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One Day When Women Can Demand Anything
MARCH | 2007 | issue # 03 www.passportmagazine.ru Paradigm Shift for doing buSiness in russia iStanbul through russian eyeS one day when women can demand anything contents. Publisher’s Letter 2 reaL esTaTe wine & dine The bottom Line New international dimension Thomas Koessler 36-37 Foreign Passport holders to Moscow’s leading residential realtor 26 A Very Special 8th of March Recipe should read this! 4 for the Ladies 38 Editor’s Choice 6 Novikov’s latest creation stimulates What’s On in Moscow in February 8-9 palate 39 Moscow Museums and Galleries 10 Kids ‘n’ Culture 11 Venues 11 Cover sTory Serviced Apartments grow in number and variety as an alternative to Moscow Hotels 28-29 feaTure Asian Fusion Match 40-43 Asian Fusion 44 CommuniTy Toys for Nostalgia 50 One day when women Postcard from Belarus 50 can demand anything 12-15 Mac vs PC (Or Soar with the Eagles) 51 business Community listing 52 Leaders & Changes 16 Distribution list 53 Paradigm Shift for doing business ouT & abouT in Russia 17-19 Forum to highlight Russia-Singapore business ties 20 From the primordial religion of the great arT hisTory mother to sacred contemporary The silver age of russian art in the oriental art 30-31 pre-soviet period 21 Fighting Fit 32 TraveL performing arT Johnnie Walker Black Label Black Ball 54 Dancing the night away 54 CERBA & Russo-British joint meeting 55 IWC Evening of Excellence raises cash for charity 55 The LasT word Istanbul through russian eyes 22-25 80 Years Young 34-35 Eric Kraus 56 PASSPORT | MARCH | 2007 | issue # 03 .letter from the -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
2020-Commencement-Program.Pdf
One Hundred and Sixty-Second Annual Commencement JUNE 19, 2020 One Hundred and Sixty-Second Annual Commencement 11 A.M. CDT, FRIDAY, JUNE 19, 2020 2982_STUDAFF_CommencementProgram_2020_FRONT.indd 1 6/12/20 12:14 PM UNIVERSITY SEAL AND MOTTO Soon after Northwestern University was founded, its Board of Trustees adopted an official corporate seal. This seal, approved on June 26, 1856, consisted of an open book surrounded by rays of light and circled by the words North western University, Evanston, Illinois. Thirty years later Daniel Bonbright, professor of Latin and a member of Northwestern’s original faculty, redesigned the seal, Whatsoever things are true, retaining the book and light rays and adding two quotations. whatsoever things are honest, On the pages of the open book he placed a Greek quotation from the Gospel of John, chapter 1, verse 14, translating to The Word . whatsoever things are just, full of grace and truth. Circling the book are the first three whatsoever things are pure, words, in Latin, of the University motto: Quaecumque sunt vera whatsoever things are lovely, (What soever things are true). The outer border of the seal carries the name of the University and the date of its founding. This seal, whatsoever things are of good report; which remains Northwestern’s official signature, was approved by if there be any virtue, the Board of Trustees on December 5, 1890. and if there be any praise, The full text of the University motto, adopted on June 17, 1890, is think on these things. from the Epistle of Paul the Apostle to the Philippians, chapter 4, verse 8 (King James Version). -
Piano Concerto Honoring Memory of Cliburn, Turk Is Sunday, May 5
MAY 2013 Annual Dance Concert is Friday, May 3 PERFORMANCE SHOWS OFF DANCE SKILLS OF KC STUDENTS The broad range of dance and performance; and Shelley skills of the Kilgore College Wayne for tap and jazz. Dance Department can be Tickets are $10, $5 for seen at the department’s students with KC identification. annual Spring Dance Concert, Tickets will go on sale at set for 8 p.m. Friday, May 3, in 6:30 p.m. the night of the Van Cliburn Auditorium on performance at the auditorium’s the Kilgore campus. box office. The choreography Tickets can be purchased by is a collaboration of the cash or check only – no credit students and instructors: cards accepted. Cathy Beckman for ballet, For more information, Above: (From left to right) Kelci Bjornlie, Lauren Cabrera, Ashlee Cloud, Meg Funderburk, modern dance technique, contact Beckman at (903) 983- Angie Gonzalez, Jazzlyn Howard, Jennifer Jones, Leisha Kastner, Macy Lopez, Heather improvisation/composition 8633. Prince, Caroline Roberts and Simon Weaver. Photo by O. Rufus Lovett Piano concerto honoring memory of Cliburn, Turk is Sunday, May 5 The Kilgore College Piano the memories of Van Cliburn Division will host a special and Anne Dean Turk than to concert in memory of two host a first-class piano concert great contributors to the music in their memory?” said Sandra community – Van Cliburn and Siler, KC piano instructor. Anne Dean Turk. “The legacies they left not The free concert is set for only Kilgore College, but also 3 p.m. Sunday, May 5, at Van the music community world- Cliburn Auditorium on the wide, will never be forgotten. -
Grants? Did You Know That If You’Ve Received a Grant from the Arizona Commission on the Arts, You May Have Indirectly Received $$ from NEA?
Welcome!! Thanks – Arizona Commission on the Arts Thanks—Bob Booker, Executive Director of the AZ Commission and Thanks—Jim Ballinger, Executive Director of the Phoenix Art Museum and member of the National Council on the Arts Audience Questions: How many applied to the NEA? How many received NEA grants? Did you know that if you’ve received a grant from the Arizona Commission on the Arts, you may have indirectly received $$ from NEA? How many served on an NEA grant panel? Today would like to share general information about: • Who we are and what we do. • Will guide you through NEA funding categories and, • Share tips on preparing what we hope will be a successful application 1 Let’s begin with Who we Are: NEA established as an independent federal agency by Congress 1965 Our Mission is to Advance: • Artistic excellence, creativity and innovation in the arts • For the benefit of individuals and communities NEA is single largest national public funder of the arts. Awarded more than $4 billion in grants since inception 2 Now, I’d like to introduce full scope of NEA’s Signature Programs 3 NEA provides: 1. Financial awards to eligible organizations and, 2. We recognize artists and arts organizations through several programs. We: • Award Direct Grants • Foster State and Regional Partnerships • Maintain Leadership Initiatives • Present Literature Fellowships Recognition Awards • Administer Lifetime Honorifics 4 Direct Grants constitute 60% of NEA’s grant funding. We support projects of artistic excellence and artistic merit in a wide range of artistic disciplines. In NEA’s current fiscal year, we have awarded 17 direct grants of $435,000 throughout the state of ARIZONA. -
Aldo Ciccolini Preludiu, Coral Și Fugă / Suita Bergamască / Două Piese Pitorești Mp3, Flac, Wma
Aldo Ciccolini Preludiu, Coral Și Fugă / Suita Bergamască / Două Piese Pitorești mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Preludiu, Coral Și Fugă / Suita Bergamască / Două Piese Pitorești Country: Romania Released: 1968 Style: Classical, Romantic MP3 version RAR size: 1748 mb FLAC version RAR size: 1976 mb WMA version RAR size: 1671 mb Rating: 4.3 Votes: 619 Other Formats: MMF AU DTS MIDI AC3 FLAC VOX Tracklist Hide Credits Preludiu, Coral Și Fugă A1 Composed By – César Franck Suita Bergamască Composed By – Claude Debussy B2.1 I. Preludiu B2.2 II. Menuet B2.3 III. Clar De Lună B2.4 IV. Passepied Două Piese Pitorești Composed By – Emmanuel Chabrier B3.1 I. Peisaj B3.2 II. Scherzo - Vals Companies, etc. Printed By – I.P. Fabrica de Timbre – cd. 7006/968 Credits Graphics – Jean Eugen Liner Notes – Alfred Hoffman Photography By – Morel Volbură Piano – Aldo Ciccolini Notes Tiparul : I.P.F.T. cd. 7006/968 Made in Romania FT [I.P. Fabrica De Timbre] logo not printed rear sleeve Yellow lemon labels with purple and black print Barcode and Other Identifiers Other: N. I . 760/66 Other (Price): Lei 28 Other versions Category Artist Title (Format) Label Category Country Year Aldo Ciccolini - César Aldo Ciccolini - Franck / Claude Debussy / César Franck / Emmanuel Chabrier - ECE 0345 Claude Debussy / Electrecord ECE 0345 Romania Unknown Preludiu, Coral Și Fugă / Emmanuel Suita Bergamască / Două Chabrier Piese Pitorești (LP, Mono) Aldo Ciccolini - César Aldo Ciccolini - Franck / Claude Debussy / César Franck / Emmanuel Chabrier -
Tezfiatipnal "
tezfiatipnal" THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Borodin Quartet MIKHAIL KOPELMAN, Violinist DMITRI SHEBALIN, Violist ANDREI ABRAMENKOV, Violinist VALENTIN BERLINSKY, Cellist SUNDAY AFTERNOON, FEBRUARY 25, 1990, AT 4:00 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Quartet No. 2 in F major, Op. 92 .............................. PROKOFIEV Allegro sostenuto Adagio, poco piu animate, tempo 1 Allegro, andante molto, tempo 1 Quartet No. 3 (1984) .......................................... SCHNITTKE Andante Agitato Pesante INTERMISSION Quartet in B-flat major, Op. 130, with Grosse Fuge, Op. 133 ...... BEETHOVEN Adagio, ma non troppo; allegro Presto Andante con moto, ma non troppo Alia danza tedesca: allegro assai Cavatina: adagio molto espressivo Finale: Grosse Fuge The Borodin Quartet is represented exclusively in North America by Mariedi Anders Artists Management, Inc., San Francisco. Cameras and recording devices are not allowed in the auditorium. Halls Cough Tablets, courtesy of Warner Lambert Company, are available in the lobby. Twenty-eighth Concert of the lllth Season Twenty-seventh Annual Chamber Arts Series PROGRAM NOTES Quartet No. 2 in F major, Op. 92 ........................ SERGEI PROKOFIEV (1891-1953) Sergei Prokofiev, born in Sontsovka, in the Ekaterinoslav district of the Ukraine, began piano lessons at age three with his mother, who also encouraged him to compose. It soon became clear that the child was musically precocious, writing his first piano piece at age five and playing the easier Beethoven sonatas at age nine. He continued training in Moscow, studying piano with Reinhold Gliere, and in 1904, entered the St. Petersburg Conservatory where he studied harmony and counterpoint with Anatoly Lyadov, orchestration with Rimsky- Korsakov, and conducting with Alexander Tcherepnin. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
SAINT PETERSBURG AEC Annual Congress 2012 and General Assembly
SAINT PETERSBURG AEC Annual Congress 2012 and General Assembly 1 AEC Pop and Jazz Platform! Lille 2012 1 With the support of: www.asimut.com The AEC would also like to express deep gratitude to the Rector of the St Petersburg State Conservatory Mikhail Gantvarg, and his team composed of Dmitry Chasovitin, Anna Opochinskaya , Regina Glazunova, Vladislav Norkin and Arina Shvarenok for their support in organizing the AEC Annual Congress and General Assembly 2012 in St Petersburg. The AEC team would also like to express special thanks to the members of the AEC Congress Committee: Hubert Eiholzer (Chair), John Wallace and Eirik Birkeland, for preparing and organising the Thematic Day of the Congress. 2 3 Table of Contents Programme ........................................................................................................................................ 6 Music Introductions ..................................................................................................................... 12 Concert Programme ..................................................................................................................... 12 AEC Thematic Day on Artistic Integrity ................................................................................. 14 Part I: Plenary Sessions .......................................................................................................................... 14 Part II: Parallel Breakout Sessions ................................................................................................... -
Defining Interdisciplinarity and Indentifying Research Directions in Jani Christou’S Strychnine Lady
DOI: 10.15503/jecs20141-226-241 Expression Defining interdisciplinarity and indentifying Research directions in Jani Christou’s Strychnine lady Maria Yerosimou, PhD Faculty of Music Goldsmiths University of London, Lewisham Way, New Cross, London, UK E mail address: [email protected] Abstract Jani Christou was a major Greek composer, whose unusual, yet promising career was brought to an end after his untimely death in 1970 at the age of 44. His challenging and speculative output has intrigued generation of young music scholars; however, J. Christo- u’s work remains imperfectly and only patchily known and understood, especially outside Greece. This is partly because of the interdisciplinary nature of his late works which redu- ces the possibility of potential researchers who will academically establish J. Christou’s distinguished output. The aim of the present paper is to present and analyse parts of Strych- nine Lady, a work composed in 1967 in order to propose research directions in an effort to conÞ rm J. Christou’s posthumous reputation. Key words: Experimental music theatre, avant garde music, contemporary music, 20th century music, Greek avant garde composer Introduction On the 8th January 1970 an unusual and thrilling talent was lost in a car acci- dent: the composer Jani Christou. J. Christou was a major composer and philo- sopher, whose unusual, yet promising career was brought to an end after his untimely death at the age of 44. In his late works particularly J. Christou brought into conjunction his deep immersion in philosophical and psychological studies, including the ideas of Carl Jung and alchemy, with avant-garde musical and dra- matic materials and means. -
Conncensus Vol. 43 No. 11
Connecticut College Digital Commons @ Connecticut College 1957-1958 Student Newspapers 12-12-1957 ConnCensus Vol. 43 No. 11 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1957_1958 Recommended Citation Connecticut College, "ConnCensus Vol. 43 No. 11" (1957). 1957-1958. 12. https://digitalcommons.conncoll.edu/ccnews_1957_1958/12 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1957-1958 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. CON CENSUS Vol.43-No. 11 iew London, Connecticut, Thursday, December 12, 1957 lOe pereopy Gina Bachauer Guest Pianist Cathy M. Burrowes Pageant Committee Selects For Second of Concert Series Elected President Florentine Sculpture Theme by Jean MacCarthy '59 were glowing with tributes to On the last night before Christ- The Connecticut College Con- ~ Bachauer's "amazing tech- Of Fres h man CI ass mas vacation. one of the oldest tuque," "miracles of virtuosity," and most chertshed of Connectl- cert Series will present its second The class of 1961 has iust musical program on January 21 and "llquld, authoritative play- cut College traditions will be in Palmer Auditorium. Gina Bach- ing." A few months later she reo elected as its president, Cathy brought before the students: TIle auer, the Greek pianist, will be celved an ovation when presented Burrowes, who makes her home Christmas Pageant. The history the visiting musician. by Dimitri Mitropoulos with the in Key Port, . -
Igor Tchetuev, Piano
IGOR TCHETUEV, PIANO Igor Tchetuev was born in Sebastopol (Ukraine) in 1980 and won at the age of 14 the Grand Prix of the International Vladimir Krainev Young Pianists Competition (Ukraine); he currently works with Maestro Krainev. In 1998, at age 18, he was the First Prize Laureate of the Ninth Arthur Rubinstein International Piano Master Competition, and was also voted "Audience Favourite". 2009/10/11 Igor Tchetuev is the guest of Orchestre National de France at the Théâtre des Champs Elysées (July 2010, Tchaikovsky 1/Neeme Järvi), Luxembourg Philharmonic (Tchaikovsky 1/Günter Herbig), Moscow State Symphony Orchestra (Rachmaninov 2 & Paganini Rhapsody/Pavel Kogan), Mariinsky Theatre accompanying Ferruccio Furlanetto, on tour in Great Britain, Orchestre National de Lille (Prokofiev 3/Paul Mann), Orchestre National de Montpellier (Prokofiev 1/Yaron Traub), Moscow Virtuosi (Mozart Concert“Jeunehomme”/Vladimir Spivakov and Maxim Vengerov), Symphony Orchestra of the National Philharmonic of Ukraine on tour in Switzerland, in Korea of Euro-Asian Philharmonic. He gives numerous recitals in France and Europe amongst which, his fourth recital in Wigmore Hall, a recital at the Saint Petersburg Philharmony, Festival de Menton, Husum Festival in Germany, at the Festival de Colmar, Chopin Festival Paris, Lisztomania Festival, the Montpellier Festival, Lille Piano Festival, Nohant Festival, and plays at the Amsterdam Concertgebouw, etc… Igor Tchetuev has recently performed as piano soloist with Orchestre National de France, Mariinsky Orchestra, WDR