Conncensus Vol. 43 No. 11
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Defining Interdisciplinarity and Indentifying Research Directions in Jani Christou’S Strychnine Lady
DOI: 10.15503/jecs20141-226-241 Expression Defining interdisciplinarity and indentifying Research directions in Jani Christou’s Strychnine lady Maria Yerosimou, PhD Faculty of Music Goldsmiths University of London, Lewisham Way, New Cross, London, UK E mail address: [email protected] Abstract Jani Christou was a major Greek composer, whose unusual, yet promising career was brought to an end after his untimely death in 1970 at the age of 44. His challenging and speculative output has intrigued generation of young music scholars; however, J. Christo- u’s work remains imperfectly and only patchily known and understood, especially outside Greece. This is partly because of the interdisciplinary nature of his late works which redu- ces the possibility of potential researchers who will academically establish J. Christou’s distinguished output. The aim of the present paper is to present and analyse parts of Strych- nine Lady, a work composed in 1967 in order to propose research directions in an effort to conÞ rm J. Christou’s posthumous reputation. Key words: Experimental music theatre, avant garde music, contemporary music, 20th century music, Greek avant garde composer Introduction On the 8th January 1970 an unusual and thrilling talent was lost in a car acci- dent: the composer Jani Christou. J. Christou was a major composer and philo- sopher, whose unusual, yet promising career was brought to an end after his untimely death at the age of 44. In his late works particularly J. Christou brought into conjunction his deep immersion in philosophical and psychological studies, including the ideas of Carl Jung and alchemy, with avant-garde musical and dra- matic materials and means. -
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project Foreign Service Spouse Series
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project Foreign Service Spouse Series BETTY JANE PEURIFOY (MRS. ARTHUR STEWART) Interviewed by: n/a Initial interview date: n/a TABLE OF CONTENTSS Mrs. Ste art describes her years living in Greece, during the years 1950 to 1953, as the ife of )nited States Ambassador to Greece, John E. Peurifoy. FRAGMENTS OF THE GOLDEN FLEECE A Glorious ,eginning Responsibilities of the ife of the Ambassador Rules of conduct, dress and official protocol Arrival reception in Greece Protocol visits .). S. Envoy/s 0ife Gets Teacup Snub1 2ady Norton/s recent face lift A Royal Gree4 Holiday, ,.C. 6,efore Cyrus7 8isit of Princess Eli9abeth and the Du4e of Edinburgh Royal reception Gree4 Revival Gree4 language study Ne Address: Athens Ambassador/s Residence; 2ydis House Maximos House Moutain in Mauve Mt. Hymettus Her Imperial Highness, the Princess Helen Prince Nicholas of Greece German 00II occupation 1 Peloponnesian Pilgrimage 0ith King and Queen on Royal Yacht 8illage of Malavryta Agia 2avra monastery Gree4AAmerican Affair or Scions of Pericles Gree4s from )nited States Gree4 living customs Affection for )S Island Odyssey 8isit to Dodecanese Patmos, 2eros, Kalymnos and Cos Easter Island in the Hellenes Rhodes, history 2indos Orthodox Easter Kansas Comes to Greece Touring ith relatives Golden Jubilee King Paul/s fiftieth birthday celebrations Distaff Diplomacy Official responsibilities of the Ambassador/s ife Diplomats at 0or4 2ocal charity functions Fleet visits Athens 0or4ing -
Meena Front Pages
THE MUSICAL LIFE AND CONDUCTING PEDAGOGY OF PETER ERŐS Meena Hwang A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2013 Reading Committee: Robin McCabe Jonathan Pasternack Carole Terry Program Authorized to Offer Degree: School of Music @Copyright 2013 Meena Hwang University of Washington ABSTRACT The Musical Life and Conducting Pedagogy of Peter Erős Meena Hwang Chair of the Supervisory Committee: Carole R. Terry, Professor of Organ & Harpsichord School of Music Maestro Peter Erős led a 54-year career of international distinction as a conductor of symphony orchestras, opera, and ballet. He conducted over one hundred different ensembles in twenty-four countries, spanning six continents, held five professional music directorships, and taught at three conservatories of music. A protégé of legendary conductors George Szell, Ferenc Fricsay, and Otto Klemperer, Peter Erős represents an important link to the Central European tradition of classical music performance. Having joined the faculty of the Amsterdam Conservatory at the age of twenty-seven, and served as Director of Orchestral Activities at the Peabody Conservatory in the early 1980s, Erős dedicated the latter years of his career to teaching conducting and directing the orchestral and operatic activities at the University of Washington School of Music, where he taught dozens of student conductors, orchestral musicians, and opera singers. This dissertation examines Peter Erős’ musical life, training, -
First Van Cliburn Competition •
I ' ' COMPETITORS I Susumu Aoyagi (Japan} p.62 ' Andrew Armstrong (USA) p.63 Yuri Bogdanov (Russia} p.64 • Victor Chestopal (Russia} p.65 • • Naida Cole (Canada) p.66 • Michail Dantchenko (Ukraine) p.67 • • • Alexandre Dossin (Brazil) p.68 • Filippo Gamba (Italy) p.69 • I Joel Hastings (Canada) p. 70 • Stanislav loudenitch (Russia) p. 71 • • .' Jan Gottlieb Jiracek (Germany) p. 72 • • ~ Yakov Kasman (Russia) p. 73 Yong-Kyu Lee (Korea) p. 74 • • Aleksandar Madzar (Yugoslavia) p. 75 • •' I '• I • Anton Mordasov (Russia) p. 76 ' •' • Eugene Mursky (Uzbekistan) p. 77 I Jon Nakamatsu (USA) p. 78 L I Olga Pushechnikova (Russia) p. 79 Aviram Reichert (Israel) p.80 • Fernando Rossano (Italy) p.81 • I Per Rundberg (Sweden) p.82 Yuan Sheng (China) p.83 • • Margarita Shevchenko (Russia) p.84 Christopher Sl1ih (USA) p.85 .• Niklas Sivelov (Sweden) p.86 • Katia Skanavi (Russia) p.87 Alex Slobodyanik (Russia) p.88 • Ju-Ying Song (USA) p.89 Dmitri Teterin (Russia) - p.90 ' Albert Tiu (Philippines) p.91 p.92 •• Dimitri Vassilakis (Greece) George Vatchnadze (Georgia) p.93 Lev Vinocour (Rt1ssia) p.94 Dmitri Vorobieff (Rt1ssia) p.95 Yi Wu (Argentina) p.96 • • 61 COMPETITORS~ SUSUMU AOYAGI AnDRESS: do von der Becke Winterfeldtstrasse 25 10781 Berlin, Germany COMPETITIONS AND AWARDS: 1996 lbla International Piano C.ompetition~ Sixth Prize 1996 CIEM Geneva International Piano Competition, Finalist 1994 Tchaikovsky International Competition, Diploma 1993 Casablanca International Piano Competition, First Prize 1992 Marguerite Long-Jacques Thibaud International -
NING an • COMPETITORS L !
COMPETITORS • LILIAN AKOPOVA EMAIL: [email protected] COMPETITIONS AND AWARDS 2003 Steinway Forderpreis Munich, First Prize 2002 Jaen International Piano Competition, Second Prize 1996 Vladimir Krainev International Young Pianists Con1petition, First Prize PROFESSIONAL TRAINING 2001- Hochschule fur Musik und Tl1eater, Munich 1989-2000 Lisenko Music School TEACHERS 2001- Elisso Virsaladze 1993-2000 Valerij Kozlov 1989-93 Konstantin Kvartirmeister LILIAN AKOPOVA UKRAINE • AGE 21 PRELIMINARY RECITAL Born in Yerevan, Ar1nenia, Lilian Akopova took her first piano lesson at Bach-Busoni Wachet auf, ruft uns die Stimme, BWV 645 age five and was accepted at the Nun Jreut euch, lieben Christe11 gmei11, BWV 734 Lisenko Central Music School for gift Mendelssohn Fantasia in F-sharp minor, Op. 28 ed children in Kiev a year later. Liszt Transcendental Etude No. 9: Rico1·danza Currently a scholarship student at the Spanish Rhapsody Hochschule fur Musik und Theater in Munich, she won first prize at the SEMIFINAL RECITAL 2003 Stein\vay Competition in that Brahms Sonata No. 1 in C major, Op. 1 city. Ms. Akopova has appeared in Ru th Schon thal Sonata quasi un'improvvisazione recital at international music festivals Shamo Trojha, Op. 2 in Germany, Italy, Japan, Poland, Chopin Four Mazurkas, Op. 30 • Russia, Spain, and Ukraine, and has I Rachmaninoff Sonata No. 2 in B-flat minor, Op. 36 (1931) • perforrned with several orchestras in I Russia. Ms. Akopova enjoys playing SEMIFINAL CHAMBER backgammon, table tennis, and bad minton in her leisure time. Dvorak Piano Quintet in A major, Op. 81 FINAL RECITAL Mozart Sonata in C major, K. 545 Schumann Novelette No. -
Anniversary Report 1979-2009 the J
ANNIVERSARY REPORT 1979-2009 THE J. F. COSTOPOULOS FOUNDATION ANNIVERSARY REPORT 1979-2009 THE J. F. COSTOPOULOS FOUNDATION 9, Ploutarchou Street GR - 106 75 Athens Τ: +30 210 729 3503 F: +30 210 729 3508 Ε: [email protected] W: www.costopoulosfoundation.org © 2010 The J. F. Costopoulos Foundation ISBN: 978-960-87225-6-9 ATHENS 2010 Anniversary Report 1979-2009 List of contents Editors: Hector Verykios, Katerina Koskina Message from the Chairman and Vice-Chairman 9 Texts: Anastasia Costopoulos, Hector Verykios, Katerina Koskina 1. The Foundation, then and now – An Introduction 11 Layout: Michalis Paparounis Material research and collection: 2. Cultural Heritage and Tradition 25 The J. F. Costopoulos Foundation Secretariat 3. Contribution to Society 45 Text editing: Meni Strongyli Research and compilation of financial statements: 4. Science and Research 51 Athanassios Efthimiopoulos 5. Education and Studies 57 Production coordination: Lambros Papanikolatos 6. Arts 65 Scientific research on the Carl Blegen residence: Vassiliki Florou 7. Productions Material gathering and archiving: Co-productions – Co-organisations – Collaborations 77 Magda Tzepkinli Logistical support: Charalambos Andrianopoulos, APPENDICES Myrto Andrianopoulou Text translations: Tony Moser i. Evolution of the Foundation’s portfolio (Greek to English) of Alpha Bank shares 138 Digital image processing: ii. Comparison of 1982 and 2009 Balance Sheets 140 Photolab - E. N. Aktidis, Sophia Gida iii. Number of supported activities per year 142 Printing: Baxas Graphic Arts A.E. iv. Distribution of donations per category 144 v. Donors 147 Acknowledgements: vi. Institutions supported by the Foundation 155 The J. F. Costopoulos Foundation would like to vii. Persons supported by the Foundation 170 thank Demetrios Katsikis, Director from 1979 to 2002, Filanthi Melea, Alexandra Kotseli and Angeliki Marinou for their longstanding and substantial contribution. -
Elenco Concorsi Musicali
ELENCO CONCORSI MUSICALI Concorsi e premi di musica classica ALESSANDRIA, ITALY "Michele Pittaluga" International Classical Guitar and Composition Competition AUCKLAND, NEW ZEALAND "Michael Hill" International Violin Competition AUGSBURG, GERMANY International Violin Competition Leopold Mozart BANFF, CANADA Banff International String Quartet Competition BARCELONA, SPAIN Maria Canals International Music Competition BEIJING, CHINA Beijing International Music Competition BELGRADE, SERBIA International Jeunesses Musicales Competition BERLIN, GERMANY International Max Rostal Competition for Viola and Violin BESANÇON, FRANCE International Competition for Young Conductors BILBAO, SPAIN International Voice Competition of Bilbao-Bizkaia "Pedro Mª. Unanue" BOLZANO, ITALY "Ferruccio Busoni" International Piano Competition BONN, GERMANY International Telekom Beethoven Competition BORDEAUX, FRANCE Bordeaux International String Quartet Competition BRATISLAVA, SLOVAK REPUBLIC International Johann Nepomuk Hummel Piano Competition BRESCIA, ITALY" Città di Brescia" International Violin Competition BRUSSELS, BELGIUM Queen Elisabeth Competition BUCHAREST, ROMANIA George Enescu International Competition BUCHAREST, ROMANIA The International Grand Prix of Romania” Trophaeum Artis Cantorum” BUDAPEST, HUNGARY Budapest International Music Competitions BYDGOSZCZ, POLAND Paderewski International Piano Competition CALGARY, CANADA Honens Piano Competition CHARTRES, FRANCE International Organ Competition "Grand Prix de Chartres" CLEVELAND, UNITED STATES Cleveland International