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One Day When Women Can Demand Anything
MARCH | 2007 | issue # 03 www.passportmagazine.ru Paradigm Shift for doing buSiness in russia iStanbul through russian eyeS one day when women can demand anything contents. Publisher’s Letter 2 reaL esTaTe wine & dine The bottom Line New international dimension Thomas Koessler 36-37 Foreign Passport holders to Moscow’s leading residential realtor 26 A Very Special 8th of March Recipe should read this! 4 for the Ladies 38 Editor’s Choice 6 Novikov’s latest creation stimulates What’s On in Moscow in February 8-9 palate 39 Moscow Museums and Galleries 10 Kids ‘n’ Culture 11 Venues 11 Cover sTory Serviced Apartments grow in number and variety as an alternative to Moscow Hotels 28-29 feaTure Asian Fusion Match 40-43 Asian Fusion 44 CommuniTy Toys for Nostalgia 50 One day when women Postcard from Belarus 50 can demand anything 12-15 Mac vs PC (Or Soar with the Eagles) 51 business Community listing 52 Leaders & Changes 16 Distribution list 53 Paradigm Shift for doing business ouT & abouT in Russia 17-19 Forum to highlight Russia-Singapore business ties 20 From the primordial religion of the great arT hisTory mother to sacred contemporary The silver age of russian art in the oriental art 30-31 pre-soviet period 21 Fighting Fit 32 TraveL performing arT Johnnie Walker Black Label Black Ball 54 Dancing the night away 54 CERBA & Russo-British joint meeting 55 IWC Evening of Excellence raises cash for charity 55 The LasT word Istanbul through russian eyes 22-25 80 Years Young 34-35 Eric Kraus 56 PASSPORT | MARCH | 2007 | issue # 03 .letter from the -
Tezfiatipnal "
tezfiatipnal" THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Borodin Quartet MIKHAIL KOPELMAN, Violinist DMITRI SHEBALIN, Violist ANDREI ABRAMENKOV, Violinist VALENTIN BERLINSKY, Cellist SUNDAY AFTERNOON, FEBRUARY 25, 1990, AT 4:00 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Quartet No. 2 in F major, Op. 92 .............................. PROKOFIEV Allegro sostenuto Adagio, poco piu animate, tempo 1 Allegro, andante molto, tempo 1 Quartet No. 3 (1984) .......................................... SCHNITTKE Andante Agitato Pesante INTERMISSION Quartet in B-flat major, Op. 130, with Grosse Fuge, Op. 133 ...... BEETHOVEN Adagio, ma non troppo; allegro Presto Andante con moto, ma non troppo Alia danza tedesca: allegro assai Cavatina: adagio molto espressivo Finale: Grosse Fuge The Borodin Quartet is represented exclusively in North America by Mariedi Anders Artists Management, Inc., San Francisco. Cameras and recording devices are not allowed in the auditorium. Halls Cough Tablets, courtesy of Warner Lambert Company, are available in the lobby. Twenty-eighth Concert of the lllth Season Twenty-seventh Annual Chamber Arts Series PROGRAM NOTES Quartet No. 2 in F major, Op. 92 ........................ SERGEI PROKOFIEV (1891-1953) Sergei Prokofiev, born in Sontsovka, in the Ekaterinoslav district of the Ukraine, began piano lessons at age three with his mother, who also encouraged him to compose. It soon became clear that the child was musically precocious, writing his first piano piece at age five and playing the easier Beethoven sonatas at age nine. He continued training in Moscow, studying piano with Reinhold Gliere, and in 1904, entered the St. Petersburg Conservatory where he studied harmony and counterpoint with Anatoly Lyadov, orchestration with Rimsky- Korsakov, and conducting with Alexander Tcherepnin. -
SAINT PETERSBURG AEC Annual Congress 2012 and General Assembly
SAINT PETERSBURG AEC Annual Congress 2012 and General Assembly 1 AEC Pop and Jazz Platform! Lille 2012 1 With the support of: www.asimut.com The AEC would also like to express deep gratitude to the Rector of the St Petersburg State Conservatory Mikhail Gantvarg, and his team composed of Dmitry Chasovitin, Anna Opochinskaya , Regina Glazunova, Vladislav Norkin and Arina Shvarenok for their support in organizing the AEC Annual Congress and General Assembly 2012 in St Petersburg. The AEC team would also like to express special thanks to the members of the AEC Congress Committee: Hubert Eiholzer (Chair), John Wallace and Eirik Birkeland, for preparing and organising the Thematic Day of the Congress. 2 3 Table of Contents Programme ........................................................................................................................................ 6 Music Introductions ..................................................................................................................... 12 Concert Programme ..................................................................................................................... 12 AEC Thematic Day on Artistic Integrity ................................................................................. 14 Part I: Plenary Sessions .......................................................................................................................... 14 Part II: Parallel Breakout Sessions ................................................................................................... -
Igor Tchetuev, Piano
IGOR TCHETUEV, PIANO Igor Tchetuev was born in Sebastopol (Ukraine) in 1980 and won at the age of 14 the Grand Prix of the International Vladimir Krainev Young Pianists Competition (Ukraine); he currently works with Maestro Krainev. In 1998, at age 18, he was the First Prize Laureate of the Ninth Arthur Rubinstein International Piano Master Competition, and was also voted "Audience Favourite". 2009/10/11 Igor Tchetuev is the guest of Orchestre National de France at the Théâtre des Champs Elysées (July 2010, Tchaikovsky 1/Neeme Järvi), Luxembourg Philharmonic (Tchaikovsky 1/Günter Herbig), Moscow State Symphony Orchestra (Rachmaninov 2 & Paganini Rhapsody/Pavel Kogan), Mariinsky Theatre accompanying Ferruccio Furlanetto, on tour in Great Britain, Orchestre National de Lille (Prokofiev 3/Paul Mann), Orchestre National de Montpellier (Prokofiev 1/Yaron Traub), Moscow Virtuosi (Mozart Concert“Jeunehomme”/Vladimir Spivakov and Maxim Vengerov), Symphony Orchestra of the National Philharmonic of Ukraine on tour in Switzerland, in Korea of Euro-Asian Philharmonic. He gives numerous recitals in France and Europe amongst which, his fourth recital in Wigmore Hall, a recital at the Saint Petersburg Philharmony, Festival de Menton, Husum Festival in Germany, at the Festival de Colmar, Chopin Festival Paris, Lisztomania Festival, the Montpellier Festival, Lille Piano Festival, Nohant Festival, and plays at the Amsterdam Concertgebouw, etc… Igor Tchetuev has recently performed as piano soloist with Orchestre National de France, Mariinsky Orchestra, WDR -
5902547016153.Pdf
Niniejsze nagranie powstało na potrzeby przewodu doktorskiego Anny Czaickiej-Jaklewicz, w którym część opisową stanowiła rozprawa: „Michał Spisak jako jeden z najwybitniejszych przedstawicieli neoklasycyzmu w Polsce na przykładzie wybranych utworów solowych i kameralnych”. The present recording was performed for the needs of the doctoral dissertation process of Anna Czaicka-Jaklewicz, in which the descriptive part was the dissertation “Michał Spisak as One of the Most Outstanding Representatives of Neoclassicism in Poland on the Example of Selected Solo and Chamber Works.” Ⓒ DUX, DUX 1615, 2020 NAGRANIE ZREALIZOWANO W SALI KONCERTOWEJ AKADEMII MUZYCZNEJ IM. KAROLA SZYMANOWSKIEGO W KATOWICACH 8, 15 STYCZNIA ORAZ 17 LUTEGO 2017 ROKU. RECORDED AT THE CONCERT HALL OF THE KAROL SZYMANOWSKI ACADEMY OF MUSIC IN KATOWICE, 8TH, 15TH JANUARY & 17TH FEBRUARY, 2017. GRZEGORZ STEC REŻYSERIA NAGRANIA, MONTAŻ, MASTERING | RECORDING SUPERVISION & SOUND ENGINEERING, EDITING, MASTERING ŻANETA PNIEWSKA TŁUMACZENIA | TRANSLATIONS MICHAŁ SZOSTAKOWSKI MONTAŻ, MASTERING | EDITING, MASTERING RAFAŁ DYMERSKI PROJEKT GRAFICZNY, SKŁAD | GRAPHIC DESIGN, PAGE LAYOUT MARCIN TARGOŃSKI REDAKCJA | EDITOR DUX RECORDING PRODUCERS MORSKIE OKO 2, 02-511 WARSAW, POLAND | WWW.DUX.PL, E-MAIL: [email protected] Michał Spisak (1914–1965) PIANO SOLO AND CHAMBER MUSIC Anna CZAICKA-JAKLEWICZ fortepian | piano Adam MOKRUS skrzypce | violin Łukasz TREPCZYŃSKI fortepian | piano Twórczość Spisaka, poza znakomitością rzemiosła, odznacza się prawdziwą krystalicznością, żywotnością, a często i humorem. Muzyka ta jest przekonywująca, logiczna, pozbawiona gadul- stwa. [...] Jego wybitna twórczość stanowi w historii muzyki ważne ogniwo wielkiego łańcucha. Grażyna Bacewicz (1909–1969) Spisak był artystą doskonałym, kompletnym, nie w sensie szukania oryginalności za wszelką cenę, ale poprzez odrębność i indywidualność swego stylu. Jego myśl twórcza, mimo iż wyrażała się w sposób ogólnie przyjęty przez epokę, miała swój indywidualny charakter, co wypływało z tego, kim był ten człowiek. -
Études D'exécution Transcendante Dinara Klinton, Piano
Franz Liszt Études d’exécution transcendante Dinara Klinton, Piano Franz Liszt Études d’exécution transcendante Dinara Klinton, Piano Franz Liszt (1811–1886) Études d’exécution transcendante, S. 139 (1851) 01 No. 1 Preludio ........................................ (01'02) 02 No. 2 untitled – Molto vivace ........................... (02' 25) 03 No. 3 Paysage ......................................... (05' 07) 04 No. 4 Mazeppa ........................................ (07' 43) 05 No. 5 Feux follets. Irrlichter ............................ (03'40) 06 No. 6 Vision ........................................... (05'33) 07 No. 7 Eroica ........................................... (04' 49) 08 No. 8 Wilde Jagd ...................................... (05' 40) 09 No. 9 Ricordanza ...................................... (11' 11) 10 No. 10 untitled – Allegro agitato molto .................. (04' 57) 11 No. 11 Harmonies du soir .............................. (09' 25) 12 No. 12 Chasse-Neige ................................... (05' 42) Total Time ................................................ (67'21) A Note to the Historical Origins of “Études d’exécution transcendante” Franz Liszt’s Études d’exécution transcendante are the crowning achievement of a crea- tive process that lasted a quarter of a century. Liszt was just 15 years old when he composed his first book of studies, the Études en douze exercises Op. 1, S. 136, dedicated to his teacher Carl Czerny, generally regarded as the father of modern piano technique. Inspired by the number of preludes and fugues in Johann Sebastian Bach’s The Well-Tempered Clavier, Liszt originally envisaged a compendium of 48 studies in every major and minor key, de- signed to embrace all aspects of piano technique. The project was well underway when an insatiable wanderlust took hold and so began his years of travel, most extensively through Switzerland and Italy. When Liszt finally revisited his original etudes, he transformed them until “they were no longer recognizable” into the twelve Grandes Études S. -
Cello Concerto (1990)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-G RUSTAM ABDULLAYEV (b. 1947, UZBEKISTAN) Born in Khorezm. He studied composition at the Tashkent Conservatory with Rumil Vildanov and Boris Zeidman. He later became a professor of composition and orchestration of the State Conservatory of Uzbekistan as well as chairman of the Composers' Union of Uzbekistan. He has composed prolifically in most genres including opera, orchestral, chamber and vocal works. He has completed 4 additional Concertos for Piano (1991, 1993, 1994, 1995) as well as a Violin Concerto (2009). Piano Concerto No. 1 (1972) Adiba Sharipova (piano)/Z. Khaknazirov/Uzbekistan State Symphony Orchestra ( + Zakirov: Piano Concerto and Yanov-Yanovsky: Piano Concertino) MELODIYA S10 20999 001 (LP) (1984) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where his composition teacher was Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. Piano Concerto in E minor (1976) Alexander Tutunov (piano)/ Marlan Carlson/Corvallis-Oregon State University Symphony Orchestra ( + Piano Trio, Aria for Viola and Piano and 10 Romances) ALTARUS 9058 (2003) Aria for Violin and Chamber Orchestra (1973) Mikhail Shtein (violin)/Alexander Polyanko/Minsk Chamber Orchestra ( + Vagner: Clarinet Concerto and Alkhimovich: Concerto Grosso No. 2) MELODIYA S10 27829 003 (LP) (1988) MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Concertos A-G ISIDOR ACHRON (1891-1948) Piano Concerto No. -
LONDON - NEW YORK - MONTREAL - DUBAI C O N C E R T S
LONDON - NEW YORK - MONTREAL - DUBAI CON C ERTS CONTRA C TING THE WORLD’S G R E AT E S T A RTISTS O P E N I N G C ERE M ONIES & M A J OR E V ENTS C ORPORATE & PRI VATE E V ENTS D E V ELOP M E N T & M ANAGE M ENT O F F ESTI VALS S TRATEGI C C U LT U R A L P LANNING AND CULTURAL P OLI C Y T OURIS M A N D E DU C ATION CONSULTAN C Y VENUE CONSULTING O PERATIONAL MANAGE M E N T, P LANNING AND D ESIGN PER F OR M ING ARTS SHO W DESIGN UNI Q UE E V ENTS C ONTA C T T H I S B R O C HURE IS DEDI C AT E D T O J E ff R IGBY CONCERTS The International Entertainment Corporation has more than 30 years experience in contracting world class artists such as Sir Paul McCartney, Beyoncé Knowles, The Who, Shakira, Bon Jovi, Rod Stewart, REM, Kylie Minogue, Carlos Santana, Sir Elton John and George Michael to name but a few. Our innovative team guide and advise stadium owners, governments, city authorities, resorts and international corporations to establish a strong presence in an increasingly competitive and ever changing market. Our negotiating expertise, industry knowledge and meticulous attention to the smallest detail ensure everything runs smoothly before, during and after the show. When good is not good enough, when it has to be great, talk to the International Entertainment Corporation. -
Scottish International Piano Competition 1 – 10 September 2017
sipc2017.org Scottish International Piano Competition 1 – 10 September 2017 sipc2017.org 1 Contents Welcome 4 UNESCO City of Music 5 Why Glasgow? 5 Scottish International Piano Competition 6 A Festival of Piano Music 7 Sponsors and Donors 8 Patrons and Friends 9 Competition Calendar 11 The Jury 13 The Competitors 21 Frederic Lamond 38 Competition Repertoire 39 Gordon McPherson and the Test Piece 40 The Orchestra 42 Thomas Søndergård, Conductor 44 Scottish International Piano Competition sipc2017.org Welcome Why Glasgow? It is my pleasure to welcome the Scottish Welcome to the Scottish International Piano Glasgow was named UNESCO City of Music in Glasgow’s legendary music scene stretches International Piano Competition to the city. Competition 2017. August 2008. It is the second Scottish city to join across the whole spectrum from contemporary This triennial event is an established and highly the Creative Cities Network beside Edinburgh City of and classical to Celtic and Country. Its venues are regarded musical fixture that attracts gifted As ever we look forward to a veritable feast of piano Literature. equally varied and include King Tut’s Wah Wah Hut competitors from across the globe to Glasgow. music from our hugely talented competitors from (consistently voted the top live music venue in the Glasgow is a city with a reputation for musical across the world. It is a huge honour for Glasgow, What is UNESCO? Founded in 1945, currently 193 UK), the Barrowlands, 02 Academy, the Hydro, the excellence. As a UNESCO City of Music we pride UNESCO City of Music, to serve once more as the member states – cultural arm of the United Nations. -
Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Piano Concerto No. 1 in C minor with Trumpet and String Orchestra, Op. 35 (1933) Dmitri Alexeyev (piano)/Philip Jones (trumpet)/Jerzy Maksymiuk/English Chamber Orchestra ( + Piano Concerto No. 2, Unforgettable Year 1919, Gadfly: Suite, Tahiti Trot, Suites for Jazz Orchestra Nos. 1 and 2) CLASSICS FOR PLEASURE 382234-2 (2007) Victor Aller (piano)/Murray Klein (trumpet)/Felix Slatkin/Concert Arts Orchestra ( + Hindemith: The Four Temperaments) CAPITOL P 8230 (LP) (1953) Leif Ove Andsnes (piano)/Håkan Hardenberger (trumpet)/Paavo Järvi/City of Birmingham Symphony Orchestra ( + Britten: Piano Concerto and Enescu: Legende) EMI CLASSICS 56760-2 (1999) Annie d' Arco (piano)/Maurice André (trumpet)/Jean-François Paillard/Orchestre de Chambre Jean François Paillard (included in collection: "Maurice André Edition - Volume -
Florida's Premier Live Music Festival Presented By
OCTOBER 10 – NOVEMBER 8 FLORIDA'S PREMIER LIVE MUSIC FESTIVAL PRESENTED BY GREAT PERFORMANCES CREATIVE AMERICAN MUSIC MUSIC OF THE AMERICAS JAZZ AND BEYOND 305.284.4940 festivalmiami.com I never had it all figured out. I just followed one simple rule. Never judge any decision by what happens today. Instead, imagine yourself years from now, surrounded by your children, your children’s children. Will you be proud of what you’ve accomplished? I have an advisor who thinks the same way. Who understands that building wealth isn’t a temporary act, but a lifetime endeavor. Find a dedicated client advisor to provide the Private Wealth Management solutions that meet your needs. Visit suntrust.com/privatewealth Investment and Insurance Products: Are not FDIC or any other Government Agency Insured • Are not Bank Guaranteed • May Lose Value SunTrust Private Wealth Management is a marketing name used by SunTrust Banks, Inc. and the following affiliates: Banking and trust products and services, including investment advisory products and services, are provided by SunTrust Bank. Securities, insurance (including annuities) and other investment products and services are offered by SunTrust Investment Services, Inc., an SEC registered investment adviser and broker-dealer, member FINRA, SIPC, and a licensed insurance agency. ©2014 SunTrust Banks, Inc. SunTrust is a federally registered service mark of SunTrust Banks, Inc. How can we help you shine? is a service mark of SunTrust Banks, Inc. FESTIVAL MIAMI 2014 | 1 2OI4 I never had it all figured out. I just followed one simple rule. Never judge any decision by what happens today. Instead, imagine FLORIDA’S PREMIER LIVE MUSIC FESTIVAL yourself years from now, surrounded by your children, your children’s children. -
Moscow Chamber Orchestra
MOSCOW CHAMBER ORCHESTRA CONSTANTINE ORBELIAN, conductor LEONID SHUKAEV, cello Tuesday, April 7, 1998 8:00 p.m. Stude Concert Hall I '-he I Q]!.~ I 1 l ~r~m RICE UNIVERSITY I School . I ofMusic PROGRAM Symphony No. 29 Wolfgang Amadeus Mozart in A Major, K. 201 (1756-1791) Allegro moderato Andante Minuetto Finale: Allegro con spirito Cello Concerto in C Major, Hob. Vllb No.1 Josef Haydn Moderato (1732-1809) Adagio Allegro mo/to Leonid Shukaev, soloist INTERMISSION Chamber Symphony Dmitri Shostakovich in C minor, Op. 11 Oa (1906-1975) Largo Allegro mo/to ). Allegretto Largo Largo Concerto for Four Violins Antonio Vivaldi in B minor, RV580 (1678-1741) Allegro Largo Larghetto Allegro Soloists Pavel Bereslavtsev Irina Ivanova Dmitry Tchepiga Alexei Strelnikov rr The Moscow Chamber Orchestra appears by arrangement with Lisa Sapinkopf Artists, 192 7 Cedar Street, Berkeley, California 94709. MOSCOW CHAMBER ORCHESTRA Violin I Viola Double Bass Dmitry Khakhamov, Radik Khanafin, Jaros/av Lobov concertmaster principal Pavel Bereslavtsev Victor lgnachin Flute Elena Kulygina Alexander Medvedev Albert Ratsbaum Levon Oganessian Alexei Strelnikov Cello Oboe Maya Tonitenko Tatiana Zavarskaya, Evgeni Nepalo, principal principal Violin II Alexander Saliman- Victor Baidak Irina lvanova, Vladimirov principal Dmitry Tatischev Horn Dmitry Tchepiga Vasily Sharkov, Dmitry Dukarsky principal Alexander Ostrin Alexei Bulgakov PROGRAM NOTES Symphony No. 29 in A Major, K. 201 . Wolfgang Amadeus Mozart The autograph manuscript of this work is dated April 6, 1774. The excel lence of this symphony has long been recognized; it and the previous work are the only symphonies from this period to have entered the regular repertories of many of the major symphony orchestras.