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The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
Argonautika Entire First Folio
First Folio Teacher Curriculum Guide ARGONAUTIKA adapted and directed by Mary Zimmerman based on the story by Apollonius of Rhodes January 15 to March 2, 2008 First Folio Teacher Curriculum Guide Table of Contents Page Number Welcome to the Shakespeare Theatre Company’s production of Argonautika! About Greek Theatre Brief History of the Audience………………………...1 This season, the Shakespeare Theatre Company The History of Greek Drama……………..……………3 presents eight plays by William Shakespeare and On Greek Society and Culture……………………….5 other classic playwrights. The mission of all About the Authors …………………………...……………6 Education Department programs is to deepen understanding, appreciation and connection to About the Play classic theatre in learners of all ages. One Synopsis of Argonautika……………..…………………7 approach is the publication of First Folio Teacher Curriculum Guides. The Myth Behind the Play ..…………………………..8 The Hero’s Quest…..………………………………………..9 For the 2007-08 season, the Education Fate and Free Will…...………………..………..………..10 Department will publish First Folio Teacher Mythology: More than just a good story…...11 Curriculum Guides for our productions of Glossary of Terms and Characters..…………….12 Tamburlaine, Taming of the Shrew, Argonautika Questing…………………………………………………..…….14 and Julius Caesar. First Folio Guides provide information and activities to help students form Classroom Connections a personal connection to the play before • Before the Performance……………………………15 attending the production at the Shakespeare Journey Game Theatre Company. First Folio Guides contain God and Man material about the playwrights, their world and It’s Greek to Me the plays they penned. Also included are The Hero’s Journey approaches to explore the plays and productions in the classroom before and after (Re)Telling Stories the performance. -
Sisyphos 1 Sisyphos
Sisyphos 1 Sisyphos Sisyphos (griechisch Σίσυφος, latinisiert Sisyphus) ist ein Held der griechischen Mythologie. Er ist der Sohn von Aeolos und Enarete. Er war der Gatte von Merope und zeugte mit ihr den Glaukos, Ornytion, Thersandros und Almos. Er gilt als der Stifter der Isthmischen Spiele und Gründer und König von Ephyra (Korinth). Nach anderer Überlieferung war er nicht der Gründer von Ephyra, sondern erhielt die Herrschaft von Medea übertragen. Vor allem ist er im Volksmund bekannt durch seine Bestrafung, die sogenannte Sisyphusarbeit. Mythos Stiftung der Isthmischen Spiele durch Sisyphos Persephone beaufsichtigt Sisyphos in der Unterwelt, schwarzfigurige attische Amphora, um 530 v. Chr., Staatliche Antikensammlungen (Inv. 1494) Ino hatte im Wahn Melikertes, ihren eigenen Sohn, getötet und sich mit dem Leichnam ins Meer gestürzt, als sie wieder zu Sinnen kam. Ein Delphin brachte den Knaben an Land. Sisyphos fand ihn und begrub ihn auf dem Isthmus und stiftete ihm zu Ehren die Isthmischen Spiele. (Am angegebenen Ort wird Theseus beziehungsweise Poseidon als Stifter genannt.) Sisyphos' Versuch, seinen Bruder Salmoneus zu töten Sisyphos befragte das Orakel von Delphi, wie er seinen Bruder Salmoneus töten könne. Darauf erhielt er die Antwort, dass er Kinder mit Tyro, der Tochter des Salmoneus, zeugen solle. Diese würden dann Salmoneus töten. Er ließ sich mit Tyro ein, und diese schenkte zwei Söhnen das Leben. Als sie jedoch von dem Orakel hörte, tötete sie ihre eigenen Kinder. Zeugung des Odysseus Autolykos stahl heimlich Rinder, Schafe und Ziegen des Sisyphos. Sisyphos bemerkte, dass seine Herden kleiner wurden, während die des Autolykos weiter zunahmen. Er markierte seine Tiere an den Hufen und konnte so den Diebstahl nachweisen. -
Some Words About the Category of Trickster in Ancient Mythology
Studia Religiologica 53 (3) 2020, s. 203–212 doi:10.4467/20844077SR.20.014.12754 www.ejournals.eu/Studia-Religiologica Autolycus and Sisyphus – Some Words about the Category of Trickster in Ancient Mythology Konrad Dominas https://orcid.org/0000-0001-5120-4159 Faculty of Polish and Classical Philology Adam Mickiewicz University in Poznań e-mail: [email protected] Abstract The goal of this article is to juxtapose the trickster model suggested by William J. Hynes in the text Mapping the Characteristics of Mythic Tricksters: A Heuristic Guide with the stories of Sisyphus and Autolycus. A philological method proposed in this article is based on a way of understand- ing a myth narrowly, as a narrative with a specific meaning, which can be expressed in any literary genre. According to this definition, every mythology which is available today is an attempt at pre- senting a story of particular mythical events and the fortunes of gods and heroes. Therefore, stories about Sisyphus and Autolycus are myths that have been transformed and which in their essence may have multiple meanings and cannot be attributed to one artist. The philological method is, in this way, based on isolating all fragments of the myth relating to the above protagonists and subse- quently presenting them as a coherent narrative. Keywords: category of trickster, ancient mythology, Autolycus, Sisyphus, ancient literature Słowa kluczowe: kategoria trickstera, mitologia antyczna, Autolykos, Syzyf, literatura antyczna Every academic article should begin with the definition of basic terms connected to the main idea of the subject and included in the discourse suggested by the author. -
ARGONAUTIKA the VOYAGE of JASON and the ARGONAUTS March 20–May 5, 2019
THE S. MARK TAPER FOUNDATION PRESENTS A NOISE WITHIN’S REPERTORY THEATRE SEASON AUDIENCE GUIDE Mary Zimmerman’s ARGONAUTIKA THE VOYAGE OF JASON AND THE ARGONAUTS March 20–May 5, 2019 Pictured: Erika Soto. Photo by Craig Schwartz. TABLE OF CONTENTS Character Map ......................................3 Synopsis ...........................................5 About the Author: Apollonius of Rhodes ..................6 About the Adaptor: Mary Zimmerman ................... 7 History of Jason and the Argonauts: A Timeline ............8 Oral Traditions and Epic Poetry .........................9 Ancient Greek Society ...............................10 Mythical Figures: Gods and Monsters in Greek Tales ....... 11 The Hero’s Journey ..................................12 After the Golden Fleece: Medea .......................14 Themes ...........................................15 Glossary .......................................... 17 Additional Resources ................................19 A NOISE WITHIN’S EDUCATION PROGRAMS MADE POSSIBLE IN PART BY: Ann Peppers Foundation The Jewish Community Capital Group Companies Foundation Michael J. Connell Foundation Kenneth T. and Eileen L. Norris Foundation The Dick and Sally Roberts Coyote Foundation Ralph M. Parsons Foundation Edison International Steinmetz Foundation The Green Foundation Dwight Stuart Youth Fund 3 A NOISE WITHIN 2018/19 REPERTORY SEASON | Spring 2019 Audience Guide Argonautika CHARACTER MAP GODS AND CREATURES Hera Queen of the gods. Vows to always love Jason Athena Aphrodite The goddess of The goddess of love and beauty. wisdom and courage. Helps Hera in a scheme to make She watches over Jason Medea fall in love with Jason Boreas Rumor Eros The god and personification The goddess and personification Aphrodite’s minion. of the North Wind of a spreading rumor or false tale Also known as Cupid Amycus Fury Ghost Dryope Poseidon’s son and an Goddess of vengeance Arrives to tell Alcimede A water nymph infamous boxer of Jason’s journey ARGONAUTS Jason The leader of the Argonauts. -
Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
JASON, MEDEA and the ARGONAUTS Saga
JASON, MEDEA and the ARGONAUTS saga . Quest for the Golden Fleece by Jason and the crew of Argo. How did the Golden Fleece come to the picture? MYTHIC BACKGROUND OF THE STORY: Athamas (Boiotian king) took as a wife NEPHELE (name means „cloud‟) and had 2 children Phrixus and Helle. Nephele returned to sky. ATHAMAS+ NEPHELE PHRIXUS HELLE . ATHAMAS then married INO, daughter of CADMUS. INO attempted to destroy her stepchildren. Pursuaded Boeotian women to parch the seed grain > nothing grew > famine . Athamas consulted Delphi > sacrifice Phrixus, his son, to end famine. At sacrifice, NEPHELE took Phrixus and Helle to the sky on a golden-fleeced ram (from Hermes). Helle fell off and drowned> Hellespont, Phrixus went to Colchis, in the Black Sea, was received by king Aeetes (son of Helius, brother of Circe and Pasiphae). Phrixus sacrificed the ram, gave the golden Fleece to king Aeetes, hung it up on an oak tree, grove sacred to Ares, guarded by a never-sleeping snake. Fleece> goal for a hero‟s quest. JASON . Cretheus, brother of ATHAMAS was king of IOLCUS. At his death, his stepson PELIAS (son of Poseidon and Tyro, the wife of Cretheus) usurped the throne and deposed the rightful heir, AESON. AESON –son of Cretheus and Tyro, father of JASON. Jason was sent by his mother (Polymede) to the mountains to be educated by centaur CHIRON. Jason‟s return to IOLCUS . Returned to claim the throne . Pelias knew he was fated to be killed by a descendant of Aeolus. Delphic oracle to Pelias “Beware of the man with one sandal” . -
[PDF]The Myths and Legends of Ancient Greece and Rome
The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia -
The Fascinating Story-Telling of Etruscan Mirrors – the Meaning Behind 8LER
The fascinating story-telling of Etruscan mirrors – the meaning behind 8LER The fascinating story-telling of Etruscan mirrors – the meaning behind 8LER by Mel Copeland Update September 8, 2017 The Etruscans were masters in many arts, including manufacture of gold and silver jewelry, pottery and mirrors. Their mirrors have been found from Africa to the Black Sea, and what is most fascinating about their mirrors is their gifted way of retelling “their” mythology. We put the word “their” in quotes, because their mythology seems to be focused around Greek mythology. However, the Etruscan version of the Greek tales often had an unexpected, sometimes wry, twist. The unique perspectives of Etruscan mythology, seen in the murals of their tombs and engraved on their mirrors, tend to focus around heroes of the Trojan War and Helen of Troy.1 Regardless of the subject matter, the Etruscan story-tellers excelled at making one think about the plot behind the scene, and there are many such mirrors with unusual twists. For instance, we have Uni suckling Heracles, Script AH. the Volterra Mirror, Script AH,2 which shows a bearded This mirror was found in Volterra and is in Heracles (Etr. Hercle, L. Hercules, Gr. Heracles) suckling the Museo Archeologico, Florence. at the breast of the Etruscan goddess Uni (Etr. VNI, L. Juno, Greek Hera). This plot involved Hera’s jealousy over the philandering ways of her consort Zeus (Etr. TINIA, L. Jupiter). It seems that Alcmene was seduced by Zeus, who had disguised himself as her husband, Amphitryon, while he was away at sea fighting Taphian pirates, and produced a son, Heracles. -
An Online Textbook for Classical Mythology
Utah State University DigitalCommons@USU Textbooks Open Texts 2017 Mythology Unbound: An Online Textbook for Classical Mythology Jessica Mellenthin Utah State University Susan O. Shapiro Utah State University, [email protected] Follow this and additional works at: https://digitalcommons.usu.edu/oer_textbooks Recommended Citation Mellenthin, Jessica and Shapiro, Susan O., "Mythology Unbound: An Online Textbook for Classical Mythology" (2017). Textbooks. 5. https://digitalcommons.usu.edu/oer_textbooks/5 This Book is brought to you for free and open access by the Open Texts at DigitalCommons@USU. It has been accepted for inclusion in Textbooks by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Mythology Unbound: An Online Textbook for Classical Mythology JESSICA MELLENTHIN AND SUSAN O. SHAPIRO Mythology Unbound by Susan Shapiro is licensed under CC-BY-NC-SA 4.0 Contents Map vii Aegis 1 Agamemnon and Iphigenia 5 Aphrodite 9 Apollo 15 Ares 25 The Argonauts 31 Artemis 41 Athena 49 Caduceus 61 Centaurs 63 Chthonian Deities 65 The Delphic Oracle 67 Demeter 77 Dionysus/Bacchus 85 Hades 97 Hephaestus 101 Hera 105 Heracles 111 Hermes 121 Hestia 133 Historical Myths 135 The Iliad - An Introduction 137 Jason 151 Miasma 155 The Minotaur 157 The Odyssey - An Introduction 159 The Oresteia - An Introduction 169 Origins 173 Orpheus 183 Persephone 187 Perseus 193 Poseidon 205 Prometheus 213 Psychological Myths 217 Sphinx 219 Story Pattern of the Greek Hero 225 Theseus 227 The Three Types of Myth 239 The Twelve Labors of Heracles 243 What is a myth? 257 Why are there so many versions of Greek 259 myths? Xenia 261 Zeus 263 Image Attributions 275 Map viii MAP Aegis The aegis was a goat skin (the name comes from the word for goat, αἴξ/aix) that was fringed with snakes and often had the head of Medusa fixed to it. -
Hellenic Saga Ii Jason and the Argonauts Hellen = Orseis
Hellenic Saga ii Jason and the Argonauts Hellen = Orseis Dorus Aeolus = Enarete Xuthus Cretheus, Sisyphus, Canace, Alcyone, Athamas, Salmoneus, Pisidice, Calyce, Deion, Magnes, Perieres Perimede Cretheus = Tyro = Poseidon Polymede = Aeson Pelias Medea = Jason • Pelias, king of Iolcus • Sent Jason in search of the Golden Fleece • Jason enlisted Argus, son of Phrixus • He build a ship, called the Argo • Assembled 44 heroes Jason and the Argonauts • 44 heroes including: • Jason s.o. Aeson • Argus s.o. Phrixus • Castor and Polux, s.o. Zeus and Leda • Telamon and Peleus, s.o. Aeacus • Heracles, s.o. Zeus • Theseus, s.o. Aegeus (Athens) • Atalanta, d.o. Schoeneus • Meleager, s.o. Oeneus Severin, Tim. 1985. The Jason Voyage: the Quest for the Golden Fleece. Voyage of the Argo • Lemnos • Where they repopulated the Island • Jason and Hypsipyle • Cyzicus • Where they killed everyone by accident • Mysia • Where they lost Heracles and Polyphemus • Bebryces • Where they killed everyone Voyage of the Argo ii • Sailed through the Bosporus • Landed at Colchis • Aeetes, king of Colchis • Agreed to give the fleece if Jason could yoke the bronze bulls and sow dragon’s teeth in the earth. • Medea • Daughter of Aeetes • A witch • Fell in love with Jason Georgia Colchis Jason in Colchis • Medea gave Jason a magic potion: • Jason yoked the bulls and sowed the teeth • Some of the dragon’s teeth from Cadmus • Jason fought the soldiers who sprung up • Aeetes then refused, so Jason and Medea stole the fleece and fled Colchis. The Voyage of the Argo Jason and Medea • Pelias • Forced Aeson (his half brother) to drink bull’s blood • Polymede hung herself • Medea tricked Pelias’ daughters into killing him • Corinth • Creon offered Jason his daughter Glauce • Jason divorced Medea • Medea killed Glauce – and her own children • Medea went to Athens and married Aegeus Medea and the Lamb Stew The Medea Sarcophagus http://smarthistory.khanacademy.org/medea-sarcophagus.html Medea leaving Corinth. -
The Nékyia's Catalogue of Heroines
Les Études classiques 83 (2015), p. 69-99. THE NÉKYIA’S CATALOGUE OF HEROINES: Narrative Unbound The so called ‘Catalogue of Heroines’ of Odyssey XI has had a long his- tory of scholarly controversy. U. von Wilamowitz and F. Focke saw it as a later addition, whereas C. M. Bowra characterised it as “out of place” in the context of the Nékyia 1. W. B. Stanford detected a “Boeotian influence” due to the profound similarities with the Hesiodic Catalogue of Women with which he saw possible connections 2. D. L. Page went even further, arguing that the Catalogue was indeed a “direct imitation” of the Catalogue of Wo- men and asserting that not only was it a later addition but also one “loosely attached and carelessly adapted” 3. G. S. Kirk, finally, argued more gener- ally that the Catalogue was a later insertion from Boeotian catalogue po- etry 4. More recent scholarship, however, has reclaimed the Catalogue as an integral part of Odyssey XI, recognizing its important function within the wider narrative of Odysseus’ homecoming 5. Perhaps the most important contribution here is that of Lillian Doherty who has pointed out that the pas- sage is crucial to Odysseus’ plan of pleasing Arete, the character that both Nausicaa and the disguised Athena (Od., VI, 303-315; VII, 74-76) singled out as vital to his homecoming. Following G. P. Rose’s insightful discussion of the dangers that Scheria holds in store for Odysseus 6, Lillian Doherty underlines the importance of a good reception of the hero on the part of Arete; the catalogue, she argues, can be seen as Odysseus’ tactful attempt to satisfy and simultaneously flatter the queen with an account of famous wo- 1.