critical practice, and aims to develop methods that use criticism during the design process from a practitioner’s perspective. Central aims of this research are to address a gap in design discourse in relation to this terminology and impact designers operating under the banner of such terms, as well as challenging practitioners to develop a more critical design practice. The central argument of this thesis is that in order to develop a critical practice, a designer must approach design as criticism. -
Simonson's Thor Bronze Age Thor New Gods • Eternals
201 1 December .53 No 5 SIMONSON’S THOR $ 8 . 9 BRONZE AGE THOR NEW GODS • ETERNALS “PRO2PRO” interview with DeFALCO & FRENZ HERCULES • MOONDRAGON exclusive MOORCOCK interview! 1 1 1 82658 27762 8 Volume 1, Number 53 December 2011 Celebrating The Retro Comics Experience! the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks . COVER ARTIST c n I , s Walter Simonson r e t c a r a COVER COLORIST h C l Glenn Whitmore e v r a BACK SEAT DRIVER: Editorial by Michael Eury . .2 M COVER DESIGNERS 1 1 0 2 Michael Kronenberg and John Morrow FLASHBACK: The Old Order Changeth! Thor in the Early Bronze Age . .3 © . Stan Lee, Roy Thomas, and Gerry Conway remember their time in Asgard s n o i PROOFREADER t c u OFF MY CHEST: Three Ways to End the New Gods Saga . .11 A Rob Smentek s c The Eternals, Captain Victory, and Hunger Dogs—how Jack Kirby’s gods continued with i m SPECIAL THANKS o C and without the King e g Jack Abramowitz Brian K. Morris a t i r FLASHBACK: Moondragon: Goddess in Her Own Mind . .19 e Matt Adler Luigi Novi H f Getting inside the head of this Avenger/Defender o Roger Ash Alan J. Porter y s e t Bob Budiansky Jason Shayer r FLASHBACK: The Tapestry of Walter Simonson’s Thor . .25 u o C Sal Buscema Walter Simonson Nearly 30 years later, we’re still talking about Simonson’s Thor —and the visionary and . -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Inside Emigre 1984 - 2005
Deeply involved Inside Emigre 1984 - 2005 They came to the profession of graphic design not simply to assimilate but to question and also to transform it. I believe Content in me Million ideas participants Exploration 12 16 20 Rules to Enthusiasm question Good 8 luck 26 22 30 Editorial Impressum 7 34 6 7 Editorial When I started my research for Emigre Magazin I wasn’t sure what to expect. Needless to say, I was impressed by Rudy VanderLans unconventional layouts and the enormous amount of different fonts created by Zuzana Licko. But apart from this I found more. While I went through the issues of Emigre in our library I stumbled over some ama- zing articles from different authors concerning various subjects of life per se as well as discussi- ons about graphic design. Finally, I came to issue #69, a summary of the whole Emigre story. I found myself confronted with testifies from Rudy VanderLans concerning the attitude, a graphic designer should have, and what it needs to be a designer, such as enthusi- asm and entrepreneurialism but also a little bit of luck. It became clear why Emigre was successfull almost two decades. As a student I thought these statements are really worth sharing and therefo- re I centered my attention in this folder on Rudy VanderLans quotations. 8 Ex plo ra tion Be tired of the monotony of traditional typography E Elments of the Emigre cover issue # 14, 1985 11 10Exploration „ The first issue was put Early explorers of new technology together in 1984 in an We wanted to explore a more 11.5″ by 17″ format by VanderLans and two other Dutch immigrants, expressive, individualized Marc and Menno. -
Books & Printing in the Netherlands 1998
Mathieu Lommen Books &Printingin theNetherlands 1998 january On 16 January graphic designer Ben Bos was appointed honorary member of the bno [Beroepsorganisatie Nederlandse Ontwerpers – the Professional Association of Dutch Designers]. On this occasion a full-colour yer appeared. Bos was also the ini- tiator and rst chairman of the nago [Nederlands Archief Gra sch Ontwerpers – Dutch Graphic Designers Archive]. Treasures from the Bibliotheca Philosophica Hermetica in Amsterdam were on view from 16 January to 21 February in the Bibliotheca Wittockiana in Brussels. [Undated press release] From 20 January to 30 March the Museum van het Boek/Museum Meermanno- Westreenianum in The Hague paid attention to the bibliophile publishing house Philip Elchers, which had been in existence for twelve and a half years. [Undated press release] On 28 January the graphic designer and publicist Fons van der Linden (b. 1923) passed away in his place of residence ’s-Hertogenbosch. An obituary by A.S.A. Struik appeared in De Boekenwereld , 144 (1998), and one by Karel F. Treebus in Quærendo, 29/4 (1999). From 29 January to 12 April there were two exhibitions on view in the Museum van het Boek/Museum Meermanno-Westreenianum in The Hague: ‘W.J. Rozendaal (1899-1971): gra sch werk’ and ‘Susanne Gruber-Heynemann: text design & typo- gra e’. Rozendaal, artist and book designer, taught drawing and painting at the Royal Academy of Visual Arts in The Hague during the years 1937-60. On the occasion of this exhibition the monograph W.J. Rozendaal ( 1899-1971) (208 pp.) appeared, pub- lished by De Walburg Pers. Later in the year the museum of Glasfabriek Leerdam was to pay attention to Rozendaal as a designer of services, vases and commemo- rative plates. -
Emigre Specimen
min EMIGRE F O N T S EMIGRETypE SPECIMENS Emigre music{[ sampler no.no. 11 Mr Eaves XL Sans Mr Eaves Sans Rr) EST. 1984 Hotel 2 Alpha INDIA 3 Juliet FREE CATALOG BRAVO WITH EACH TYPE Charlie kiloLIMA PURCHASE delta mike november Echofoxtrot PRINTED TYPE golf OSCAR SPECIMENS MR California State Assembly Available eaves Aldaalda RegulaR 95 pt MADE BY EMIGRE Mr Eavesa XL new Modern text typeface Minimum alda RegulaR 23 pt * DESIGNED BY Papa alda light 14 pt Instrumentalists VictorBErTon Quebecwhiskey alda bold 35 pt ROMEO ONTERRELEASED AND HASEBE DISTRIBUTED BY alda bold 54 pt Sierra XrayConceived and developed EMIGRE Yankee alda RegulaR italic 14 pt Tango at the renowned Sunsetalda light 16 pt Sound) Recorders TYPE & MEDIA Rr alda bold 24 pt ZU Environmentally Recycledwww.emigre.com Paper Products UNI- master course alda light italic 26 pt www.emigre.com at the RoyalImpressed academy of aRt Mr Eavesform Modern lu alda RegulaR small caps 16 pt THE HaGuE, THE nETHErlandS alda boldTriumphantly small caps 10 pt RELEASED AND DISTRIBUTED BY EMIGRE ) narm Rr WEIGHTS www.emigre.com The logical outcomeA aofd perseverancel in art Unified Alda Emigre.Eye.Alda.indd 7 6/5/11 9:13 AM 4 5 Rr V E N D E T T A A Type Specimen E .5 4 A New Series of Venetian Old Style Printing Types Designed by John Downer THE LAST WAVE here first used in an adaptation of: EMIGRETypO u r A rE a bSPECIMENS y Palm Springs and the Garden of the Sun by J. Smeaton Chase {[first published in 1920 THE EMIGRE 48ENDUNTITLED Layout and Photography by Rudy VanderLans 8II emigre fonts -
Automation and the Map Label Placement Problem
Number 60, Spring 2008 cartographicCartographic perspectives Perspectives 1 Journal of the North American Cartographic Information Society Number 60, Spring 2008 From the Editor In this Issue As I look out over the synclinal OPINION valley unfolding below Big Sav- Manifestos 5 age Mountain I can already see Mark Denil spots of crimson, amber, and brown dotting the forested land- Just to Make Clear “Where the Roots Come From”: A Response to 14 scape. Autumn comes early to the Mark Denil’s “Manifestos” mountains in Western Maryland Steven R. Holloway and winter is not too far behind. There is a saying by those who FEATURED ARTICLES live in Garrett County Maryland, Automation and the Map Label Placement Problem: A Comparsion 22 which is located immediately west of Two GIS Implementations of Label Placement of Frostburg State University and Jill Phelps Kern and Cynthia A. Brewer is on the Appalachian Plateau, that “there are only two seasons here: Addressing Map Interface Usability: Learning from the Lakeshore 46 July and winter.” Of course, as Nature Preserve Interactive Map autumn approaches, this change in Robert E. Roth and Mark Harrower seasons has different meanings to people. For the NACIS community, REVIEWS this means the next annual NACIS Bomb after Bomb: A Violent Cartography 67 conference isn’t too far distant. I Reviewed by Daniel G. Cole hope you are making plans to at- tend this year’s conference held in Bomb After Bomb: A Violent Cartography 68 Missoula, Montana. Reviewed by Mark Denil In this issue of CP you will find a mix of cartographic writ- London: A Life in Maps 71 ings which I hope you will find Reviewed by Julia Siemer interesting. -
Buletinul Noutăţilor
BULETINUL NOUTĂŢILOR Lista cărţilor achiziţionate LUNA DECEMBRIE 2010 2 CUPRINS Pag. 0 - GENERALITĂŢI........................................................................................................... 5 008 - Civilizaţie. Cultură................................................................................................ 5 02 - Biblioteconomie. Biblioteci .................................................................................... 5 030 - Lucrări de referinţă ............................................................................................... 7 06 - Organizaţii. Asociaţii. Congrese. Expoziţii............................................................. 7 1 - FILOSOFIE.................................................................................................................... 9 11/12 - Metafizică .......................................................................................................... 9 13 - Filosofia spiritului. Filosofia culturii. Ocultism...................................................... 9 159.9 - Psihologie......................................................................................................... 10 17 - Morală. Etică......................................................................................................... 11 2 - RELIGIE...................................................................................................................... 12 23/28 - Religie creştină ............................................................................................... -
Archives of Written and Graphic Testimony in the Brief Wondrous Life of Oscar Wao Lauren Jean Gantz
ariel: a review of international english literature Vol. 46 No. 4 Pages 123–153 Copyright © 2015 The Johns Hopkins University Press and the University of Calgary “Nothing ever ends”: Archives of Written and Graphic Testimony in The Brief Wondrous Life of Oscar Wao Lauren Jean Gantz Abstract: This article reads The Brief Wondrous Life of Oscar Wao (2007) as a critique of metatestimonial fiction and of the tendency to overstate literature’s power to heal cultural trau- mas. Metatestimonio bears figurative witness to historical atroci- ties and interrogates who is or is not allowed to speak of such events. Although Junot Díaz’s narrator Yunior gathers testimony from multiple survivors of the Trujillo regime, he mediates their experiences through his own authorial voice. The novel suggests that in refusing to allow testimony to speak for itself, Yunior (and by extension metatestimonio as a genre) replicates the discursive practices of the regime it denounces. Furthermore, by referencing specific comic book series, the artwork accompanying the 2007 Riverhead edition of the novel generates a counter-narrative cri- tiquing Yunior’s project. This graphic counter-narrative illustrates that ending the Trujillato’s hold on Dominicans is impossible— that certain traumas cannot be healed once and for all. Oscar Wao thus suggests that in claiming literature’s power to heal the past, we (like Yunior) privilege our own desire for resolution over the lived realities of survivors, for whom the working through of trauma is an ongoing and incomplete process. Keywords: testimony, trauma, Dominican Republic, comic books, Caribbean literature “I like human endings,” says Junot Díaz. -
Marvel September to December 2021
MARVEL Marvel's Black Widow: The Art of the Movie Marvel Comics Summary After seven appearances, spanning a decade in the Marvel Cinematic Universe, Natasha Romanoff , a.k.a. the Black Widow, takes the lead in an adventure unlike any other she's known before. Continuing their popular ART OF series of movie tie-in books, Marvel presents another blockbuster achievement! Featuring exclusive concept artwork and in-depth interviews with the creative team, this deluxe volume provides insider details about the making of the highly anticipated film. Marvel 9781302923587 On Sale Date: 11/23/21 $50.00 USD/$63.00 CAD Hardcover 288 Pages Carton Qty: 16 Ages 0 And Up, Grades P to 17 Comics & Graphic Novels / Superheroes CGN004080 27.6 cm H | 18.4 cm W The Marvels Vol. 1 Kurt Busiek, Yildiray Cinar Summary Kurt Busiek (MARVELS) is back, with the biggest, wildest, most sprawling series you’ve ever seen — telling stories that span decades and range from cosmic adventure to intense human drama, from street-level to the far reaches of space, starring literally anyone from Marvel’s very first heroes to the superstars of tomorrow! Featuring Captain America, Spider-Man, the Punisher, the Human Torch, Storm, the Black Cat, the Golden Age Vision, Melinda May, Aero, Iron Man, Thor and many more — and introducing two brand-new characters destined to be fan-favorites — a thriller begins that will take readers across the Marvel Universe…and beyond! Get to know Kevin Schumer, an ordinary guy with some big secrets — and the mysterious Threadneedle as well! But who (or what) is KSHOOM? It all starts here.