Thannhauser Edition FIND the artwork in the museum that contains the detail on the front of these cards.

FLIP the card over to find out more about the work of art.

These cards can be enjoyed as a group. Once you find the work of art, take turns reading the information on the back of the card and asking each other questions. These fun conversation starters will help your whole family engage with the Thannhauser Collection.

This was one of Braque’s first explorations with Fauvism, a style of painting that emphasizes bold, imaginative color. Les fauves is a French term that means “the wild beasts.”

Look closely at this painting. How many colors can you find?

Georges Braque, Landscape near Antwerp, ca. 1906 Oil on canvas, 60 × 81 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.1 © 2018 Artists Rights Society (ARS), New York/ADAGP, Paris

When an artist arranges different objects and then paints them, the result is called a still-life painting.

How many different objects can you identify here? What would you arrange in a still life?

Paul Cézanne, Still Life: Flask, Glass and Jug, ca. 1877 Oil on canvas, 45.7 × 55.3 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.3

This work is titled Still Life: Plate of Peaches.

Why might an artist paint a plate of peaches?

Paul Cézanne, Still Life: Plate of Peaches, 1879–80 Oil on canvas, 59.7 × 73.3 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.4

This painting is a portrait of Cézanne’s wife, Hortense Fiquet. He made 29 known portraits of her over the course of twenty years.

Who would be your model if you were a painter?

Paul Cézanne, Madame Cézanne, ca. 1885–87 Oil on canvas, 55.6 × 45.7 cm. Solomon R. Guggenheim Museum, New York Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.5

This landscape painting by Cézanne depicts the neighborhood around his father’s country house in France. How do you feel looking at this painting? Would you like to live here?

Paul Cézanne, The Neighborhood of Jas de Bouffan, 1885–87 Oil on canvas, 65 × 81 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Bequest, Hilde Thannhauser 91.3907

Throughout the artist’s career, he experimented with representing depth on a flat canvas.

Where in this painting do your eyes stay on the surface, and where do you feel like you can walk into this place?

Paul Cézanne, Bibémus, ca. 1894–95 Oil on canvas, 71.5 × 89.8 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.6

The title of this sculpture tells us that this is a dancer, but the figure’s gesture is one that might have many meanings and occur in many situations.

What alternative title(s) would you suggest for this work?

Edgar Degas, Dancer Moving Forward, Arms Raised, 1882–95 Bronze, 35.3 × 15.3 × 16.5 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.8

Throughout his career, Degas often focused on the subject of the ballet. These ballerinas are preparing to go on stage.

What do you think each one might be thinking or saying?

Edgar Degas, Dancers in Green and Yellow, ca. 1903 Pastel and charcoal on three pieces of tracing paper, mounted on paperboard, 98.8 × 71.5 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.12

What do you think this seated woman is doing? Strike poses that you would imagine result in sculptures titled Relaxing, Stretching, and Bending.

Ask an adult to take photos of each pose and see if they can guess the title you intended.

Edgar Degas, Seated Woman, Wiping Her Left Side, 1896–1911 Bronze, 35.6 × 35.9 × 23.5 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.10

The title of this sculpture is Spanish Dance. Adopt the dancer’s pose and carefully create a short dance inspired by her mood and the motion of her body.

What kind of music would accompany your dance?

Edgar Degas, Spanish Dance, 1896–1911 Bronze, 40.3 × 16.5 × 17.8 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.9

In 1891, painter Paul Gauguin left his home in France and traveled to Tahiti, an island in the Pacific Ocean, in order to experience a simpler life. He titled this work Haere Mai, which means “come here” in Tahitian.

From looking carefully at this work, can you see what Gauguin found in his adopted home?

Paul Gauguin, Haere Mai, 1891 Oil on burlap, 72.4 × 91.4 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.16

Art historians agree that in addition to the man in the foreground, there are two other partially hidden figures in this painting. Can you find them?

What do you think might happen next?

Paul Gauguin, In the Vanilla Grove, Man and Horse, 1891 Oil on burlap, 73 × 92 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.15

In portraits, we usually see the subject’s face. Here, Manet shows us her back instead.

What do you imagine the expression on this woman’s face would be? What makes you think this?

Édouard Manet, Before the Mirror, 1876 Oil on canvas, 92.1 × 71.4 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.27

Recently, Guggenheim conservators removed a thick layer of varnish that covered this painting’s surface and caused it to appear discolored.

Now we can see the painting closer to how it looked when Manet painted it.

Édouard Manet, Woman, 1877–80 Oil on canvas, 174.3 × 83.5 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.28

Critics of Manet argued that his artworks felt unfinished. In what ways do you think this work feels finished, and in what ways does it feel unfinished?

Édouard Manet, Portrait of Countess Albazzi, 1880 Pastel on primed canvas, 55.8 x 46.2 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Bequest, Hilde Thannhauser 91.3909

Monet made 35 other paintings of Venice the year he created this work, many showing the same parts of the city. In each work he captured the way the light looked at a different time of day.

What time of day do you think he is showing in this painting?

Claude Monet, The Palazzo Ducale, Seen from San Giorgio Maggiore, 1908 Oil on canvas, 65 × 100.5 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Bequest, Hilde Thannhauser 91.3910

Picasso painted this scene of a nightclub in Montmartre on his first trip to Paris when he was 19 years old.

Would you want to go to this place? Why or why not?

Pablo Picasso, Le Moulin de la Galette, Paris, ca. November 1900 Oil on canvas, 88.2 × 115.5 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.34 © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Picasso has painted a Bastille Day celebration in Paris. In what ways do his brushstrokes show the energy of this event? Imagine you could step into this painting. What would you hear, see, and smell?

Pablo Picasso, The Fourteenth of July, 1901. Oil on cardboard mounted on canvas, 48 × 62.9 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.36. © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Looking closely at this woman’s facial expression and body language, try to imitate how she is standing. Now that you’re in her pose, what do you imagine she is thinking?

Pablo Picasso, Woman Ironing, Paris, 1904. Oil on canvas, 116.2 × 73 cm Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.41 © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Picasso often used color in his paintings to show emotion. This woman was painted with dark gray and white brushstrokes. Do you think her expression matches these colors?

What colors would you use to paint how you feel right now?

Pablo Picasso, Fernande with a Black Mantilla, ca. 1905 Oil on canvas, 100 x 81 cm. Solomon R. Guggenheim Museum, New York Thannhauser Collection, Bequest, Hilde Thannhauser 91.3914 © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Look at this painting carefully. What makes this bird different from ones you have seen?

What sounds might this unique bird make? What else might you hear in this scene?

Pablo Picasso, Bird on a Tree, Dinard, August 1928. Oil on canvas, 34.9 × 24.1 cm Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.57 © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Picasso often painted his long- time companion, Marie-Thérèse, while she was asleep.

Imagine you had met Picasso. What activity would you want him to show you doing?

Pablo Picasso, Woman with Yellow Hair, Paris, December 27, 1931 Oil on canvas, 100 × 81 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.59 © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

The artist divided this canvas into two sections, left and right. Cover one eye to see one side, then do the same with the other. Compare. How are they similar? How are they different?

Now step back and take a good look at the whole painting. How do the two sides interact with one another?

Pablo Picasso, Still Life: Fruit Dish and Pitcher, January 21–22, 1937 Enamel on canvas, 49.8 × 60.8 cm. Solomon R. Guggenheim Museum, New York Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.61 © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York.

Picasso liked to paint people from all sides in one painting. This technique is called Cubism.

Walk a small circle around one person with you. How might you represent this person from all sides in one painting?

Pablo Picasso, Head of a Woman (Dora Maar), March 28, 1939 Oil on wood panel, 59.8 × 45.1 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.62 © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

This work is considered a still life, meaning the artist painted it while looking at a common, everyday arrangement of objects on a table. What might Picasso have been looking at specifically?

Hint: these objects were gathered from a kitchen.

Pablo Picasso, Still Life: Fruits and Pitcher, January 22, 1939 Oil and enamel on canvas, 27.2 × 41 cm. Solomon R. Guggenheim Museum, New York Thannhauser Collection, Gift, Hilde Thannhauser 84.3231 © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

During the last years of his life, Picasso lived in a house with a balcony. Every day, he saw doves and pigeons landing outside. Do you think the birds in this painting are friends or enemies? Imagine the conversation they might be having.

Pablo Picasso, Two Doves with Wings Spread, March 16–19, 1960 Oil on linen, 59.7 × 73 cm. Solomon R. Guggenheim Museum, New York Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.66 © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Picasso painted this work as a thank you gift for the art collector Justin Thannhauser, after whom this gallery is named.

Tell a story about this painting. What happened before this scene? What might happen next?

Pablo Picasso, Lobster and Cat, January 11, 1965 Oil on canvas, 73 × 92 cm. Solomon R. Guggenheim Museum, New York Thannhauser Collection, Bequest, Hilde Thannhauser 91.3916 © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

This is the oldest painting in the museum’s collection. To create it, Camille Pissarro put two canvases together to make one big painting!

Can you find the seam or line running through the bottom where the two canvases are connected?

Camille Pissarro, The Hermitage at Pontoise, ca. 1867 Oil on canvas, 151.4 × 200.6 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.67

This indoor scene shows a woman playing with her pet bird.

What do you imagine the rest of her day is like?

Pierre-Auguste Renoir, Woman with Parakeet, 1871 Oil on canvas, 92.1 × 65.1 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.68

This painting was made in 1893. Can you find any clues that suggest it was made over a hundred years ago?

Henri de Toulouse-Lautrec, In the Salon, 1893 Pastel and oil on paperboard, 53 × 79.7 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.73

While he was living in the city of Paris, often traveled to the suburbs to paint and experience nature.

If you were traveling on this road, where might you be going? Where do you think this tunnel will take you?

Vincent van Gogh, Roadway with Underpass, 1887 Oil on cardboard, mounted on panel, 32.7 × 41 cm. Solomon R. Guggenheim Museum, New York Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.17

Look at this painting closely. If you could walk inside this scene, what kind of sounds might you hear? What smells? What might you feel?

Vincent van Gogh, Landscape with Snow, February/March 1888 Oil on canvas, 38.2 × 46.2 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Hilde Thannhauser 84.3239

Van Gogh used thick paint to depict this mountain scene.

Think about one of your favorite places in nature. What kind of brushstrokes would you use to show it?

Vincent van Gogh, Mountains at Saint-Rémy, July 1889 Oil on canvas, 71.8 × 90.8 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.24

Vuillard painted this scene from his apartment windows several times.

Take a moment to look at both panels. What differences do you notice between them? What are the similarities?

Édouard Vuillard, Place Vintimille, 1908–10. Distemper on paper, mounted on canvas, two panels, left: 200 × 69.5 cm. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.74 © 2018 Artists Rights Society (ARS), New York/ADAPG, Paris

Delaunay created a series of around fifteen paintings of the Eiffel Tower in Paris. Here, he shows the tower in an unexpected way. What words would you use to describe Delaunay’s version of this famous landmark?

Robert Delaunay, Red Eiffel Tower, 1911–12 Oil on canvas, 125 x 90.3 cm. Solomon R. Guggenheim Museum, New York Solomon R. Guggenheim Founding Collection 46.1036

Kandinsky’s title provides some hints about the subject of this work. How can you tell that this is a landscape (outdoor scene)? What signs of winter do you see? Can you find the church?

Vasily Kandinsky, Winter Landscape with Church, 1910–11 Oil on board, 33 x 44.5 cm. Solomon R. Guggenheim Museum, New York Solomon R. Guggenheim Founding Collection, By gift 37.502 © 2018 Artists Rights Society (ARS), New York/ADAGP, Paris

Picasso experimented with different styles of painting throughout his long career. It is estimated that he made thousands of works in his lifetime.

Walk around the galleries. What other Picasso works can you find? Compare and contrast the styles. Which works do you think he created first? How did his style change?

Pablo Picasso, Pitcher and Bowl of Fruit, February 1931. Oil on canvas, 130.8 x 162.6 cm. Solomon R. Guggenheim Museum, New York By exchange 82.2947 © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Georges Seurat was one of the creators of Pointillism, a painting technique where small dots of paint are applied closely together to create an image or color.

Look closely at the work. Remember we can’t touch it, but we can move a little closer to observe the small brushstrokes. What do you notice as you slowly move away?

Georges Seurat, Peasant Woman Seated in the Grass, 1883 Oil on canvas, 38.1 x 46.2 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, By gift 37.714

This is a portrait of art critic Félix Fénéon in the offices of La Revue Blanche, a French art and literary magazine.

What do you notice about how he is shown in the space? If someone created a portrait of you, what setting would you choose?

Édouard Vuillard, At the Revue Blanche (Portrait of Félix Fénéon), 1901 Oil on paperboard, 46.4 x 57.5 cm. Solomon R. Guggenheim Museum, New York, The Hilla Rebay Collection 41.725 © 2018 Artists Rights Society (ARS), New York/ADAPG, Paris

Inspired by what he saw in the world around him, Kandinsky combined line, form, and color to create lively compositions such as this one.

Can you find anything in this painting that reminds you of something you might see in real life?

Vasily Kandinsky, Around the Circle, May–August 1940 Oil and enamel on canvas, 96.8 x 146 cm. Solomon R. Guggenheim Museum, New York Solomon R. Guggenheim Founding Collection 49.1222 © 2018 Artists Rights Society (ARS), New York/ADAGP, Paris

The Sackler Center for Arts Education is a gift of the Mortimer D. Sackler Family. Endowment funding is provided by The Engelberg Foundation, the William Randolph Hearst Foundation, The Elaine Terner Cooper Foundation, and the Esther Simon Charitable Trust. Educational activities and/or public programs are made possible in part by JW Marriott, Stavros Niarchos Foundation, Squarespace, The Hilla von Rebay Foundation, and the New York City Department of Cultural Affairs in partnership with the City Council. Funding is also provided by Guggenheim Partners, LLC; The Horace W. Goldsmith Foundation; The Seth Sprague Educational and Charitable Foundation; Gail May Engelberg and The Engelberg Foundation; The Keith Haring Foundation; and an anonymous donor. Additional support from Katherine and Peter Kend; the Sidney E. Frank Foundation; Con Edison; JPMorgan Chase; the Jane A. Lehman and Alan G. Lehman Foundation; the Gap Foundation; Ellie and Leo Vrondissis; the Milton and Sally Avery Arts Foundation, Inc.; Jamie Johnson and William S. Dutterer; the Henry E. Niles Foundation, Inc.; and Maria and Valentin Fuster. The Solomon R. Guggenheim Foundation thanks the members of the Education Committee for their support.