SENATE April 14 White to Do It
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The Constituency of Coya Knutson, 1954
University of North Dakota UND Scholarly Commons Theses and Dissertations Theses, Dissertations, and Senior Projects 8-1982 The onsC tituency of Coya Knutson, 1954 Gretchen Urnes Beito Follow this and additional works at: https://commons.und.edu/theses Part of the History Commons Recommended Citation Beito, Gretchen Urnes, "The onC stituency of Coya Knutson, 1954" (1982). Theses and Dissertations. 1158. https://commons.und.edu/theses/1158 This Thesis is brought to you for free and open access by the Theses, Dissertations, and Senior Projects at UND Scholarly Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. THE CONSTITUENCY OF COYA KNUTSON, 1954 by Gretchen Urnes Beito Bachelor of Science, University of Minnesota, 1957 A Thesis Submitted to the Graduate Faculty of the University of North Dakota in partial ful. illment of the requirements for the degree of Master of Arts Grand Forks, North Dakota August 1982 Copyri~ht by Gretchen Urnes Beito 1982 il This Thesis submitted by Gretchen Urnes Beito in partial fulfillment of the requirements for the Degree of Master of Arts from the University of North .. Dakota is here by approved by the.Faculty Advisory Committee under whom the work has been done. ------ ---··~M./\.1\.. ----'."··--·-~ Permission Title The Constituency of coya Knutson, 1954 Department _History Degree--- Master of Arts . In presenting this thesis in partial fulfillment of the.requiternents for a graduate degree from the University of North D~kota, I agr~e that the Library of this Univer sity shall make it freely available for inspection. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
2020-Commencement-Program.Pdf
One Hundred and Sixty-Second Annual Commencement JUNE 19, 2020 One Hundred and Sixty-Second Annual Commencement 11 A.M. CDT, FRIDAY, JUNE 19, 2020 2982_STUDAFF_CommencementProgram_2020_FRONT.indd 1 6/12/20 12:14 PM UNIVERSITY SEAL AND MOTTO Soon after Northwestern University was founded, its Board of Trustees adopted an official corporate seal. This seal, approved on June 26, 1856, consisted of an open book surrounded by rays of light and circled by the words North western University, Evanston, Illinois. Thirty years later Daniel Bonbright, professor of Latin and a member of Northwestern’s original faculty, redesigned the seal, Whatsoever things are true, retaining the book and light rays and adding two quotations. whatsoever things are honest, On the pages of the open book he placed a Greek quotation from the Gospel of John, chapter 1, verse 14, translating to The Word . whatsoever things are just, full of grace and truth. Circling the book are the first three whatsoever things are pure, words, in Latin, of the University motto: Quaecumque sunt vera whatsoever things are lovely, (What soever things are true). The outer border of the seal carries the name of the University and the date of its founding. This seal, whatsoever things are of good report; which remains Northwestern’s official signature, was approved by if there be any virtue, the Board of Trustees on December 5, 1890. and if there be any praise, The full text of the University motto, adopted on June 17, 1890, is think on these things. from the Epistle of Paul the Apostle to the Philippians, chapter 4, verse 8 (King James Version). -
Piano Concerto Honoring Memory of Cliburn, Turk Is Sunday, May 5
MAY 2013 Annual Dance Concert is Friday, May 3 PERFORMANCE SHOWS OFF DANCE SKILLS OF KC STUDENTS The broad range of dance and performance; and Shelley skills of the Kilgore College Wayne for tap and jazz. Dance Department can be Tickets are $10, $5 for seen at the department’s students with KC identification. annual Spring Dance Concert, Tickets will go on sale at set for 8 p.m. Friday, May 3, in 6:30 p.m. the night of the Van Cliburn Auditorium on performance at the auditorium’s the Kilgore campus. box office. The choreography Tickets can be purchased by is a collaboration of the cash or check only – no credit students and instructors: cards accepted. Cathy Beckman for ballet, For more information, Above: (From left to right) Kelci Bjornlie, Lauren Cabrera, Ashlee Cloud, Meg Funderburk, modern dance technique, contact Beckman at (903) 983- Angie Gonzalez, Jazzlyn Howard, Jennifer Jones, Leisha Kastner, Macy Lopez, Heather improvisation/composition 8633. Prince, Caroline Roberts and Simon Weaver. Photo by O. Rufus Lovett Piano concerto honoring memory of Cliburn, Turk is Sunday, May 5 The Kilgore College Piano the memories of Van Cliburn Division will host a special and Anne Dean Turk than to concert in memory of two host a first-class piano concert great contributors to the music in their memory?” said Sandra community – Van Cliburn and Siler, KC piano instructor. Anne Dean Turk. “The legacies they left not The free concert is set for only Kilgore College, but also 3 p.m. Sunday, May 5, at Van the music community world- Cliburn Auditorium on the wide, will never be forgotten. -
Grants? Did You Know That If You’Ve Received a Grant from the Arizona Commission on the Arts, You May Have Indirectly Received $$ from NEA?
Welcome!! Thanks – Arizona Commission on the Arts Thanks—Bob Booker, Executive Director of the AZ Commission and Thanks—Jim Ballinger, Executive Director of the Phoenix Art Museum and member of the National Council on the Arts Audience Questions: How many applied to the NEA? How many received NEA grants? Did you know that if you’ve received a grant from the Arizona Commission on the Arts, you may have indirectly received $$ from NEA? How many served on an NEA grant panel? Today would like to share general information about: • Who we are and what we do. • Will guide you through NEA funding categories and, • Share tips on preparing what we hope will be a successful application 1 Let’s begin with Who we Are: NEA established as an independent federal agency by Congress 1965 Our Mission is to Advance: • Artistic excellence, creativity and innovation in the arts • For the benefit of individuals and communities NEA is single largest national public funder of the arts. Awarded more than $4 billion in grants since inception 2 Now, I’d like to introduce full scope of NEA’s Signature Programs 3 NEA provides: 1. Financial awards to eligible organizations and, 2. We recognize artists and arts organizations through several programs. We: • Award Direct Grants • Foster State and Regional Partnerships • Maintain Leadership Initiatives • Present Literature Fellowships Recognition Awards • Administer Lifetime Honorifics 4 Direct Grants constitute 60% of NEA’s grant funding. We support projects of artistic excellence and artistic merit in a wide range of artistic disciplines. In NEA’s current fiscal year, we have awarded 17 direct grants of $435,000 throughout the state of ARIZONA. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
N E W S L E T T E R Fall 2018
Strengthening the importance of music in our life and culture since 1940 N E W S L E T T E R Fall 2018 National Music Council NMC Director Dr. David Sanders hosted Honors Jazz Legends the event, and praised the honorees for setting an extraordinary standard for Chick Corea and The ongoing contribution to American Manhattan Transfer at musical culture and heritage, and for serving as mentors and role models to 35th Annual American aspiring jazz artists. The evening Eagle Awards opened with a performance by the Nashville School of the Arts jazz ensemble Swing Thing under the direction of James Satterwhite, who reminded the audience of why access to music education for all students is so vital. Nashville Singer/Songwriter Dianne Davidson performed an emotional musical tribute to The Manhattan Transfer before presenting TMT members Janis Siegel, Alan Paul, and Cheryl Bentyne with the first award. Davidson was responsible for introducing late Manhattan Transfer The National Music Council honored founder Tim Hauser to Janis Siegel, jazz legends Chick Corea and The forming the iteration of the group that Manhattan Transfer at the organization’s created their great success and earned 35th annual American Eagle Awards on them ten Grammy Awards. Hauser died Thursday, June 28 at the Summer in 2014. NAMM Show in Nashville. The honors are presented each year in recognition Internationally renowned flutist Hubert of long-term contributions to American Laws presented Chick Corea’s award, musical culture and heritage, the citing Corea’s great contribution to the importance of music education and art of improvisation and an inspiration to inspiration for all children, and the need himself and musicians all over the world. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Mark Dayton Pledges to Be a Jobs Governor One Nation Doorknock
(ISSN 0023-6667) Mark Dayton pledges to be a jobs governor By Michael Moore Dayton also spoke directly stadium,” and said he is the BLOOMINGTON - Mark to several constituencies in the only candidate for governor Dayton addressed delegates on state’s largest labor federation. who will pass a robust, $1 bil- the second day of the To firefighters, teachers and lion bonding bill, funding pub- Minnesota AFL-CIO Conven- other public employees “who lic construction and infrastruc- tion here Sept. 28 thanking provide the essential services ture projects across the state, union members for their that the people of Minnesota his first year in office. endorsement and pledging that depend on,” Dayton pledged to “That’s 28,000 jobs for peo- if he wins, he will be the state’s protect their jobs from the ple who could be working – An Injury to One is an Injury to All! first “jobs governor” since chopping block despite a loom- and will be working if I’m gov- Rudy Perpich. ing budget deficit. ernor of this state,” Dayton WEDNESDAY VOL. 116 “There’s no easy way to bal- said. OCTOBER 6, 2010 NO. 8 “I will go anywhere in this state or this nation or this world ance a $6 billion budget The Minnesota AFL-CIO, where there is a job to be deficit,” he said. “But I’m with more than 1,000 affiliate gained or there is a job to be going to respect those workers. unions representing 300,000 saved for Minnesota,” Dayton We’re going to work with members statewide, is engaged said. -
Voting Rights Act Materials Reader’S Note
Voting Rights Act Materials Reader’s Note The following pages include historical artifacts, such as news articles, quotes, and published letters from the 1960s about the events leading up to the passage of the Voting Rights Act of 1965. They were originally published as part of the Secretary of State’s 2015-2016 Legislative Manual, or “Blue Book.” As readers will see, the language used and printed fifty years ago to describe the struggles faced by African-Americans and other communities of color is considerably different than today. The Secretary of State’s St. Paul Pioneer Press, March 16, 1965 Office, in consultation with the Saint Paul NAACP, felt it was important for Minnesotans to read these sources of information as they were written in 1965, not only for historical context but so Minnesotans can better understand how far we’ve come and how far we have yet to go. Steve Simon Minnesota Secretary of State Jeffry Martin Saint Paul NAACP, President Key Events and Legislative Dates ♦ March 7 – March 25, 1965: Voting rights marches in Selma, Alabama ♦ March 15, 1965: President Johnson addresses Congress and calls for voting rights legislation ♦ March 17, 1965: Voting Rights Act introduced in the Senate as S. 1564 ♦ May 26, 1965: Passed the United States Senate (77-19) ♦ July 9, 1965: Passed the United States House of Representatives with amendment (333-85) ♦ July 29, 1965: Reported by the joint conference committee ♦ August 3, 1965: Agreed to by the United States House of Representatives (328-74) ♦ August 4, 1965: Agreed to by the United States Senate (79-18) ♦ August 6, 1965: Signed into law by United States President Lyndon B. -
Window: the Magazine of Western Washington University, 2017
Western Washington University Western CEDAR Window Magazine Western Publications Fall 2017 Window: The aM gazine of Western Washington University, 2017, Volume 10, Issue 01 Mary Lane Gallagher Western Washington University, [email protected] Office ofomm C unications and Marketing, Western Washington University Follow this and additional works at: https://cedar.wwu.edu/window_magazine Part of the Higher Education Commons Recommended Citation Gallagher, Mary Lane and Office of Communications and Marketing, Western Washington University, "Window: The aM gazine of Western Washington University, 2017, Volume 10, Issue 01" (2017). Window Magazine. 19. https://cedar.wwu.edu/window_magazine/19 This Issue is brought to you for free and open access by the Western Publications at Western CEDAR. It has been accepted for inclusion in Window Magazine by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. WESTERN WASHINGTON UNIVERSITY THEWINDOW UNIVERSITY MAGAZINE FALL/WINTER 2017 A new CARVER Western Washington University • window.wwu.edu Blue for WWU More than 180 trees in downtown Bellingham are dressed in strings of blue lights thanks to a gift from the WWU Alumni Association. The lights went up for Western’s second annual “Paint B’Ham Blue for WWU” event Sept. 27 to welcome new students to Bellingham. In November, the lights turned white for the holiday season. The WWU Alumni Association’s assistance helped with the purchase, installation and maintenance of the lights, adding a festive -
Foreword and Table of Contents
Minnesota Legislative Manual Compiled for the Legislature of 2015-2016 Prepared pursuant to Minnesota Statutes, Section 5.08 Published by the Office of the Minnesota Secretary of State Saint Paul, Minnesota Printed by Anderberg Innovative Print Solutions St. Louis Park, Minnesota Dedication of Blue Book To my fellow Minnesotans: I’m honored to present the 2015-2016 edition of the Minnesota Legislative Manual – also known as the “Blue Book.” As always, the Blue Book is a comprehensive guide to our government in Min- nesota. But it’s more than just a listing of offices, names, and biographies. It also contains interesting information about Minnesota’s history, culture, institutions, and profile. Since my days as a student, growing up in Hopkins, Minnesota, I’ve been a regular user of the Blue Book. I hope this edition will continue to be a trusted resource for people all over Minnesota, as it has been since the 1870s. I’m pleased to dedicate this edition of the Blue Book in honor of the 50th anniversary of the Voting Rights Act and the Minnesotans who made it a reality. A core mission of the Office of Secretary of State is to protect and strengthen the right to vote, so honoring the passage of that landmark legisla- tion, as well as the Minnesotans who fought tirelessly for equality and justice, is fitting and impor- tant. When President Lyndon Johnson signed the Voting Rights Act into law in 1965, he called it “a triumph for freedom as huge as any victory that has ever been won on any battlefield.” Before the law, many states openly suppressed the votes of African-Americans and other communities of color.