DOCSLIB.ORG

Artist Profiles

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Artist Profiles ARTISTPROFILES CHARLESCASTRONOVO, Ernesto ROBERTDAHEY Hop Sing It is alwalts wonderful to sing Donizexi's music! For RobertDahey is reprisingthe roleof Hop Sing Etnesto, he created a rnusical cltaracter that I belieue he performed 10 years ago for San Diego is ueryt honest, euen f he is a bit ouer ernotional. But Opera.Fort Worth Opera, I belieue Donizeni captilres KentuckyOpera and this in Ernesto3 Touthful, ArizonaOpera. He is an actor,director, desrgner irnpatient, anrl heartfeh ztocallines. In Ernexo wi get who hasworked with local the nzostronantic lines in the opera,perfectfor a teir! companiessuch as La Jolla Playhouse,The American tenor Charles Castronovo made his Globe Theatres,San Diego Companydebut in 2OOBas Nadrrin Thepear/ Rep,North CoastRep. Asian American Fishers. Repand New Village He began his career at Los Angeles Opera as a Resident Arts.His stage work hasgarnered him a KpBS Artist and .1999 Performance playbill made his debut at the MetropolitanOpera in as Awardand a SanDiego Awardfor Outstanding Beppein Pagliacci. Performance. Recentappearances include devetoprng the role He has numeroustelevision credits includingCSl, of Mario Ruoppolo postlno in the world premiereof l/ at LosAngeles Bones. and LOST along with film credits including Lakeview Opera,Belmonte in TheAbduction Terrace(wtih from the Serag/ioat Teatrodell. SamuelL. Jackson)and HarshTimes (with Christian Opera di Roma. Gennaro in Lucrezia Bale). Borgra, Don Otlavio in Don Roberthas also co-created and originatedthe roleof Shaban Giovanniand Belmontefor Bayerische Staatsoper,Don Ottavio at for TokyoDisneySea's Feature Live Show "MagicLamp Theatel,. San Francisco Opera and Los AngelesOpera, Nemorino in The Elixlrof Love for op6ra de Nice.Romeo in Romeo and Jurietf or The Dallas JEFF MATTSEY Or Matatesta Opera,Tamino in TheMagic Flute for LyricOpera of Chicago, Santa This production pasquale Fe Opera. San FranciscoOpera and Vienna Slaalsoper, olf Don is my all time Alfredoin La Malatesta travtatafor the OperaCompany of philadelphiaand the fauorite. is the Suengaliof thepiecr, aork- RoyalOpera, i1{ tbe background CoventGarden, Elvino in La Sonnambulaat Michigan ! to get theyoung loiers together. Opera In thisproduction Theatre.the title roleof Faust and Rodolfoin La bohdmefor aeget t0plal couborysantl1 walk Staatsoper arounrl witb a cigar (non unter den Lindenin Berlin,Ferrando in Cosl fan tutte Ior Cuban, wink wink) in mv RoyalOpera. mouth all night. CoventGarden. the Duke in Rigo/ettoin Bordeauxand ll/hat's nlt t0 llue? American Tom Rakewellin progress baritoneJeff Mattsey Stravinsky'sThe Rake's for Th66trede ra made his San Dreoo j99b Monnaie,Brussels and RoyalOpera Covent Garden Opera debut in as Schaunardjn la bohdme and returned as Mercutio in Romeo and Juliet. Valentin in Faust, Dancalre in Carmen. Marcello in La boheme and last JOHN DEL CARLO,Don pasquate season as Ping in Turandotand again as Dancajrein Carmen. Don Pasquale......this His h a story that is still releuant Metropolitanopera appearancesincrude Ned Keenetn peter today. An older, rather Grimes, wea/tb7 grntlernan, looking Mercutio in Romeo and Jullet, Silvano in A Masked Ba//, to bis yath b7 marrling a youngr, Schaunard in La ,reclaim *o.oi. boheme. Marco in Gianni Schicchi. Hermann/ rhere are so many Schlemiel Jacets t0 this nan: bappiness, in The Talesof Hoffmann, paris in Romeo and Juliet sorrow, anger, jolt, jubilation. and h,s not tbat ofien that Joe Castroin The Girl of the Go/den West. OIherappearances a comic opera cltaracter includethe has fue opportunitl to sbou title rolein Don GiovanniwithCentral City Operaand this many sides to Manitoba his character, and. the music blends Opera,the Count in The Marriage of Figaro at Madison Opera. Sharplessin Madama Butterfly and Renalo in A Masked snyt.rfo,t rt n g,:: i:!;, Ball with felt tr;,::;,;:::l:,";::::;f::;:::!,,',';;:; VancouverOpera. Count Carl_Magnusin A Little Night sing Americanbass-baritone John Del Carlomade his San Diego Muslc with Central City Opera. Silvio in pagliaccl pantalone with lVjchigan Opera debut as jn TheLove for Three Opera Theatre, Oranges in 197g Frgaroin The Barber of Sevihewith Opera Tampa and returnedfor the Commissionerin Madama and Captain pinafore Butterfly,Silvjo in Corcoranin H.M.S. with UtahSymphony and Pagliacci.Dulcamara in TheE/ixir of Love.Sulprce Opera. He has york in TheDaughter alsosung with New CityOpera. Lyrrc Opera of of the Regiment, Barcn Zeta in The Merry Chicago. Widow, Mustafa in WashingtonNational Opera, portland Opera, Lyric Opera The lta/ian Gir/ rn Argiers, Bartoro in The Barber of sevi//e, Frank of KansasCity, Cincinnati Opera and pittsburghOpera. in Dle Fledermaus peter and Swallow in Grlmes in 2009. He has enjoyed an important relationshipwith the l\4etropotrtanOpera DAVID since his debut jn MARSHMAN, Notary in 1993 as Kothner Die Meistersinger von Ntirnberg, returning I anz delighted t0 re?eat the twice for the title roleof Don pasquale, twice ro/e of the Notarv as Swallow, Ouince (Malatexas cousin Carlino ln in A Midsummer Night's Dream, Mathieu in disg)ise) nod ti, Andrea Chenier, o??lrtunit! to work again Bartolo in The Marriage of Figaro and The Barber with Dauid Gateh who of Seville, brougbt this cleuerlystaged and Alfieri in A View from the Bidge. among others. and hilarious'"Wild With San Francisco West"production to San Opera his numerousupp..rrn.u, include Diego Opera in 2002. the title role Im also excited t0 be working of Farstaff,Aridoro in cindereila and GenerarBoom witb a wonderfully in La Grande talented group of principal - Duchesse de Gdrolstein,among others. Recent artkts. il/hat frn";t it engagements Baritone.David Marshman. include Mr. Scattergoodin The LastSavage wilh appearsregurarly Santa Fe with the San Diego Opera and Los Angeles Opera, Fritz Kothner in Die Meistersinger von Ndrnberg Opera as a choris_ with cincinnati ter and solo artist.His main stage roleswith opera,Don Arfonsoin cosifan tutte arthe Ravinia San Diego Opera Festival.Bartojo for include FriarJohn in Romeo and Juliet. Thjrd noble San FranciscoOpera. Alfieri in A Viewfrom the in Lohengrin, Bridge Second TrojanMan in ldomeneo: King aI Teatrodell' Opera di Roma.and Bartolo in of Crete,the Notary in Don The Marriage Pasquale. of Flgaro for The6tredes Champs-Elvs6es. the Heraldin Otello,the Usher in Rigoletto,the Customs PIOPERFORMAI{CES I.IAGAZII.{T has worked on seveTalnotable Guard in La Bohdme, and Ochs' Servant in Der Rosenkavaher' and TeatroCo16n in Argentina.He Place and He also performswith the Bach Collegiumand Sacra Profana. world premieresincluding Leonard Bernstein's A Quret Throughoutthe U.S..he has appearedas a soloistin majorchoral CarlisleFloyd's Willle Stark a7 Houston Grand Opera. Stewart and solo works. including Handel'sMessiah, Saul, lsrael in Egypt: Copeland'sHoly Blood aI ClevelandOpera, Pasatieri's Frau Margot Bach's Sr John Passlon. Christmas Oratorio, Magnlflcat' Cantatas and Martin'sBefore Night Falls aIForI Worth Opera.His Broadway No. 56. B2: MozarI's Coronatron Mass. Requiem; Faur6'sRequiem, creditsinclude Julie Taymors production of Gozzi'sGreen Blrd and and Mendelssohn'sElijah, in which he was featuredin the title role Styne's Gentlemen Prefer B/ondes. Marshmanwas a guestartist with the LaJolla Symphony, perform- ing as soloistin Haydn'sHarmonle-Messe, and was a soloistin Handel'sMessiah with OrchestraNova and SacraProfana TONY FANNING,Set Designer researclt. Wben One of rn1fauorite parx of doing this production was tbe in DANIELLEDE NIESE,Norina Dauid and I startedcollaborating on tbe project 11/eaere botb based Los Angeles.I had accessto the mouiestudio libraries and archiuesat the I am so excited to debut here at San Diego Opera in tiwe. TheT wereflled witb great ph0t0 researchand stilk fron classic magnetic rn1 ro/e debut as Norina, one of the rnost mooiewesterns. It wasa designersdrearn. American Set DesignerTony and ebullient ?ersznalities to hh tbe lpera stage! Fanning'swork was firstseen here in 2OO2with this productionof Shei a muhi-faceted diamond - charming, witty, Don Pasquale.For theatre.Fanning designed the setsIor Art and pure of feistl and craftl yt uulnerable, sincere and All My Sons,Good as New, An ldeal Husband and Three Vrewtngs heart; it's irnpossiblenot tofall in loue witb Norina! He designedthe setsfor Two TrainsRunnrng on Broadwayand for She'salso incredibly resourcefuland belieuesherse( the nationallour ol The Who's Tommy His theatrework includes to bequite a goodactress which nrakes the webofintrigues that areplayed Vita and Virglnia and A Mtdsummer Nlght's Dream at the Old outtofoctl poor Pasquale all thetnore belieuable! San Diego Operadebut Globe Theatreand designsfor the GeffenPlayhouse, Goodman Australian-bornAmerican Daniellede Niese was the youngest Theatre,Yale RepertoryTheatre. Virginia Opera, Chautauqua singerto ever enter the lvletropolitanOpera's Ltndemann Young Opera, CanadianOpera Company and Piedmont Opera Film '1 Artists Developmentprogram at the age of B She made her work includes Youth rn Revolt, Harold and Kumar 2, Ocean's lvletropolitanOpera debut the followingyear as Barbarinain The Twelve, Ocean's Thirteen, War of the Worlds, Lemony Snrcket, Marrlage of Figaro. Performanceswith the Metropolitan Opera Polar Express, SpiderMan, October Skv, Amistad, Nell and Forrest (Ior includeAriel in The Enchantedlsland /a part of the Met's HD Gump. Nistelevision work includesThe West Wrng which he BroadcastSeries/. Despina in Cosl fan tutte. Euridicein Orfeo won an Emmy Award for Art Direction),Melrose Place, Talesfrom
Load more

Recommended publications
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • Boheme Cinema Cast Sheet January 2020 ENG ENCORE.Indd
    THE ROYAL OPERA Approximate timings MUSIC DIRECTOR SIR ANTONIO PAPPANO Introduction is approximately 15 minutes. DIRECTOR OF OPERA OLIVER MEARS Act I 35 minutes Act II 20 minutes Interval of 30 minutes Act III 25 minutes Act IV 30 minutes Curtain calls approximately 5 minutes There will be short pauses after Act I and after Act III, please remain seated. Tweet your thoughts about tonight’s performance before it starts, LA BOHÈME during the interval or afterwards with #ROHboheme OPERA IN FOUR ACTS MUSIC GIACOMO PUCCINI LIBRETTO GIUSEPPE GIACOSA AND LUIGI ILLICA AFTER HENRI MURGER’S NOVEL SCÈNES DE LA VIE DE BOHÈME CONDUCTOR EMMANUEL VILLAUME DIRECTOR RICHARD JONES 2019/20 Live Cinema Season REVIVAL DIRECTOR JULIA BURBACH DESIGNER STEWART LAING TUESDAY 25 FEBRUARY 2020 DANCES AT A GATHERING / THE CELLIST LIGHTING DESIGNER MIMI JORDAN SHERIN (ENCORE SUNDAY 1 MARCH 2020) MOVEMENT DIRECTOR SARAH FAHIE TUESDAY 17 MARCH 2020 FIDELIO REVIVAL MOVEMENT DIRECTOR DANIELLE URBAS (ENCORE SUNDAY 22 MARCH 2020) SWAN LAKE WEDNESDAY 1 APRIL 2020 ROYAL OPERA CHORUS (ENCORE SUNDAY 5 APRIL 2020) CHORUS DIRECTOR WILLIAM SPAULDING CAVALLERIA RUSTICANA/PAGLIACCI TUESDAY 21 APRIL 2020 ORCHESTRA OF THE ROYAL OPERA HOUSE (ENCORE SUNDAY 26 APRIL 2020) GUEST CONCERT MASTER ANDREW HAVERON THE DANTE PROJECT THURSDAY 28 MAY 2020 (ENCORE SUNDAY 31 MAY 2020) DIRECTED FOR THE SCREEN BY ELEKTRA THURSDAY 18 JUNE 2020 JONATHAN HASWELL (ENCORE SUNDAY 21 JUNE 2020) ORIGINALLY BROADCAST LIVE FROM THE ROYAL OPERA HOUSE roh.org.uk/cinema WEDNESDAY 29 JANUARY 2020 CO-PRODUCTION WITH TEATRO REAL, MADRID, AND LYRIC OPERA OF CHICAGO GENEROUS PHILANTHROPIC SUPPORT FROM THE ROYAL OPERA HOUSE ENDOWMENT FUND Synopsis Cast Act I An attic in the Latin Quarter of Paris, Christmas Eve MARCELLO ANDRZEJ FILOŃCZYK A PAINTER Rodolfo and Marcello complain about the bitter cold.
    [Show full text]
  • National-Council-Auditions-Grand-Finals-Concert.Pdf
    NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Bertrand de Billy National Council Auditions host and guest artist Grand Finals Concert Joyce DiDonato Sunday, April 29, 2018 guest artist 3:00 PM Bryan Hymel Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb music director designate Yannick Nézet-Séguin 2017–18 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Bertrand de Billy host and guest artist Joyce DiDonato guest artist Bryan Hymel “Martern aller Arten” from Die Entführung aus dem Serail (Mozart) Emily Misch, Soprano “Tacea la notte placida ... Di tale amor” from Il Trovatore (Verdi) Jessica Faselt, Soprano “Va! laisse couler mes larmes” from Werther (Massenet) Megan Grey, Mezzo-Soprano “Cruda sorte!” from L’Italiana in Algeri (Rossini) Hongni Wu, Mezzo-Soprano “In quali eccessi ... Mi tradì” from Don Giovanni (Mozart) Today’s concert is Danielle Beckvermit, Soprano being recorded for “Amour, viens rendre à mon âme” from future broadcast Orphée et Eurydice (Gluck) over many public Ashley Dixon, Mezzo-Soprano radio stations. Please check “Gualtier Maldè! ... Caro nome” from Rigoletto (Verdi) local listings. Madison Leonard, Soprano Sunday, April 29, 2018, 3:00PM “O ma lyre immortelle” from Sapho (Gounod) Gretchen Krupp, Mezzo-Soprano “Sì, ritrovarla io giuro” from La Cenerentola (Rossini) Carlos Enrique Santelli, Tenor Intermission “Dich, teure Halle” from Tannhäuser (Wagner) Jessica Faselt, Soprano “Down you go” (Controller’s Aria) from Flight (Jonathan Dove) Emily Misch, Soprano “Sein wir wieder gut” from Ariadne auf Naxos (R. Strauss) Megan Grey, Mezzo-Soprano “Wie du warst! Wie du bist!” from Der Rosenkavalier (R.
    [Show full text]
  • Daniel Catán Il Postino Learn More at Qiir;L Operaandchorus;Grantgershon;Sony191970 Squitieri; LA Back Covercourtesyofelizabethberistain
    Daniel Catán’s lyrical, romantic style lends itself particularly well to the human voice, which features in the majority of his works. Lush orchestra- tions reminiscent of Debussy and Strauss along with Latin American instruments and rhythms are regularly heard in his music. His opera Daniel Catán Florencia en el Amazonas has the dis- tinction of being the first opera in Spanish commissioned by a major American company. The success of this opera led to the commission of Il Postino Salsipuedes for Houston Grand Opera. His fourth opera, Il Postino, was commissioned by Los Angeles Opera and pre- miered in September 2010, featuring Plácido Domingo and Charles Castronovo. Born in Mexico, Catán studied philosophy at the University of Il Postino Sussex in England before enrolling in Princeton as a PhD stu- dent in composition. His music is published by Associated Music Publishers. DVD Available: Plácido Domingo, Charles Catronovo, Amanda “Delivers in a way few modern operas do.” learn more at www.musicsalesclassical.com Squitieri; LA Opera and Chorus; Grant Gershon; Sony 191970 PHOTO CREDITS Front cover and inside photographs courtesy of Los Angeles Opera. — The San Francisco Examiner Back cover courtesy of Elizabeth Beristain. Daniel Catán ORDERING INFORMATION Grand Rights: Opera, Ballet, Dance: G. Schirmer/AMP Rental and Performance Department digital.schirmer.com/gr [email protected] Perusal materials: SchirmerOnDemand digital scores via free download www.musicsalesclassical.com/OnDemand G. Schirmer/AMP Promotion Department paper scores [email protected] Sales materials: The Hal Leonard Corporation distributes G. Schirmer/AMP music in print. See your music dealer or order online from www.halleonard.com Publisher and Agency Representation for the Music Sales Group: www.musicsalesclassical.com/rental The Music Sales Group of Companies USA: G.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002
    2001-2002 SEASON BOSTON SYMPHONY ORCHESTRA Saluting Seiji Ozawa in his farewell season SEIJI OZAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR Bring your Steinway: With floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill. LONGYEAR. at ^Jrisner Jiill BROOKLINE CORT1 SOTHEBY'S PROPERTIES INC. International Realty E A L ESTATE Somethingfor any occasion.. &* m y-^ ;fe mwm&m <*-iMF--%^ h : S-i'ffi- I C'?t m^^a»f * • H ^ >{V&^I> ^K S8 ^ r" • >-*f &a Davic^Company Sellers & Collectors of Beautiful Jewelry 232 Boylston Street, Chestnut Hill, MA 02467 617-969-6262 (Tel) 1-800-DAVIDCO 617-969-3434 (Fax) www.davidnndcompany.com . Every car has its moment. This one has thousands per second. .-:.: % - The new 3 Series. Pure drive, The New ^m BMW 3 Series ^f^rn^w^ From $27,745* fop 9 Test drive The Ultimate Driving Machine bmwusa.com The Ultimate at your authorized BMW center 1-8QG-334-4BMW Driving Machine* Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twenty-first Season, 2001-02 SALUTING SEIJI OZAWA IN HIS FAREWELL SEASON Trustees of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Don Pasquale
    Gaetano Donizetti Don Pasquale CONDUCTOR Dramma buffo in three acts James Levine Libretto by Giovanni Ruffini and the composer PRODUCTION Otto Schenk Saturday, November 13, 2010, 1:00–3:45 pm SET & COSTUME DESIGNER Rolf Langenfass LIGHTING DESIGNER Duane Schuler This production of Don Pasquale was made possible by a generous gift from The Sybil B. Harrington Endowment Fund. The revival of this production was made possible by a gift from The Dr. M. Lee Pearce Foundation. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 129th Metropolitan Opera performance of Gaetano Donizetti’s Don Pasquale Conductor James Levine in o r d e r o f v o c a l a p p e a r a n c e Don Pasquale, an elderly bachelor John Del Carlo Dr. Malatesta, his physician Mariusz Kwiecien* Ernesto, Pasquale’s nephew Matthew Polenzani Norina, a youthful widow, beloved of Ernesto Anna Netrebko A Notary, Malatesta’s cousin Carlino Bernard Fitch Saturday, November 13, 2010, 1:00–3:45 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. Bloomberg is the global corporate sponsor of The Met: Live in HD. Marty Sohl/Metropolitan Opera Mariusz Kwiecien as Chorus Master Donald Palumbo Dr. Malatesta and Musical Preparation Denise Massé, Joseph Colaneri, Anna Netrebko as Carrie-Ann Matheson, Carol Isaac, and Hemdi Kfir Norina in a scene Assistant Stage Directors J. Knighten Smit and from Donizetti’s Don Pasquale Kathleen Smith Belcher Prompter Carrie-Ann Matheson Met Titles Sonya Friedman Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs by Metropolitan Opera Wig Department Assistant to the costume designer Philip Heckman This performance is made possible in part by public funds from the New York State Council on the Arts.
    [Show full text]
  • La Generación Rota Pilar Jurado Jean-Guihen Queyras Violeta
    REVISTA DE MÚSICA Año XXVI - Nº 261 - Marzo 2011 - 7 € Año XXVI - Nº 261 Marzo 2011 DOSIER La generación rota ENCUENTROS Pilar Jurado ACTUALIDAD Jean-Guihen Queyras Violeta Urmana DISCOS Premios ICMA 9778402 134807 16200 'HVFXEUDXVWHGPLVPR WRGDV ODVQRYHGDGHV FG FG FG FG FG FG 'tDDGtDOHLQYLWDPRVDGHVFXEULU\GLVIUXWDUGHODVPHMRUHV JUDEDFLRQHVGHP~VLFDFOiVLFD(VWiQDOPHMRUSUHFLR HQORVFDWiORJRVGH%ULOOLDQW&ODVVLFV\1HZWRQ&ODVVLFV INTERIOR CUBIERTA 261.indd 1 25/02/11 7:59 261-Pliego 1 22/2/11 11:46 Página 1 AÑO XXVI - Nº 261 - Marzo 2011 - 7 € 2 OPINIÓN DOSIER 101 CON NOMBRE La generación rota PROPIO Cadenas generacionales, sendas estéticas 6 Violeta Urmana Jorge de Persia 102 Fernando Fraga Recuerdo de Óscar Esplá 8 Jean-Guihen Queyras Alberto González Lapuente 106 Juan Manuel Viana Jesús Guridi o la luz del norte Asier Vallejo Ugarte 112 10 AGENDA La generación rota: algunos otros nombres 14 ACTUALIDAD José Luis Temes 116 NACIONAL ENCUENTROS 44 ACTUALIDAD Pilar Jurado INTERNACIONAL David Rodríguez Cerdán 122 56 ENTREVISTA EDUCACIÓN Pedro Sarmiento 126 Carlos Kalmar Luis Suñén JAZZ Pablo Sanz 128 58 Discos del mes LIBROS 130 59 SCHERZO DISCOS Sumario LA GUÍA 132 CONTRAPUNTO Norman Lebrecht 136 Colaboran en este número: Javier Alfaya, Julio Andrade Malde, Íñigo Arbiza, Emili Blasco, Alfredo Brotons Muñoz, Ricardo de Cala, José Antonio Cantón, Jacobo Cortines, Patrick Dillon, Pierre Élie Mamou, José Luis Fernández, Fernando Fraga, Germán Gan Quesada, Manuel García Franco, Juan García-Rico, José Antonio García y García, Carmen Dolores García González,
    [Show full text]
  • FY13 Annual Report View Report
    ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium.
    [Show full text]
  • 2020 Opera Series EBU/USA Broadcast Schedule —Spring/Summer 2020
    2020 Opera Series EBU/USA Broadcast Schedule —Spring/Summer 2020 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Due to the 2020 COVID-19 situation, the WFMT Radio Network will release information in batches as opera broadcasts are confirmed. Please contact [email protected] for more information. PROGRAM #: OS 20-01 RELEASE: May 16, 2020 OPERA: Alceste (in French) COMPOSER: Christoph Willibald Gluck LIBRETTO: Marius-François-Louis Gand Lebland, Bailli Du Roullet after Ranieri de’ Calzabigi VENUE: National Theatre, Munich PRESENTING COMPANY: Bavarian State Opera CAST: Admeto Charles Castronovo Alceste Dorothea Röschmann High Priest of Apollo/Hercules Michael Nagy Evandro Manuel Günther Herald/Apollo Sean Michael Plumb Oracle/Infernal Deity Callum Thorpe ENSEMBLE: Bavarian State Orchestra and Opera Chorus CONDUCTOR: Antonello Manacorda DIRECTOR: Sidi Larbi Cherkaoui Approx. Length: 2 hours, 30 minutes PROGRAM #: OS 20-02 RELEASE: May 23, 2020 OPERA: Tales of Hoffmann (in French) COMPOSER: Jacques Offenbach LIBRETTO: Juless Babier, Michel Carré VENUE: Vienna State Opera PRESENTING COMPANY : Vienna State Opera CAST: Hoffmann Dmitry Korchak Olympia/Antonia/Giulietta Olga Peretyatko The Muse/Nicklausse Gaëlle Arquez Councillor Lindorf/Coppélius/ Luca Pisaroni Miracle/ Dapertutto Andrès/Cochenille/Frantz/ Michael Laurenz Pitichinaccio ENSEMBLE: Vienna State Opera Chorus and Orchestra CONDUCTOR: Frédéric Chaslin DIRECTOR: Andrei Serban Approx. Length: 2 hours, 30 minutes PROGRAM #: OS 20-03 RELEASE: May 30, 2020 OPERA: Elektra (in German) COMPOSER: Richard Strauss LIBRETTO: Hugo von Hofmannsthal VENUE: Vienna State Opera PRESENTING COMPANY : Vienna State Opera CAST: Klytaemnestra Waltraud Meier Elektra Christine Goerke Chrysothemis Simone Schneider Aegisth Norbert Ernst Orest Michael Volle ENSEMBLE: Vienna State Opera Orchestra CONDUCTOR: Semyon Bychkov DIRECTOR: Uwe Eric Laufenberg Approx.
    [Show full text]
  • Download Booklet
    Cast in order of appearence Gordon Getty (born 1933) PLUMP JACK Henry IV / Pistol - Christopher Robertson, Bass-baritone Hal (Henry V) - Nikolai Schukoff, Tenor Libretto by the composer after Shakespeare (Henry IV Part 1 & 2, Henry V) Opera in Two Acts Boy / Clarence - Melody Moore, Soprano Bardolph / Chief Justice - Nathaniel Webster, Baritone Concert Version (Scene 1 and Scene 8 of the opera are not included in the concert version) Falstaff - Lester Lynch, Baritone First Traveler - Diana Kehrig, Mezzo-soprano Act One 1 Overture 11. 18 Second Traveler / Second Captain/ Warwick - Bruce Rameker, Baritone 2 Scene 2: “Hal’s Memory” 3. 27 Hostess (Nell Quickly) - Susanne Mentzer, Mezzo-soprano (Henry IV, Hal) Shallow / First Captain - Robert Breault, Tenor 3 Scene 3: “Gad’s Hill” 3. 35 Davy - Chester Patton, Bass-baritone (Falstaff, Hal, Boy, 1st Traveler, 2nd Traveler, Bardolph, Pistol) 4 Scene 4: “Clarence” 5. 16 Chor des Bayerischen Rundfunks (Henry IV, Chief Justice, Clarence) Chorus Master: Florian Helgath 5 Scene 5: “Boar’s Head Inn” 9. 00 (Falstaff, Hal, Hostess, Boy, Pistol, 1st Captain, 2nd Captain ) Münchner Rundfunkorchester Concertmaster: Olga Pogorelova Act Two 6 Scene 6: “Shallow’s Orchard” 5. 04 conducted by: Ulf Schirmer (Shallow, Falstaff) 7 Scene 7: “Jerusalem” 6. 33 Recording Venue: Studio One of the Bavarian Radio Munich, May 2011 (Clarence, Chief Justice, Henry IV, Warwick, Hal, Chorus) Executive Producers: Lisa Delan (Rork Music), Veronika Weber & Florian Lang (Bavarian 8 Scene 9: “Pistol’s News” 4. 47 Radio), Job Maarse (PentaTone Music) (Davy, Falstaff, Bardolph, Shallow, Pistol, Chorus) Recording Producer: Job Maarse 9 Scene 10: “Banishment” 10.
    [Show full text]
  • David Dichiera
    DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story.
    [Show full text]
  • Newsletter • Bulletin Fall 2000 L'automne
    NATIONAL CAPITAL OPERA SOCIETY • SOCIETE D'OPERA DE LA CAPITALE NATIONALE Newsletter • Bulletin Fall 2000 L'Automne P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa, (Ontario) K1G 3H8 THE BRIAN LAW OPERA SCHOLARSHIP The Fifth Biennial Competition by Bobbi Cain A $2000 scholarship will be awarded to an aspir- Swerdfeger, will present a special recital. Mary ing young singer, aged 22 to 32 years, after a juried Ann is working in New York City in a variety of competition. The Brian Law Opera Scholarship roles, mostly of a light operatic nature, and we are was established in 1992 in honour of Brian Law, happy to welcome her glorious, yet dulcet tones to commemorate his dedication over a twenty- back to be with us in her hometown, Ottawa. five year period to young singers, to orchestral The competition evening begins at 7:30 P.M., and choral music, and to opera, both at the Na- and light refreshments will be available in the ad- tional Arts Centre and at l’Opera de Montreal. joining hall after the announcement of the winner. The upcoming scholarship competition A considerable amount of parking can be found will be held on Saturday, January 27, 2001 at the around the building, and buses run nearby. The First Unitarian Congregation, 30 Cleary Avenue. charge for the competition is $10.00, with tickets Up to six young finalists will perform a selection available at the door. Book this date now, and make of operatic arias, including one with recitative, sure you are with us for this exciting night.
    [Show full text]