Uzana Licko Biographical Information

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1985 1992 1997 “Coarse Resolution”, Modula, Modula Round Matrix Script, Quartet Base Monospace, Hypnopaedia 1986 1993 1998 Typefaces Designed Citizen, Matrix, Senator Narly Tarzana 1988 by Zuana Licko in 1994 2000 Lunatix, Oblong - with Rudy VanderLans Dogma, Whirligig Solex Chronological Variex - with Rudy VanderLans Order 1989 1995 2001 Elektrix Base 9 and 12, Soda Script Lo-Res 1990 1996 2002 Journal, Tall Pack, Totally Gothic, Triplex Filosofia, Mrs Eaves, Mrs Eaves Ligatures Fairplex Z uzana Licko Biographical Information Zuzana Licko was born in 1961 in Bratislava, Czechoslovakia. She, along with her family emigrated to the United States in 1968 when she was seven years old. Her father was a biomathematician and provided her with access to computers. It was with this access that she had the opportunity to design her first typeface, a Greek alphabet, which her father used for his personal use. Most Zuzana entered the University of California at Berkeley in 1981 as an undergraduate, enrolled to study architecture, however she changed her major to visual studies and pursued a graphic communications degree and soon realized that Popular typography interested her the most. She was fascinated with experimenting with type as an illustration. But because UC Berkeley did not have a program specifically for type design, she only got to use typefaces at this time, Typeface not create them. Zuzana met her husband, Rudy VanderLans at UC Berkeley around 1982. He was studying photography and had completed a traditional education in design from the Royal Academy of Arts in The Hague, Holland prior to his enrollment Mrs Eaves at UC Berkeley. Together, Zuzana, Rudy and two Dutch immigrants formed Emigre. Emigre was A typeface design based on Baskerville originally meant to be a cultural journal to showcase artists, photographers, poets, and architects. In 1984, the first issue of Emigre was put together in an 11.5’’ by 17’’ format. Working with the newly invented Macintosh computer and a bitmap font tool, Zuzana began creating fonts for Emigre. After the first two issues, several readers began to inquire about the availability of fonts being used in Emigre. Zuzana began running ads for them starting in issue three. Emigre is a type foundry still in operation today. Emigre magazine was published from 1984 - 2005, a total of 69 issues were produced. .

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Zuzana Licko’Dur
Slovak dilini konuşup geleneklerini servet kazanmak için kestirme sürdürürken, okulda ikinci bir dili bir yol olacağını düşünmüşlerdi. ve yeni âdetleri öğreniyordum. Başlangıçta amaç sadece Hollandalı Bu benim farklılıkların farkına sanatçılara odaklanmaktı, ama varmamı sağladı ve bana bir sonraları içeriği yurt dışında yabancının bakış açısını verdi. Aynı çalışanları kapsar hale gelince ismi, zamanda muhtemelen her şeyi uygun biçimde, Emigre oldu. Uzun sorgulama eğilimimi geliştirdi ve ön lafın kısası, Rudy’nin arkadaşları yargıları sorgulamayı öğretti, bunlar derginin umdukları gibi kârlı da beni tasarım mesleğine çeken olmayacağını anlayınca dergiyi bize şeyler oldu. bırakıp gittiler. O sıralar ben zaten Mac ile yarattığım bitmap fontları doğmuş ama Kaliforniya Dijital yazıtipi tasarımıyla dergide kullanıyordum. Fontların dolaylarında yetişmişlerdi ilgilenmeye başlayan ilk grafik 1985’te Emigre’yi çıkartmaya tasarımcılardan ve Mac kullanan başladığımızda Mac’te sayfa ve bu yüzden girişimlerine ilk yazıtipi tasarımcılarından düzeni programları yoktu. arkasındaki Emigre (Göçmen) Grafik birisiniz. Bu nasıl oldu? PostScript ve lazer yazıcılar bile adını koydular. Aslında Resim yapmayı, Legolarla oynamayı henüz yoktu. Yazıtiplerini nokta yüzler gurbetçiler için mizahi ve matematiği seven bir çocuktum. vuruşlu ImageWriter yazıcılarda bir sanat dergisi olarak Bu yüzden mimar olmak istediğimi düşündüm ve UC Berkeley’de MRS EAVES OT Zuzana başlamış olan Emigre Çevre Tasarımı Bölümüne girdim. Dergisi zaman içinde Okula başladığımda, fotoğrafçılık, tipografi için son derece tipo ve tipografi gibi yan derslerle Licko etkin bir vitrin haline daha fazla ilgili olduğumu fark ettim. Bölüm Görsel Çalışmalar MyFonts, Creative Characters, gelmiş ve yazıtiplerinin programını durdurmuştu, ancak sayı 105, Haziran 2016 tartışıldığı avangard birçok mimarlık öğrencisinin Çeviri: Ayşe Dağıstanlı bir foruma dönüşmüştür. ufkunu genişleteceği düşünüldüğü Yaratıcı yeniden için bu dersler iptal edilmemişti.
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Methods for a Critical Graphic Design Practice
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Emigre No.40
Fall Information is in a way the opposite 1996 of garbage, although in our contemporary Guest Editor: THE INFO Andrew Blauvelt PERPLEX commercialized world they may at times Designer: Rudy VanderLans Copy Editor: appear identical. As a rule, information is Alice Polesky Emigre Fonts: something to preserve, garbage is Zuzana Licko Sales, distribution, and administration: Tim Starback something to be destroyed. However, both Sales John Todd and Darren Cruickshank can be looked on as a kind of waste product, a physical burden, and for contemporary society both are among the most pressing 1 Emigre no.40 This issue of Emigre problems today. was typeset in Base-9 and Base-12, designed – B i l l V i o l a by Zuzana Licko. Postmaster: Emigre (ISSN 1045-3717) is published quarterly for $28 per year by Emigre, Inc. 4475 D Street, Sacramento, CA 95819, U.S.A. Second class postage paid at Sacramento, CA. Postmaster please send address changes to: Emigre 4475 D Street, Sacramento, CA 95819, U.S.A. Copyright: © 1996 Emigre, Inc. All rights reserved. No part of this publication may be reproduced without written permission from the contributors or Quotes on inside front and back covers by Bill Viola. Emigre, Inc. Emigre is From HISTORY, 10 YEARS, AND THE DAYDREAM, in Reasons for knocking at an Empty House . Cambridge, MA a registered trademark of and London: MIT Press, 1995 Emigre Graphics. Phone: 916.451.4344 / Fax: 916.451.4351 Email (Editorial): [email protected] / Email (Subscriptions, etc.): sales @emigre.com 1 27 1 We write not to be understood 2 28 2 but to understand.
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Designed by Zuzana Licko Licensed and Distributed by Emigre * Mr Eaves Type Specimen Mr Eaves Type Specimen
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