DOCSLIB.ORG

CV Leah Kronenberg

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CV Leah Kronenberg Leah Kronenberg Title and Address: Contact Information: Associate Professor Tel: 848-932-9600 Department of Classics Fax: 732-932-9246 School of Arts and Sciences - Classics [email protected] 131 George Street New Brunswick , NJ 08901 Education Highest Earned Degree Ph.D., Classical Philology, Harvard University, November 2003 Dissertation Beyond Good and Evil: Redefining Morality from Socrates to Virgil, November 2003, Richard F. Thomas Other Earned Degrees A.M., Harvard University, Classical Philology, 2000 A.B., summa cum laude in Classics, Harvard University, 1997 Employment History Positions Held 2010-ongoing Associate Professor of Classics, Rutgers University 2004-2010 Assistant Professor of Classics, Rutgers University 2003-2004 Lecturer in Classics, Harvard University 1999-2002 Teaching Fellow in the Classics, Harvard University Titles or Assignments within Positions Held 2015-ongoing Curriculum Coordinator, Classics Department, Rutgers University 2012-2014 Undergraduate Director, Classics Department, Rutgers University 2009-2010 Graduate Director, Classics Department, Rutgers University 2005-2007 Undergraduate Director, Classics Department, Rutgers University Publications Books Allegories of Farming from Greece and Rome: Philosophical Satire in Xenophon, Varro, and Virgil. Cambridge University Press/UK, June 2009, 223 pages, by Leah Kronenberg. Articles in Refereed Journals "Aemilius Macer as Corinna's Parrot in Ovid Amores 2.6," Classical Philology Forthcoming. "Me, Myself, and I: Multiple (Literary) Personalities in Catullus 35," Classical World, 107.3 (2014) 367-381. http://muse.jhu.edu.proxy.libraries.rutgers.edu/journals/classical_world/v107/107.3.kronenberg.html "The Rise of Sabinus: Sexual Satire in Catalepton 10," Classical Journal 110.2 (2014) 191-212. “Mezentius the Epicurean,” Transactions of the American Philological Association, 135 (2005) 403-431. http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/v135/135.2kronenberg.pdf “The Poet’s Fiction: Virgil’s Praise of the Farmer, Philosopher, and Poet at the End of Georgics 2,” Harvard Studies in Classical Philology,100 (2000) 341-60. http://www.jstor.org/stable/3185224 Chapters in Books or Encyclopedia Entries “Varro the Roman Cynic: the Destruction of Religious Authority in the Antiquitates Rerum Divinarum” in J. Konig and G. Woolf (eds), Authority and Expertise in Ancient Scientific Culture. 22 pp. Forthcoming, Cambridge University Press. 24 entries (10,500 words total) in R. Thomas and J. Ziolkowski (eds), The Virgil Encyclopedia. Wiley-Blackwell (2014, forthcoming) on the following topics: bees; deceptive speech; Democritus; Empedocles; Epicureanism; fire; labor; leisure; Libya, Libyans; Mezentius; nature-culture; optimism and pessimism; Philoctetes; plow; priests; primitivism; Pythagoreanism; Salmoneus; Scythia, Scythians; shepherds; suicide; Tarentum; Terentius Varro, M. (Reatinus); vines. Reviews Review of P. Thibodeau, Playing the Farmer: Representations of Rural Life in Vergil's Georgics. Journal of Roman Studies 102 (2012) 379-80. Review of V. Panoussi, Greek Tragedy in Vergil's Aeneid: Ritual, Empire, and Intertext. Comparative Literature 63 (2011) 331- 35. Review of V. Pagán, Rome and the Literature of Gardens. Hermathena 184 (2008) 122-25. Review of J. Dyson, King of the Wood: The Sacrificial Victor in Virgil's Aeneid, Bryn Mawr Classical Review, 2002.07.06. http://bmcr.brynmawr.edu/2002/2002-07-06.html Conference Presentations, Lectures Invited Lectures "Epicureanism in Virgil's Eclogues," Villanova University, Philadelphia, April 2015. "Varro the Roman Cynic: Menippean Satire in the Divine Antiquities," Columbia University, New York City, April 2014. "Lesbia's Sparrow and the Poetics of Dildos," Trinity University, San Antonio, March 2014. "Varro’s Divine Comedy: Menippean Satire in the Divine Antiquities," Workshop on Ancient Scientific, Technical and Medical Writing, Berlin, March 2013. “Roman Epicureanism,” Trinity University, San Antonio, January 2004 “Mezentius the Epicurean,” Boston University and Rutgers University January 2004 “Epicurean Opposition in the Aeneid,” Stanford University, January 2003 Conference Papers “The Light of Lucretius: A Metapoetic Acrostic (L-U-C-E) in De Rerum Natura 5.712-15,” Classical Association of the Middle, West, and South, Williamsburg, March 2016. "Virgil's Pastoral God: Daphnis as Lucretius," Symposium Cumanum, Cuma, Italy, June 2015. “Me, Myself, and I: Caecilius as an Alter Ego of Catullus in Poem 35,” American Philological Association Annual Meeting, Seattle, January 2013 “The Poetics of Varro’s Aviary,” American Philological Association Annual Meeting, Chicago, January 2008 “Rustic Urbanitas: Catullan aesthetics in the Priapea,” Latin Day Colloquium, Rutgers University, April 2007 “Ethics in Phaedrus,” Latin Day Colloquium, University of Pennsylvania, April 2006 “Virgil’s Mezentius: the Humanity of Impietas,” American Philological Association Annual Meeting, San Diego, January 2001 Organizing and Chairing Activities Chair of Georgics Panel, Symposium Cumanum, Cuma, Italy, June 2015 Co-organizer of Latin Day Colloquium on Martial Book 13 (The Apophoreta) at Rutgers University, April 2012 Co-organizer of Latin Day Colloquium on the Priapea at Rutgers University, April 2007 Co-organizer (and respondent/session chair) of Graduate Student Classics Conference at Harvard University, Art and Artifice in the Roman World, March 2002 Honors and Awards Fellowships Loeb Classical Library Foundation Grant, 2008-2009 American Council of Learned Societies Fellowship, 2007-2008 Whiting Fellowship in the Humanities for Dissertation Completion 2002-2003 Graduate Society Term Time Award for Dissertation Research, 2000-2001 Graduate Society Summer Fellowship, 1999 Jacob K. Javits Fellowship 1997-2001 Professional Awards and Honors The Board of Trustees Research Fellowships for Scholarly Excellence, Rutgers University, 2010 Presidential Fellowship for Teaching Excellence, Rutgers University, 2010 Derek Bok Certificate of Distinction in Teaching (for 5 courses), Harvard University, 1999-2002 Louis Curtis Prize for excellence in Latin, Harvard University, 1997 Latin Thesis Prize, Harvard University, 1997 Thomas T. Hoopes Prize for senior thesis on Virgil’s Aeneid, Harvard University, 1997 Phi Beta Kappa (Junior 24), Harvard University, 1996 National Merit Scholar, 1994 Teaching Activities Courses Taught Horace: Epodes and Odes, undergraduate and graduate, Rutgers University, Spring 2016 Obscenity in Ancient Greece and Rome, graduate, Rutgers University, Fall 2015 Augustan Rome, undergraduate, Rutgers University, Fall 2015 Latin Elegy, undergraduate, Rutgers University, Spring 2015 The Hero in Ancient Greece and Rome, undergraduate, Rutgers University, Spring 2015 Lucretius Seminar, Graduate, Rutgers University, Spring 2014 Augustan Rome, Undergraduate, Rutgers University, Fall 2013 Intermediate Latin Prose (Pro Caelio), Undergraduate, Rutgers University, Fall 2013 Catullus and Neoteric Poetry, Graduate, Rutgers University, Spring 2013 Latin Seminar (Eclogues), Undergraduate, Rutgers University, Fall 2012 Latin Poets in English, Undergraduate, Rutgers University, Fall 2012 The Hero in Ancient Greece and Rome, Undergraduate, Rutgers University, Spring 2012 Cicero's Philosophical Works, Undergraduate, Rutgers University, Spring 2012 Advanced Study of Vergil's Aeneid, Undergraduate, Rutgers University, Fall 2011 Augustan Rome, Undergraduate, Rutgers University, Fall 2011 Intermediate Latin Poetry, Undergraduate, Rutgers University, Spring 2010 Augustan Rome, Undergraduate, Rutgers University, Spring 2010 History of Latin Literature I, Graduate, Rutgers University, Fall 2009 Lucretius, Undergraduate, Rutgers University, Fall 2009 Augustan Rome, Undergraduate, Rutgers University, Spring 2007 Virgil's Aeneid, Graduate, Rutgers University, Spring 2007 The Hero in Ancient Greece and Rome, Undergraduate, Rutgers University, Fall 2006 Advanced Study of the Poetry of Ovid, Undergraduate, Rutgers University, Fall 2006 Latin Poets in English, Undergraduate, Rutgers University, Spring 2006 Cleopatra, Undergraduate, Rutgers University, Spring 2006 Intermediate Latin Prose, Undergraduate, Rutgers University, Fall 2005 Greek Drama in Translation, Undergraduate, Rutgers University, Fall 2005 Sallust, Undergraduate, Rutgers University, Spring 2005 Catullus, Graduate, Rutgers University, Spring 2005 Augustan Rome, Undergraduate, Rutgers University, Fall 2004 Roman Comedy, Undergraduate, Rutgers University, Fall 2004 Virgil: Aeneid, Harvard University, Spring 2004 Virgil: Eclogues and Georgics, Harvard University, Spring 2004 Catullus, Undergraduate, Harvard University, Fall 2003 Latin Prose Composition, Undergraduate, Harvard University, Fall 2003 Students Supervised Students Supervised for Independent Studies UG Dana Hayes, Classics, Rutgers University. Co-directed thesis on Ancient Rome in the Hunger Games. 2015. Meghan Kiernan, Classics, Rutgers University. Directed honors thesis on Philosophy in Virgil's Aeneid. 2014. Suzanne Innace, Classics, Rutgers University, Directed honors thesis on Andromache and Dido in the Aeneid. 2012 Nicholas Ehlert, Classics, Rutgers University. Directed honors thesis on Vergil and Horace. 2010 David Danbeck, Classics, Rutgers University. Directed Henry Rutgers thesis on Hesiod's Catalogue of Women. 2008 Megan Priestley, Classics, Rutgers University. Co-directed (with T. Corey Brennan) honors thesis. 2006 Grad Brian Hill, Classics, Rutgers University. Directed Special
Load more

Recommended publications
  • The Hellenic Saga Gaia (Earth)
    The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10.
    [Show full text]
  • Sisyphos 1 Sisyphos
    Sisyphos 1 Sisyphos Sisyphos (griechisch Σίσυφος, latinisiert Sisyphus) ist ein Held der griechischen Mythologie. Er ist der Sohn von Aeolos und Enarete. Er war der Gatte von Merope und zeugte mit ihr den Glaukos, Ornytion, Thersandros und Almos. Er gilt als der Stifter der Isthmischen Spiele und Gründer und König von Ephyra (Korinth). Nach anderer Überlieferung war er nicht der Gründer von Ephyra, sondern erhielt die Herrschaft von Medea übertragen. Vor allem ist er im Volksmund bekannt durch seine Bestrafung, die sogenannte Sisyphusarbeit. Mythos Stiftung der Isthmischen Spiele durch Sisyphos Persephone beaufsichtigt Sisyphos in der Unterwelt, schwarzfigurige attische Amphora, um 530 v. Chr., Staatliche Antikensammlungen (Inv. 1494) Ino hatte im Wahn Melikertes, ihren eigenen Sohn, getötet und sich mit dem Leichnam ins Meer gestürzt, als sie wieder zu Sinnen kam. Ein Delphin brachte den Knaben an Land. Sisyphos fand ihn und begrub ihn auf dem Isthmus und stiftete ihm zu Ehren die Isthmischen Spiele. (Am angegebenen Ort wird Theseus beziehungsweise Poseidon als Stifter genannt.) Sisyphos' Versuch, seinen Bruder Salmoneus zu töten Sisyphos befragte das Orakel von Delphi, wie er seinen Bruder Salmoneus töten könne. Darauf erhielt er die Antwort, dass er Kinder mit Tyro, der Tochter des Salmoneus, zeugen solle. Diese würden dann Salmoneus töten. Er ließ sich mit Tyro ein, und diese schenkte zwei Söhnen das Leben. Als sie jedoch von dem Orakel hörte, tötete sie ihre eigenen Kinder. Zeugung des Odysseus Autolykos stahl heimlich Rinder, Schafe und Ziegen des Sisyphos. Sisyphos bemerkte, dass seine Herden kleiner wurden, während die des Autolykos weiter zunahmen. Er markierte seine Tiere an den Hufen und konnte so den Diebstahl nachweisen.
    [Show full text]
  • Some Words About the Category of Trickster in Ancient Mythology
    Studia Religiologica 53 (3) 2020, s. 203–212 doi:10.4467/20844077SR.20.014.12754 www.ejournals.eu/Studia-Religiologica Autolycus and Sisyphus – Some Words about the Category of Trickster in Ancient Mythology Konrad Dominas https://orcid.org/0000-0001-5120-4159 Faculty of Polish and Classical Philology Adam Mickiewicz University in Poznań e-mail: [email protected] Abstract The goal of this article is to juxtapose the trickster model suggested by William J. Hynes in the text Mapping the Characteristics of Mythic Tricksters: A Heuristic Guide with the stories of Sisyphus and Autolycus. A philological method proposed in this article is based on a way of understand- ing a myth narrowly, as a narrative with a specific meaning, which can be expressed in any literary genre. According to this definition, every mythology which is available today is an attempt at pre- senting a story of particular mythical events and the fortunes of gods and heroes. Therefore, stories about Sisyphus and Autolycus are myths that have been transformed and which in their essence may have multiple meanings and cannot be attributed to one artist. The philological method is, in this way, based on isolating all fragments of the myth relating to the above protagonists and subse- quently presenting them as a coherent narrative. Keywords: category of trickster, ancient mythology, Autolycus, Sisyphus, ancient literature Słowa kluczowe: kategoria trickstera, mitologia antyczna, Autolykos, Syzyf, literatura antyczna Every academic article should begin with the definition of basic terms connected to the main idea of the subject and included in the discourse suggested by the author.
    [Show full text]
  • Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
    Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable).
    [Show full text]
  • Zeus' Lightning in Early Greek Myth and in Kleanthes' Hymn*
    ROCZNIKI HUMANISTYCZNE Tom LIV-LV, zeszyt 3 – 2006-2007 JAN MAARTEN BREMER * ZEUS’ LIGHTNING IN EARLY GREEK MYTH AND IN KLEANTHES’ HYMN* More than hundred years ago, the French archaeologist Paul Foucart discovered in Mantineia — that famous city in the heart of the Peloponnesus — a heavy stone with a perfectly readable inscription ΔΙΟΣ ΚΕΡΑΥΝΟ. This stone inspired Hermann Usener to write an enthusiastic article.1 He was enthusiastic because he was convinced that now he had found proof of his fundamental intuition that originally Greeks and Romans worshipped what he called Augenblicksgötter. This was, according to him, what had happened in Mantineia. During a heavy thunderstorm, lightning had struck a stone (a stone which may have had traces of iron in it, who knows?). The local people who had witnessed this event, inscribed these letters on the stone, as they believed that from now onwards the stone was a sacred object, it belonged “to Zeus, the Lightning”. Elsewhere similar objects have been found with the inscription ΔΙΟΣ ΚΑΤΑΒΑΤΕΩ, “of Zeus, the one who came down (here)”,2 and Pausanias (III, 22,1) tells us that in the South of the Peloponnesus, at Gythion, people showed him a stone as the stone ΔΙΟΣ ΚΑΠΠΩΤΑ “of Zeus, the one who fell down (here)” (from καταπίπτω). Prof. Dr. JAN MAARTEN BREMER – retired professor of the University of Amsterdam; address for correspondence — e-mail: [email protected] * I thank Dr. Krzysztof Narecki (Lublin) who was so kind as to translate this paper into Polish and to read it to the audience at the conference in honour of the classical scholar Mgr Remigiusz Popowski, at the Catholic University of Lublin, on the 5th of October 2006, as I was unable to participate in the conference.
    [Show full text]
  • Hesiod, the Poems and Fragments (8Thc Bc)
    Hesiod_0606 10/14/2005 05:13 PM THE ONLINE LIBRARY OF LIBERTY © Liberty Fund, Inc. 2005 http://oll.libertyfund.org/Home3/index.php HESIOD, THE POEMS AND FRAGMENTS (8THC BC) URL of this E-Book: http://oll.libertyfund.org/EBooks/Hesiod_0606.pdf URL of original HTML file: http://oll.libertyfund.org/Home3/HTML.php?recordID=0606 ABOUT THE AUTHOR The early Greek poet Hesiod is credited with the invention of didactic poetry around 700 B.C. His surviving works are the Theogony, relating to the stories of the gods, and the Works and Days, relating to peasant life. Hesiod’s poetry includes passages critical of those aristoi who support themselves on the labors of others rather than through their own exertions. ABOUT THE BOOK A collection of Hesiod’s poems and fragments, including Theogony which are stories of the gods, and the Works and Days which deals with peasant life. THE EDITION USED The Poems and Fragments done into English Prose with Introduction and Appendices by A.W. Mair M.A. (Oxford: Clarendon Press, 1908). COPYRIGHT INFORMATION The text of this edition is in the public domain. FAIR USE STATEMENT This material is put online to further the educational goals of Liberty Fund, Inc. Unless otherwise stated in the Copyright Information section above, this material may be used freely for educational and academic purposes. It may not be used in any way for profit. http://oll.libertyfund.org/Home3/EBook.php?recordID=0606 Page 1 of 163 Hesiod_0606 10/14/2005 05:13 PM _______________________________________________________ TABLE OF CONTENTS PREFACE INTRODUCTION I.
    [Show full text]
  • APHRODITE Was the Great Olympian Goddess of Beauty, Love, Pleasure and and Procreation. She Was Depicted As a Beautiful Woman Us
    APHRODITE was the great Olympian goddess of beauty, love, pleasure and and procreation. She was depicted as a beautiful woman usually accompanied by the winged godling Eros (Love). Her attributes included a dove, apple, scallop shell and mirror. In classical sculpture and fresco she was often depicted nude. Some of the more famous myths featuring the goddess include:-- Her birth from the sea foam; Her adulterous affair with the god Ares; Her love for Adonis, a handsome Cypriot youth who was tragically killed by a boar; Her love for Ankhises, a shepherd-prince; The judgement of Paris in which the goddess was awarded the prize of the golden apple in return for promising Paris Helene in marriage; The Trojan War in which she supported her favourites Paris and Aeneas and was wounded in the fighting; The race of Hippomenes for Atalanta, which was won with the help of the goddess and her golden apples; The death of Hippolytos, who was destroyed by the goddess for scorning her worship; The statue of Pygmalion which was brought to life by Aphrodite in answer to his prayers; The persecution of Psykhe, the maiden loved by the goddess' son Eros. APOLLON (or Apollo) was the great Olympian god of prophecy and oracles, healing, plague and disease, music, song and poetry, archery, and the protection of the young. He was depicted as a handsome, beardless youth with long hair and various attributes including:--a wreath and branch of laurel; bow and quiver; raven; and lyre. The most famous myths of Apollon include:-- His birth on the island of Delos; The
    [Show full text]
  • In the Homeric Hymn to Hermes
    HARRELL, SARAH E., Apollo's Fraternal Threats: Language of Succession and Domination in the "Homeric Hymn to Hermes" , Greek, Roman and Byzantine Studies, 32:4 (1991:Winter) p.307 Apollo's Fraternal Threats: Language of Succession and Domination In the Homeric Hymn to Hermes Sarah E. Harrell OLLO'S PRESENCE IN THE Hymn to Hermes at first strikes 1\the reader as odd, even intrusive. Why, in a format designed to celebrate Hermes, should Apollo play such a prominent role? Some critics have found in the confrontation between Apollo and Hermes evidence of a cultic rivalry be­ tween the two gods; others emphasize the comic nature of their feud. 1 Although cultic realities and comic concerns might account for the prominence of Apollo here, a more immediate answer may lie in the poetic traditions to which the Hymn re­ fers. Apollo's first words to Hermes, in which he threatens to hurl the young god into Tartarus, reveal a specific connection between the conflict of Apollo and Hermes on the one hand, and on the other, Zeus' establishment of his power on Olym­ pus. Further examination will show that the theogonic connota­ tions of the brothers' struggle are appropriate to a hymn that not only tells the story of the birth of Hermes, but also represents a crisis for the Olympian order: a new god's en­ trance into the pantheon.2 When Apollo discovers through an omen the identity of the thief who has stolen his cattle, it becomes clear that this conflict is one between siblings (213ff):3 I ].
    [Show full text]
  • Greek Literary Papyri; in Two Volumes. Texts, Translations and Notes By
    ••*A/VtA*/«JL prv ^ *.tt>f tCttJL '^^J>r\^J^. <v'>/<^J. THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES I.OEB, LL.D. EDITED BY t T. E. PAGE, C.H., UTT.D. E. CAPPS, PH.D., I.L.D. W. H. D. ROUSE, u-rr.n. L. A. POST, M.A. E. H. WARMINGTON, m. GREEK LITERARY PAPYRI I GREEK LITERARY PAPYRI IN TWO VOLUMES I TEXTS, TRANSLATIONS AND NOTES BY D. L. PAGE, M.A. STCDKNT ASD TTTOR OF CHBIST CHURCH, OZFOBB UmVKRSITT LECTCRER IN GRKEK ASD L4TIN LITERATDBE LONDON WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHCSEri"S HARVARD UNIVERSITY PRESS HCMXLII PA V.I TO MY WIFE KATHARINE First printed 1941 Revised and reprinted 1942 Printed in Great Britain — PREFACE This book professes to contain all the Greek poetry which has been recovered from papyri ; except (1) texts already published in other volumes of the Loeb Classical Library, (2) texts destined for publication in other volumes (e.g. the fragments of CalUmachus), (3) fragments which are too small and broken to be either coherently translatable or—in our opinion worth reprinting here for any other cause." A few texts from ostraca and parchment have been included for special reasons. The contents therefore exclude the fragments of Hesiod, Alcman, Alcaeus, Bac- chyUdes, Timotheus, Herodes and others ; Sappho, Pindar and Corinna are sparsely represented ; there remain (1) all the papyrus-fragments of Tragedy, *• (2) all of Comedy, except the greatest part of " Texts of importance to the scholar but not yielding a sufficiently connected sense to be worth reprinting here include among others the following : Berliner Klassikertexte, V.
    [Show full text]
  • HESIOD in OVID: the METAMORPHOSIS of the CATALOGUE of WOMEN a Dissertation Presented to the Faculty of the Graduate School of Co
    HESIOD IN OVID: THE METAMORPHOSIS OF THE CATALOGUE OF WOMEN A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Ioannis V. Ziogas February 2010 © 2010 Ioannis V. Ziogas HESIOD IN OVID: THE METAMORPHOSIS OF THE CATALOGUE OF WOMEN Ioannis V. Ziogas, Ph.D. Cornell University, 2010 The subject of my dissertation is Ovid's intertextual engagement with the Hesiodic Catalogue of Women (aka the Ehoiai). I examine the Hesiodic character of Ovid’s work, focusing mainly on the Metamorphoses and Heroides 16-17. The Metamorphoses begins with Chaos and moves on to the loves of the gods, reiterating the transition from the Theogony to the Catalogue. Divine passions for beautiful maidens constitute a recurring motif in the Metamorphoses, establishing the importance of the erotic element in Ovid’s hexameter poem and referring to the main topic of the Ehoiai (fr. 1.1-5 M-W). The first five books of Ovid’s epic follow the descendants of the river-god Inachus, beginning with Jupiter’s rape of Io and reaching forward to Perseus, and the stemma of the Inachids features prominently in the Hesiodic Catalogue (fr. 122-59 M-W). As a whole, the Metamorphoses delineates the genealogies of the major Greek tribes (Inachids, Thebans, Athenians), and includes the Trojans, the only non-Greek genealogies of the Catalogue, which were dealt with in the last part of Hesiod’s work. Ovid’s foray into the Hesiodic corpus gives us a new perspective to interpreting his aemulatio of Vergil.
    [Show full text]
  • Genealogy 1: Primal Forces, Children of Erebus and Nyx, Children of Gaia and Tartarus
    Genealogy 1: Primal Forces, Children of Erebus and Nyx, Children of Gaia and Tartarus Genealogy 2: Children of the Night Genealogy 3: Children of Earth and Sky A (Cronus, Rhea, Cyclopes, Hecatoncheires, Uranus’s “Flesh and Blood”) Genealogy 4: Children of Earth and Sky B (Titans of Water and Mind) Genealogy 5: Children of Earth and Sky C (Titans of Sky) Genealogy 6: Children of Earth and Sea Genealogy 7: Later Titans Genealogy 8: Divine Children of Zeus A Genealogy 9: Divine Children of Zeus B Genealogy 10: Divine Children of Other Gods (Selected) Genealogy 11: Family of Deucalion, Xuthus Branch Genealogy 12: Family of Deucalion, Aeolus Branch, Sisyphus’s Family Genealogy 13: Family of Deucalion, Aeolus Branch, Families of Cretheus and Salmoneus Genealogy 14: Jason’s (and Odysseus’s) Maternal Descent Genealogy 15: Family of Deucalion, Aeolus Branch, Family of Calyce (royal family of Elis, beginnings of Calydon) Genealogy 16: House of Caldyon to Diomedes Genealogy 17: House of Calydon, Children of Thestius A Genealogy 18: House of Calydon, Children of Thestius B Genealogy 19: Early Inachids Genealogy 20: Later Inachids to Perseus Genealogy 21: Later Inachids, Perseus to Heracles Genealogy 22: Later Inachids, House of Thebes A Genealogy 23: Later Inachids, House of Thebes B Genealogy 24: House of Thebes C (usurpers) Genealogy 25: House of Athens A, Hephaestus to Pandion II Genealogy 26: Royal House of Athens B, Pandion II to Demophon (Including Theseus) Genealogy 27: Royal House of Crete Genealogy 28: Family of Tantalus, Alcathous Branch Genealogy 29: Family of Tantalus, House of Atreus (Mycenae) and Thyestes Genealogy 30: Family of Achilles Genealogy 31: Family of Odysseus (Including House of Sparta) Genealogy 32: House of Troy A, from beginning to Laomedon and Capys Genealogy 33: House of Troy B (Main Royal Line) Genealogy 34: House of Troy C (Aeneas’s Line) .
    [Show full text]
  • The Greek Myths 1955, Revised 1960
    Robert Graves – The Greek Myths 1955, revised 1960 Robert Graves was born in 1895 at Wimbledon, son of Alfred Perceval Graves, the Irish writer, and Amalia von Ranke. He went from school to the First World War, where he became a captain in the Royal Welch Fusiliers. His principal calling is poetry, and his Selected Poems have been published in the Penguin Poets. Apart from a year as Professor of English Literature at Cairo University in 1926 he has since earned his living by writing, mostly historical novels which include: I, Claudius; Claudius the God; Sergeant Lamb of the Ninth; Count Belisarius; Wife to Mr Milton (all published as Penguins); Proceed, Sergeant Lamb; The Golden Fleece; They Hanged My Saintly Billy; and The Isles of Unwisdom. He wrote his autobiography, Goodbye to All That (a Penguin Modem Classic), in 1929. His two most discussed non-fiction books are The White Goddess, which presents a new view of the poetic impulse, and The Nazarene Gospel Restored (with Joshua Podro), a re-examination of primitive Christianity. He has translated Apuleius, Lucan, and Svetonius for the Penguin Classics. He was elected Professor of Poetry at Oxford in 1962. Contents Foreword Introduction I. The Pelasgian Creation Myth 2. The Homeric And Orphic Creation Myths 3. The Olympian Creation Myth 4. Two Philosophical Creation Myths 5. The Five Ages Of Man 6. The Castration Of Uranus 7. The Dethronement Of Cronus 8. The Birth Of Athene 9. Zeus And Metis 10. The Fates 11. The Birth Of Aphrodite 12. Hera And Her Children 13. Zeus And Hera 14.
    [Show full text]