Boston Symphony Orchestra Concert Programs, Season 111, 1991-1992

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 111, 1991-1992 Boston Symphony Orchestra SeijiOzawa MUSIC DIRECTOR ^X *> •»- j One Hundred Eleventh Season HHHBHHB MHHHBH1 LASSALE THE ART OF SEIKO " H . KB. HORN Jewelers since 1819 152"d V_l Z-J Our year THE E.B. HORN COMPANY 429 WASHINGTON STREET, BOSTON, MA BUDGET TERMS ALL MAJOR CREDIT CARDS ACCEPTED AVAILABLE MAIL OR PHONE ORDERS (617) 542-3902 OPEN MON. AND THURS. TIL 7 Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1991-92 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Dean Freed Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Molly MiUman James F. Cleary Francis W. Hatch Mrs. Robert B. Newman John F. Cogan, Jr. Julian T. Houston Peter C. Read Julian Cohen Mrs. Bela T. Kalman Richard A. Smith William M. Crozier, Jr. Mrs. George I. Kaplan Ray Stata Deborah B. Davis Harvey Chet Krentzman Nicholas T. Zervas Nina L. Doggett R, Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Achninis t ration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. McDonough, Director of Finance and Business Affairs Evans Mirageas, Artistic Administrator Caroline Smedvig, Director of Public Relations and Marketing Josiah Stevenson, Director of Development Ray F. Wellbaum, Orchestra Manager Robert Bell, Manager of Information Systems Patricia Krol, Coordinator of Youth Activities Peter N. Cerundolo, Director of Steven Ledbetter, Musicologist & Corporate Development Program Annotator Constance B.F. Cooper, Director of Boston Marc Mandel, Publications Coordinator Symphony Annual Fund John C. Marksbury, Director of Madelyne Cuddeback, Director of Foundation and Government Support Corporate Sponsorships Julie-Anne Miner, Manager of Fund Reporting Patricia Forbes Halligan, Personnel Richard Ortner, Administrator of Administrator Tanglewood Music Center Sarah J. Harrington, Budget Manager Scott Schillin, Assistant Manager, Margaret Hillyard-Lazenby, Pops and Youth Activities Director of Volunteers Joyce M. Serwitz, Associate Director of Russell M. Hodsdon, Manager of Box Office Development/Director of Major Gifts Bernadette M. Horgan, Public Relations Cheryl L. Silvia, Function Manager Coordinator Michelle Leonard Techier, Media and Production Craig R. Kaplan, Controller Manager, Boston Symphony Orchestra Nancy A. Kay, Director of Sales & Robin J. Yorks, Director of Tanglewood Marketing Manager Development Susan E. Kinney, Assistant Director of Development Programs copyright ©1991 Boston Symphony Orchestra, Inc. Cover by Jaycole Advertising, Inc. Board of Overseers of the Boston Symphony Orchestra, Inc. John F. Cogan, Jr., Chairman Thelma E. Goldberg, Vice-Chairman Mrs. Susan D. Hall, Secretary Mrs. Herbert B. Abelow Mark R. Goldweitz Richard P. Morse Amanda Barbour Amis John P. Hamill E. James Morton Harlan Anderson Daphne P. Hatsopoulos David G. Mugar Caroline Dwight Bain Bayard Henry Robert J. Murray Mrs. Leo L. Beranek Glen H. Hiner David S. Nelson Lynda Schubert Bodman Mrs. Marilyn Brachman Hoffman Mrs. Hiroshi H. Nishino Donald C. Bowersock, Jr. Ronald A. Homer Robert P. O'Block William M. Bulger Lola Jaffe Paul C. O'Brien Mrs. Levin H. Campbell Anna Faith Jones Vincent M. O'Reilly Earle M. Chiles H. Eugene Jones Andrall E. Pearson Gwendolyn Cochran Hadden Susan B. Kaplan John A. Perkins William F. Connell Mrs. S. Charles Kasdon Millard H. Pryor, Jr. Walter J. Connolly, Jr. Richard L. Kaye Robert E. Remis Jack Connors, Jr. Mrs. Gordon F. Kingsley William D. Roddy Albert C. Cornelio Allen Z. FJuchman John Ex Rodgers Phyllis Curtin Koji Kobayashi Keizo Saji JoAnne Dickinson Mrs. Carl Koch Roger A. Saunders Harry Ellis Dickson David I. Kosowsky Mrs. Raymond H. Schneider Phyllis Dohanian George Krupp Malcolm L. Sherman Hugh Downs John R. Laird Mrs. Donald B. Sinclair Goetz B. Eaton Mrs. Hart D. Leavitt L. Scott Singleton Harriett M. Eckstein Laurence Lesser Ira Stepanian Deborah A. England Stephen R. Levy William F. Thompson Edward Eskandarian Frederick H. Lovejoy, Jr. Mark Tishler, Jr. Peter M. Flanigan Diane H. Lupean Roger D. Wellington Eugene M. Freedman Mrs. Charles P. Lyman Robert A. Wells Mrs. James G. Garivaltis Mrs. Harry L. Marks Margaret Williams-DeCelles Jordan L. Golding Nathan R. Miller Mrs. John J. Wilson Overseers Emeriti Mrs. Weston W. Adams Leonard Kaplan Mrs. Peter van S. Rice Mrs. Frank G. Allen Robert K. Kraft Mrs. Jerome Rosenfeld Bruce A. Beal Benjamin H. Lacy Mrs. William C. Rousseau Mrs. Richard Bennink Mrs. James F. Lawrence Mrs. William H. Ryan Mary Louise Cabot C. Charles Marran Francis P. Sears, Jr. Johns H. Congdon Hanae Mori Ralph Z. Sorenson Peter H.B. Frelinghuysen Mrs. Stephen V.C. Morris Mrs. Edward S. Stimpson Mrs. Thomas J. Galligan Stephen Paine, Sr. Mrs. Arthur I. Strang Mrs. Richard D. Hill David R. Pokross Luise Vosgerchian Susan M. Hilles Daphne Brooks Prout Mrs. Donald B. Wilson Mrs. Louis I. Kane Symphony Hall Operations Robert L. Gleason, Facilities Manager James E. Whitaker, House Manager Cleveland Morrison, Stage Manager Franklin Smith, Supervisor of House Crew Wilmoth A. Griffiths, Assistant Supervisor of House Crew William D. McDonnell, Chief Steward H.R. Costa, Lighting Officers of the Boston Symphony Association of Volunteers Molly Beals Millman, President Flornie Whitney, Executive Vice-President Joan Erhard, Secretary Bonnie B. Schalm, Treasurer Betty Sweitzer, Nominating Chairman Vice-Presidents Helen A. Doyle, Hall Services Maureen Hickey, Tanglewood Goetz B. Eaton, Fundraising Ileen Cohen, Tanglewood Una Fleischmann, Development Ann Macdonald, Youth Activities Paul S. Green, Resources Development Carol Scheifele-Holmes, Symphony Shop Patricia M. Jensen, Membership Patricia L. Tambone, Public Relations Kathleen G. Keith, Adult Education Business and Professional Leadership Association Board of Directors Harvey Chet Krentzman, Chairman James F. Cleary, BPLA President J.P. Barger George H. Kidder William D. Roddy Leo L. Beranek William F. Meagher Malcolm L. Sherman William F. Connell Robert P. O'Block Ray Stata Nelson J. Darling Vincent M. O'Reilly Stephen J. Sweeney Thelma Goldberg Boston Symphony Orchestra concerts are funded in part by the National Endowment for the Arts and the Massachusetts Cultural Council, a state agency. Celebrating the 100th Anniversary of the Birth of Charles Munch trlffcdiliP To mark the centennial of the birth of Charles Munch, the Boston Symphony Archives has mounted a display of memorabilia in the Cohen Wing lobby. Using photographs, letters, programs, and other historical documents, the exhibit explores the career of Charles Munch, focusing on his tenure as Music Director of the Boston Symphony Orchestra from 1949 to 1962. In the photograph above, Munch (right) is shown with guest conductor Pierre Monteux (left), himself music director of the BSO from 1919 to 1924, and the train conductor just prior to departing on the BSO's transconti- nental tour in 1953. The Boston Symphony Archives extends special thanks to Bunnell Frame Shop for its generous assistance in mounting this exhibit. BH References furnished on request Armenta Adams David Korevaar American Ballet Theatre Garah Landes Michael Barrett Micha el Lankest er John Bayless Elyane Laussade Leonard Bernstein Marian McPartland William Bolcom John Nauman Jorge Bolet * Seiji Ozawa Boston Pops Orchestra Luciano Pavarotti Boston Symphony Alexander Peskanov Chan ;/ers Andre Previn Boston Symphony Steve Reich Orchestra Santiago Rodriguez Boston University SchOOi George Shearing qf Music Bright Sheng Brooklyn Philharmoni Leonard Shure Dave Brubeck Abbey Simon Aaron Copland Stephen Sondheim John Corigliano 1 Herbert Stessin Phyllis Curtin Tanglewood Music Rian di Waal Center Michael Feinstein Nelita True Lukas Foss Craig Urquhart Philip Glass Earl Wild Karl Haas John Williams John F. Kennedy Center Yehudi Wyner for Performing Arts and 200 others TIF BALDWIN OF III BOSTON 98Boylston,Bositon, MA 02116, (617) 482-2525 BSO Symphony Shopping for the Holidays Suppers at Symphony Hall You can find unique and delightful gifts and The Boston Symphony Association of Volun- support the BSO at the same time by doing teers is pleased to continue its sponsorship of your holiday shopping at the Symphony Shop, the BSO's evening series of pre-concert events. a project of the Boston Symphony Association "Supper Talks" combine a buffet supper at of Volunteers. For those cold winter nights, 6:30 p.m. in the Cohen Wing's Higginson Hall you can feel cozy under the Symphony Lap with an informative talk by a BSO player or Robe (available in four colors) while sipping other distinguished member of the music com- something warm from a BSO or Pops mug. Or munity. "Supper Concerts" offer a chamber add some distinctive new pieces to your jewelry music performance by members of the Boston collection with "wearable art" by Orenda or Symphony Orchestra in the Cabot-Cahners something
Recommended publications
  • To Download the Full Archive
    Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002
    2001-2002 SEASON BOSTON SYMPHONY ORCHESTRA Saluting Seiji Ozawa in his farewell season SEIJI OZAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR Bring your Steinway: With floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill. LONGYEAR. at ^Jrisner Jiill BROOKLINE CORT1 SOTHEBY'S PROPERTIES INC. International Realty E A L ESTATE Somethingfor any occasion.. &* m y-^ ;fe mwm&m <*-iMF--%^ h : S-i'ffi- I C'?t m^^a»f * • H ^ >{V&^I> ^K S8 ^ r" • >-*f &a Davic^Company Sellers & Collectors of Beautiful Jewelry 232 Boylston Street, Chestnut Hill, MA 02467 617-969-6262 (Tel) 1-800-DAVIDCO 617-969-3434 (Fax) www.davidnndcompany.com . Every car has its moment. This one has thousands per second. .-:.: % - The new 3 Series. Pure drive, The New ^m BMW 3 Series ^f^rn^w^ From $27,745* fop 9 Test drive The Ultimate Driving Machine bmwusa.com The Ultimate at your authorized BMW center 1-8QG-334-4BMW Driving Machine* Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twenty-first Season, 2001-02 SALUTING SEIJI OZAWA IN HIS FAREWELL SEASON Trustees of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Don Pasquale
    Gaetano Donizetti Don Pasquale CONDUCTOR Dramma buffo in three acts James Levine Libretto by Giovanni Ruffini and the composer PRODUCTION Otto Schenk Saturday, November 13, 2010, 1:00–3:45 pm SET & COSTUME DESIGNER Rolf Langenfass LIGHTING DESIGNER Duane Schuler This production of Don Pasquale was made possible by a generous gift from The Sybil B. Harrington Endowment Fund. The revival of this production was made possible by a gift from The Dr. M. Lee Pearce Foundation. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 129th Metropolitan Opera performance of Gaetano Donizetti’s Don Pasquale Conductor James Levine in o r d e r o f v o c a l a p p e a r a n c e Don Pasquale, an elderly bachelor John Del Carlo Dr. Malatesta, his physician Mariusz Kwiecien* Ernesto, Pasquale’s nephew Matthew Polenzani Norina, a youthful widow, beloved of Ernesto Anna Netrebko A Notary, Malatesta’s cousin Carlino Bernard Fitch Saturday, November 13, 2010, 1:00–3:45 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. Bloomberg is the global corporate sponsor of The Met: Live in HD. Marty Sohl/Metropolitan Opera Mariusz Kwiecien as Chorus Master Donald Palumbo Dr. Malatesta and Musical Preparation Denise Massé, Joseph Colaneri, Anna Netrebko as Carrie-Ann Matheson, Carol Isaac, and Hemdi Kfir Norina in a scene Assistant Stage Directors J. Knighten Smit and from Donizetti’s Don Pasquale Kathleen Smith Belcher Prompter Carrie-Ann Matheson Met Titles Sonya Friedman Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs by Metropolitan Opera Wig Department Assistant to the costume designer Philip Heckman This performance is made possible in part by public funds from the New York State Council on the Arts.
    [Show full text]
  • La Generación Rota Pilar Jurado Jean-Guihen Queyras Violeta
    REVISTA DE MÚSICA Año XXVI - Nº 261 - Marzo 2011 - 7 € Año XXVI - Nº 261 Marzo 2011 DOSIER La generación rota ENCUENTROS Pilar Jurado ACTUALIDAD Jean-Guihen Queyras Violeta Urmana DISCOS Premios ICMA 9778402 134807 16200 'HVFXEUDXVWHGPLVPR WRGDV ODVQRYHGDGHV FG FG FG FG FG FG 'tDDGtDOHLQYLWDPRVDGHVFXEULU\GLVIUXWDUGHODVPHMRUHV JUDEDFLRQHVGHP~VLFDFOiVLFD(VWiQDOPHMRUSUHFLR HQORVFDWiORJRVGH%ULOOLDQW&ODVVLFV\1HZWRQ&ODVVLFV INTERIOR CUBIERTA 261.indd 1 25/02/11 7:59 261-Pliego 1 22/2/11 11:46 Página 1 AÑO XXVI - Nº 261 - Marzo 2011 - 7 € 2 OPINIÓN DOSIER 101 CON NOMBRE La generación rota PROPIO Cadenas generacionales, sendas estéticas 6 Violeta Urmana Jorge de Persia 102 Fernando Fraga Recuerdo de Óscar Esplá 8 Jean-Guihen Queyras Alberto González Lapuente 106 Juan Manuel Viana Jesús Guridi o la luz del norte Asier Vallejo Ugarte 112 10 AGENDA La generación rota: algunos otros nombres 14 ACTUALIDAD José Luis Temes 116 NACIONAL ENCUENTROS 44 ACTUALIDAD Pilar Jurado INTERNACIONAL David Rodríguez Cerdán 122 56 ENTREVISTA EDUCACIÓN Pedro Sarmiento 126 Carlos Kalmar Luis Suñén JAZZ Pablo Sanz 128 58 Discos del mes LIBROS 130 59 SCHERZO DISCOS Sumario LA GUÍA 132 CONTRAPUNTO Norman Lebrecht 136 Colaboran en este número: Javier Alfaya, Julio Andrade Malde, Íñigo Arbiza, Emili Blasco, Alfredo Brotons Muñoz, Ricardo de Cala, José Antonio Cantón, Jacobo Cortines, Patrick Dillon, Pierre Élie Mamou, José Luis Fernández, Fernando Fraga, Germán Gan Quesada, Manuel García Franco, Juan García-Rico, José Antonio García y García, Carmen Dolores García González,
    [Show full text]
  • Artist Profiles
    ARTISTPROFILES CHARLESCASTRONOVO, Ernesto ROBERTDAHEY Hop Sing It is alwalts wonderful to sing Donizexi's music! For RobertDahey is reprisingthe roleof Hop Sing Etnesto, he created a rnusical cltaracter that I belieue he performed 10 years ago for San Diego is ueryt honest, euen f he is a bit ouer ernotional. But Opera.Fort Worth Opera, I belieue Donizeni captilres KentuckyOpera and this in Ernesto3 Touthful, ArizonaOpera. He is an actor,director, desrgner irnpatient, anrl heartfeh ztocallines. In Ernexo wi get who hasworked with local the nzostronantic lines in the opera,perfectfor a teir! companiessuch as La Jolla Playhouse,The American tenor Charles Castronovo made his Globe Theatres,San Diego Companydebut in 2OOBas Nadrrin Thepear/ Rep,North CoastRep. Asian American Fishers. Repand New Village He began his career at Los Angeles Opera as a Resident Arts.His stage work hasgarnered him a KpBS Artist and .1999 Performance playbill made his debut at the MetropolitanOpera in as Awardand a SanDiego Awardfor Outstanding Beppein Pagliacci. Performance. Recentappearances include devetoprng the role He has numeroustelevision credits includingCSl, of Mario Ruoppolo postlno in the world premiereof l/ at LosAngeles Bones. and LOST along with film credits including Lakeview Opera,Belmonte in TheAbduction Terrace(wtih from the Serag/ioat Teatrodell. SamuelL. Jackson)and HarshTimes (with Christian Opera di Roma. Gennaro in Lucrezia Bale). Borgra, Don Otlavio in Don Roberthas also co-created and originatedthe roleof Shaban Giovanniand Belmontefor Bayerische Staatsoper,Don Ottavio at for TokyoDisneySea's Feature Live Show "MagicLamp Theatel,. San Francisco Opera and Los AngelesOpera, Nemorino in The Elixlrof Love for op6ra de Nice.Romeo in Romeo and Jurietf or The Dallas JEFF MATTSEY Or Matatesta Opera,Tamino in TheMagic Flute for LyricOpera of Chicago, Santa This production pasquale Fe Opera.
    [Show full text]
  • Sitz Ich Zur Wacht“ Hagens Wacht-Gesang Aus „Götterdämmerung“
    „Hier sitz ich zur Wacht“ Hagens Wacht-Gesang aus „Götterdämmerung“ Bühnenbildentwurf „Götterdämmerung“ für Bayreuth von J. Hoffmann (1876) Was ist Hagen für ein Geselle? Im „Ring des Nibelungen“ ist er der Sohn des Zwergenkönigs und Hortbesitzers Alberich, und von daher meint er wohl, auch gewisse Rechte am Nibelungenhort zu haben und macht seine Ansprüche auf recht perfide Art und Weise geltend. Der Text seines Wacht- Gesangs aus dem ersten Aufzug der „Götterdämmerung“ lautet so: „Hier sitz’ ich zur Wacht, wahre den Hof, wehre die Halle dem Feind. Gibichs Sohne wehet der Wind, auf Werben fährt er dahin. Ihm führt das Steuer ein starker Held, Gefahr ihm will er bestehn: Die eigne Braut ihm bringt er zum Rhein; mir aber bringt er – den Ring! Ihr freien Söhne, frohe Gesellen, segelt nur lustig dahin! Dünkt er euch niedrig, ihr dient ihm doch, des Niblungen Sohn.” Im Internet gibt es einen amüsanten und informativen Chat zu der Frage, wer wohl der „beste“ Hagen- Sänger sei. Gefährlich muss er klingen und möglichst nachtdunkel. In den fünfziger und frühen sech- ziger Jahren begegneten in dieser Rolle bei zahlreichen Plattenaufnahmen am häufigsten die beiden Bässe Gottlob Frick und Josef Greindl – beide haben auch in Bayreuth diese Rolle gesungen. Es ist freilich Geschmacksache, wem man die Palme erteilen möchte: https://www.tamino-klassikforum.at/index.php?thread/10807-hier-sitz-ich-zur-wacht-wer-war-der- beste-hagen/ 2 Eine Auswahl historischer Aufnahmen findet sich auf YouTube: Carl Braun (1886-1960) Biographie: https://de.wikipedia.org/wiki/Carl_Braun_(Sänger) Aufnahme: https://www.youtube.com/watch?v=mWolvQjPja8 Emanuel List (1888-1967) Biographie: https://de.wikipedia.org/wiki/Emanuel_List Aufnahme: https://www.youtube.com/watch?v=dUAo4JoJ48I Ludwig Weber (1899-1974) Biographie: https://de.wikipedia.org/wiki/Ludwig_Weber_(Sänger) Aufnahme: 1950 Orchester der Mailänder Scala, Ltg.
    [Show full text]
  • Download Booklet
    Cast in order of appearence Gordon Getty (born 1933) PLUMP JACK Henry IV / Pistol - Christopher Robertson, Bass-baritone Hal (Henry V) - Nikolai Schukoff, Tenor Libretto by the composer after Shakespeare (Henry IV Part 1 & 2, Henry V) Opera in Two Acts Boy / Clarence - Melody Moore, Soprano Bardolph / Chief Justice - Nathaniel Webster, Baritone Concert Version (Scene 1 and Scene 8 of the opera are not included in the concert version) Falstaff - Lester Lynch, Baritone First Traveler - Diana Kehrig, Mezzo-soprano Act One 1 Overture 11. 18 Second Traveler / Second Captain/ Warwick - Bruce Rameker, Baritone 2 Scene 2: “Hal’s Memory” 3. 27 Hostess (Nell Quickly) - Susanne Mentzer, Mezzo-soprano (Henry IV, Hal) Shallow / First Captain - Robert Breault, Tenor 3 Scene 3: “Gad’s Hill” 3. 35 Davy - Chester Patton, Bass-baritone (Falstaff, Hal, Boy, 1st Traveler, 2nd Traveler, Bardolph, Pistol) 4 Scene 4: “Clarence” 5. 16 Chor des Bayerischen Rundfunks (Henry IV, Chief Justice, Clarence) Chorus Master: Florian Helgath 5 Scene 5: “Boar’s Head Inn” 9. 00 (Falstaff, Hal, Hostess, Boy, Pistol, 1st Captain, 2nd Captain ) Münchner Rundfunkorchester Concertmaster: Olga Pogorelova Act Two 6 Scene 6: “Shallow’s Orchard” 5. 04 conducted by: Ulf Schirmer (Shallow, Falstaff) 7 Scene 7: “Jerusalem” 6. 33 Recording Venue: Studio One of the Bavarian Radio Munich, May 2011 (Clarence, Chief Justice, Henry IV, Warwick, Hal, Chorus) Executive Producers: Lisa Delan (Rork Music), Veronika Weber & Florian Lang (Bavarian 8 Scene 9: “Pistol’s News” 4. 47 Radio), Job Maarse (PentaTone Music) (Davy, Falstaff, Bardolph, Shallow, Pistol, Chorus) Recording Producer: Job Maarse 9 Scene 10: “Banishment” 10.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 84,1964-1965
    £uJ&$4 -/ X) %r r BOSTON Iff SYMPHONY ORCHES FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 i \A\ ^fe*' ^s H EIGHTY-FOURTH SEASON 1964-1965 TAKE NOTE The precursor of the oboe goes back to antiquity — it was found in Sumeria (2800 bc) and was the Jewish halil, the Greek aulos, and the Roman tibia • After the renaissance, instruments of this type were found in complete families ranging from the soprano to the bass. The higher or smaller instruments were named by the French "haulx-bois" or "hault- bois" which was transcribed by the Italians into oboe which name is now used in English, German and Italian to distinguish the smallest instrument • In a symphony orchestra, it usually gives the pitch to the other instruments • Is it time for you to take note of your insurance needs? • We welcome the opportunity to analyze your present program and offer our professional service to provide you with intelligent, complete protection. We respectfully invite your inquiry i . , ... CHARLES H. WATKINS CO. & /obRION, RUSSELL 8c CO. Richard P. Nyquist — Charles G. Carleton / 147 milk street boston 9, Massachusetts/ Insurance of Every Description 542-1250 EIGHTY-FOURTH SEASON, 1964-1965 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk Copyright, 1965, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot • President Talcott M. Banks • Vice-President Richard C. Paine Treasurer Abram Berkowitz Henry A. Laughlin The Rev. Theodore P. Ferris Rt.
    [Show full text]
  • Newsletter • Bulletin Fall 2000 L'automne
    NATIONAL CAPITAL OPERA SOCIETY • SOCIETE D'OPERA DE LA CAPITALE NATIONALE Newsletter • Bulletin Fall 2000 L'Automne P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa, (Ontario) K1G 3H8 THE BRIAN LAW OPERA SCHOLARSHIP The Fifth Biennial Competition by Bobbi Cain A $2000 scholarship will be awarded to an aspir- Swerdfeger, will present a special recital. Mary ing young singer, aged 22 to 32 years, after a juried Ann is working in New York City in a variety of competition. The Brian Law Opera Scholarship roles, mostly of a light operatic nature, and we are was established in 1992 in honour of Brian Law, happy to welcome her glorious, yet dulcet tones to commemorate his dedication over a twenty- back to be with us in her hometown, Ottawa. five year period to young singers, to orchestral The competition evening begins at 7:30 P.M., and choral music, and to opera, both at the Na- and light refreshments will be available in the ad- tional Arts Centre and at l’Opera de Montreal. joining hall after the announcement of the winner. The upcoming scholarship competition A considerable amount of parking can be found will be held on Saturday, January 27, 2001 at the around the building, and buses run nearby. The First Unitarian Congregation, 30 Cleary Avenue. charge for the competition is $10.00, with tickets Up to six young finalists will perform a selection available at the door. Book this date now, and make of operatic arias, including one with recitative, sure you are with us for this exciting night.
    [Show full text]
  • The Music Scene December 2002 — February 2003 Contents E N E C
    FREE www.scena.org December 2002 - February 2003 Issue 02 yo-yo Ma An Invitation to Explore Holidays Classical Music Calendar Southern Ontario & Western Canada AVE MARIA BEETHOVEN HANDEL MOZART Sacred Arias And Choruses Symphony No. 9 “Choral” The Messiah (Highlights) Requiem ORFF PETER AND THE WOLF RACHMANINOV TCHAIKOVSKY Carmina Burana Narrated by Piano Concerto No. 2 Nutcracker/Swan Lake Dame Edna Everage Bank/Sparks Ottawa Carrefour Laval Laval Cataraqui Town Centre Kingston Devonshire Mall Windsor Fairview Mall Willowdale First Canadian Place Toronto Halifax Halifax Laurier Ste-Foy Market Mall Calgary Mayfair Victoria Montreal Megastore Montréal Park Royal Vancouver Pointe-Claire Pointe- Claire Polo Park Winnipeg Portage Place Winnipeg Richmond Centre Richmond Rideau Ottawa Scarborough Town Centre Scarborough Sherway Gardens Etobicoke Square One Mississauga St Vital Winnipeg Stone Road Guelph TD Square Calgary Toronto Superstore Toronto Upper Canada Mall Newmarket West Edmonton Edmonton Yonge & Bloor Toronto Yonge & Eglinton Centre Toronto Yorkdale Toronto 3 CDs for $20 offer in effect at participating HMV locations only until December 24, 2002. Offer applies to specially stickered CD selections only. Individually priced at 7.99 each. HMV reserves the right to limit quantities and cease offer at any time. Offer valid only while quantities last. One HMV Coupon Booklet per transaction. HMV reserves the right to limit quantities. Minimum $40 purchase before taxes required. ATMAclassique Introducing the Pacific Baroque Orchestra recognized
    [Show full text]
  • Richard Wagner Opernchöre Mp3, Flac, Wma
    Richard Wagner Opernchöre mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Opernchöre Country: Europe MP3 version RAR size: 1833 mb FLAC version RAR size: 1820 mb WMA version RAR size: 1629 mb Rating: 4.5 Votes: 177 Other Formats: AU AUD XM DXD MP1 VOX AIFF Tracklist Hide Credits Tannhäuser Freudig Begrüßen Wir Die Edle Halle (Einzug Der –Chor* Und Gäste) Orchester Der 1 Choir – Chor Der Deutschen Oper BerlinConductor 8:46 Deutschen Oper – Giuseppe SinopoliOrchestra – Orchester Der Berlin Deutschen Oper Berlin Der Fliegende 9:23 Hollänger –Chor und Auszüge Orchester der 2 Choir, Orchestra – Chor und Orchester der Bayreuther Bayreuther FestspieleConductor – Karl Böhm Festspiele –Chor und Auszüge Orchester der 3 Choir, Orchestra – Chor und Orchester der Bayreuther Bayreuther FestspieleConductor – Karl Böhm Festspiele –Chor und Auszüge Orchester der 4 Choir, Orchestra – Chor und Orchester der Bayreuther Bayreuther FestspieleConductor – Karl Böhm Festspiele Lohengrin 16:09 Auszüge Bass Vocals – Gerd NienstedtChoir – Chor Des 5 –Gerd Nienstedt Bayerischen RundfunksConductor – Rafael KubelikOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks Auszüge Bass Vocals – Gerd NienstedtChoir – Chor Des 6 –Gerd Nienstedt Bayerischen RundfunksConductor – Rafael KubelikOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks Auszüge Bass Vocals – Gerd NienstedtChoir – Chor Des 7 –Gerd Nienstedt Bayerischen RundfunksConductor – Rafael KubelikOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks Die Meistersänger 11:26 Von Nürnberg
    [Show full text]