2022 United Kingdom Hospital Vision Study
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Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’S the Hinins G Bethany Miller Cedarville University, [email protected]
Cedarville University DigitalCommons@Cedarville Department of English, Literature, and Modern English Seminar Capstone Research Papers Languages 4-22-2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g Bethany Miller Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ english_seminar_capstone Part of the Film Production Commons, Literature in English, North America Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Other Film and Media Studies Commons, and the Screenwriting Commons Recommended Citation Miller, Bethany, "“Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g" (2015). English Seminar Capstone Research Papers. 30. http://digitalcommons.cedarville.edu/english_seminar_capstone/30 This Capstone Project is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in English Seminar Capstone Research Papers by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Miller 1 Bethany Miller Dr. Deardorff Senior Seminar 8 April 2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The Shining Stanley Kubrick’s horror masterpiece The Shining has confounded and fascinated viewers for decades. Perhaps its most mystifying element is its final zoom, which gradually falls on a picture of Jack Torrance beaming in front of a crowd with the caption “July 4 th Ball, Overlook Hotel, 1921.” While Bill Blakemore and others examine the film as a critique of violence in American history, no scholar has thoroughly established the connection between July 4 th, 1921, Jack Torrance, and the rest of the film. -
Tracking the Research Trope in Supernatural Horror Film Franchises
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2020 Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises Deirdre M. Flood The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3574 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LEGEND HAS IT: TRACKING THE RESEARCH TROPE IN SUPERNATURAL HORROR FILM FRANCHISES by DEIRDRE FLOOD A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2020 © 2020 DEIRDRE FLOOD All Rights Reserved ii Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises by Deirdre Flood This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Leah Anderst Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises by Deirdre Flood Advisor: Leah Anderst This study will analyze how information about monsters is conveyed in three horror franchises: Poltergeist (1982-2015), A Nightmare on Elm Street (1984-2010), and The Ring (2002- 2018). My analysis centers on the changing role of libraries and research, and how this affects the ways that monsters are portrayed differently across the time periods represented in these films. -
WOH 3241 the Vietnam War Syllabus
WOH 3241 THE VIETNAM WAR FALL 2020 Professor: Matthew Jacobs Email: Beginning this semester, faculty are required to communicate with students via the course CANVAS email tool, but I may also be reached at [email protected] Office Hours (virtual): Mondays 10:30-11:30, Thursdays 2:30-3:30, and by appointment Teaching Assistant: Timothy Blanton Email: Please connect via the CANVAS email tool, or at [email protected] Office Hours (virtual): ???? and by appointment Teaching Assistant: Robert Lierse Email: Please connect via the CANVAS email tool, or at [email protected] Office Hours (virtual): ???? and by appointment Welcome to the fall 2020 semester, and to WOH 3241: The Vietnam War. As we all know, this semester will be unlike any that any of us have ever experienced. The success of the course will be equally dependent on all of us being committed, flexible, patient, persistent, and understanding. This course will be offered synchronously, meaning at the scheduled time listed in the Schedule of Courses, but fully remotely. Lectures will be Tuesdays, 5th and 6th period (11:45-1:40). Typically, instead of taking a break during lecture we will end by 1:15. Thursday discussion sessions will take place at either 11:45 or 12:50, depending on the section in which you are registered. These, too, will take place remotely. On occasion, I may post short videos that cover basic chronologies or other information for you to watch prior to class so that we can spend more of our time together engaging with each other. Lecture power points will be linked to the title for each class in the schedule below. -
An Analysis of Sound and Music in the Shining and Bridget Jones' Diary
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 2019 The oundS s Behind the Scenes: An Analysis of Sound and Music in The hininS g and Bridget Jones’ Diary Abby Fox Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Communication Commons, and the Film and Media Studies Commons Running head: THE SOUNDS BEHIND THE SCENES The Sounds Behind the Scenes: An Analysis of Sound and Music in The Shining and Bridget Jones’ Diary Abby Fox Communication Studies Advisor: Satish Kolluri December 2018 THE SOUNDS BEHIND THE SCENES 2 Abstract Although often subtle, music and sounds have been an integral part of the motion picture experience since the days of silent films. When used effectively, sounds in film can create emotion, give meaning to a character’s actions or feelings, act as a cue to direct viewers’ attention to certain characters or settings, and help to enhance the overall storytelling. Sound essentially acts as a guide for the audience as it evokes certain emotions and reactions to accompany the narrative unfolding on-screen. The aim of this thesis is to focus on two specific films of contrasting genres and explore how the music and sounds help to establish the genres of the given films, as well as note any commonalities in which the films follow similar aural patterns. By conducting a content analysis and theoretical review, this study situates the sound use among affect theory, aesthetics and psychoanalysis, which are all highly relevant to the reception of music and sound in film. Findings consist of analyses of notable instances of sound use in both films that concentrate on the tropes of juxtaposition, contradiction, repetition and leitmotifs, and results indicate that there are actually similar approaches to using sound and music in both films, despite them falling under two vastly different genres. -
(Books): Dark Tower (Comics/Graphic
STEPHEN KING BOOKS: 11/22/63: HB, PB, pb, CD Audiobook 1922: PB American Vampire (Comics 1-5): Apt Pupil: PB Bachman Books: HB, pb Bag of Bones: HB, pb Bare Bones: Conversations on Terror with Stephen King: HB Bazaar of Bad Dreams: HB Billy Summers: HB Black House: HB, pb Blaze: (Richard Bachman) HB, pb, CD Audiobook Blockade Billy: HB, CD Audiobook Body: PB Carrie: HB, pb Cell: HB, PB Charlie the Choo-Choo: HB Christine: HB, pb Colorado Kid: pb, CD Audiobook Creepshow: Cujo: HB, pb Cycle of the Werewolf: PB Danse Macabre: HB, PB, pb, CD Audiobook Dark Half: HB, PB, pb Dark Man (Blue or Red Cover): DARK TOWER (BOOKS): Dark Tower I: The Gunslinger: PB, pb Dark Tower II: The Drawing Of Three: PB, pb Dark Tower III: The Waste Lands: PB, pb Dark Tower IV: Wizard & Glass: PB, PB, pb Dark Tower V: The Wolves Of Calla: HB, pb Dark Tower VI: Song Of Susannah: HB, PB, pb, pb, CD Audiobook Dark Tower VII: The Dark Tower: HB, PB, CD Audiobook Dark Tower: The Wind Through The Keyhole: HB, PB DARK TOWER (COMICS/GRAPHIC NOVELS): Dark Tower: The Gunslinger Born Graphic Novel HB, Comics 1-7 of 7 Dark Tower: The Gunslinger Born ‘2nd Printing Variant’ Comic 1 Dark Tower: The Long Road Home: Graphic Novel HB (x2) & Comics 1-5 of 5 Dark Tower: Treachery: Graphic Novel HB, Comics 1–6 of 6 Dark Tower: Treachery: ‘Midnight Opening Variant’ Comic 1 Dark Tower: The Fall of Gilead: Graphic Novel HB Dark Tower: Battle of Jericho Hill: Graphic Novel HB, Comics 2, 3, 5 of 5 Dark Tower: Gunslinger 1 – The Journey Begins: Comics 2 - 5 of 5 Dark Tower: Gunslinger 1 – -
The Role of the Hospital in a Changing Environment Martin Mckee1 & Judith Healy2
The role of the hospital in a changing environment Martin McKee1 & Judith Healy2 Hospitals pose many challenges to those undertaking reform of health care systems. This paper examines the evolving role of the hospital within the health care system in industrialized countries and explores the evidence on which policy- makers might base their decisions. It begins by tracing the evolving concept of the hospital, concluding that hospitals must continue to evolve in response to factors such as changing health care needs and emerging technologies. The size and distribution of hospitals are matters for ongoing debate. This paper concludes that evidence in favour of concentrating hospital facilities, whether as a means of enhancing effectiveness or efficiency, is less robust than is often assumed. Noting that care provided in hospitals is often less than satisfactory, this paper summarizes the evidence underlying three reform strategies: (i) behavioural interventions such as quality assurance programmes; (ii) changing organizational culture; and (iii) the use of financial incentives. Isolated behavioural interventions have a limited impact, but are more effective when combined. Financial incentives are blunt instruments that must be monitored. Organizational culture, which has previously received relatively little attention, appears to be an important determinant of quality of care and is threatened by ill-considered policies intended to ‘re-engineer’ hospital services. Overall, evidence on the effectiveness of policies relating to hospitals is limited and this paper indicates where such evidence can be found. Keywords: hospitals; health facility environment; health care reform; organizational innovation; developed countries. Voir page 808 le re´sume´ en franc¸ais. En la pa´ gina 809 figura un resumen en espan˜ ol. -
Chorus Songs –Sp
Chorus songs –Spring 2014 I Love the Summer Warm, warm weather makes me smile, makes me happy. Love the summer. Yes, I Warm, warm weather makes me smile, makes me happy. Love the summer. Well, I really, really dig it, I dig it. I really, really dig it. Oh, I-yi love it so-woh-woh. I dig it, I dig it. I really, really dig it. I wish it would never go-woh–woh-woh. I See the Light All those days watching from the windows. All those years outside looking in. All that time never even knowing just how blind I've been. Now I'm here blinking in the starlight. Now I'm here - suddenly I see. Standing here it's oh so clear - I'm where I'm meant to be. (Refrain)And at last I see the light, and it's like the fog has lifted. And at last I see the light and it's like the sky is new. And it's warm and real and bright and the world has somehow shifted. All at once everything looks different now that I see you. All those days chasing down a daydream. All those years living in a blur. All that time never truly seeing things the way they were. Now she's here shining in the starlight. Now she's here - suddenly I know. If she's here it's crystal clear - I'm where I'm meant to go. Refrain Whacky Do Re Mi So mi la so mi, so mi la so mi Do – I make my cookies out of dough. -
A Description of Theme in Stephen King's Novel Carrie
A DESCRIPTION OF THEME IN STEPHEN KING’S NOVEL CARRIE A PAPER BY NAME : TAMARA REBECCA REG.NO : 142202013 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OFCULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2017 UNIVERSITAS SUMATERA UTARA Approved by Supervisor, Drs. Parlindungan Purba, M.Hum. NIP. 19630216 198903 1 003 Submitted to Faculty of Cultural Studies, University of North Sumatera In partial fulfillment of the requirements for Diploma-III in English Study Program Approved by Head of Diploma III English Study Program, Dra.SwesanaMardiaLubis.M.Hum. NIP. 19571002 198601 2 003 Approved by the Diploma-III English Study Program Faculty of Culture Studies, University of Sumatera Utara as a Paper for the Diploma-III Examination UNIVERSITAS SUMATERA UTARA Accepted by the board of examiners in partial fulfillment of the requirement for The Diploma-III Examination of the Diploma-III of English Study Program, Faculty of Cultural Studies, University of Sumatera Utara. The Examination is held on : Faculty of Culture Studies, University of Sumatera Utara Dean, Dr. Budi Agustono, M.S. NIP. 19600805198703 1 0001 Board of Examiners : Signed 1. Dra. SwesanaMardiaLubis, M.Hum( Head of ESP) ____________ 2. Drs. ParlindunganPurba, M.Hum( Supervisor ) ____________ 3. Drs. SiamirMarulafau, M.Hum ____________ UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am Tamara Rebecca declare that I am thesole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. -
When Jake Epping (James Franco) Steps Into a Closet and Travels Back to 1960—A Maine Diner’S Version of Narnia—He’S on a Mission to Stop the Assassination of JFK
March 21, 2016 If you had the chance to change history, regardless of the consequences, would you? When Jake Epping (James Franco) steps into a closet and travels back to 1960—a Maine diner’s version of Narnia—he’s on a mission to stop the assassination of JFK. Armed with stacks of research from diner owner Al (Chris Cooper), who attempted this mission before, Jake makes a life for himself in the past while staking out Lee Harvey Oswald (Daniel Webber). The past pushes back, however, actively throwing chaos at Jake as he tugs at the threads of history. Developed by Bridget Carpenter (Friday Night Lights) for Bad Robot Productions and Hulu, 11.22.63 is an adaptation of Stephen King’s novel of the same name. Rather than the “binge watch” model of Netflix, Hulu went the more traditional route, releasing one episode of the eightpart series every Monday. Each episode also features an orchestral score by Alex Heffes, himself a fan of King’s novels. He approached composing the series as he would a film, but one that runs nine hours. With live musicians and the Newman Scoring Stage at his disposal, Heffes stirred up weekly drama with his sessions for Franco’s man out of time. Kristen Romanelli: I imagine that your connection with [director] Kevin Macdonald brought you to 11.22.63. Alex Heffes: That was the original connection, yeah. Bridget Carpenter, who is the showrunner, had seen quite a few of the movies I’d done with Kevin and a few of the others. -
An Interview with Stephen King by John C. Tibbetts
“We Walk Your Dog at Night!”: An Interview with Stephen King by John C. Tibbetts Stephen King is a phenomenon. He is without question the most popular writer of horror fiction of all time. In l973 he was living with his family in a trailor in Hampden, Maine, struggling to make a living as a high school teacher, when he published his first novel, Carrie, a tale of a girl with telekinetic powers. Its sales in hardcover were modest (l3,000) but enough to inspire a paperback reprint and a popular film adaption by Brian De Palma in l976. His “breakthrough” book, Salem's Lot, came out that year and quickly sold 3,000,000 copies. Within the next four years The Shining, The Stand, Night Shift, and The Dead Zone—all best-selling horror fiction—established King as the reigning Master of the Macabre. When he co- authored The Talisman in l984 with Peter Straub [See the Straub interview elsewhere in these pages], it was a publishing event unparalleled in modern times. Today over l00 million copies of his books are in print. King's work is frankly derivative of the traditions of l9th century gothic horror. Carrie is written in the style of the "epistolary" novel of the late l8th century. Salem's Lot is an update on Bram Stoker's vampire novel, Dracula. Christine is a variant on Oscar Wilde's The Portrait of Dorian Gray. Pet Sematary is a retelling of W. W. Jacobs' "The Monkey's Paw." And The Dark Half draws from the rich vein of "doppelganger" stories by Poe, Hoffmann, and Stevenson. -
196 It, Dir. by Andy Muschietti
The Irish Journal of Gothic and Horror Studies 16 (Autumn 2017) It, dir. by Andy Muschietti (Warner Bros., 2017) It probably goes without saying that we’re in the middle of an evil-clown zeitgeist. If the first decade of the new millennium was all about sparkly vampires, now the men in red noses are having their moment at the forefront of horror. This resurgence of the clown in popular culture may have gained momentum from Chris Nolan’s Batman grim-fest, The Dark Knight (2008), wherein the late Heath Ledger captivated audiences with his performance as the Joker, an enigmatic sociopath in flaking clown white. Notable entries from the horror genre in recent years include Captain Spaulding from Rob Zombie’s House of 1000 Corpses (2003) and The Devil’s Rejects (2005), as well as the gruesome Twisty the Clown from American Horror Story: Freak Show (2014). The latter half of 2016 even brought us alarming news of a real-life plague of clowns, reports pouring in from around the world of sinister costumed figures seen lurking at roadsides and near schools. The hysteria lasted until (as the old joke goes) the clowns’ leader got elected president, and they have all since gracefully retired back into the realm of fiction. Given the general hype, it was only a matter of time before the most famous creepy clown of them all would be given a reboot. It (2017) adapts Stephen King’s 1986 novel of the same name and follows the iconic 1990 miniseries starring Tim Curry. The film tells the story of a group of adolescent underdogs who name themselves ‘The Losers Club’; one of the club’s members, Bill (Jaeden Lieberher), is a thirteen-year-old boy with a debilitating stutter, mourning the disappearance of his little brother Georgie (Jackson Robert Scott).