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June 20, 2017 Movie Year STAR 351 P Acu Lan E, Bish Op a B Erd
Movie Year STAR 351 Pacu Lane, Bishop Aberdeen Aberdeen Restaurant, Olancha Airflite Diner, Alabama Hills Ranch Anchor Alpenhof Lodge, Mammoth Lakes Benton Crossing Big Pine Bishop Bishop Reservation Paiute Buttermilk Country Carson & Colorado Railroad Gordo Cerro Chalk Bluffs Inyo Convict Lake Coso Junction Cottonwood Canyon Lake Crowley Crystal Crag Darwin Deep Springs Big Pine College, Devil's Postpile Diaz Lake, Lone Pine Eastern Sierra Fish Springs High Sierras High Sierra Mountains Highway 136 Keeler Highway 395 & Gill Station Rd Hoppy Cabin Horseshoe Meadows Rd Hot Creek Independence Inyo County Inyo National Forest June Lake June Mountain Keeler Station Keeler Kennedy Meadows Lake Crowley Lake Mary 2012 Gold Rush Expedition Race 2013 DOCUMENTARY 2013 Gold Rush Expedition Race 2014 DOCUMENTARY 2014 Gold Rush Expedition Race 2015 DOCUMENTARY 26 Men: Incident at Yuma 1957 Tristram Coffin x 3 Bad Men 1926 George O'Brien x 3 Godfathers 1948 John Wayne x x 5 Races, 5 Continents (SHORT) 2011 Kilian Jornet Abandoned: California Water Supply 2016 Rick McCrank x x Above Suspicion 1943 Joan Crawford x Across the Plains 1939 Jack Randall x Adventures in Wild California 2000 Susan Campbell x Adventures of Captain Marvel 1941 Tom Tyler x Adventures of Champion, The 1955-1956 Champion (the horse) Adventures of Champion, The: Andrew and the Deadly Double1956 Champion the Horse x Adventures of Champion, The: Crossroad Trail 1955 Champion the Horse x Adventures of Hajji Baba, The 1954 John Derek x Adventures of Marco Polo, The 1938 Gary Cooper x Adventures of Wild Bill Hickok 1951-1958 Guy Madison Affairs with Bears (SHORT) 2002 Steve Searles Air Mail 1932 Pat O'Brien x Alias Smith and Jones 1971-1973 Ben Murphy x Alien Planet (TV Movie) 2005 Wayne D. -
Under Western Stars by Howard Kazanjian and Chris Enss
Under Western Stars By Howard Kazanjian and Chris Enss King of the Cowboys Roy Rogers made his starring mo- tion picture debut in Republic Studio’s engaging western mu- sical “Under Western Stars.” Released in 1938, the charm- ing, affable Rogers portrayed the most colorful Congressman Congressional candidate Roy Rogers gets tossed into a water trough by his ever to walk up the steps of the horse to the amusement of locals gathered to hear him speak at a political rally. nation’s capital. Rogers’ character, Courtesy Library of Congress Collection. a fearless, two-gun cowboy and ranger from the western town of Sageville, is elected culties with Herbert Yates, head of Republic Studios, to office to try to win legislation favorable to dust bowl paved the way for Rogers to ride into the leading role residents. in “Under Western Stars.” Yates felt he alone was responsible for creating Autry’s success in films and Rogers represents a group of ranchers whose land wanted a portion of the revenue he made from the has dried up when a water company controlling the image he helped create. Yates demanded a percent- only dam decides to keep the coveted liquid from the age of any commercial, product endorsement, mer- hard working cattlemen. Spurred on by his secretary chandising, and personal appearance Autry made. and publicity manager, Frog Millhouse, played by Autry did not believe Yates was entitled to the money Smiley Burnette, Rogers campaigns for office. The he earned outside of the movies made for Republic portly Burnette provides much of the film’s comic re- Studios. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Download Package List As
Switch International CLASSIC MOVIES | 736 TITLES APPROX 1100 HOURS COMEDY MUSICAL FAMILY X167 a bride for henry.mp4 a farewell to arms.mp4 a star is born.mp4 adventure island.mp4 affairs of cappy ricks.mp4 against a crooked sky.mp4 alice adventures in wonderland.mp4 alice of wonderland in paris.mp4 all over town.mp4 angel on my shoulder.mp4 antonio.mp4 beat the devil.mp4 behave yourself.mp4 beyond tomorrow.mp4 bill cracks down.mp4 black tights.mp4 boys in the city.mp4 breakfast in hollywood.mp4 broadway limited.mp4 calender girl.mp4 career girl.mp4 catch me a spy.mp4 colonel effinghams raid.mp4 country gentleman.mp4 delightfully dangerous.mp4 dixiana.mp4 doll face.mp4 earthworm tractors.mp4 escape to paradise.mp4 eternally yours.mp4 fairplay.mp4 false pretensis.mp4 fiesta.mp4 flying wild.mp4 freckles comes home.mp4 ghost on the loose.mp4 ginger in the morning.mp4 good bye love.mp4 gullivers travels.mp4 hay foot.mp4 heading for heaven.mp4 her favorite patient aka bedside manner.mp4 here comes trouble.mp4 hi de ho.mp4 hi diddle diddle.mp4 his double life.mp4 his girl friday.mp4 his private secretary.mp4 hollywood and vine.mp4 hoosier schoolboy.mp4 i'm from akansas.mp4 it seemed likr a good idea at the time.mp4 kid dynamite.mp4 killer diller.mp4 king kelly of the usa.mp4 lay that rifle down.mp4 let's get tough.mp4 lets go collegate.mp4 life with father.mp4 lonely wives.mp4 lost honeymoon.mp4 lost in the stratosphere.mp4 love laughs at andy hardy.mp4 lovers and liars.mp4 made for each other.mp4 meet the mayor aka a fools advice.mp4 minstrel -
Mikki Daniel Good Posture, Good Health Lookin’ Into a Tune Yourself Cowgirl’S Heart PAGE 18 PAGE 10
The Official Publication of the Western Music Association WMA Consignment Shop at the Convention PAGE 7 OLD TOWN ALBUQUERQUE IN THE A Closer Look CROSSHAIRS PAGE 8 Mikki Daniel Good Posture, Good Health Lookin’ into a Tune Yourself Cowgirl’s Heart PAGE 18 PAGE 10 “Thank you for over 6 million requests worldwide for ‘Call Of The Canyon’ written by Dick Goodman”. Rex Allen Jr. www.rexallenjr.com “Satisfied Hearts” THE PRESCOTTS Jean and Gary New CD Award winning Cowboy, Western Americana and Gospel music PO Box 194 Ovalo, Texas 79541 325 583-2553 or 325-665-6413 $ 20 www.Jean Prescott.com Available on CD Baby and iTunes PPD Facebook – Jean Prescott Music Founder Bill Wiley From The President... Officers Marvin O’Dell, President When someone joins a charitable organization, it’s Jerry Hall, Executive V.P. supposed to be because they believe in the mission and Robert Fee, V.P. General Counsel goals of that particular charity. And believing in what Joe Brown, Secretary the organization wants to accomplish, they join with Diana Raven, Treasurer likeminded people to support the organization’s efforts Executive Director by rallying together as a group periodically and also Marsha Short supporting the organization financially. It’s odd to me Board of Directors Joe Brown that a lot of people don’t understand that. Richard Dollarhide It seems that some folks are only asking, “What will Robert Fee Juni Fisher Marvin O’Dell the organization do for me?” – which makes no sense, Belinda Gail Jerry Hall WMA President because the very nature of a charitable organization Rick Huff is that it does something for folks outside of the Robert Lorbeer Marvin O’Dell organization. -
“Happy Trails, Pardner!”
November 2007 “Happy Trails, Pardner!” Roy Rogers, King of the Cowboys, one of my personal heroes during my childhood, and all-around straight-shooter passed away July 6th. They don’t make heroes like Roy Rogers anymore. Compare a Bruce Willis, Mel Gibson, or Steven Segal to Roy Rogers....(!) His name was Leonard Slye when he came to California during the Great Depression, barely making ends meet by driving a gravel truck and picking fruit around Bakersfield. He eventually landed some singing jobs with hillbilly bands, and he helped found that group that would become the Sons of the Pioneers and which had such hits as “Tumbling Tumbleweeds” and “Cool Water.” In 1937, he auditioned at Republic Pictures for the role of a singing cowboy. The studio already had a stable of cowboy stars, including Gene Autry, but they were looking for someone new...and they liked Rogers, especially his yodeling. Republic started him out at $75 a week, changed his name to Roy Rogers and sent over 7 horses as possible mounts in his first picture, “Under Western Stars” (1938). He picked the third horse he tried...Trigger...and never looked at the rest. Rogers went on to star in 88 films, all with Trigger. He was the #1 cowboy star in the theaters from 1943-1954. He first teamed up with Dale Evans, a radio singer and actress, for a 1944 film. They were married in 1947, a marriage that was to last 51 years. In all of his films, Rogers always portrayed the same type of character: a straight-shooting cowboy who always did what was right and usually kissed Trigger instead of the girl. -
The Webfooter
August 2016 Happy Trails of the Wild, Wild West Cowboy King Roy Rogers – Honorary Grand Marshal – 1954 Rose Festival Grand Floral Parade. Happy Trails of the Wild, Wild West – see page 2. Webfooters Post Card Club PO Box 17240 Portland OR 97217-0240 www.thewebfooters.com Happy Trails of the Wild, Wild West For more than three decades, the western genre dominated what we saw on the silver screen. We grew up with western movie stars like John Wayne, Gene Autry, Roy Rogers, Audie Murphy, Randolph Scott and many more. Western actor Bob Steele was born Robert Adrian Bradbury on January 23, 1907 in Portland, Oregon, into a vaudeville family. After about ten years of touring, the family settled in Hollywood, California, where his father soon found work in the movies, first as an actor and later as a director. Bradbury actually directed John Wayne in more westerns than any other director, albeit low-budget ones. By 1920, Robert Bradbury hired his son Bob and Bob's twin brother, Bill (1907–1971), as juvenile leads for a series of adventure movies titled The Adventures of Bob and Bill. Steele's career began to take off for good in 1927, when he was hired by production company Film Booking Offices of America (FBO) to star in a series of westerns. Renamed Bob Steele at FBO, he soon made a name for himself by working for almost every film studio, including Monogram, Supreme, Tiffany, Syndicate, Republic (including several films of the Three Mesquiteers series) and Producers Releasing Corporation (PRC) (including the initial films of their "Billy the Kid" series), plus he had a role in an adaptation of John Steinbeck's novel, Of Mice and Men in 1939. -
Place Images of the American West in Western Films
PLACE IMAGES OF THE AMERICAN WEST IN WESTERN FILMS by TRAVIS W. SMITH B.S., Kansas State University, 2003 M.A., Kansas State University, 2005 AN ABSTRACT OF A DISSERTATION submitted in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY Department of Geography College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2016 Abstract Hollywood Westerns have informed popular images of the American West for well over a century. This study of cultural, cinematic, regional, and historical geography examines place imagery in the Western. Echoing Blake’s (1995) examination of the novels of Zane Grey, the research questions analyze one hundred major Westerns to identify (1) the spatial settings (where the plot of the Western transpires), (2) the temporal settings (what date[s] in history the Western takes place), and (3) the filming locations. The results of these three questions illuminate significant place images of the West and the geography of the Western. I selected a filmography of one hundred major Westerns based upon twenty different Western film credentials. My content analysis involved multiple viewings of each Western and cross-referencing film content like narrative titles, American Indian homelands, fort names, and tombstone dates with scholarly and popular publications. The Western spatially favors Apachería, the Borderlands and Mexico, and the High Plains rather than the Pacific Northwest. Also, California serves more as a destination than a spatial setting. Temporally, the heart of the Western beats during the 1870s and 1880s, but it also lives well into the twentieth century. The five major filming location clusters are the Los Angeles / Hollywood area and its studio backlots, Old Tucson Studios and southeastern Arizona, the Alabama Hills in California, Monument Valley in Utah and Arizona, and the Santa Fe region in New Mexico. -
Where the West Was
A Look at Hollywood’s Back Lot in the Alabama Hills and Lone Pine The 1962 epic movie How the West Was Won told the story of how the pioneering Prescott family won their piece of the American West. But do you know where the West was won? The Alabama Hills on the eastern WHERE side of the Sierra Madre and the nearby town of Lone Pine, California, have served as one of Hollywood’s popular back lots for “B” Westerns and larger studio THE WEST films for almost 100 years, including major scenes from How the West Was Won. WAS Lone Pine is located in the Owens Valley approximately 200 miles north of Los Angeles along Highway 395. Mountain men such as Jedediah S. WON Smith probably discovered the valley as early as the 1820s and found Paiute and Shoshone Indians living there. Trapper and explorer Joseph R. Walker is A l ice W at t s credited with being among the first white men in the area when he led an expedition sent by John Fremont in 1833/34 to find an overland route to California from Missouri. A team from the California CONTACT: State Geological Society discovered Mt. Whitney in MOBILE: 1864; team member Clarence King named the 916-284-1080 mountain after his boss Josiah Dwight Whitney Settlers first came to the valley in 1842, drawn by rich deposits of minerals. Mines such as Cerro Gordo, WEBSITE: Pinamint and Coso produced silver and lead. The www.wattscopywriting.com boom years for the mines were over by 1879, although there was a brief resurgence for four to five years with the discovery of zinc deposits in 1911. -
HOLLYWOOD's WEST: the American Frontier in Film, Television, And
o HOLLYWOOD’S WEST WEST*FrontMtr.pmd 1 8/31/05, 4:52 PM This page intentionally left blank HOLLYWOOD’S WEST The American Frontier in o Film, Television, and History EDITED BY PETER C. ROLLINS JOHN E. O’CONNOR THE UNIVERSITY PRESS OF KENTUCKY WEST*FrontMtr.pmd 3 8/31/05, 4:52 PM Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2005 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508–4008 www.kentuckypress.com 0908070605 54321 “Challenging Legends, Complicating Border Lines: The Concept of ‘Frontera’ in John Sayles’s Lone Star” © 2005 by Kimberly Sultze. Library of Congress Cataloging-in-Publication Data Hollywood’s West : The American frontier in film, television, and history / edited by Peter C. Rollins and John E. O'Connor. p. cm. Includes bibliographical references and index. ISBN 0-8131-2354-2 (hardcover : alk. paper) 1. Western films—United States—History and criticism. 2. Western television programs—United States. I. O'Connor, John E. II. Rollins, Peter C. PN1995.9.W4A44 2005 791.436'278--dc22 2005018026 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files. Abilene Town 1946 Randolph Scott, Ann Dvorak American Empire 1942 Richard Dix, Leo Carillo, Preston Foster. The Big Trees 1952, color Kirk Douglas, Edgar Buchanan. Buckskin Frontier 1943 Richard Dix, Jane Wyatt. Bushwhackers 1952 John Ireland, Wayne Morris, Dorothy Malone. Cry Blood Apache 1970, color Jody McCrea, Joel McCrea. Daniel Boone, Trail Blazer 1957, color Bruce Bennett, Lon Chaney Jr. Deadly Companions 1961, color Maureen O’Hara, Brian Keith, Steve Cochran. Desperate Mission 1969, color Ricardo Montalban, Slim Pickens. Fighting Caravans 1931 Gary Cooper, Lili Damita. Fighting Westerner 1935 Randolph Scott, Ann Sheridan. Four Rode Out 1970, color Sue Lyon, Pernell Roberts. Gatling Gun 1971, color Guy Stockwell, Woody Strode Hanged Man 1974, color Steve Forrest, Dean Jagger. High Lonesome 1950, color John Drew Barrymore. Joshua 1976, color Fred Williamson, Cal Bartlett. Kansas Pacific 1953, color Sterling Hayden, Eve Miller, Barton MacLane. Kid Vengeance 1977, color Lee Van Cleef, Jim Brown. Man From Texas 1948 James Craig, Lynn Bari. Mohawk 1956, color Scott Brady, Rita Gam My Outlaw Brother 1951 Mickey Rooney, Wanda Hendrix. One-Eyed Jacks 1961, color Marlon Brando, Karl Malden. The Outlaw 1943 Jane Russell, Jack Buetel, Thomas Mitchell. Over the Hill Gang 1969, color Walter Brennan, Edgar Buchanan, A. Devine. Over the Hill Gang Rides Again 1970, color Fred Astaire, Walter Brennan, Buchanan. Powderkeg 1971, color Rod Taylor, Dennis Cole. Proud and the Damned 1972, color Chuck Connors, Cesar Romero. Proud Rebel 1958, color Alan Ladd, Olivia de Havilland. Rage at Dawn 1955, color Randolph Scott, Forrest Tucker.