Sisyphos 1 Sisyphos

Total Page:16

File Type:pdf, Size:1020Kb

Sisyphos 1 Sisyphos Sisyphos 1 Sisyphos Sisyphos (griechisch Σίσυφος, latinisiert Sisyphus) ist ein Held der griechischen Mythologie. Er ist der Sohn von Aeolos und Enarete. Er war der Gatte von Merope und zeugte mit ihr den Glaukos, Ornytion, Thersandros und Almos. Er gilt als der Stifter der Isthmischen Spiele und Gründer und König von Ephyra (Korinth). Nach anderer Überlieferung war er nicht der Gründer von Ephyra, sondern erhielt die Herrschaft von Medea übertragen. Vor allem ist er im Volksmund bekannt durch seine Bestrafung, die sogenannte Sisyphusarbeit. Mythos Stiftung der Isthmischen Spiele durch Sisyphos Persephone beaufsichtigt Sisyphos in der Unterwelt, schwarzfigurige attische Amphora, um 530 v. Chr., Staatliche Antikensammlungen (Inv. 1494) Ino hatte im Wahn Melikertes, ihren eigenen Sohn, getötet und sich mit dem Leichnam ins Meer gestürzt, als sie wieder zu Sinnen kam. Ein Delphin brachte den Knaben an Land. Sisyphos fand ihn und begrub ihn auf dem Isthmus und stiftete ihm zu Ehren die Isthmischen Spiele. (Am angegebenen Ort wird Theseus beziehungsweise Poseidon als Stifter genannt.) Sisyphos' Versuch, seinen Bruder Salmoneus zu töten Sisyphos befragte das Orakel von Delphi, wie er seinen Bruder Salmoneus töten könne. Darauf erhielt er die Antwort, dass er Kinder mit Tyro, der Tochter des Salmoneus, zeugen solle. Diese würden dann Salmoneus töten. Er ließ sich mit Tyro ein, und diese schenkte zwei Söhnen das Leben. Als sie jedoch von dem Orakel hörte, tötete sie ihre eigenen Kinder. Zeugung des Odysseus Autolykos stahl heimlich Rinder, Schafe und Ziegen des Sisyphos. Sisyphos bemerkte, dass seine Herden kleiner wurden, während die des Autolykos weiter zunahmen. Er markierte seine Tiere an den Hufen und konnte so den Diebstahl nachweisen. Er begab sich zu Autolykos, um ihn zur Rede zu stellen. Da er diesen aber nicht antraf, verführte er dessen Tochter Antikleia, die kurze Zeit später Laertes heiratete, und zeugte Odysseus. Vergehen gegenüber der Götterwelt Sisyphos wird als der verschlagenste aller Menschen bezeichnet; er verriet die Pläne des Gottes Zeus, indem er dem Flussgott Asopos mitteilte, dass es Zeus sei, der seine Tochter Aigina entführt habe. Zeus beschloss daraufhin, Sisyphos zu bestrafen und schickte Thanatos, den Tod, zu ihm. Aber Sisyphos überwältigte diesen, indem er Thanatos betrunken machte und so starke Fesseln anlegte, dass des Todes Macht gebrochen war und niemand mehr starb. Erst als der Kriegsgott Ares den Tod aus der Gewalt von Sisyphos befreite (da es ihm keinen Spaß machte, dass seine Gegner auf dem Schlachtfeld nicht mehr starben), konnte Thanatos wieder seines Amtes walten. Sisyphos 2 Sisyphos aber wurde vom Kriegsgott ins Schattenreich entführt. Doch bevor Ares das tat, verbot Sisyphos seiner Frau, ihm ein Totenopfer darzubringen. Als keine Opfer für ihn dargebracht wurden, überredete er den Gott der Unterwelt, Hades, dass er schnell in die Menschenwelt zurückkehren wolle, um seiner Frau zu befehlen, für ihn ein Totenopfer zu halten. Wieder zu Hause, genoss der Listige das Leben an der Seite seiner Frau und spottete über den Gott der Unterwelt. Doch plötzlich tauchte Thanatos vor ihm auf und brachte ihn mit Gewalt ins Totenreich. Bestrafung durch Sisyphusarbeit Sisyphos' Strafe in der Unterwelt bestand darin, einen Felsblock einen steilen Hang hinaufzurollen. Kurz bevor er das Ende des Hangs erreichte, entglitt ihm der Stein, und er musste wieder von vorne anfangen. Heute nennt man deshalb Aufgaben, die trotz großer Mühen so gut wie nie erledigt sein werden, Sisyphusarbeit. „Und weiter sah ich den Sisyphos in gewaltigen Schmerzen: wie er mit beiden Armen einen Felsblock, einen ungeheuren, fortschaffen wollte. Ja, und mit Händen und Füßen stemmend, stieß er den Block hinauf auf einen Hügel. Doch wenn er ihn über die Kuppe werfen wollte, so drehte ihn das Übergewicht zurück: von neuem rollte dann der Block, der schamlose, ins Feld hinunter. Er aber stieß ihn immer wieder zurück, sich anspannend, und es rann der Schweiß ihm von den Gliedern, und der Staub erhob sich über sein Haupt hinaus.“ Sisyphos von Franz von Stuck, 1920 – Homer: Odyssee 11. Gesang, 593–600. Übersetzung Wolfgang Schadewaldt Sonstiges In Der Mythos des Sisyphos entwickelt der französische Autor Albert Camus (1913-1960) eine Philosophie des Absurden, die eng mit dem Existentialismus verwandt ist. Der Essay ist im Zusammenhang mit dem Bühnenstück Caligula (Uraufführung 1945) und dem Roman Der Fremde (L’Étranger, 1942) zu sehen, da Camus in diesen drei Werken das gleiche Thema behandelt. Auch in Die Pest finden sich ähnliche Motive wieder. Für Camus befindet sich der Mensch in einer absurden Situation. Das Absurde besteht in dem Spannungsverhältnis zwischen der Sinnwidrigkeit der Welt einerseits und der Sehnsucht des Menschen nach einem Sinn bzw. sinnvollem Handeln. Camus zeigt die Widersprüchlichkeit des durch die Absurdität begründeten Selbstmordes auf. Danach setzt er sich mit Autoren auseinander, welche die Absurdität der menschlichen Situation erkannt haben, insbesondere mit Kierkegaard, Schestow, Dostojewskij, Heidegger, Kafka und Nietzsche. Allerdings hätten diese Autoren, bei den Dichtern ihre Protagonisten, nach der Analyse der Situation, eventuell mit der Ausnahme Nietzsches, die falschen Konsequenzen gezogen, indem sie der Absurdität – unter Aufopferung des klaren Verstandes – durch einen irrationalen „Sprung“ (saut) entfliehen wollten. Dieser Sprung besteht je nach Vordenker in der Zuflucht zu metaphysischen, ästhetischen, religiösen oder rationalistischen Rettungsangeboten. Bei Camus steht jedoch in Anlehnung zum Sisyphos-Mythos das ewige Abarbeiten und Überwinden der selbst gewählten Lebensaufgabe zur eigentlichen Erlangung eines freieren Bewusstseins im Vordergrund. In der Volkswirtschaft wird mit Sisyphismus das System derjenigen Nationalökonomen bezeichnet, welche die Arbeit um ihrer selbst Willen – ungeachtet des ökonomischen Erfolgs – als schätzenswert bezeichnen. Der britisch-australische Film "Triangle" (Genre: Horror-Drama) von Christopher Smith nimmt grob Bezug auf diese Sage. Sisyphos 3 Quellen • Bibliotheke des Apollodor, 1, 50; 1, 85; 2, 30; 3, 29; 3, 110; 3, 157. • Diodor, Bibliotheke, 6, 63. • Diodor, Fragmente, 90; 120; 121; 123; 124. • Hesiod, Eoien, 10, 26; 43a. • Homer, Ilias, 6, 14. • Homer, Odyssee, 11, 593. • Hyginus Mythographus, Astronomica, 2, 21. • Hyginus Mythographus, Fabulae, 60; 201; 239; 250. • Lykophron, Alexandra, 3, 1027. • Pausanias, Reisen in Griechenland, 2, 1, 3; 2, 2, 2; 2, 3, 11; 2, 4, 3; 2, 5, 1; 6, 20, 19; 9, 17, 6; 9, 24, 3; 9, 34, 7; 10, 4, 10; 10, 30, 5, 10, 31, 10. • Albert Camus, Der Mythos des Sisyphos. Ein Versuch über das Absurde (Le mythe de Sisyphe, 1942). Rauch, Bad Salzig/Düsseldorf 1950 Literatur • Erich Wilisch: Sisyphos. In: Wilhelm Heinrich Roscher (Hrsg.): Ausführliches Lexikon der griechischen und römischen Mythologie. Band 4, Leipzig 1915, Sp. 958–972 (Digitalisat [1]). • Bernd Seidensticker & Antje Wessels: Sisyphos. Texte von Homer bis Günter Kunert. Reclam Bibliothek Nr. 1718, Leipzig 2001 ISBN 3-379-01738-8 kpl. Inhaltsverzeichnis [2] Anthologie, ca. 100 Texte Weblinks • Sisyphos im Greek Myth Index [3] (englisch) • Sisyphos im Greek Mythology Link [4] (englisch) Referenzen [1] http:/ / www. archive. org/ stream/ ausfhrlichesle04roscuoft#page/ n484/ mode/ 1up [2] http:/ / lbib. de/ Mythos-Sisyphos-Texte-von-Homer-bis-Guenter-Kunert-Bernd-Seidensticker-22860 [3] http:/ / www. mythindex. com/ greek-mythology/ S/ Sisyphus. html [4] http:/ / www. maicar. com/ GML/ Sisyphus. html Quelle(n) und Bearbeiter des/der Artikel(s) 4 Quelle(n) und Bearbeiter des/der Artikel(s) Sisyphos Quelle: http://de.wikipedia.org/w/index.php?oldid=87176056 Bearbeiter: Abu el mot, Adornix, Aineias, Aka, Akidosan, Andre Engels, AndreasE, AndreasPraefcke, Armin P., Blah, Boga, Christian140, Church of emacs, ColdCase, D, Dealerofsalvation, Der.Traeumer, DerHexer, Deytschey, Dj701, Dominik, Don Magnifico, Eisbaer44, ErnstA, Esszimmer, Felix König, Franc, Gerbil, H005, Hadhuey, Hardenacke, Hoss, Hubertl, Hukukçu, Immanuel Giel, Itti, Jan eissfeldt, Juesch, Krawi, Krd, Kuhlo, Kuli, Laufe42, Longbow4u, Louis Bafrance, Louis Wu, Marilyn.hanson, Markus Mueller, Martin-vogel, Martin1978, MauriceKA, Mikano, Mr.Snips, NiTenIchiRyu, POY, Paramecium, Patrice77, Peter200, Philipendula, PhilippWeissenbacher, Pitichinaccio, Pittimann, Ranuncula, Redigator, Regi51, Reinhard Kraasch, Renato Caniatti, Robin Hood, S.lukas, Salomis, Sava, Schandi, Schlesinger, Schubbay, Schuppi, Semper, Sinn, Sniff, Sommerkom, Spuk968, Stechlin, Stefan8000, Succu, The nipper, TheWolf, ThoR, Thorsten Hammacher, Tobias K., Tzzzpfff, Tönjes, Urbanus, Victor Eremita, WAH, Wahresmüsli, Wildtierreservat, Wolfgang1018, WolfgangRieger, YourEyesOnly, Zeitlupe, Ziegenmilch, 125 anonyme Bearbeitungen Quelle(n), Lizenz(en) und Autor(en) des Bildes Datei:Nekyia Staatliche Antikensammlungen 1494 n2.jpg Quelle: http://de.wikipedia.org/w/index.php?title=Datei:Nekyia_Staatliche_Antikensammlungen_1494_n2.jpg Lizenz: Public Domain Bearbeiter: User:Bibi Saint-Pol Datei:Sisyphus by von Stuck.jpg Quelle: http://de.wikipedia.org/w/index.php?title=Datei:Sisyphus_by_von_Stuck.jpg Lizenz: Public Domain Bearbeiter: Bibi Saint-Pol, Flominator, G.dallorto, Grenavitar, Infrogmation, Origamiemensch, Patrick, Pierpao, Ranveig, Wst Lizenz Wichtiger Hinweis zu den Lizenzen Die nachfolgenden Lizenzen bezieht sich auf den Artikeltext. Im Artikel gezeigte Bilder und Grafiken können unter einer anderen Lizenz stehen sowie von Autoren erstellt worden sein,
Recommended publications
  • The Hellenic Saga Gaia (Earth)
    The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10.
    [Show full text]
  • Argonautika Entire First Folio
    First Folio Teacher Curriculum Guide ARGONAUTIKA adapted and directed by Mary Zimmerman based on the story by Apollonius of Rhodes January 15 to March 2, 2008 First Folio Teacher Curriculum Guide Table of Contents Page Number Welcome to the Shakespeare Theatre Company’s production of Argonautika! About Greek Theatre Brief History of the Audience………………………...1 This season, the Shakespeare Theatre Company The History of Greek Drama……………..……………3 presents eight plays by William Shakespeare and On Greek Society and Culture……………………….5 other classic playwrights. The mission of all About the Authors …………………………...……………6 Education Department programs is to deepen understanding, appreciation and connection to About the Play classic theatre in learners of all ages. One Synopsis of Argonautika……………..…………………7 approach is the publication of First Folio Teacher Curriculum Guides. The Myth Behind the Play ..…………………………..8 The Hero’s Quest…..………………………………………..9 For the 2007-08 season, the Education Fate and Free Will…...………………..………..………..10 Department will publish First Folio Teacher Mythology: More than just a good story…...11 Curriculum Guides for our productions of Glossary of Terms and Characters..…………….12 Tamburlaine, Taming of the Shrew, Argonautika Questing…………………………………………………..…….14 and Julius Caesar. First Folio Guides provide information and activities to help students form Classroom Connections a personal connection to the play before • Before the Performance……………………………15 attending the production at the Shakespeare Journey Game Theatre Company. First Folio Guides contain God and Man material about the playwrights, their world and It’s Greek to Me the plays they penned. Also included are The Hero’s Journey approaches to explore the plays and productions in the classroom before and after (Re)Telling Stories the performance.
    [Show full text]
  • Some Words About the Category of Trickster in Ancient Mythology
    Studia Religiologica 53 (3) 2020, s. 203–212 doi:10.4467/20844077SR.20.014.12754 www.ejournals.eu/Studia-Religiologica Autolycus and Sisyphus – Some Words about the Category of Trickster in Ancient Mythology Konrad Dominas https://orcid.org/0000-0001-5120-4159 Faculty of Polish and Classical Philology Adam Mickiewicz University in Poznań e-mail: [email protected] Abstract The goal of this article is to juxtapose the trickster model suggested by William J. Hynes in the text Mapping the Characteristics of Mythic Tricksters: A Heuristic Guide with the stories of Sisyphus and Autolycus. A philological method proposed in this article is based on a way of understand- ing a myth narrowly, as a narrative with a specific meaning, which can be expressed in any literary genre. According to this definition, every mythology which is available today is an attempt at pre- senting a story of particular mythical events and the fortunes of gods and heroes. Therefore, stories about Sisyphus and Autolycus are myths that have been transformed and which in their essence may have multiple meanings and cannot be attributed to one artist. The philological method is, in this way, based on isolating all fragments of the myth relating to the above protagonists and subse- quently presenting them as a coherent narrative. Keywords: category of trickster, ancient mythology, Autolycus, Sisyphus, ancient literature Słowa kluczowe: kategoria trickstera, mitologia antyczna, Autolykos, Syzyf, literatura antyczna Every academic article should begin with the definition of basic terms connected to the main idea of the subject and included in the discourse suggested by the author.
    [Show full text]
  • A Dictionary of Mythology —
    Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science.
    [Show full text]
  • CV Leah Kronenberg
    Leah Kronenberg Title and Address: Contact Information: Associate Professor Tel: 848-932-9600 Department of Classics Fax: 732-932-9246 School of Arts and Sciences - Classics [email protected] 131 George Street New Brunswick , NJ 08901 Education Highest Earned Degree Ph.D., Classical Philology, Harvard University, November 2003 Dissertation Beyond Good and Evil: Redefining Morality from Socrates to Virgil, November 2003, Richard F. Thomas Other Earned Degrees A.M., Harvard University, Classical Philology, 2000 A.B., summa cum laude in Classics, Harvard University, 1997 Employment History Positions Held 2010-ongoing Associate Professor of Classics, Rutgers University 2004-2010 Assistant Professor of Classics, Rutgers University 2003-2004 Lecturer in Classics, Harvard University 1999-2002 Teaching Fellow in the Classics, Harvard University Titles or Assignments within Positions Held 2015-ongoing Curriculum Coordinator, Classics Department, Rutgers University 2012-2014 Undergraduate Director, Classics Department, Rutgers University 2009-2010 Graduate Director, Classics Department, Rutgers University 2005-2007 Undergraduate Director, Classics Department, Rutgers University Publications Books Allegories of Farming from Greece and Rome: Philosophical Satire in Xenophon, Varro, and Virgil. Cambridge University Press/UK, June 2009, 223 pages, by Leah Kronenberg. Articles in Refereed Journals "Aemilius Macer as Corinna's Parrot in Ovid Amores 2.6," Classical Philology Forthcoming. "Me, Myself, and I: Multiple (Literary) Personalities in Catullus 35," Classical World, 107.3 (2014) 367-381. http://muse.jhu.edu.proxy.libraries.rutgers.edu/journals/classical_world/v107/107.3.kronenberg.html "The Rise of Sabinus: Sexual Satire in Catalepton 10," Classical Journal 110.2 (2014) 191-212. “Mezentius the Epicurean,” Transactions of the American Philological Association, 135 (2005) 403-431.
    [Show full text]
  • ARGONAUTIKA the VOYAGE of JASON and the ARGONAUTS March 20–May 5, 2019
    THE S. MARK TAPER FOUNDATION PRESENTS A NOISE WITHIN’S REPERTORY THEATRE SEASON AUDIENCE GUIDE Mary Zimmerman’s ARGONAUTIKA THE VOYAGE OF JASON AND THE ARGONAUTS March 20–May 5, 2019 Pictured: Erika Soto. Photo by Craig Schwartz. TABLE OF CONTENTS Character Map ......................................3 Synopsis ...........................................5 About the Author: Apollonius of Rhodes ..................6 About the Adaptor: Mary Zimmerman ................... 7 History of Jason and the Argonauts: A Timeline ............8 Oral Traditions and Epic Poetry .........................9 Ancient Greek Society ...............................10 Mythical Figures: Gods and Monsters in Greek Tales ....... 11 The Hero’s Journey ..................................12 After the Golden Fleece: Medea .......................14 Themes ...........................................15 Glossary .......................................... 17 Additional Resources ................................19 A NOISE WITHIN’S EDUCATION PROGRAMS MADE POSSIBLE IN PART BY: Ann Peppers Foundation The Jewish Community Capital Group Companies Foundation Michael J. Connell Foundation Kenneth T. and Eileen L. Norris Foundation The Dick and Sally Roberts Coyote Foundation Ralph M. Parsons Foundation Edison International Steinmetz Foundation The Green Foundation Dwight Stuart Youth Fund 3 A NOISE WITHIN 2018/19 REPERTORY SEASON | Spring 2019 Audience Guide Argonautika CHARACTER MAP GODS AND CREATURES Hera Queen of the gods. Vows to always love Jason Athena Aphrodite The goddess of The goddess of love and beauty. wisdom and courage. Helps Hera in a scheme to make She watches over Jason Medea fall in love with Jason Boreas Rumor Eros The god and personification The goddess and personification Aphrodite’s minion. of the North Wind of a spreading rumor or false tale Also known as Cupid Amycus Fury Ghost Dryope Poseidon’s son and an Goddess of vengeance Arrives to tell Alcimede A water nymph infamous boxer of Jason’s journey ARGONAUTS Jason The leader of the Argonauts.
    [Show full text]
  • Greek Mythology / Apollodorus; Translated by Robin Hard
    Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard.
    [Show full text]
  • The Hellenic Saga Gaia (Earth)
    The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10.
    [Show full text]
  • Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
    Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable).
    [Show full text]
  • JASON, MEDEA and the ARGONAUTS Saga
    JASON, MEDEA and the ARGONAUTS saga . Quest for the Golden Fleece by Jason and the crew of Argo. How did the Golden Fleece come to the picture? MYTHIC BACKGROUND OF THE STORY: Athamas (Boiotian king) took as a wife NEPHELE (name means „cloud‟) and had 2 children Phrixus and Helle. Nephele returned to sky. ATHAMAS+ NEPHELE PHRIXUS HELLE . ATHAMAS then married INO, daughter of CADMUS. INO attempted to destroy her stepchildren. Pursuaded Boeotian women to parch the seed grain > nothing grew > famine . Athamas consulted Delphi > sacrifice Phrixus, his son, to end famine. At sacrifice, NEPHELE took Phrixus and Helle to the sky on a golden-fleeced ram (from Hermes). Helle fell off and drowned> Hellespont, Phrixus went to Colchis, in the Black Sea, was received by king Aeetes (son of Helius, brother of Circe and Pasiphae). Phrixus sacrificed the ram, gave the golden Fleece to king Aeetes, hung it up on an oak tree, grove sacred to Ares, guarded by a never-sleeping snake. Fleece> goal for a hero‟s quest. JASON . Cretheus, brother of ATHAMAS was king of IOLCUS. At his death, his stepson PELIAS (son of Poseidon and Tyro, the wife of Cretheus) usurped the throne and deposed the rightful heir, AESON. AESON –son of Cretheus and Tyro, father of JASON. Jason was sent by his mother (Polymede) to the mountains to be educated by centaur CHIRON. Jason‟s return to IOLCUS . Returned to claim the throne . Pelias knew he was fated to be killed by a descendant of Aeolus. Delphic oracle to Pelias “Beware of the man with one sandal” .
    [Show full text]
  • Zeus' Lightning in Early Greek Myth and in Kleanthes' Hymn*
    ROCZNIKI HUMANISTYCZNE Tom LIV-LV, zeszyt 3 – 2006-2007 JAN MAARTEN BREMER * ZEUS’ LIGHTNING IN EARLY GREEK MYTH AND IN KLEANTHES’ HYMN* More than hundred years ago, the French archaeologist Paul Foucart discovered in Mantineia — that famous city in the heart of the Peloponnesus — a heavy stone with a perfectly readable inscription ΔΙΟΣ ΚΕΡΑΥΝΟ. This stone inspired Hermann Usener to write an enthusiastic article.1 He was enthusiastic because he was convinced that now he had found proof of his fundamental intuition that originally Greeks and Romans worshipped what he called Augenblicksgötter. This was, according to him, what had happened in Mantineia. During a heavy thunderstorm, lightning had struck a stone (a stone which may have had traces of iron in it, who knows?). The local people who had witnessed this event, inscribed these letters on the stone, as they believed that from now onwards the stone was a sacred object, it belonged “to Zeus, the Lightning”. Elsewhere similar objects have been found with the inscription ΔΙΟΣ ΚΑΤΑΒΑΤΕΩ, “of Zeus, the one who came down (here)”,2 and Pausanias (III, 22,1) tells us that in the South of the Peloponnesus, at Gythion, people showed him a stone as the stone ΔΙΟΣ ΚΑΠΠΩΤΑ “of Zeus, the one who fell down (here)” (from καταπίπτω). Prof. Dr. JAN MAARTEN BREMER – retired professor of the University of Amsterdam; address for correspondence — e-mail: [email protected] * I thank Dr. Krzysztof Narecki (Lublin) who was so kind as to translate this paper into Polish and to read it to the audience at the conference in honour of the classical scholar Mgr Remigiusz Popowski, at the Catholic University of Lublin, on the 5th of October 2006, as I was unable to participate in the conference.
    [Show full text]
  • Apollodorus : the Library
    JU\r(^ Qksl 7^ani-hSin THE LOEB CLASSICAL LIBRARY EDITED BY E. CAPPS, Ph.D., LL.D. T. E. PAGE, Litt.D. W. H. D. ROUSE, Litt.D. APOLLODORUS THE LIBRARY I APOLLODOEUS THE LIBRARY WITH AN ENGLISH TRANSLATION BY SIR JAMES GEORGE FRAZER, F.B.A., F.R.S. FELLOW OF TRINITY COLLEGE, CAMBRIDGE IN TWO VOLUMES I LONDON : WILLIAM HEINEMANN NEW YORK : G. P. PUTNAM'S SONS MCMXXI FEB " 3 !940 TO MY OLD TEACHER AND FRIEND HENRY JACKSON, O.M. CONTENTS PAGK INTRODUCTION ix SUMMARY xlv SYMBOLS EMPLOYED IN THE CRITICAL NOTES llX 1 BOOK I • 127 BOOK II 295 BOOK Til Vll ERRATA. , Vol. , 73 For " Thestius " read " Agrius." Vol. II. P. 54. For "later version" read "earlier version." — INTRODUCTION I. The Author and His Book. Nothing is positively known, and little can be conjectured with any degree of probability, con- cerning the author of the Library. Writing in the ninth century of our era the patriarch Photius calls him Apollodorus the Gi'ammarian,^ and in the manu- scripts of his book he is described as Apollodorus the Athenian, Grammarian. Hence we may con- clude that Photius and the copyists identified our author with the eminent Athenian grammarian of that name, who flourished about 140 b.c. and wrote a number of learned works, now lost, including an elaborate treatise On the Gods in twenty-four books, and a poetical, or at all events versified. Chronicle in four books. 2 But in modern times good reasons have been given for rejecting this identification,^ ^ Photius, Bibliotheca, p.
    [Show full text]