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2020 TOYOTA US Figure Skating Championships
2020 TOYOTA U.S. FIGURE SKATING CHAMPIONSHIPS OFFICIAL EVENT PROGRAM EVENT CHAMPIONSHIPS OFFICIAL FIGURE SKATING U.S. TOYOTA 2020 Highlander and Camry Hey, Good Looking There they go again. Highlander and Camry. Turning heads wherever they go. The asphalt is their runway, as these two beauties bring sexy back to the cul-de-sac. But then again, some things are always fashionable. Let’s Go Places. Some vehicles prototypes. All models shown with options. ©2019 Toyota Motor Sales, U.S.A., Inc. 193440-2020 US Championships Program Cover.indd 1 1/1/20 1:33 PM 119901_07417P_FigureSkating_MMLGP_Style_7875x10375_em1_w1a.indd 1 5/10/19 3:01 PM SAATCHI & SAATCHI LOS ANGELES • 3501 SEPULVEDA BLVD. • TORRANCE, CA • 90505 • 310 - 214 - 6000 SIZE: Bleed: 8.625" x 11.125" Trim: 7.875" x 10.375" Live: 7.375" x 9.875" Mechanical is 100% of final BY DATE W/C DATE BY DATE W/C DATE No. of Colors: 4C Type prints: Gutter: LS: Output is 100% of final Project Manager Diversity Review Panel Print Producer Assist. Account Executive CLIENT: TMNA EXECUTIVE CREATIVE DIRECTORS: Studio Manager CREATIVE DIRECTOR: M. D’Avignon Account Executive JOB TITLE: U.S. Figure Skating Resize of MMLGP “Style” Ad Production Director ASSC. CREATIVE DIRECTORS: Account Supervisor PRODUCT CODE: BRA 100000 Art Buyer COPYWRITER: Management Director Proofreading AD UNIT: 4CPB ART DIRECTOR: CLIENT Art Director TRACKING NO: 07417 P PRINT PRODUCER: A. LaDuke Ad Mgr./Administrator ART PRODUCER: •Chief Creative Officer PRODUCTION DATE: May 2019 National Ad Mgr. STUDIO ARTIST: V. Lee •Exec. Creative Director VOG MECHANICAL NUMBER: ______________ PROJECT MANAGER: A. -
Bill to Raise. Drinking a E Passes in Maryland Senate Housing Cancels Paper.Mill Apts
• ev1e Vol. 106 No. 42 University of Delaware, Newark, DE Tuesday, March 16. 1982 Bill to raise.drinking a e passes in Maryland Senate Poland ... House, governor expected to approve; A day-long open forum, "Poland: Between East and law to affect Newark alcohol problem West," concerning the cur ple, drunk driving and rent crisis in Poland and By CASEY GILMORE The.Maryland State Senate rowdiness.'' Polish ethnic reaction in the Brierley said driving while United States, was presented passed a bill Thursday morn ing that would raise the legal intoxicated (DWI) accidents on Saturday in the Ewing · and alcohol-related crimes in Room of the Student Center. drinking age to 21. The bill must still be passed by the creased when states began The forum, sponsored by the lowering the drinking age. He Del a ware Humanities House an~ approved by· the governor. expects the reversal of this Forum, was divided into trPnd to curb alcohol-related three sessions: "Modern Corky Troutner, assistant Poland is Its Historical .Con to the Maryland House crimes. Judiciary committee chair In its meeting on March 8, text," "The Polish Upheaval Newark City Council propos of 1980-81 and Its Significance man, explained that the House and the Senate have ed raising Delaware's· drink- . in the Relationhip Between ing age to 21. Brierley sup the Soviet Block and the each approved their own bill. Western World," and "The "The intent of the bill has ports this proposal; Role of·the Polish American been voted on favorably in 'Tm not against young peo Community in the Polish both Houses," Troutner .said. -
Champions of the United States
U.S. FIGURE SKATING DIRECTORY CHAMPIONS OF THE UNITED STATES LADIES 1960 Carol Heiss, The SC of New York 2018 Nathan Chen, Salt Lake Figure Skating 1959 Carol Heiss, The SC of New York 2017 Nathan Chen, Salt Lake Figure Skating 2021 Bradie Tennell, Skokie Valley SC 1958 Carol Heiss, The SC of New York 2016 Adam Rippon, The SC of New York 2020 Alysa Liu, St. Moritz ISC 1957 Carol Heiss, The SC of New York 2015 Jason Brown, Skokie Valley SC 2019 Alysa Liu, St. Moritz ISC 1956 Tenley Albright, The SC of Boston 2014 Jeremy Abbott, Detroit SC 2018 Bradie Tennell, Skokie Valley SC 2013 Max Aaron, Broadmoor SC 2017 Karen Chen, Peninsula SC 1955 Tenley Albright, The SC of Boston 1954 Tenley Albright, The SC of Boston 2012 Jeremy Abbott, Detroit SC 2016 Gracie Gold, Wagon Wheel FSC 2011 Ryan Bradley, Broadmoor SC 1953 Tenley Albright, The SC of Boston 2015 Ashley Wagner, SC of Wilmington 2010 Jeremy Abbott, Detroit SC 1952 Tenley Albright, The SC of Boston 2014 Gracie Gold, Wagon Wheel FSC 2009 Jeremy Abbott, Broadmoor SC 1951 Sonya Klopfer, Junior SC of New York 2013 Ashley Wagner, SC of Wilmington 2008 Evan Lysacek, DuPage FSC 1950 Yvonne Sherman, The SC of New York 2012 Ashley Wagner, SC of Wilmington 2007 Evan Lysacek, DuPage FSC 1949 Yvonne Sherman, The SC of New York 2011 Alissa Czisny, Detroit SC 2006 Johnny Weir, The SC of New York 1948 Gretchen Merrill, The SC of Boston 2010 Rachael Flatt, Broadmoor SC 2005 Johnny Weir, The SC of New York 2009 Alissa Czisny, Detroit SC 1947 Gretchen Merrill, The SC of Boston 2004 Johnny Weir, The SC of New York 2008 Mirai Nagasu, Pasadena FSC 1946 Gretchen Merrill, The SC of Boston 2003 Michael Weiss, Washington FSC 2007 Kimmie Meissner, Univ. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Bay Filly; Deposit Ticket
Barn 2D-H Hip No. Consigned by Taylor Made Sales Agency, Agent XXVII 1 Great Hunter Seattle Slew A.P. Indy . { Weekend Surprise Aptitude . Northern Dancer { Dokki . { Alluvial Great Hunter . Fappiano Dark bay/br. colt; Roy . { Adlibber foaled 2004 {Zenith . Northern Fashion (1997) { Sequins . { Brilliant Touch By APTITUDE (1997), [G1] $1,845,410 in NA. Sire of 4 crops, including 2- year-olds of 2008, 5 black type winners, $9,401,051, including Great Hunter (Lane’s End Breeders’ Futurity [G1], Robert B. Lewis S. [G2], etc., Total: $970,500), Outperformance ($291,449, Hill Prince S. [G3], etc.), Amandatude (3 wins, $408,570), Cristobal (to 4, 2008 in France). 1st dam ZENITH, by Roy. 4 wins at 3 and 4, $205,186, Gala Lil S. [L] (PIM, $39,696), 2nd Gardenia H. [G3], Obeah S. [L] (DEL, $20,000), Wide Country S. [L] (LRL, $10,700), 3rd Nastique S. [L] (DEL, $8,250), Open Fire S. [L] (DEL, $8,250), Cleveland Oaks [L] (TDN, $6,000), Allen E. Paulson H.-R (GP, $8,250). Dam of 4 foals of racing age, including a 2-year-old of 2008, three to race, all winners-- GREAT HUNTER (c. by Aptitude). Black type winner, see below. Glitzen Glory (f. by Honour and Glory). 2 wins at 3, 2008, $98,135, 2nd Cozy Lace S.-R (PID, $15,000). Top of the Town (g. by Old Trieste). 2 wins at 3, $69,170. 2nd dam SEQUINS, by Northern Fashion. Winner at 4, $19,490. Dam of 7 winners, incl.-- IM OUT FIRST (f. by Allen’s Prospect). -
Circus Scam 1.9 0.5 UY Milford, Alison (Ls) Circu
Author Title AR Book AR Interest Joyce, Melanie (Ls) Billy's Boy 1.6 0.5 MY Milford, Alison (Ls) Circus Scam 1.9 0.5 UY Milford, Alison (Ls) Circus Scam 1.9 0.5 UY Milford, Alison (Ls) Circus Scam 1.9 0.5 UY Pearson, Danny (Ls) Escape From The City 1.9 0.5 MY Pearson, Danny (Ls) Escape From The City 1.9 0.5 MY Pearson, Danny (Ls) Football Smash 1.9 0.5 MY Pearson, Danny (Ls) Football Smash 1.9 0.5 MY Pearson, Danny (Ls) Football Smash 1.9 0.5 MY Powell, Jillian (Ls) Cage Boy: Level 5 1.9 0.5 MY Gray, Kes Oi Goat!: World Book Day 2018 2 0.5 LY Hurn, Roger (Ls) Too Hot: Level 3 2 0.5 MY Thomas, Valerie Winnie Flies Again 2 0.5 LY Thomas, Valerie Winnie Flies Again 2 0.5 LY Adams, Spike T. (Ls) Evil Ink 2.1 0.5 UY Adams, Spike T. (Ls) Snap Kick 2.1 0.5 UY Clayton, David Hell-Ride Tonight! 2.1 0.5 MY Cullimore, Stan (Ls) Bubble Attack 2.1 0.5 UY Cullimore, Stan (Ls) Bubble Attack 2.1 0.5 UY Cullimore, Stan (Ls) Robert And The Werewolf 2.1 0.5 UY Cullimore, Stan (Ls) Robert And The Werewolf 2.1 0.5 UY Higson, Charlie Silverfin: The Graphic Novel 2.1 1 MY Lee, Janelle (Ls) Badu Boys Rule! 2.1 0.5 MY Orme, David Boffin Boy And The Emperor's Tomb 2.1 0.5 MY Powell, Jillian (Ls) Chip Boy 2.1 0.5 UY Tompsett, C.L. -
Fort Weapons Theft Probe Is Widened Food, Clothing Spared from 70
Fort Weapons Theft Probe Is Widened SEE STORY PAGE 15 Sunny, Milder Sunny and milder today. FINAL Clear and milder tonight. Red Bank, Freehold Partly cloudy and milder to- Long Branch EDITION morrow. 7 r (Sit Stttlll, Pl|» 3) Monmouth County's Home Newspaper for 92 Years VOL. 93, NO. 141 RED BANK, N. J., FRIDAY, JANUARY 16, 1970 26 PAGES 10 CENTS M Food, Clothing Spared From 70 Sales Taxes By DAVID M. GOLDBERG banks, which he said will pro- •— Eliminate the sales tax take office next Tuesday, said Associated Press Writer duce about {6 million in its exemption for machinery and he expected the full support TRENTON (AP) - New first year of operation, fell other equipment used in man- of Republican leaders in the Jerseyans who were worried short of a measure put for- ufacturing. Cahill estimated it legislature, where the GOP that they might have to pay ward last year by outgoing would bring in about -$29.6 has 3-t majorities in both a sales tax on their food and Gov. Richard J. Hughes. million a year at the new five houses. The leaders have said clothing can breathe a little Hughes estimated that his pro- per cent rate. they expect Cahill's recom- easier-at least for this year. posal would have brought in — Eliminate the exemption mendations to be approved Gov.-elect William T. Cahill about ?27 million a year. for advertising materials without trouble soon after thA who announced earlier this Cahill's new plan was an- while retaining the exemp- legislation is introduced on week he will ask for an in- nounced in a short memo dis- tions for newspaper and mag- Tuesday. -
Sweetie Music Credits
Music Martin Armiger Singing Coach Judy Sweeney (crew) Music Recorded and Mixed by Michael Stavrou Performed by Martin Armiger String Arrangements by Max Lambert and Featuring the Music of The Cafe of the Gate of Salvation Choir 'Walking in the Light' Composed by Tony Backhouse Solo Tony Backhouse 'Sweetest Sound' Composed by Tanya Sparke Solo Tanya Sparke 'On the Right Road' Composed by Tony Backhouse Solo Alice Papademetriou 'Love Will Never Let You Fall' Composer Tony Backhouse Solo Tony Backhouse 'Far Beyond Us' Lyrics adapted from the Jewish Prayerbook by Tony Backhouse Composed by Tony Backhouse Published by mmmusic, Australia Music Recorded EMI Studio 301, Sydney and at Martin Armiger's Studios, Bayswater Road, Sydney 'There's a Love That Waits For You' Performed by Dorothy Barry Score and Lyrics by Lorna Barry Copyright Lorna Barry, 1988 'Love Me With All Your Heart' (Martinoli Riqual Riqual Skylar) by Permission of Southern Music Publishing Co. Australia Pty. Ltd. 'Whispers' Written and performed by Schnell Fenster Published by EMI Music, Recording courtesy of EMI Records 'This Illusion' Written and performed by Schnell Fenster Published by EMI Music, Recording courtesy of EMI Records 'That's Impossible' Written and performed by Schnell Fenster Published by EMI Music, Recording courtesy of EMI Records 'Nude School' Performed by Painters and Dockers Written by C. O'Connnor and V. Juric Published by Mushroom Records Recording courtesy of Mushroom Records Lyrics for the spiritual-style song that runs over the film’s head credits: -
Women Directors in 'Global' Art Cinema: Negotiating Feminism And
Women Directors in ‘Global’ Art Cinema: Negotiating Feminism and Representation Despoina Mantziari PhD Thesis University of East Anglia School of Film, Television and Media Studies March 2014 “This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution.” Women Directors in Global Art Cinema: Negotiating Feminism and Aesthetics The thesis explores the cultural field of global art cinema as a potential space for the inscription of female authorship and feminist issues. Despite their active involvement in filmmaking, traditionally women directors have not been centralised in scholarship on art cinema. Filmmakers such as Germaine Dulac, Agnès Varda and Sally Potter, for instance, have produced significant cinematic oeuvres but due to the field's continuing phallocentricity, they have not enjoyed the critical acclaim of their male peers. Feminist scholarship has focused mainly on the study of Hollywood and although some scholars have foregrounded the work of female filmmakers in non-Hollywood contexts, the relationship between art cinema and women filmmakers has not been adequately explored. The thesis addresses this gap by focusing on art cinema. It argues that art cinema maintains a precarious balance between two contradictory positions; as a route into filmmaking for women directors allowing for political expressivity, with its emphasis on artistic freedom which creates a space for non-dominant and potentially subversive representations and themes, and as another hostile universe given its more elitist and auteurist orientation. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Sesquicentennial Voyageurs Stop in Lowell Grand Slam Garage Sale!
M0AC 4 300X BlHm/ 25C spfliNGPonr, u,cmaAH 49284 Volume 11, Issue 26 Serving Lowell Area Readers Since Wednesday, May 13, 1987 Sesquicentennial voyageurs stop in Lowell The "Gabtgouache". a large beached their canoes here where lages along their route which in- replica of a native American the Rat River joins the Grand. cludes several rivers and canoe stopped in Lowell on Mon- The project is called the TVans streams. These communities are day as part of a Michigan Ses- Mitchi Asugyean River Odyssey. a link to the past when settle- quecentennial project sponsored The odyssey began on April 6 in ments formed along the rivers by the city of Grand Haven. With Bay City. Over the past month used by trappers, voyageurs, a little imagination, a spectator the canoeists, dressed in authen- lumbermen, missionaries and could envision long ago times tic voyageur garb, have visited traders as they traveled about the when traders and trappers often dozens of cities, towns and vil- state. A proclamation issued by Lowell filayor James Maatman said in part, "These villages, Along Main Street towns and cities which de- veloped along these fabled water arteries sensed the pulse of the land, first when it was a territory, and next as an emerging state " Maatman, along with City Councilmen Dean Collins, Bill Thompson and Charlie Doyle were on hand to greet the paddlers when they beached their canoe at the Grand River boat launch Acting City Man- ager Barry Emmons and Lowell POPPY SALES BEGIN THURSDAY Police Sergeant Al Eckman also participated in the greeting cere- The Clark-Ellis Post of the American Legion and their Auxilliary monies. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.