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Australian Parliamentary Delegation
The Parliament of the Commonwealth of Australia Australian Parliamentary Delegation to the Russian Federation and the Italian Republic 17 April – 1 May 2005 REPORT June 2005 ii © Commonwealth of Australia 2005 ISBN 0 642 71532 7 This document was printed by the Senate Printing Unit, Department of the Senate, Parliament House, Canberra. iii MEMBERS OF THE DELEGATION Leader Senator the Hon. Paul Calvert President of the Senate Senator for Tasmania Liberal Party of Australia Deputy Leader Ms Jill Hall, MP Member for Shortland (NSW) Australian Labor Party Members Senator Jacinta Collins Senator for Victoria Australian Labor Party Mrs Kay Elson, MP Member for Forde (QLD) Liberal Party of Australia Senator Jeannie Ferris Senator for South Australia Liberal Party of Australia The Hon. Jackie Kelly, MP Member for Lindsay (NSW) Liberal Party of Australia Senator Ross Lightfoot Senator for Western Australia Liberal Party of Australia Delegation secretary Mr John Vander Wyk Department of the Senate Private Secretary to the Mr Don Morris President of the Senate iv The delegation with the Archimandrite of the Holy Trinity-St Sergius Lavra monastery at Sergiev Posad, Father Savva. From left, the Deputy Head of Mission and Counsellor at the Australian Embassy, Mr Alex Brooking, Senator Jacinta Collins, Mrs Kay Elson, MP, Senator the Hon. Paul Calvert (Delegation Leader), Father Savva, Senator Ross Lightfoot, Senator Jeannie Ferris, the Hon. Jackie Kelly, MP, and Mrs Jill Hall (Deputy Leader). v TABLE OF CONTENTS MEMBERS OF THE DELEGATION iii PREFACE -
Revised Final MASTERS THESIS
UNIVERSITY OF CALIFORNIA RIVERSIDE Carlo Fontana and the Origins of the Architectural Monograph A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Juliann Rose Walker June 2016 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Jeanette Kohl Dr. Conrad Rudolph Copyright by Juliann Walker 2016 The Thesis of Juliann Rose Walker is approved: Committee Chairperson University of California, Riverside Acknowledgements I would first like to start by thanking my committee members. Thank you to my advisor, Kristoffer Neville, who has worked with me for almost four years now as both an undergrad and graduate student; this project was possible because of you. To Jeanette Kohl, who was integral in helping me to outline and finish my first chapter, which made the rest of my thesis writing much easier in comparison. Your constructive comments were instrumental to the clarity and depth of my research, so thank you. And thank you to Conrad Rudolph, for your stern, yet fair, critiques of my writing, which were an invaluable reminder that you can never proofread enough. A special thank you to Malcolm Baker, who offered so much of his time and energy to me in my undergraduate career, and for being a valuable and vast resource of knowledge on early modern European artwork as I researched possible thesis topics. And the warmest of thanks to Alesha Jeanette, who has always left her door open for me to come and talk about anything that was on my mind. I would also like to thank Leigh Gleason at the California Museum of Photography, for giving me the opportunity to intern in collections. -
Roma Letteraria in D'annunzio, Moravia E Pasolini. Una
Roma letteraria in D’Annunzio, Moravia e Pasolini. Una lettura semiotica by Maria Laura Mosco A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Italian Studies University of Toronto © Copyright by Maria Laura Mosco, 2013 ii Roma letteraria in D’Annunzio, Moravia e Pasolini. Una lettura semiotica Maria Laura Mosco Doctor of Philosophy Department of Italian Studies University of Toronto 2013 Abstract Nel Il piacere di Gabriele D’Annunzio, i Racconti romani di Alberto Moravia e Ragazzi di vita di Pier Paolo Pasolini, Roma si pone come ‘altro’ da un semplice scenario davanti al quale si svolge la narrazione. La città interloquisce con il lettore, contribuendo alla costruzione di una forma alternativa di discorso poetico e critico che si muove tra etica ed estetica, tra condizione esistenziale e percezione della forma. Questo studio mette a dialogo semiotica e critica letteraria. La città, la sua topografia e le sue forme architettoniche dirigono il percorso interpretativo e conoscitivo del lettore, ponendosi come sistema semiotico intorno al quale la narrazione è organizzata. Qui lo spazio è geografico, bidimensionale e topografico ma è anche quello tridimensionale del volume architettonico, e infine quadridimensionale, quello del cronotopo bachtiniano. Bachtin difatti chiarisce che solo attraverso il cronotopo è possibile comprendere “l’interconnessione sostanziale dei rapporti temporali e spaziali dei quali la letteratura si è impadronita artisticamente...Nel cronotopo letterario ha luogo la fusione dei connotati spaziali e temporali in un tutto dotato di senso e di concretezza” (Estetica e Romanzo 231). Se Michail Bachtin pone il tempo come principio guida nella forma artistica, Yuri Lotman si concentra sullo spazio come sistema semiotico, spazio culturale. -
Rome in Bernini's Footsteps
Rome in Bernini’s Footsteps – La Voce di New York 11/25/17, 10:19 AM Roma bike tours - Choose the best guided tour Enjoy with us the squares, the monuments, and the streets of the genuine Rome. leadingroma.com Sections Close DONATE VNY PROUD Arts Commenta per primoShared: 6!"#$%& Rome in Bernini’s Footsteps Afer seeing ”Bernini” at the Villa Borghese, follow this itinerary to visit this exceptional artist's other masterpieces around Rome by Lucy Gordan Elephant and Obelisk by Bernini Nov 20 2017 At the Villa Borghese in Rome several of Bernini's sculptures are on permanent exhibit, but his heritage is to be found in more sites in Rome. An easier but not chronological route, which takes about 2 hours on foot (or by hopping on and off the no. 62 bus) not including visiting time, starts at the church of Santa Maria della Vittoria with his Ecstasy of St. Teresa and ends in St. Peter’s Square. Utilizziamo i cookie per offrirti servizi e informazioni in linea con le tue preferenze. Continuando a scorrere e a navigare ne consenti l'uso. OK Maggiori informazioni http://www.lavocedinewyork.com/en/arts/2017/11/20/rome-in-the-berninis-footsteps/ Page 1 of 10 Rome in Bernini’s Footsteps – La Voce di New York 11/25/17, 10:19 AM Gianlorenzo Bernini Gian Lorenzo Bernini, the most famous and important sculptor in 17th century Europe, but also a recognized architect, painter, events organizer, poet and playwright, was born in Naples on December 7, 1598 to a Mannerist sculptor, Pietro Bernini, originally from near Florence, and Angelica Galante, a Neapolitan, the sixth of their thirteen children. -
Where Diplomacy Meets Art
Ugo Colombo Sacco di Albiano WHERE DIPLOMACY MEETS ART FOREWORD t gives me great pleasure to present this important work by Ugo Colombo Sacco di Albiano which I takes a look at the history of the buildings that have housed Italian diplomacy in almost a century and a half of activity. In so doing, it also looks at the stages in the evolution of our profession. This original and valuable research, reconstructing the events intimately linked to the buildings in which the Italian Ministry of Foreign Affairs has carried out its work, travels along those same dual paths that tradition- ally characterise the approach of Italian diplomacy: to conserve the memory and rich legacy of an assuredly glorious past as an ideal ‘launching pad’ for projecting itself towards new challenges and the increasingly com- plex missions of the present and future. It would also appear that the route along which this book has travelled towards its publication – and espe- cially its passionate promotion effected by Gaetano Cortese – corroborates another ‘typical’ aspect of the diplomatic system: the particular relationships that are created among its members. In fact, our Representations abroad bear a certain resemblance to ships, in that the common destiny of the crew, surrounded by the high seas, inevitably depends in the main on the united aims and commitment of all those aboard. This leads to the WHERE DIPLOMACY MEETS ART forming of both professional and personal bonds – sometimes so strong as to be almost familial – between the head of a Mission and his collaborators. Often, these bonds resist the changing fortunes arising from the requirements of duty that may beset individual life paths and careers. -
Baroque Architecture
'"" ^ 'J^. rfCur'. Fig. I. — Venice. S. Maria della Salute. (See pp. 88-90.) BAROQUE ARCHITECTURE BY MARTIN SHAW BRIGGS A.K.I. B. A. " iAulhor of " In the Heel of Italy WITH 109 ILLUSTRATIONS NEW YORK ; ' McBRIDE, NAST & COMPANY ^ y 1914 ,iMvMV NA (^Ay n^/i/j reserved) In all ages there have been some excellent workmen, and some excellent work done.—Walter Pater. PREFACE is commonly supposed that the purpose of a preface is to IT explain the scope of a book to those who do not read so far as the first page. There is a touch of cynicism in such an opinion which makes one loth to accept it, but I prefer to meet my troubles half way by stating at the outset what I have emphasized in my last chapter—that this book is not in any way an attempt to create a wholesale revival of Baroque Architecture in England. It is simply a history of a complex and neglected period, and has been prepared in the uncertain intervals of an architectural practice. The difficulty of the work has been increased by the fact that the subject has never been dealt with as a whole in any language previously. Gurlitt in his Geschichte des Barockstiles, published in 1887, covered a considerable part of the ground, but his work is very scarce and expensive. To students his volumes may be recommended for their numerous plans, but for details and general views they are less valuable. In recent years several fine mono- graphs have appeared dealing with Baroque buildings in specific districts, and very recently in a new international series the principal buildings of the period in Germany and Italy have been illustrated. -
State Visit Ceremonial
ITALIAN REPUBLIC STATE VISIT CEREMONIAL Diplomatic Protocol Visits Office 1 v ARRIVAL AND WELCOME AT THE AIRPORT v WELCOME CEREMONY AT PALAZZO DEL QUIRINALE v MEETING WITH THE PRESIDENT OF THE COUNCIL OF MINISTERS v MEETINGS WITH PRESIDENTS OF SENATE AND CHAMBER OF DEPUTIES v STATE BANQUET v TRIBUTE AT THE GRAVE OF THE UNKNOWN SOLDIER v MEETING WITH THE MAYOR OF ROME v OTHER MEETINGS v PRIVATE PART OF THE VISIT v PRE-VISIT PROCEDURES v COURTESIES ARRIVAL AND WELCOME Ciampino Military Airport • Carabinieri in full ceremonial dress are lined up at the foot of the aircraft steps. Airmen are lined up on the apron on both sides of the red carpet. • The Chief of Diplomatic Protocol and the Ambassador to Italy of the visiting Head of State’s country board the aircraft. • After the descent, the visiting Head of State and Spouse are greeted by a Member of the Italian Government, the Italian Ambassador to the visiting Head of State’s country and military authorities. They are introduced by the Chief of Diplomatic Protocol. A representative of the Holy See may also be present. • A bouquet of flowers is presented to the visiting Head of State’s Spouse. LEGEND: Carabinieri Airmen Italian Authorities ARRIVAL Ambassador to the Ciampino Military Airport Holy See VIP Lounge MAIN VIP LOUNGE MOTORCADE ARRIVAL AND WELCOME – 2 Fiumicino Airport • The Presidential aircraft lands in the Whisky (or Sierra) area. Transfer to the VIP Lounge through finger or under-board cars. • Carabinieri in full ceremonial dress salute the Guest as soon as he/she enters Italian territory. -
The Holy See
The Holy See MESSAGE OF JOHN PAUL II TO HON. MR PIER FERDINANDO CASINI, PRESIDENT OF THE ITALIAN CHAMBER OF DEPUTIES To the Honourable Mr Pier Ferdinando Casini President of the Chamber of Deputies1. You have most courteously wished to inform me that a year after my Visit to the Italian Parliament, the Chamber of Deputies plans to commemorate that event with a special initiative. On this occasion, Mr President, I am pleased to convey a respectful greeting to you and your Honourable Colleagues, to whom I once more express my most heartfelt gratitude for the friendly welcome they gave me.I remember that day when the Hall in the Palazzo Montecitorio welcomed a Successor of the Apostle Peter within its walls for the first time. It was at a special joint session of all the Senators and Deputies of the Republic, with the participation of the Prime Minister and Members of Government and of the highest offices of State, starting with the President of Italy. With emotion, I think back to the sincere attention I received, and the attestation of unanimous support that greeted my words is still a comfort to me today. I believe, despite its brevity, that this intense event marked a milestone in the history of relations between Italy and the Holy See. I express the hope that this distinguished Assembly's celebration of this event may help keep alive the spirit of that meeting.2. With the passing of the last century the social features of Italy have profoundly changed. The Country has now begun to face the challenges of the third millennium with a renewed awareness of its mission in the European and global context, also marked by rapid and sometimes massive transformations. -
Hotel2007.Pdf
AZIENDA DI PROMOZIONE TURISTICA DI ROMA REGIONE LAZIO Assessorato Sviluppo Economico, Ricerca, Innovazione e Turismo Assessore On. Raffaele Ranucci L’Azienda di Promozione Turistica di Roma The Azienda di Promozione Turistica di Roma garantisce l’informazione e l’accoglienza dei turisti, assiste (Rome Tourist Board) welcomes tourists assisting Dipartimento Economico e Occupazionale in caso di disservizi o inconvenienti riscontrati, rende them in case of inconveniences and inefficiences and Guido Magrini disponibili numerose pubblicazioni tra le quali segnaliamo: providing them with various brochures such as: Direzione Generale Sviluppo Economico, Ricerca, Innovazione e Turismo Domenica Calabrò ALBERGHI Categorie, servizi offerti e prezzi degli alberghi HOTEL Categories, available services and prices of e dei residence romani. Roman hotels and residences. BED & BREAKFAST Informazioni e prezzi di tutti gli BED & BREAKFAST Information and prices for all the esercizi di Roma. establishments of Rome. AZIENDA DI PROMOZIONE TURISTICA DEL COMUNE DI ROMA CASE PER FERIE Affittacamere, Case-Vacanze, Alloggi HOLIDAY HOMES Lodging Houses, Private Apartments, Via Parigi, 11 - 00185 Roma Agrituristici, Campeggi, Ostelli e Stabilimenti Accommodation in Farms, Camping Grounds, Youth Balneari. Hostels and Bathing Establishments. Commissario straordinario: On. Walter Veltroni PASSEGGIATE ROMANE 18 itinerari per scoprire, passo “PASSEGGIATE ROMANE” 18 itineraries to unveil, step dopo passo, le meraviglie di Roma. after step, the wonders of Rome. Direttore: -
Relazione Del Viaggio D'istruzione/Gemellaggio A
RELAZIONE DEL VIAGGIO D’ISTRUZIONE/GEMELLAGGIO A ROMA. L’Istituto Alberghiero “Dante Zappa” di Bormio ha organizzato un viaggio d’istruzione nella capitale d’Italia, Roma. Esso ha avuto inizio il 28 marzo ed è terminato il 2 aprile 2011 e ha coinvolto tutte le classi terze dell’istituto con gli accompagnatori Di Lorenzo Riccardo, Saligari Lucia, Ruscio Pietro, Puddu Giustina e Cogliandro Iris. Siamo partiti alle ore 5:00 dal piazzale della Perego di Bormio e durante il viaggio ci siamo fermati più volte per uno spuntino, siamo arrivati davanti all’hotel alle ore 17:00. Abbiamo alloggiato in un albergo a quattro stelle che distava pochi minuti dal centro, il nome dell’hotel è Executive Style Hotel (ESH). A primo impatto non ci sembrava degno delle quattro stelle, ma appena entrati abbiamo subito cambiato opinione. È una struttura alberghiera moderna, accogliente e il personale molto diligente. Le stanze sono piuttosto spaziose e luminose, tutte servite di televisione, riscaldamento e servizi igienici. Nella serata di lunedì alcuni alunni sono rimasti nelle proprie camere a riposare mentre altri sono usciti con gli insegnanti e hanno fatto un breve giro per le vie del centro. Il giorno seguente la sveglia è suonata alle ore 8:00, siamo scesi per la colazione e alle ore 10:00 con l’autobus abbiamo raggiunto la via Giulia, collocata vicino a: Palazzo Farnese Il Palazzo Farnese è un edificio di Roma, sede dell’ambasciata francese. Importante esempio d'architettura rinascimentale cinquecentesca che domina l'omonima piazza, nel rione Regola. Palazzo Spada Il Palazzo Spada è l'edificio romano nel quale ha sede il Consiglio di Stato. -
Rome in the 18R.Li Century
fl urn Rome in the 18r.li Century •ii" On the cover: Giovanni Battista Piranesi Detail of the Fontana di Trevi WS'? 0FP/C6- SLIDE UBRARY Artists in Rome in the 18th Century: Drawings and Prints The Metropolitan Museum of Art February 28 - May 7, 1978 Copyright © 1978 by The Metropolitan Museum of Art • This exhibition has been made possible through <^ a grant from the Esther Annenberg Simon Trust V V The drawings, prints, and oil sketches brought together for this exhibition offer eloquent testimony to the rich diversity of artistic activity in eighteenth-century Rome. They are the work of artists of many nationalities—Italian, French, English, Dutch, Flemish, and German—but all were executed in Rome in the course of the century. The city retained in the 1700's its position as a major artistic center, though outdistanced by Paris for first place. Rome continued to be the city to which artists came to learn, by studying and copying the ruins of Classical Antiquity and the great works of the Renaissance and Baroque periods. Papal and princely patronage continued to attract artists from all Europe, but commissions were no longer on the very grand scale of previous centuries. History painting remained a Roman specialty, occupying the highest rank in the hierarchy of painting. Preparatory drawings for major projects by Giuseppe Chiari, Pompeo Batoni, Benedetto Luti, and the Frenchman Pierre Subleyras document this side of Roman production. Sculpture flourished—witness drawings by Pietro Bracci and Camillo Rusconi for important tombs, and Luigi Vanvitelli's designs for the throne of St. -
Architectural Temperance: Spain and Rome, 1700-1759
Architectural Temperance Spain and Rome, 1700–1759 Architectural Temperance examines relations between Bourbon Spain and papal Rome (1700–1759) through the lens of cultural politics. With a focus on key Spanish architects sent to study in Rome by the Bourbon Kings, the book also discusses the establishment of a program of architectural educa- tion at the newly-founded Real Academia de Bellas Artes de San Fernando in Madrid. Victor Deupi explores why a powerful nation like Spain would temper its own building traditions with the more cosmopolitan trends associated with Rome; often at the expense of its own national and regional traditions. Through the inclusion of previously unpublished documents and images that shed light on the theoretical debates which shaped eighteenth-century architecture in Rome and Madrid, Architectural Temperance provides an insight into readers with new insights into the cultural history of early modern Spain. Victor Deupi teaches the history of art and architecture at the School of Architecture and Design at the New York Institute of Technology and in the Department of Visual and Performing Arts at Fairfield University. His research focuses on cultural politics in the early modern Ibero-American world. Routledge Research in Architecture The Routledge Research in Architecture series provides the reader with the latest scholarship in the field of architecture. The series publishes research from across the globe and covers areas as diverse as architectural history and theory, technology, digital architecture, structures, materials, details, design, monographs of architects, interior design and much more. By mak- ing these studies available to the worldwide academic community, the series aims to promote quality architectural research.