City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-6-2021 The Female Body in the Works of Débora Arango and Ignacio Gómez Jaramillo: Colombian Modernism, Religion, and Politics, 1930s-1950s Gina M. Vásquez CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/718 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact:
[email protected] The Female Body in the Works of Débora Arango and Ignacio Gómez Jaramillo: Colombian Modernism, Religion, and Politics, 1930s-1950s by Gina M. Vásquez Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2021 April 19, 2021 Dr. Lynda Klich Date Thesis Sponsor April 29, 2021 Dr. Harper Montgomery Date Second Reader TABLE OF CONTENTS Acknowledgments……………………………………………………………………..…...…….iii List of Illustrations……………………………………………………………………………......v Introduction: Colombian Modernisms...................................................................................................................1 Chapter One: Controversies around the Female Nude……………………………………………………….…11 Chapter Two: The Modern Woman……...………………………………………………………..……….……33 Chapter Three: La Violencia on the Female Body………………………………………………..……...………51 Epilogue: The Politicized Body……………………….…………………………………….…….……..…65 Bibliography……………………………………………………………………………………..66 Illustrations………………………………………………………………………………………72 ii ACKNOWLEDGEMENTS First and foremost, I want to give a heartfelt thank you to Lynda Klich for her invaluable mentorship, support, and insight in undertaking this research project. From the beginning of my time at Hunter College, she has been supportive of my interests, working with me to develop, expand, and fine tune them into what has finally become this master’s thesis.