Occult Horror and the Subversion of the Realistic David Kumler A
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Spawn Monsters
TM TM WELCOME TO INNSMOUTH COMPONENTS A rotting fishing village on the coast of Massachusetts, Your copy of Innsmouth Horror should include the Innsmouth is being devoured from within by a cancer. following components: The Marsh family, greatly respected in the town by most, • This Rulebook have long brought prosperity to the little village, but only • 1 Expansion Game Board they know at what cost. For just off the shore, beneath the • 16 Investigator Sheets waves, lies a secret so terrible that the Marshes would • 16 Investigator Markers destroy anyone and anything to protect it. The investigators • 16 Plastic Investigator Stands must venture into this xenophobic backwater, fearing for • 96 Investigator Cards their very lives, in order to stop the plans of the Ancient » 96 Personal Stories One. The investigators will find no allies in Innsmouth, • 8 Ancient One Sheets and few safe havens. But if they are to stop the advance of • 176 Ancient One Cards the terrible Deep Ones, they have no other choice. » 36 Arkham Location Cards The Innsmouth Horror expansion to Arkham Horror » 42 Innsmouth Location Cards adds the neighboring town of Innsmouth. It includes new » 36 Mythos Cards investigators, new Ancient Ones, new monsters, and new » 16 Gate Cards cards that may be used with the base Arkham Horror » 24 Ancient One Plot Cards game. It also features new game elements including a » 10 Innsmouth Look Cards new board, new heralds, personal story cards for each » 12 Small Dust Cards investigator, and the Deep Ones Rising track. • 2 Herald Sheets • 32 Monster Markers • 6 Uprising Tokens Using This Book • 8 Ghatanothoa’s Visage Tokens • 1 Zhar Token The first part of this rulebook contains rules for playing • 2 Aquatic Markers Arkham Horror with the Innsmouth Horror expansion. -
Searchers After Horror Understanding H
Mats Nyholm Mats Nyholm Searchers After Horror Understanding H. P. Lovecraft and His Fiction // Searchers After Horror Horror After Searchers // 2021 9 789517 659864 ISBN 978-951-765-986-4 Åbo Akademi University Press Tavastgatan 13, FI-20500 Åbo, Finland Tel. +358 (0)2 215 4793 E-mail: [email protected] Sales and distribution: Åbo Akademi University Library Domkyrkogatan 2–4, FI-20500 Åbo, Finland Tel. +358 (0)2 -215 4190 E-mail: [email protected] SEARCHERS AFTER HORROR Searchers After Horror Understanding H. P. Lovecraft and His Fiction Mats Nyholm Åbo Akademis förlag | Åbo Akademi University Press Åbo, Finland, 2021 CIP Cataloguing in Publication Nyholm, Mats. Searchers after horror : understanding H. P. Lovecraft and his fiction / Mats Nyholm. - Åbo : Åbo Akademi University Press, 2021. Diss.: Åbo Akademi University. ISBN 978-951-765-986-4 ISBN 978-951-765-986-4 ISBN 978-951-765-987-1 (digital) Painosalama Oy Åbo 2021 Abstract The aim of this thesis is to investigate the life and work of H. P. Lovecraft in an attempt to understand his work by viewing it through the filter of his life. The approach is thus historical-biographical in nature, based in historical context and drawing on the entirety of Lovecraft’s non-fiction production in addition to his weird fiction, with the aim being to suggest some correctives to certain prevailing critical views on Lovecraft. These views include the “cosmic school” led by Joshi, the “racist school” inaugurated by Houellebecq, and the “pulp school” that tends to be dismissive of Lovecraft’s work on stylistic grounds, these being the most prevalent depictions of Lovecraft currently. -
Avanessian – Xenoarchitecture (Draft) 1 Introduction Armen Avanessian
avanessian – xenoarchitecture (draft) Introduction Armen Avanessian “Man’s desire is the desire of the Other,” Lacan, Seminar XI, p. 235 Following Lacan’s infamous dictum, according to which desire is defined as the desire of the Other, we could ask ourselves what a correlate methodology would look like for the humanities (or should we say “the inhumanities”?). Obviously, the structure of the phrase is ambiguous, or even tautological if taken as a predicative proposition. Instead, I propose to read it as a speculative proposition: we do not simply desire what the other has or hasn’t got, but we desire the state of being an Other, an othering, becoming a stranger to oneself and others—literally alienating them as well as “ourselves.” A desire for the xeno? This transformation has at least three central aspects: alienation (the negative mirroring of a given reality), negation (the construction of an asymmetry that initiates an annihilation of the positively given), and a recursion of alienation and negation through speculation.1 It is a poietic qua productive and creative transformation in the sense that it increases the scope of navigation and liberation by means of manipulation. Together with others, I have thought, experimented, and written a lot about questions of othering and “matching” experimental settings2 for the production of knowledge, tactical spaces in the sense of Michel de Certeau, xeno-spaces that are defined by “a calculated action determined by the absence of a proper locus. No delimitation of an exteriority, then, provides it with the condition necessary for autonomy. The space of a tactic is the space of the Other. -
GUÍA De Creación De Personaje CTHULHU
Foundation for Archeological Research Guía para nuevos miembros Una guía no-oficial para crear investigadores para el juego de rol “La Llamada de Cthulhu” ” publicado en España por Edge Entertainment bajo licencia de Chaosium. Para ser utilizado principalmente en “Los Misterios de Bloomfield”-“The Bloomfield Mysteries”, una adaptación de “La Sombra de Saros”, campaña escrita por Xabier Ugalde, para su uso en las aulas de Primaria en las áreas de Ciencias Sociales, Lengua Castellana y Lengua Extranjera: Inglés Adaptado para Educación Primaria por: ÓscarRecio Coll [email protected] https://jueducacion.com/ El Copyright de las ilustraciones de La Llamada de Cthulhu y de La Sombra de Saros además de otras presentes en este material así como la propiedad intelectual/comercial/empresarial y derechos de las mismas son exclusiva de sus autores y/o de las compañías y editoriales que sean propietarias o hayan comprado los citados derechos sobre las obras y posean sobre ellas el derecho a que se las elimine de esta publicación de tal manera que sus derechos no queden vulnerados en ninguna forma o modo que pudiera contravenir su autoría para particulares y/o empresas que las hayan utilizado con fines comerciales y/o empresariales. Esta compilación no tiene ningún uso comercial ni ánimo de lucro y está destinada exclusivamente a su utilización dentro del ámbito escolar y su finalidad es completamente didáctica como material de desarrollo y apoyo para la dinamización de contenidos en las diferentes áreas que componen la Educación Primaria. Bienvenidos/as a la F.A.R. (Fundación de Investigaciones Arqueológicas), en este sencillo manual encontrarás las instrucciones para ser parte de nuestra fundación y completar tu registro como miembro. -
200 1. Voortrekkers Were Groups of Nineteenth- Century Afrikaners Who
Notes 1. Voortrekkers were groups of nineteenth- century Afrikaners who migrated north from the Cape colony into the South African interior to escape British rule. 2. ‘Township’ is the name given by colonial and later apartheid authorities to underdeveloped, badly resourced urban living areas, usually on the outskirts of white towns and cities, which were set aside for the black workforce. 3. See, for example, Liz Gunner on Zulu radio drama since 1941 (2000), David Coplan on township music and theatre (1985) and Isabel Hofmeyr on the long- established Afrikaans magazine Huisgenoot (1987). 4. In 1984 the NP launched what it called a ‘tricameral’ parliament, a flawed and divisive attempt at reforming the political system. After a referendum among white voters it gave limited political representation to people classi- fied as coloured and Indian, although black South Africans remained com- pletely excluded. Opposition to the system came from both the left and right and voting rates among non- whites remained extremely low, in a show of disapproval of what many viewed as puppet MPs. 5. The State of Emergency was declared in 1985 in 36 magisterial districts. It was extended across the whole country in 1986 and given an extra year to run in 1989. New measures brought in included the notorious 90- day law, in which suspects could be held without trial for 90 days, after which many were released and then re- arrested as they left the prison. 6. According to André Brink, ‘The widespread notion of “traditional Afrikaner unity” is based on a false reading of history: strife and division within Afrikanerdom has been much more in evidence than unity during the first three centuries of white South African history’ (1983, 17). -
New Books Catalogue 2017-18
PHILOSOPHY, PAGE 2 THEOLOGY, BIBLICAL STUDIES& PAGE 29 RELIGIOUS STUDIES PAGE 41 NEW BOOKS CATALOGUE 2017-18 PAGE 50 9 781350 057005 PhilTheoBib_FINAL.indd 1-2 03/08/2017 11:19 TM Instant digital access to more than 6,000 eBooks across the social sciences and humanities, including titles from The Arden Shakespeare, Continuum, Bristol Classical Press, and Berg. Subjects covered include: Anthropology • Biblical Studies • Classical Studies & Archaeology • Education • Film & Media • History • Law • Linguistics • Literary Studies • Philosophy • Religious Studies • Theology CONTENT HIGHLIGHTS FEATURES • 125 Collections, expanded annually by subject discipline • Advanced and full text search across all content. • Archive Collections in key subject areas such as ancient • Filter results by subject, series, or collection history, Christology, continental philosophy, and more • Pagination matches print exactly • Special Collections such as International Critical • Personalization features: save searches, export citations Commentary, Ancient Commentators on Aristotle, and and favorite, download, or print documents Education Around the World series • Footnotes, endnotes, and bibliographic references are hyperlinked To register your interest for a free institutional trial, or for further information email: Americas: [email protected] UK, Europe, Middle East, Africa, Asia: [email protected] Australia and New Zealand: [email protected] www.bloomsburycollections.com Collections_advert_2.indd 1 19/07/2017 08:52 Contents -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Extraterrestrial Places in the Cthulhu Mythos
Extraterrestrial places in the Cthulhu Mythos 1.1 Abbith A planet that revolves around seven stars beyond Xoth. It is inhabited by metallic brains, wise with the ultimate se- crets of the universe. According to Friedrich von Junzt’s Unaussprechlichen Kulten, Nyarlathotep dwells or is im- prisoned on this world (though other legends differ in this regard). 1.2 Aldebaran Aldebaran is the star of the Great Old One Hastur. 1.3 Algol Double star mentioned by H.P. Lovecraft as sidereal The double star Algol. This infrared imagery comes from the place of a demonic shining entity made of light.[1] The CHARA array. same star is also described in other Mythos stories as a planetary system host (See Ymar). The following fictional celestial bodies figure promi- nently in the Cthulhu Mythos stories of H. P. Lovecraft and other writers. Many of these astronomical bodies 1.4 Arcturus have parallels in the real universe, but are often renamed in the mythos and given fictitious characteristics. In ad- Arcturus is the star from which came Zhar and his “twin” dition to the celestial places created by Lovecraft, the Lloigor. Also Nyogtha is related to this star. mythos draws from a number of other sources, includ- ing the works of August Derleth, Ramsey Campbell, Lin Carter, Brian Lumley, and Clark Ashton Smith. 2 B Overview: 2.1 Bel-Yarnak • Name. The name of the celestial body appears first. See Yarnak. • Description. A brief description follows. • References. Lastly, the stories in which the celes- 3 C tial body makes a significant appearance or other- wise receives important mention appear below the description. -
Discourse and Identity: Representations of Women in Little Mix’S Songs
DISCOURSE AND IDENTITY: REPRESENTATIONS OF WOMEN IN LITTLE MIX’S SONGS BY ALYA AISYAH BINTI AMRAN INTERNATIONAL ISLAMIC UNIVERSITY MALAYSIA 2020 DISCOURSE AND IDENTITY: REPRESENTATIONS OF WOMEN IN LITTLE MIX’S SONGS BY ALYA AISYAH BINTI AMRAN A Final Year Project submitted in fulfilment of the requirement for the degree of English for International Communications Kulliyyah of Languages and Management International Islamic University Malaysia JANUARY 2020 ABSTRACT Discrimination against women is a global issue and has been for years. Even in developing countries women experience biasness on the basis of their gender. The study aims to identify the different social roles and traits of women that can be found in song lyrics. Past studies explored various issues of what women face in their daily lives whether it be in education, social relationships and decision making in context of gender discrimination that are present in the media and songs. This is an exploratory study on representations of women in songs. The artist chosen for this study is the United Kingdom’s all female group, Little Mix. A qualitative research approach was used to fulfill the objectives of this research. A total of 29 Little Mix songs were chosen as the data and Membership Categorization Analysis was used as the framework of this research. Based on the analyses, a total of five social roles and three traits were found shared among women that were present in the songs. Women were represented both positively and negatively in Little Mix’s songs. The study may contribute to future studies that uses Membership Categorization Analysis as their framework of study. -
American Gothic: a Creative Exploration
AMERICAN GOTHIC: A CREATIVE EXPLORATION Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in English By Aaron Trevor Goode UNIVERSITY OF DAYTON Dayton, Ohio May 2019 AMERICAN GOTHIC: A CREATIVE EXPLORATION Name: Goode, Aaron Trevor APPROVED BY: ___________________________________ Bryan Bardine, Ph.D. Committee Chair Professor ___________________________________ Christopher Burnside, MFA Committee Member Professor ___________________________________ Stephen Wilhoit, PhD. Committee Member Professor ii © Copyright by Aaron Trevor Goode All rights reserved 2019 iii ABSTRACT AMERICAN GOTHIC: A CREATIVE EXPLORATION Name: Goode, Aaron Trevor University of Dayton Advisor: Bryan Bardine This work endeavors to explore the various movements of American Gothic by presenting an original narrative that represents key facets of each movement. Various authors and subgenres are mentioned throughout via text boxes containing annotative notes. These annotations are intended to enhance reader understanding of the American Gothic genre by familiarizing them with the stylistic conventions common to key authors and famous works of the genre. The story itself is broken up into seven sections, each distinct with regard to style and content while maintaining a cohesive narrative with a unified plot. As the readers progress through the plot, they will also progress chronologically through the history of American Gothic. from the earliest work of Charles Brockden Brown up to the Postmodern style of Mark Danielewski. iv Dedicated to My Wife v ACKNOWLEDGEMENTS I would first like to thank my advisor, Dr. Bardine, for his openness to this unconventional project, as well as for the opportunity to discuss metal and attend shows with his students. -
Neocosmicism: God and the Void
Neocosmicism: God and the Void Ellen Greenham Bachelor of Arts in General Studies Graduate Diploma in Humanities with Honours (English) Master of Arts (English) This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2013 Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution ............................................................ Abstract Through the use of selected works by Philip K. Dick, Robert Heinlein, Frank Herbert and H.P. Lovecraft, this thesis explores the question of what it means to be human in the universe when occidental cosmologies no longer align with the universe they seek to describe. Within its view of the universe, H.P. Lovecraft’s philosophy of cosmicism offers the human creature an answer to this question, but in doing so also limits that creature to an isolated life ending in madness or death within an indifferently cold universe. While this thesis seeks to demonstrate the validity of cosmicism as a lens through which to critically interrogate science fiction texts; it more importantly endeavours to address cosmicism’s inherent limitations as a philosophy of the human creature’s place in the universe. This is done by developing neocosmicism as an outgrowth of cosmicism that offers an alternate experience of the universe and a revitalisation of the human creature’s relationship with the universe. By recognising the significant shift in the human creature’s understanding of the universe – from a Cartesian view to a Quantum view within a broader post-modern context – neocosmicism is developed as an interrogative philosophy that provides a framework for opening up a critical space in which to explore alternatives to modernity’s questions rather than offering mere reactions or polarising oppositions. -
Kuhn-Conference Paper
Lina Kuhn [email protected] Department of English and Comparative Literature University of North Carolina at Chapel Hill “Affect and Deep Time in Lovecraft's The Shadow Over Innsmouth, and the Turn Towards Thinking Through the Epoch of the Anthropocene” Mark McGurl begins his article “The Posthuman Comedy” with an analysis of a work by Wai Chee Dimock entitled Through Other Continents: American Literature across Deep Time as a way to think through the concept of deep time and its appearance in fiction. McGurl states that “the perspective of deep time holds the promise, for Dimock, of reinvigorating ‘our very sense of the connectedness among human beings’” which becomes important in, for instance, “dissuading us from the wisdom of war” (McGurl 533). I will return later to the possible benefits of thinking of the ‘connectedness among human beings,’ or as Dipesh Chakrabarty states in his article “The Climate of History: Four Theses,” “the knowledge of humans as a species,” but first I would like to explore the ways in which a work of fiction might gesture towards those benefits on its own terms (Chakrabarty 219). In 1936 H.P. Lovecraft published his novella The Shadow Over Innsmouth, a horror story told by a nameless narrator about his encounters with an alien species in an American town shunned by the rest of the country. The narrator of this tale, through the abjection and horror caused by his loss of agency in relation to the aliens and their status as other, reveals how a sense of deep time changes a human’s reactions to his situation.