Boston Symphony Orchestra Concert Programs, Season 84,1964-1965
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The Marriage of Figaro
UNIVERSITY MUSICAL SOCIETY Charles A. Sink, President Lester McCoy, Conductor Gail W. Rector, Executive Director First Concert 1957-1958 Complete Series 3216 Twelfth Annual Extra Concert Series THE NBC OPERA COMPANY m THE MARRIAGE OF FIGARO MOZART SUNDAY EVENING, OCTOBER 6, 1957, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN THE CAST Count Almaviva WALTER CASSEL Countess Almaviva MARGUERITE WILLAUER Susanna, the Countess' maid JUDITH RASKIN Figaro, the Count's valet . MAC MORGAN Cherubino, the Count's page REGINA SARFATY Marcellina, an aged dame . RUTH KOBART Basilio, a music master LUIGI VELUCCI Don Curzio, a judge FRED CUSHMAN Bartolo, a doctor . EMILE RENAN Antonio, a gardener-Susanna's uncle EUGENE GREEN Barbarina, his daughter . BERTE GOAPERE Crier . RICHARD KRAUSE Country men and women, court attendants, hunters, and servants. (Cast subject to change) Conductor and Stage Director: PETER HERMAN ADLER Baldwin piano courtesy 0/ Maddy Music Company, Ann Arbor. A R S LON G A V I T A BREVIS THE MARRIAGE OF FIGARO By WOLFGANG AMADEUS MOZART Libretto by DAPONTE Based on a comedy by BEAUMARCHAIS English version: EDWARD EAGER Producer: SAMUEL CHOTZINOFF Music and Artistic Director: PETER HERMAN ADLER General Manager: CHANDLER COWLES Costumes: ALVIN COLT The action takes place in the castle and grounds of the Count and Countess Almaviva, near Seville. ACT I Count Almaviva, grown faithless to his Rosina after some years of marriage, has cast a roving eye upon her maid, Susanna, the bride-to-be of his valet, Figaro; while the Count's page, young Cherubino, has fallen in love, if you please, with the Countess herself. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
Boston Symphony Orchestra Concert Programs, Summer, 1976
I M' n, v ~# ^ »>'* •«*^ ^T* > ^'^.._, KlLBu**%m*lJcML^teff-'il Btf^^flB IS^.'^I For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin Charles Kavaloski, French horn Karol Berger ' Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz Bernard Kadinoff, viola David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin ' Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman 'Leslie Martin, string bass ' Charles Yancich, French horn Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello * Thomas Ganger Malloy Miller Leslie Parnas, cello ' Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence " Alfred Schneider, violin music education * Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura Jack O. Lemons Walter Trampler, viola -
Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002
2001-2002 SEASON BOSTON SYMPHONY ORCHESTRA Saluting Seiji Ozawa in his farewell season SEIJI OZAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR Bring your Steinway: With floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill. LONGYEAR. at ^Jrisner Jiill BROOKLINE CORT1 SOTHEBY'S PROPERTIES INC. International Realty E A L ESTATE Somethingfor any occasion.. &* m y-^ ;fe mwm&m <*-iMF--%^ h : S-i'ffi- I C'?t m^^a»f * • H ^ >{V&^I> ^K S8 ^ r" • >-*f &a Davic^Company Sellers & Collectors of Beautiful Jewelry 232 Boylston Street, Chestnut Hill, MA 02467 617-969-6262 (Tel) 1-800-DAVIDCO 617-969-3434 (Fax) www.davidnndcompany.com . Every car has its moment. This one has thousands per second. .-:.: % - The new 3 Series. Pure drive, The New ^m BMW 3 Series ^f^rn^w^ From $27,745* fop 9 Test drive The Ultimate Driving Machine bmwusa.com The Ultimate at your authorized BMW center 1-8QG-334-4BMW Driving Machine* Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twenty-first Season, 2001-02 SALUTING SEIJI OZAWA IN HIS FAREWELL SEASON Trustees of the Boston Symphony Orchestra, Inc. -
PDF (Volume 2)
Durham E-Theses A.J. Potter (1918-1980): The career and creative achievement of an Irish composer in social and cultural context Zuk, Patrick How to cite: Zuk, Patrick (2007) A.J. Potter (1918-1980): The career and creative achievement of an Irish composer in social and cultural context, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2911/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Chapter4 Choral works with orchestra 4.1 Introduction n view of Potter's early training as a chorister, it is perhaps surprising to find that choral music comprises a comparatively small proportion of his output: I one might have expected him to follow up his early Missa Brevis with other substantial choral works of various kinds. The fact that he did not can undoubtedly be explained by the circumstances of Irish musical life at the period: in bleak contrast to Britain, not only were good choirs few and far between, but there was little evidence of interest in choral music throughout the country at large. -
Boston Symphony Orchestra Concert Programs, Season 129, 2009-2010
BOSTON SYM PHONY ORCHESTRA ,v IB 2009-2010 SEASON WEEK 24 James Levine Music Director | Bernard Haitink : Conductor Emeritus Seiji Ozawa i Music Director Laureate W&Imm&f/; MmmsmBBBm Silk twill scarves. Boston 320 Boylston Street (617) 482-8707 Hermes.com HERMES PARIS & VERMES, L/FEAS A*^ Table of Contents | Week 24 15 BSO NEWS 23 ON DISPLAY IN SYMPHONY HALL 25 BSO MUSIC DIRECTOR JAMES LEVINE 28 THE BOSTON SYMPHONY ORCHESTRA 31 THIS WEEK'S PROGRAM Notes on the Program 33 Richard Strauss 41 Mozart Violin Concerto No. 5 51 Mozart Symphony No. 35, "Haffner' 57 To Read and Hear More... Guest Artists 61 Bernard Haitink 63 Leonidas Kavakos 66 SPONSORS AND DONORS 80 FUTURE PROGRAMS 82 SYMPHONY HALL EXIT PLAN 83 SYMPHONY HALL INFORMATION THIS WEEK S PRE-CONCERT TALKS ARE GIVEN BY ELIZABETH SEITZ OF THE BOSTON CONSERVATORY, program copyright ©2010 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photograph by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org WHAT DO YOU PACK FOR A TRIP TO THE AFTERLIFE? fccfeucO I c < K C <$ << ict <><5Q & n?fe 1 I Iff til 1 DIG DEEPER AT •* - THE SECRETS OF TOMB 10A '». EGYPT 2000 BC MUSEUM OF FINE ARTS, BOSTON NOW THROUGH JUNE 27, 2010 ^V'&p BOSTON WWW.MFA.ORG «S£ ** o \V The exhibition is supported by Major funding is provided by Additional support >>!• . .INSTITUTE of for the exhibition is The Calderwood Charitable Foundation. ••••Iv MuseunriandLibr Bankof America provided by •*.•••; SERVIC *&• Above: Front side panel of outer coffin of Djehutynakht (detail), Egyptian, Middle Kingdom, late Dynasty n-early Dynasty 12, 2010-1961 BC. -
John La Montaine Collection
JOHN LA MONTAINE COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2016 John La Montaine (at far right) presents John F. Kennedy with score to From Sea to Shining Sea, op. 30, which had been commissioned for Kennedy’s inauguration ceremony, with Jackie Kennedy and Howard Mitchell (National Symphony Orchestra conductor) (1961). Photograph from John La Montaine Collection, Box 16, Folder 9, Sleeve 1. John La Montaine and Howard Hanson during rehearsal with the Eastman Philharmonia in preparation for the performance of La Montaine’s Concerto for Piano and Orchestra, op. 9, at Carnegie Hall (November 1962). Photograph from ESPA 27-32 (8 x 10). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 6 INVENTORY Series 1: Manuscripts and sketches Sub-series A: Student works and sketches . 12 Sub-series B: Mature works . 13 Sub-series C: Works with no opus number . 43 Sub-series D: Sketches . 54 Series 2: Personal papers Sub-series A: Original writings . 58 Sub-series B: Notes on composition projects . 59 Sub-series C: Pedagogical material . 65 Sub-series D: Ephemera . 65 Series 3: Correspondence Sub-series A: Correspondence to/from John La Montaine . 69 Sub-series B: Correspondence to/from Paul Sifler . 88 Sub-series C: Other correspondents . 89 Series 4: Publicity and press materials Sub-series A: Biographical information . 91 Sub-series B: Resume and works lists . 91 Sub-series C: Programs, articles, and reviews . 92 Sub-series D: Additional publicity materials . 104 3 Series 5: Library Sub-series A: Published literature . -
Boston Symphony Orchestra Concert Programs, Summer, 1976
"£r -# ^ f ^ *Lik«*«* - • A ?8t aw**- - _.; ^ 1 If ittCll II 4 * I ^'3 \0 *&>--£ >-- ,*£- 1 - Jfe- . $ ^A '-*. ) £ _-' -f . ^ For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin 'Charles Kavaloski, French horn Karol Berger * Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz "Bernard Kadinoff, viola 'David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola ' Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman Martin, string bass 'Charles Yancich, French horn 'Leslie Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello 'Thomas Gauger Malloy Miller Leslie Parnas, cello 'Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence ' Alfred Schneider, violin music education 'Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura -
Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre the Official Magazine 1Sla of the Detroit Opera House ~~~Em~
Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre The Official Magazine 1Sla of the Detroit Opera House ~~~eM~_---. Michigan Opera TheatreS 2000-2001 Season is lovingly dedicated to the memory of Lynn A. Townsend and Robert E. Dewar BRAVO IS A MICHIGAN OPERA THEATRE PUBLICATION Dr. David DiChiera, General Director Laura Wyss, Editor CONTRIBUTORS MICHIGAN OPERA THEATRE STAFF Alvin Ailey American Dance Theater Staff American Ballet Theatre Staff Arts'League of Michigan Staff Ballet Internationale Staff University Musical Society Staff PUBLISHER Live Publishing Company Frank Cucciarre, Design and Art Direction Chuck Rosenberg, Copy Editor Toby Faber, Director of Advertising Sales COVER PHOTO Detail from the Detroit Opera House, Mark]. Mancinelli, MJM Photography A special thanks to Jeanette Pawlaczyk and Bill Carroll Michigan Opera Theatre would like to thank Harmony House Records for donating season recordings and videos. Michigan Opera Theatre's 2000-2001 subscription and Single tickets have been graciously sponsored by Hunter House, Harmonie Park. METAL RESTORATION Physicians' service provided by Henry Ford Medical Center. Dent and scratcl-l. removal Re-a ttachmen t Alitalia is the official airline ~f Michigan Opera Theatre. • Sterling, brass, copper, bronze, and plate Pepsi-Cola is the official soft drink and juice provider for the Detroit Opera House. Starbucks Coffee is the official coffee of the Detroit Opera House. Ben Wearley, silversmith Steinway is the official piano of the Detroit Opera House and Michigan Opera Theatre. Steinway pianos are (248) 549-3016 provided by Hammel MuSiC, exclusive representative for Steinway and Sons in Michigan. President Tuxedo is the official provider of fonnal wear for the Detroit Opera House. -
Dance Books Complete Catalogue
CATALOGUE 1 DANCE BOOKS LTD Publications and distributed titles Winter 2018-2019 2 DANCE BOOKS Books and DVDs in this catalogue are published or distributed by: Dance Books Ltd Southwold House Isington Road Binsted Hampshire GU34 4PH Telephone +44 (0) 1420 525299 Web site www.dancebooks.co.uk Trade distribution UK and world wide excluding the USA: Vine House Distribution Ltd Orca Book Services The Old Mill House 160 Eastern Avenue Mill Lane Milton Park Uckfield Abingdon East Sussex OX14 4SB TN22 5AA Telephone: +44 (0) 1235 465500 Fax: +44 (0) 1235 465555 Telephone: +44 (0) 1825 767396 email: [email protected] Fax: +44 (0) 1825 765649 email: [email protected] Our publications are also stocked by the wholesalers Bertrams and Gardners Trade distribution USA: Trans-Atlantic Publications Inc. 33 Ashley Drive Schwenksville PA 19473 USA Telephone: 484-919-6486 Fax: 215-717-4655 email: [email protected] (Prices may vary from those shown in this catalogue) CATALOGUE 3 DANCE BOOKS publications NEW publication Robert Helpmann The Many Faces of a Theatrical Dynamo Edited by Richard Allen Cave and Anna Meadmore Dancer, actor in theatre, film and television, choreographer for stage and film, revue artist, director of ballet, opera, drama, pantomime, musicals, comedy: Robert Helpmann (1909-1986) exuberantly realised a career that encompassed a phenomenal range. In ballet and dance he grew beyond his early years as Ninette de Valois’ protégé within the Vic-Wells Ballet in the 1930s, to become premier danseur with the Company in the 1940s, guest artist with The Royal Ballet in the 1950s and 1960s, and finally director of Australian Ballet. -
Dorathi Bock Pierre Dance Collection, 1929-1996
http://oac.cdlib.org/findaid/ark:/13030/c8pc33q9 No online items Finding Aid for the Dorathi Bock Pierre dance collection, 1929-1996 Processed by Megan Hahn Fraser and Jesse Erickson, March 2012, with assistance from Lindsay Chaney, May 2013; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ ©2013 The Regents of the University of California. All rights reserved. Finding Aid for the Dorathi Bock 1937 1 Pierre dance collection, 1929-1996 Descriptive Summary Title: Dorathi Bock Pierre dance collection Date (inclusive): 1929-1996 Collection number: 1937 Creator: Pierre, Dorathi Bock. Extent: 27 linear ft.(67 boxes) Abstract: Collection of photographs, performance programs, publicity information, and clippings related to dance, gathered by Dorathi Bock Pierre, a dance writer and publicist. Language: Finding aid is written in English. Language of the Material: Materials are in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
FORECAST WASHINGTON/ BALTIMORE EDITION 111 Ss Y`' ` R'
FEBRUARY, 1971 60c 70' FORECAST WASHINGTON/ BALTIMORE EDITION 111 ss Y`' ` r' i THE FM LISTENING GUIDE ,`' ,, , N - ~O. I I ,wirr.!++ -...r.. 4:,°` I -.... ._,,...._. ....w -_ .:i i 1r,1C +:i--i- i__a.wre,.-_ Y^ W LOUDSPEAKER DESIGN CORPORATION INVITES ONE AND ALL TO 0 ME J TO OUR AUTHORIZED EZEKIEL SHOWS There are at least 763 places not suited for the evaluation of high fidelity speakers. They include sub- way stations, airports, and crowded hotel rooms. Since we do not display our speakers under any of these conditions, we cordially invite you to pick your audio show favorites, and then compare them to the Ezekiel Loudspeakers under rigid showroom conditions. Any of our authorized dealers will give you the Ezekiel show. Compare clarity, definition, balance, and transient response. You'll see why we feel the Ezekiel speakers are "The Most Accurate Reproducers Available." Ezekiel Show Dealers: McGuire's Audio - 6929 Arlington Road, Bethesda, Maryland 657-3336 Audio Specialists - 230 W. Broad Street, Falls Church, Virginia 532-1023 Wheaton Plaza Hi Fi - Wheaton Plaza, Wheaton, Maryland 949-2355 Stereo Corner - 19126 Montgomery Village Ave., Gaithersburg, Md. ____ 948-1175 Audio Specialists - 1605 Connecticut Ave., N.W., Washington, D. C. ____ 667-7480 Sight & Sound - Campus Hills Shopping Center, Bel Air, Maryland 734-7783 Fred Burke Says: After 14 Years Why is Audio Center Still Number 1957 - Audio Center opens for busi- ness late in year. 1958 - Audio Center was told they would not last six months in business, however, they ended up first year in the black! 1959 - Audio Center became a leading dealer in its second year of operation! 1960 - Audio Center became Fisher's largest single store dealer in entire Washington area.