Automation and the Map Label Placement Problem
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Zuzana Licko’Dur
Slovak dilini konuşup geleneklerini servet kazanmak için kestirme sürdürürken, okulda ikinci bir dili bir yol olacağını düşünmüşlerdi. ve yeni âdetleri öğreniyordum. Başlangıçta amaç sadece Hollandalı Bu benim farklılıkların farkına sanatçılara odaklanmaktı, ama varmamı sağladı ve bana bir sonraları içeriği yurt dışında yabancının bakış açısını verdi. Aynı çalışanları kapsar hale gelince ismi, zamanda muhtemelen her şeyi uygun biçimde, Emigre oldu. Uzun sorgulama eğilimimi geliştirdi ve ön lafın kısası, Rudy’nin arkadaşları yargıları sorgulamayı öğretti, bunlar derginin umdukları gibi kârlı da beni tasarım mesleğine çeken olmayacağını anlayınca dergiyi bize şeyler oldu. bırakıp gittiler. O sıralar ben zaten Mac ile yarattığım bitmap fontları doğmuş ama Kaliforniya Dijital yazıtipi tasarımıyla dergide kullanıyordum. Fontların dolaylarında yetişmişlerdi ilgilenmeye başlayan ilk grafik 1985’te Emigre’yi çıkartmaya tasarımcılardan ve Mac kullanan başladığımızda Mac’te sayfa ve bu yüzden girişimlerine ilk yazıtipi tasarımcılarından düzeni programları yoktu. arkasındaki Emigre (Göçmen) Grafik birisiniz. Bu nasıl oldu? PostScript ve lazer yazıcılar bile adını koydular. Aslında Resim yapmayı, Legolarla oynamayı henüz yoktu. Yazıtiplerini nokta yüzler gurbetçiler için mizahi ve matematiği seven bir çocuktum. vuruşlu ImageWriter yazıcılarda bir sanat dergisi olarak Bu yüzden mimar olmak istediğimi düşündüm ve UC Berkeley’de MRS EAVES OT Zuzana başlamış olan Emigre Çevre Tasarımı Bölümüne girdim. Dergisi zaman içinde Okula başladığımda, fotoğrafçılık, tipografi için son derece tipo ve tipografi gibi yan derslerle Licko etkin bir vitrin haline daha fazla ilgili olduğumu fark ettim. Bölüm Görsel Çalışmalar MyFonts, Creative Characters, gelmiş ve yazıtiplerinin programını durdurmuştu, ancak sayı 105, Haziran 2016 tartışıldığı avangard birçok mimarlık öğrencisinin Çeviri: Ayşe Dağıstanlı bir foruma dönüşmüştür. ufkunu genişleteceği düşünüldüğü Yaratıcı yeniden için bu dersler iptal edilmemişti. -
Methods for a Critical Graphic Design Practice
Title Design as criticism: methods for a critical graphic design p r a c tic e Type The sis URL https://ualresearchonline.arts.ac.uk/id/eprint/12027/ Dat e 2 0 1 7 Citation Laranjo, Francisco Miguel (2017) Design as criticism: methods for a critical graphic design practice. PhD thesis, University of the Arts London. Cr e a to rs Laranjo, Francisco Miguel Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) University of the Arts London – London College of Communication February 2017 First submission: October 2015 2 Abstract This practice-led research is the result of an interest in graphic design as a specific critical activity. Existing in the context of the 2008 financial and subsequent political crisis, both this thesis and my work are situated in an expanded field of graphic design. This research examines the emergence of the terms critical design and critical practice, and aims to develop methods that use criticism during the design process from a practitioner’s perspective. Central aims of this research are to address a gap in design discourse in relation to this terminology and impact designers operating under the banner of such terms, as well as challenging practitioners to develop a more critical design practice. The central argument of this thesis is that in order to develop a critical practice, a designer must approach design as criticism. -
Emigre No.40
Fall Information is in a way the opposite 1996 of garbage, although in our contemporary Guest Editor: THE INFO Andrew Blauvelt PERPLEX commercialized world they may at times Designer: Rudy VanderLans Copy Editor: appear identical. As a rule, information is Alice Polesky Emigre Fonts: something to preserve, garbage is Zuzana Licko Sales, distribution, and administration: Tim Starback something to be destroyed. However, both Sales John Todd and Darren Cruickshank can be looked on as a kind of waste product, a physical burden, and for contemporary society both are among the most pressing 1 Emigre no.40 This issue of Emigre problems today. was typeset in Base-9 and Base-12, designed – B i l l V i o l a by Zuzana Licko. Postmaster: Emigre (ISSN 1045-3717) is published quarterly for $28 per year by Emigre, Inc. 4475 D Street, Sacramento, CA 95819, U.S.A. Second class postage paid at Sacramento, CA. Postmaster please send address changes to: Emigre 4475 D Street, Sacramento, CA 95819, U.S.A. Copyright: © 1996 Emigre, Inc. All rights reserved. No part of this publication may be reproduced without written permission from the contributors or Quotes on inside front and back covers by Bill Viola. Emigre, Inc. Emigre is From HISTORY, 10 YEARS, AND THE DAYDREAM, in Reasons for knocking at an Empty House . Cambridge, MA a registered trademark of and London: MIT Press, 1995 Emigre Graphics. Phone: 916.451.4344 / Fax: 916.451.4351 Email (Editorial): [email protected] / Email (Subscriptions, etc.): sales @emigre.com 1 27 1 We write not to be understood 2 28 2 but to understand. -
Visual Highlighting Methods for Geovisualization
VISUAL HIGHLIGHTING METHODS FOR GEOVISUALIZATION Anthony C. Robinson GeoVISTA Center, Department of Geography 302 Walker Building The Pennsylvania State University University Park, PA 16802, USA [email protected] ABSTRACT A key advantage of interactive geovisualization tools is that users are able to quickly view data observations across multiple views. This is usually supported with a transient visual effect applied around the edges of an object during a mouse selection or rollover. This effect, commonly called highlighting, has not received much attention in geovisualization research. Today, most geovisualization tools rely on simple color-based highlighting. This paper proposes additional visual highlighting methods that could be used in geovisualizations. It also presents a typology of interactive highlighting behaviors that specify multiple ways in which highlighting techniques can be blended together or modified based on data values to enhance visual recognition in multiple coordinated view applications. INTRODUCTION The key analytical affordances of geovisualization tools include dynamic interactive behaviors and coordinated multiple views of geospatial data. Much attention in geovisualization research is devoted to developing new types of views, integrating new types of data, and designing customized systems for specific analytical tasks and domains (MacEachren and Kraak, 2001). This paper focuses on refining and extending the interactively-driven visual indication, known as highlighting, that allows users to make connections between data objects in multiple views in a geovisualization. As data and the number of views we use to explore those data become increasingly complicated (Andrienko et al., 2007), it is timely to consider new highlighting methods to ensure that visual discovery is efficient and effective. -
Designed by Zuzana Licko Licensed and Distributed by Emigre * Mr Eaves Type Specimen Mr Eaves Type Specimen
mr eaves type specimen 1 MReaves DesigneD by ZuZana Licko LicenseD anD DistributeD by emigre *www.emigre.com mr eaves type specimen mr eaves type specimen 2 Mr Eaves Design Notes 3 Mr Eaves is the often requested sans-serif companion to Mrs Eaves, one of Emigre’s classic typeface designs. Created by Zuzana Licko, this latest addition to the Emigre Type Library is based on the proportions of the original Mrs Eaves. aa gg tt Mr Eaves Sans and Mr Eaves Modern counterparts. A matching Modern family provides a less humanistic look, with simpler and more geometric-looking shapes, most noticeably in the squared-off aOriginal Mrs Eavesa Sans in black.d Mr Eaves Sans companiond font in white.ee terminals and symmetric lower case counters. This family has moved furthest from its roots, yet still contains some of Mrs Eaves’ DNA. Licko took some liberty with the design of Mr Eaves. One of the main concerns was to avoid creating a typeface that looked like it simply had its serifs cut off. And while it matches Mrs Eaves in weight, color, and armature, Mr Eaves stands as its own typeface with many unique charac- teristics. mMr Eaves Sans and Mrm Eaves Modern counterparts. ww The Modern Italic is free of tails, and overall the Modern exhibits more repetition of forms, projecting a cleaner look. This provides stronger differentiation from the serif version whenever a more contrasting look is f f tt cc desired. Deviations from the Mrs Eaves model are evident in the overall decrease of contrast, as well as in details such as the flag and tail of the f and j, and the finial of the t, which were shortened to maintain a cleaner, sans serif look. -
Ambition/Fear by Zuzana Licko and Rudy Vanderlans Visions of Bold
Ambition/Fear ously hinged between disciplines will find that digital technology By ZuZana Licko and Rudy VandeRLans allows them that crossover necessary for their personal expression. One such new area is that of digital type design. Custom typefaces can now be produced letter, by letter, as called for in day-by-day ap - plications. This increases the potential for more personalized type - Visions of bold-italic-outline-shadow Helvetica “Mac” tricks have faces as it becomes economically feasible to create letter forms for sent many graphic designers running back to their T-squares and specific uses. rubber cement. Knowing how and when to use computers is difficult, since we have only begun to witness their capabilities. Some design - By making publishing and dissemination of information faster and ers have found computers a creative salvation from the boredom of less expensive, computer technology has made it feasible to reach a familiar methodologies, while others have utilized this new technol - smaller audience more effectively. It is no longer necessary to market ogy to expedite traditional production processes. For this eleventh for the lowest common denominator. There is already a growth in issue of Emigre we interviewed fifteen graphic designers from around the birthrate of small circulation magazines and journals. Although the world, and talked about how they work their way through the this increases diversity and subsequently the chances of tailoring sometimes frustrating task of integrating this new technology into the product to the consumer, we can only hope that such abundance their daily practices. will not obliterate our choices by overwhelming us with options. -
Connected 2D and 3D Visualizations for the Interactive Exploration of Spatial Information
CONNECTED 2D AND 3D VISUALIZATIONS FOR THE INTERACTIVE EXPLORATION OF SPATIAL INFORMATION S. Bleisch *, S. Nebiker FHNW, University of Applied Sciences Northwestern Switzerland, Institute of Geomatics Engineering, CH-4132 Muttenz, Switzerland - (susanne.bleisch, stephan.nebiker)@fhnw.ch KEY WORDS: Geovisualization, Three-dimensional representation, Interactive, Spatial Data Exploration, Virtual globe, Development ABSTRACT: This paper describes the concepts and the successful prototypal implementation of interactively connected 2D information visualizations and data displays in 3D virtual environments for the interactive exploration of spatial data and information. Virtual globes or earth viewers such as Google Earth have become very popular over the last few years. They are used for looking at holiday destinations but more importantly also for scientific visualizations. From a geovisualization point of view we might regard 3D data or information displays as yet another representation type that adds to the multitude of information visualization methods. Combining 3D views of data sets with traditional 2D displays offers the advantage of being able to use 3D if and when this type of representation is considered useful or effective for finding new insights into a data set. The traditional and newer displays of mainly 2D information visualization may be enhanced and new insights into the data may be generated by displays of the data in a 3D virtual environment. On the other hand, data in 3D displays might be better understood by simultaneously reading and querying connected 2D representations.The paper presents a prototypal implementation of the interactively connected visualizations of spatial information in 2D views and 3D virtual environments using the brushing technique. -
(Geo-)Visualization
Geographic Data Science - Lecture III (Geo-)Visualization Dani Arribas-Bel Today Visualization What and why History Examples Geovisualization What "A map for everyone" Dangers of geovisualization Visualization "Data graphics visually display measured quantities by means of the combined use of points, lines, a coordinate system, numbers, symbols, words, shading, and color." The Visual Display of Quantitative Information. Edward R. Tufte. [Source] [Source] A bit of history Maps A bit of history Maps --> Data Maps (XVIIth.C.) A bit of history Maps --> Data Maps (XVIIth.C.) --> Time series (1786) A bit of history Maps --> Data Maps (XVIIth.C.) --> Time series (1786) --> Scatter plots A bit of history Maps --> Data Maps (XVIIth.C.) --> Time series (1786) --> Scatter plots Surprisingly recent: 1750-1800 approx. (much later than many other advances in math and stats!) William Playfair's "linear arithmetic": encode/replace numbers in tables into visual representations. Other relevant names throughout history: Lambert, Minard, Marey. Visualization The Visual Display of Quantitative Information. Edward R. Tufte. By encoding information visually, they allow to present large amounts of numbers in a meaninful way. If well made, visualizations provide leads into the processes underlying the graphic. Learning by seeing time... Time series [Source] XVIIIth. Cent. - Pytometrie by J. H Lambert Bar chart [Source] Playfair's bar chart in The Commercial and Political Atlas (1786) Abstract line plot [Source] Lambert - Evaporation rate against temperature, 1769 Minard - Napoleon army map (XIXth. Cent.) [Source] "It may well be the best statistical graphic ever drawn" (E. R. Tufte) Geovisualization Tufte (1983) "The most extensive data maps [...] place millions of bits of information on a single page before our eyes. -
Geovisualization: Integration and Visualization of Multiple Datasets Using Mapbox Cecilia Cadenas California Polytechnic State University, San Luis Obispo
Geovisualization: Integration and Visualization of Multiple Datasets Using Mapbox Cecilia Cadenas California Polytechnic State University, San Luis Obispo Abstract—The use of geovisualizations to different from information visualization dealing analyze multiple datasets can ease the with abstract data spaces. [3] research and investigation to find B. Mapbox & TileMill correlations between these datasets. However, making these visualizations with The creation of these visualizations can be multiple datasets can be challenging due to challenging due to the complexity and the lack of standardization within file formats differences between the geographical data types, and the software needed to render the and how easily they can be accessed and used. visualizations. In order to help with the creation of these visualizations, many cartographers and software This project investigates the making of engineers have created many different tools that these visualizations, maps in this case, using can make the creation of these visualizations an open source platforms like Mapbox. Using easier and accessible to anyone with a computer. Python scripts for the data parsing, For the creation of the maps in this project, CartoCSS for the designing of the maps, one of these tools was used. After some research JavaScript to make the maps interactive, and and testing different tools and platforms, HTML to combine all the layers together a Mapbox was selected as the best option for the set of maps were created. These maps customization level needed for the maps wanted. contained data regarding tons of wine grape Mapbox is an online platform that makes the data crushed and yearly heat accumulation viewing of these maps simple across multiple during the growing season that demonstrate platforms since it requires no extra software to how combining multiple data sets can lead to be downloaded. -
What Is Geovisualization? to the Growing Field of Geovisualization
This issue of GeoMatters is devoted What is Geovisualization? to the growing field of geovisualization. Brian McGregor uses geovisualiztion to by Joni Storie produce animated maps showing settle- ment patterns of Hutterite colonies. Dr. Marc Vachon’s students use it to produce From a cartography perspective, dynamic presentation options to com- videos about urban visualization (City geovisualization represents a change in municate knowledge. For example, at- Hall and Assiniboine Park), while Dr. how knowledge is formed and repre- lases require extra planning compared Chris Storie shows geovisualiztion for sented. Traditional cartography is usu- to individual maps, structurally they retail mapping in Winnipeg. Also in this issue Honours students describe their ally seen a visualization (a.k.a. map) could include hundreds of maps, and thesis projects for the upcoming collo- that is presented after the conclusion all the maps relate to each other. Dr. quium next March, Adrienne Ducharme is reached to emphasize or compliment Danny Blair and Dr. Ian Mauro, in the tells us about her graduate research at the research conclusions. Geovisual- Department of Geography, provide an ELA, we have a report about Cultivate ization changes this format by incor- excellent example of this integration UWinnipeg and our alumni profile fea- porating spatial data into the analysis with the Prairie Climate Atlas (http:// tures Michelle Méthot (Smith). (O’Sullivan and Unwin, 2010). Spatial www.climateatlas.ca/). The combina- Please feel free to pass this newsletter data, statistics and analysis are used to tion of maps with multimedia provides to anyone with an interest in geography. answer questions which contribute to for better understanding as well as en- Individuals can also see GeoMatters at the Geography website, or keep up with the conclusion that is reached within riched and informative experiences of us on Facebook (Department of Geog- the research. -
Visual Bandwidth Selection for Kernel Density Maps
Photogrammetrie • Fernerkundung • Geoinformation 5/2009, S. 445–454 Visual Bandwidth Selection for Kernel Density Maps Jukka M. krisp, stefan peters,Christian e. Murphy & hongChao fan, München Keywords: Kernel Density, Visualization, Visual Analytics, Geostatistics, Kernel Bandwidth, Cartography Summary: Within this paper we investigate the Zusammenfassung: Visuelle Radius Festlegung challenge to find an appropriate bandwidth in ker- für Kernel Dichte Abschätzungen. In dieser Arbeit nel density estimation. Kernel density estimation untersuchen wir die Möglichkeiten, um einen ange- methods can be used in visualizing and analyzing messenen Radius in der Kernel-Dichte Schätzung spatial data, with the objective of understanding zu erhalten. Kernel-Dichte Schätzung Methoden and potentially predicting event patterns. Our aim können in der Visualisierung und Analyse räumli- is to provide a computational tool to visually select cher Daten zum Verständnis und zur Vorhersage the bandwidth parameter and to visually investi- von räumlichen Mustern dienen. Unser Ziel ist es, gate the effect of different parameters within the ein Computer-Werkzeug zur visuellen Parameter kernel density calculations. With this tool the user Bestimmung zu entwickeln. Die Radien verschie- is able to visually find the most appropriate band- deneR Kernel werden visuell geprüft und können width foR the particular dataset and scale. The slid- experimentell untersucht werden. Mit diesem er-tool includes a graphical user interface and can Werkzeug kann der Anwender den am besten ge- read point datasets. A specific number of kernel eigneten Radius für den jeweiligen Datensatz be- density maps are generated by using a range of stimmen. Das Schieberegler-Werkzeug beinhaltet bandwidths. In the graphical interface these kernel eine grafische Benutzeroberfläche und kann Punkt- density maps can be drawn near real-time while the datensätze einladen. -
Recent Publications 1984 — 2017 Issues 1 — 100
RECENT PUBLICATIONS 1984 — 2017 ISSUES 1 — 100 Recent Publications is a compendium of books and articles on cartography and cartographic subjects that is included in almost every issue of The Portolan. It was compiled by the dedi- cated work of Eric Wolf from 1984-2007 and Joel Kovarsky from 2007-2017. The worldwide cartographic community thanks them greatly. Recent Publications is a resource for anyone interested in the subject matter. Given the dates of original publication, some of the materi- als cited may or may not be currently available. The information provided in this document starts with Portolan issue number 100 and pro- gresses to issue number 1 (in backwards order of publication, i.e. most recent first). To search for a name or a topic or a specific issue, type Ctrl-F for a Windows based device (Command-F for an Apple based device) which will open a small window. Then type in your search query. For a specific issue, type in the symbol # before the number, and for issues 1— 9, insert a zero before the digit. For a specific year, instead of typing in that year, type in a Portolan issue in that year (a more efficient approach). The next page provides a listing of the Portolan issues and their dates of publication. PORTOLAN ISSUE NUMBERS AND PUBLICATIONS DATES Issue # Publication Date Issue # Publication Date 100 Winter 2017 050 Spring 2001 099 Fall 2017 049 Winter 2000-2001 098 Spring 2017 048 Fall 2000 097 Winter 2016 047 Srping 2000 096 Fall 2016 046 Winter 1999-2000 095 Spring 2016 045 Fall 1999 094 Winter 2015 044 Spring