Robert B. Honeyman, Jr. Collection of Early Californian and Western American Pictorial Material

Total Page:16

File Type:pdf, Size:1020Kb

Robert B. Honeyman, Jr. Collection of Early Californian and Western American Pictorial Material http://oac.cdlib.org/findaid/ark:/13030/tf9p3012wq Online items available Robert B. Honeyman, Jr. Collection of Early Californian and Western American Pictorial Material Finding Aid by Mary W. Elings, Project Archivist and Eva M.M. Garcelon, Project Archivist The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 1998 The Regents of the University of California. All rights reserved. BANC PIC 1963.002:0001-1886 1 Robert B. Honeyman, Jr. Collection of Early Californian and Western American Pictorial Material Collection number: BANC PIC 1963.002:0001-1886 The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Finding Aid by: Mary W. Elings, Project Archivist Eva M.M. Garcelon, Project Archivist Date Completed: September 1998 Encoded by: Campbell Crabtree Gabriela A. Montoya Funding: Finding aid and digital representations of archival material funded in part by a grant from the Library Services and Technology Act (LSTA). © 1998 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Robert B. Honeyman, Jr. Collection of Early Californian and Western American Pictorial Material Collection Number: BANC PIC 1963.002:0001-1886 Collector: Honeyman, Robert B. Extent: 2371 items: oil paintings, watercolors, drawings, lithographs, engravings, etchings, lettersheets, clipper cards, ephemera, objects, etc.2271 digital objects Repository: The Bancroft Library. Berkeley, California 94720-6000 Languages Represented: English Access Restricted originals. Use digital facsimiles or selected viewing prints only. Use of originals only by permission of the Curator of Pictorial Collections, The Bancroft Library. BANC PIC 1963.002:0001-1886 2 Publication Rights Copyright has not been assigned to The Bancroft Library. All requests for permission to publish pictorial materials must be submitted in writing to the Curator of Pictorial Collections. Permission for publication is given on behalf of The Bancroft Library as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the reader. Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes. Preferred Citation [Identification of item], Robert B. Honeyman, Jr. Collection of Early Californian and Western American Pictorial Material, BANC PIC 1963.002:0001-1886, The Bancroft Library, University of California, Berkeley. Digital Representations Available Digital representations of all original pictorial materials are available as a part of the Container list of the finding aid. Digital image files were captured from originals by the Library Photographic Service. Most Library originals were captured directly using a Phase One Powerphase digital camera back and a Hasselblad camera. Some flat, unmounted originals were scanned using an Epson 836XL flatbed scanner. Some framed items were first copied on 4x5 color transparency film, then scanned using the Epson flatbed. Lower-resolution viewing files were prepared from the high-resolution master TIFF files: the master files were downsampled, sharpened, color-corrected, adjusted for a gamma 2.2 viewing environment, and saved in JFIF (JPEG) format before being placed on the server. Separated Material The Honeyman Collection originally included books, maps, manuscripts, and printed matter in addition to pictorial materials. The non-pictorial materials were transferred to other areas of The Library and catalogued separately: books have been cataloged in the call number range F591.H72.A-Z; maps have been cataloged in the call number range G9990.H6 No. 1-; manuscript materials have been cataloged with the provenance noted and traced under the catalog entry, Honeyman, Robert B.; Robert B. Honeyman, Jr. collection; selected printed materials, such as newspapers, were transferred to the Western Americana Collection of the Bancroft Library. Bibliography Baird, Joseph Armstrong. California's Pictorial Letter Sheets, 1849-1869. San Francisco: D. Magee, 1967. ______. Catalogue of Original Paintings, Drawings and Watercolors in the Robert B. Honeyman, Jr. Collection. Berkeley: The Friends of the Bancroft Library, UC Berkeley, 1968. ______. Honeyman Collection Inventory Sheets (unpublished, held by The Bancroft Library). Bénézit, Emmanuel. Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs & graveurs de tous les temps et de tous les pays. Paris: Librairie Gründ, 1976. 10 vols. Bryan, Michael. Bryan's Dictionary of Painters and Engravers. New York: MacMillan, 1903. 5 vols. Cummings, Paul. Dictionary of Contemporary American Artists, Third Edition. New York: St. Martin's Press, 1977. Dakin, Susana Bryant. The Honeyman Collection of Early Californian and Western American Pictorial Material: a Project of The Friends of the Bancroft Library. Berkeley: The Bancroft Library, 1963. Leeper, Blanche Magurn. Early Prints of California: from the Robert B. Honeyman Collection. Pasadena, California: Pasadena Art Institute, 1952. Fielding, Mantle. Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers. Poughkeepsie, New York: Apollo Book, 1983. Fine Arts Patrons of Newport Harbor. American Primitive Painting, [catalog of] an exhibition organized by The Fine Arts Patrons of Newport Harbor. Balboa, California: The Pavilion Gallery, 1965. Groce, George C. & Davis H. Wallace. New York Historical Society's Dictionary of Artists in America. New Haven: Yale University Press, 1936. Hamilton, Sinclair. Early American Book Illustrators and Wood Engravers 1670-1870. Princeton: Princeton University Press, 1958. ______. Early American Book Illustrators and Wood Engravers 1670-1870, Volume II Supplement. Princeton, New Jersey: Princeton University Press, 1968. Hart, James D. A companion to California. Berkeley: University of California Press, 1987. Hughes, Edan Milton. Artists in California 1786-1940 II. San Francisco: Hughes Publishing Company, 1989. Karolik, M. & M. Collection of American Water Colors & Drawings, Volumes 1 & 11. Boston: Museum of Fine Arts, 1962. BANC PIC 1963.002:0001-1886 3 Kuchel & Dresel. California in the '50's. San Francisco: John Howell, 1936. Langsdorff, Georg Heinrich von. Bemerkungen auf einer Reise um die Welt in den Jahren 1803-1807. Frankfurt, 1812, London, 1813. 2 vols. Mills, Paul. "Collection of Robert B. Honeyman, Jr." In California Pictorial 1800-1900; an Exhibition of Two Parts: the Collection of Robert B. Honeyman, Jr. and Paintings by William Keith. Santa Barbara: Santa Barbara Museum of Art, 1962. Mills, Paul and Joseph R. Knowland. Early Paintings of California in the Robert B. Honeyman Jr. Collection. Oakland: The Oakland Art Museum, 1956. Peters, Harry T. California on Stone. Garden City, New York: Doubleday, Doran & Company, Inc., 1935. Reps, John W. Views and Viewmakers of Urban America.Colombia, Missouri: University of Missouri Press, 1984. Taft, Robert. Artists and Illustrators of the Old West 1850-1900. New York: Charles Scribner's Sons, 1953. Van Nostrand, Jeanne and Edith M. Coulter. California Pictorial. Berkeley and Los Angeles: University of California Press, University of California Press, Vancouver, George. A Voyage of Discovery to the North Pacific Ocean and Round the World. London: Robinson and Edwards, 1798. Provenance The Robert B. Honeyman, Jr. Collection of Early Californian and Western American Pictorial Material was purchased by The Bancroft Library in 1963. It was funded by the UC Regents and private donations raised by The Friends of The Bancroft Library. Robert B. Honeyman Jr. assembled this collection largely with the help of his agent Warren Howell of John Howell Books in San Francisco. Many items were purchased abroad, chiefly in Britain, Germany, and Spain. The collection was previously housed in Mr. Honeyman's private museum at Rancho Los Cerritos near Mission San Juan Capistrano, California, and until now has never been exhibited in its entirety. Scope and Content The Robert B. Honeyman Jr. Collection of Early Californian and Western American Pictorial Material is comprised of over 2300 items, with formats and media ranging from original oil paintings, watercolors, drawings, lithographs, engravings, etchings, lettersheets, clipper cards, and ephemera, to plates and spoons featuring western themes, and a fore-edge painting. The collection focuses on pictorial interpretations of the old West, with emphasis on the early California and Gold Rush periods. Views depict the changing landscape of the West under the impact of westward migration, the development of towns and cities, early settlements, California missions, railroads, gold mining scenes, pioneer and frontier life, native populations, social history, and many other topics. Many items in the collection are of unique historical value as they represent some of the earliest records of a particular scene, location, or event. Included are the earliest known views of the Presidio of Monterey, Mission Carmel, San Francisco, and Yosemite. Geographically, the collection focuses primarily on California, but also includes images
Recommended publications
  • Annual Report
    ANNUAL REPORT April 1, 2019 – December 31, 2019 TABLE OF CONTENTS CHAUTAUQUA FOUNDATION Mission Statement/Statement of Purpose 1 Message from Leadership 2–3 Financial Report 4–9 MISSION STATEMENT Audited Financial Statements 10–19 Endowment Funds 22–31 Adopted by the Chautauqua Foundation Board of Directors, June 21, 2019. Donor Recognition The Chautauqua Foundation, Inc. exists to support the Chautauqua Institution through the 2019 Endowment Donors 32–35 preservation, the appropriate use, and the growth of endowment funds. Cumulative Support to Endowment 37–42 Foundation Directors, Officers and Staff 44 Former Foundation Directors and Board Leadership 45 STATEMENT OF PURPOSE Article II, Corporate Charter May 14, 1937 Chautauqua Foundation, Inc., was formed in May 1937 for the following stated purposes: I To assist the Chautauqua Institution, Chautauqua, New York, in carrying out and extending its educational, religious and other purposes. II To solicit, receive, and to acquire by gift, purchase, devise, bequest, or in other lawful ways, real and personal property. III To hold such property and to invest and reinvest the same and receive the income thereof and to pay said income, less proper expenses, at least annually to the Chautauqua Institution, Chautauqua, New York, for the furtherance of its corporate purposes; except that, if this corporation acquires property for particular purposes or subject to specific conditions, neither said property nor the income therefrom shall be paid or transferred to the Chautauqua Institution, unless said Institution fulfills such purposes and conditions. If Chautauqua Foundation, Inc., receives property, by gift, devise or bequest, subject to conditions or for specific purposes, which conditions and purposes the Chautauqua Institution fails, refuses or has not the corporate power to observe or carry out, such property shall be disposed of as directed by any court having jurisdiction.
    [Show full text]
  • The Sculptures of Upper Summit Avenue
    The Sculptures of Upper Summit Avenue PUBLIC ART SAINT PAUL: STEWARD OF SAINT PAUL’S CULTURAL TREASURES Art in Saint Paul’s public realm matters: it manifests Save Outdoor Sculpture (SOS!) program 1993-94. and strengthens our affection for this city — the place This initiative of the Smithsonian Institution involved of our personal histories and civic lives. an inventory and basic condition assessment of works throughout America, carried out by trained The late 19th century witnessed a flourishing of volunteers whose reports were filed in a national new public sculptures in Saint Paul and in cities database. Cultural Historian Tom Zahn was engaged nationwide. These beautiful works, commissioned to manage this effort and has remained an advisor to from the great artists of the time by private our stewardship program ever since. individuals and by civic and fraternal organizations, spoke of civic values and celebrated heroes; they From the SOS! information, Public Art Saint illuminated history and presented transcendent Paul set out in 1993 to focus on two of the most allegory. At the time these gifts to states and cities artistically significant works in the city’s collection: were dedicated, little attention was paid to long Nathan Hale and the Indian Hunter and His Dog. term maintenance. Over time, weather, pollution, Art historian Mason Riddle researched the history vandalism, and neglect took a profound toll on these of the sculptures. We engaged the Upper Midwest cultural treasures. Conservation Association and its objects conservator Kristin Cheronis to examine and restore the Since 1994, Public Art Saint Paul has led the sculptures.
    [Show full text]
  • Proofed-Stonewall Tribune 050219 Revised.Indd
    METICULOUS PROPERTY INSIDE & OUT - 5 bedrms, JUST LISTED - STRIKING BI-LEVEL WITH PIZZAZ BONUS VIDEO + 3 baths, Gorgeous property, pie lot with loads of on a lovely large pie lot Warkinton built a beauty SOCIAL MEDIA family features Balmoral $429,900 Brandt in Warren $324,900 - Matt PROMOTIONPR PACKAGE % FOR MONTH 4 OF MAY WHEN YOU SELL WITH JUST LISTED - ESCAPE THE MADNESS Country loving 10 mins from the city - 2950 sqft, 6.99 acres, Quad Garage’s heated, 30x40 storage bldg $579,900 Brandt Call 204-467-8000 mckillop.ca Stonewall Teulon THURSDAY, VOLUME 10 EDITION 18 MAY 2, 2019 SERVING STONEWALL, BALMORAL, TEULON,Tribune GUNTON, NARCISSE, INWOOD, LAKE FRANCIS, WOODLANDS, MARQUETTE, WARREN, ARGYLE, GROSSE ISLE, ROSSER, STONY MOUNTAIN, ST. LAURENT & KOMARNO Stihl MSA120 C-BQ Chainsaw Battery Operated$ 95 36 V Battery 399 Diggin’ Earth Day BG50 Gas Blower $18900 Stihl MS170 Chainsaw 30 c.c. 16” bar $ 00 1 year warranty 199 Stihl MS291 Chainsaw 56 c.c. $ 95 16” bar 499 1 year warranty TRIBUNE PHOTO BY JO-ANNE PROCTER SHACHTAY East Interlake Conservation District’s manager Armand Belanger introduces Bobby Bend Grade 2 students Mason M., SALES & SERVICE Kaleb P. and Kalli M. to the world of Vermicomposting to celebrate Earth Day on April 23. Vermicomposting uses red Arborg, MB wriggler worms to convert food waste and organic material into a nutrient-rich natural fertilizer that can be used to 204-376-5233 plant Joe Pye Weed seeds. See more photos on page 3. news > sports > opinion > community > people > entertainment > events > classifi eds > careers > everything you need to know OPEN HOUSE – SATURDAY, MAY 4TH 1 P.M.
    [Show full text]
  • Glossary Glossary
    Glossary Glossary Albedo A measure of an object’s reflectivity. A pure white reflecting surface has an albedo of 1.0 (100%). A pitch-black, nonreflecting surface has an albedo of 0.0. The Moon is a fairly dark object with a combined albedo of 0.07 (reflecting 7% of the sunlight that falls upon it). The albedo range of the lunar maria is between 0.05 and 0.08. The brighter highlands have an albedo range from 0.09 to 0.15. Anorthosite Rocks rich in the mineral feldspar, making up much of the Moon’s bright highland regions. Aperture The diameter of a telescope’s objective lens or primary mirror. Apogee The point in the Moon’s orbit where it is furthest from the Earth. At apogee, the Moon can reach a maximum distance of 406,700 km from the Earth. Apollo The manned lunar program of the United States. Between July 1969 and December 1972, six Apollo missions landed on the Moon, allowing a total of 12 astronauts to explore its surface. Asteroid A minor planet. A large solid body of rock in orbit around the Sun. Banded crater A crater that displays dusky linear tracts on its inner walls and/or floor. 250 Basalt A dark, fine-grained volcanic rock, low in silicon, with a low viscosity. Basaltic material fills many of the Moon’s major basins, especially on the near side. Glossary Basin A very large circular impact structure (usually comprising multiple concentric rings) that usually displays some degree of flooding with lava. The largest and most conspicuous lava- flooded basins on the Moon are found on the near side, and most are filled to their outer edges with mare basalts.
    [Show full text]
  • Regional Oral History Off Ice University of California the Bancroft Library Berkeley, California
    Regional Oral History Off ice University of California The Bancroft Library Berkeley, California Richard B. Gump COMPOSER, ARTIST, AND PRESIDENT OF GUMP'S, SAN FRANCISCO An Interview Conducted by Suzanne B. Riess in 1987 Copyright @ 1989 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West,and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by a legal agreement between the University of California and Richard B. Gump dated 7 March 1988. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • An Investigation of Children's Abilities to Form and Generalize Visual Concepts from Visually Complex Art Reproductions
    DOCUMENT RESUME ED 061 228 TE 499 769 AUTHOR Clark, Gilbert A. TITLE An Investigation of Children's Abilities to Form and Generalize Visual Concepts from Visually Complex Art Reproductions. Final Report. INsTITUTION Ohio state Univ., Columbus. SPONS AGENCY Office of Education (DHEw), Washington, D.C. Bureau of Research. BUREAU NO BR-0-I-060 PUB DATE Jan 72 GRANT OEG-9-70-0031(057) NOTE 85p. EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS *Ability Identification; *Art; *children; Classification; *Concept Formation; Correlation; Data Analysis; Data Collection; Discrimination Learning; Individual Differences; Interaction; Rating Scales; Research; Standards; Stimuli; Student Evaluation; Tape Recordings; Task Performance: Test Results; Verbal Ability; *Visual Perception ABSTRACT The re earch reported here was designed to measure the abilities of school-age children to form and generalize "visual concepts" on the basis of their observation of prepared sets of art reproductions. The art reproduction sets displayed similarities based upon various visual attributes. Discrimination of theattributes common to any given set was taken as evidence of concept formation. Selection of similar reproductions in additional displays was taken as evidence of concept generalization. Additionally,tape-recorded discussions of the test administrations were analyzed. These discussions yielded additional evidence of successful test performance (on a verbal dimension) and were useful in describing the character of children's abilities to discuss the visual attributes of art reproductions. Evidence gathered indicates that students at all grades (except, possibly, kindergarten) are able to form visual concepts from their observation of selected sets of art reproductions. Subjects also successfully described their classification of observed visual similarities when discussing the items.
    [Show full text]
  • America the Beautiful Part 1
    America the Beautiful Part 1 Charlene Notgrass 1 America the Beautiful Part 1 by Charlene Notgrass ISBN 978-1-60999-141-8 Copyright © 2020 Notgrass Company. All rights reserved. All product names, brands, and other trademarks mentioned or pictured in this book are used for educational purposes only. No association with or endorsement by the owners of the trademarks is intended. Each trademark remains the property of its respective owner. Unless otherwise noted, scripture quotations are taken from the New American Standard Bible®, Copyright © 1960, 1962, 1963, 1971, 1972, 1973, 1975, 1977, 1995 by the Lockman Foundation. All rights reserved. Used by permission. Cover Images: Jordan Pond, Maine, background by Dave Ashworth / Shutterstock.com; Deer’s Hair by George Catlin / Smithsonian American Art Museum; Young Girl and Dog by Percy Moran / Smithsonian American Art Museum; William Lee from George Washington and William Lee by John Trumbull / Metropolitan Museum of Art. Back Cover Author Photo: Professional Portraits by Kevin Wimpy The image on the preceding page is of Denali in Denali National Park. No part of this material may be reproduced without permission from the publisher. You may not photocopy this book. If you need additional copies for children in your family or for students in your group or classroom, contact Notgrass History to order them. Printed in the United States of America. Notgrass History 975 Roaring River Rd. Gainesboro, TN 38562 1-800-211-8793 notgrass.com Thunder Rocks, Allegany State Park, New York Dear Student When God created the land we call America, He sculpted and painted a masterpiece.
    [Show full text]
  • Descendants of Maunsell John Bacon
    Descendants of Maunsell John Bacon Descendants of Maunsell John Bacon Maunsell John Bacon {277}, son of John Bacon {78} and Mary Baruh Lousada {69}, was born on 26 Oct 1839 in Woodland St Mary, Berkshire, England, 1 died on 29 Apr 1924 in West Ward, Westmorland, England2 aged 84, and was buried on 2 May 1924 in All Saints, Swallowfield, Berkshire, England. 3 General Notes: 1881 Census: Institution: "Felstead Grammar School" Census Place: Felstead, Essex, England Source: FHL Film 1341437 PRO Ref RG11 Piece 1812 Folio 129 Page 1 Marr Age Sex Birthplace Institution of Delaval Shafto INGRAM Charles Henry ROGERS U 28 M Newmarket, Cambridge, England Rel: Officer Occ: Clerk In Holy Orders Assistant Master Francis Hardwicke MANLEY U 29 M Jubbulpore, East Indies Rel: Officer Occ: Clerk In Holy Orders Assistant Master William Franklen EVANS U 27 M Wick, Glamorgan, Wales Rel: Officer Occ: B A Assistant Master Oakley Elford HIGGENS U 24 M Bengal, East Indies Rel: Officer Occ: M A Assistant Master John Henry FREESE U 29 M Wimbledon, Surrey, England Rel: Officer Occ: M A Assistant Master Charles Hugh PEARSON U 32 M Midhurst, Sussex, England Rel: Officer Occ: M A Assistant Master Edward NOAKS U 24 M Ascension Island Off Of, At Sea Rel: Officer Occ: B A Assistant Master Richard Middeton HILL U 23 M Beaumaris, Anglesey, Wales Rel: Officer Occ: B A Assistant Master Gerald Henry WILLIAMS U 28 M Skelton, Cumberland, England Rel: Officer Occ: M A Assistant Master William Sidney BURTON U 24 M Appleford, Berkshire, England Rel: Officer Occ: Assistant Master
    [Show full text]
  • Direct PDF Link for Archiving
    Baird Jarman Quick as a Flash: Victor Collodion and the Development of the Lightning Artist Nineteenth-Century Art Worldwide 19, no. 2 (Autumn 2020) Citation: Baird Jarman, “Quick as a Flash: Victor Collodion and the Development of the Lightning Artist,” Nineteenth-Century Art Worldwide 19, no. 2 (Autumn 2020), https:// doi.org/10.29411/ncaw.2020.19.2.3. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. License: This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License Creative Commons License. Jarman: Quick as a Flash: Victor Collodion and the Development of the Lightning Artist Nineteenth-Century Art Worldwide 19, no. 2 (Autumn 2020) Quick as a Flash: Victor Collodion and the Development of the Lightning Artist by Baird Jarman On the day after Christmas in 1872, a French caricaturist known as Victor Collodion, recently banned in Paris for mocking the president of France, debuted on the London stage. Speaking no English and appearing only momentarily amid a four-hour extravaganza, he became a surprise overnight sensation. A show bill featuring his self-portrait preserves perhaps the sole visual record of his popular act (fig. 1). Garbed in knee-high leather boots, a velvet jacket with diamond-slit sleeves, flaring lace cuffs, and a wide-brimmed hat with a feather plume atop a long mane of flowing hair, Collodion exuded the swashbuckling bravado of an Ancien-Régime guardsman, though armed with drawing charcoal rather than a sword.
    [Show full text]
  • This City of Ours
    THIS CITY OF OURS By J. WILLIS SAYRE For the illustrations used in this book the author expresses grateful acknowledgment to Mrs. Vivian M. Carkeek, Charles A. Thorndike and R. M. Kinnear. Copyright, 1936 by J. W. SAYRE rot &?+ *$$&&*? *• I^JJMJWW' 1 - *- \£*- ; * M: . * *>. f* j*^* */ ^ *** - • CHIEF SEATTLE Leader of his people both in peace and war, always a friend to the whites; as an orator, the Daniel Webster of his race. Note this excerpt, seldom surpassed in beauty of thought and diction, from his address to Governor Stevens: Why should I mourn at the untimely fate of my people? Tribe follows tribe, and nation follows nation, like the waves of the sea. It is the order of nature and regret is useless. Your time of decay may be distant — but it will surely come, for even the White Man whose God walked and talked with him as friend with friend cannot be exempt from the common destiny. We may be brothers after all. Let the White Man be just and deal kindly with my people, for the dead are not powerless. Dead — I say? There is no death. Only a change of worlds. CONTENTS CHAPTER PAGE 1. BELIEVE IT OR NOT! 1 2. THE ROMANCE OF THE WATERFRONT . 5 3. HOW OUR RAILROADS GREW 11 4. FROM HORSE CARS TO MOTOR BUSES . 16 5. HOW SEATTLE USED TO SEE—AND KEEP WARM 21 6. INDOOR ENTERTAINMENTS 26 7. PLAYING FOOTBALL IN PIONEER PLACE . 29 8. STRANGE "IFS" IN SEATTLE'S HISTORY . 34 9. HISTORICAL POINTS IN FIRST AVENUE . 41 10.
    [Show full text]
  • Van Gogh Museum Journal 1995
    Van Gogh Museum Journal 1995 bron Van Gogh Museum Journal 1995. Waanders, Zwolle 1995 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012199501_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 6 Director's Foreword The Van Gogh Museum shortly after its opening in 1973 For those of us who experienced the foundation of the Van Gogh Museum at first hand, it may come as a shock to discover that over 20 years have passed since Her Majesty Queen Juliana officially opened the Museum on 2 June 1973. For a younger generation, it is perhaps surprising to discover that the institution is in fact so young. Indeed, it is remarkable that in such a short period of time the Museum has been able to create its own specific niche in both the Dutch and international art worlds. This first issue of the Van Gogh Museum Journal marks the passage of the Rijksmuseum (National Museum) Vincent van Gogh to its new status as Stichting Van Gogh Museum (Foundation Van Gogh Museum). The publication is designed to both report on the Museum's activities and, more particularly, to be a motor and repository for the scholarship on the work of Van Gogh and aspects of the permanent collection in broader context. Besides articles on individual works or groups of objects from both the Van Gogh Museum's collection and the collection of the Museum Mesdag, the Journal will publish the acquisitions of the previous year. Scholars not only from the Museum but from all over the world are and will be invited to submit their contributions.
    [Show full text]
  • Historic American Buildings Survey (HABS) Records, MS 3980
    http://oac.cdlib.org/findaid/ark:/13030/c86t0k0p Online items available Finding aid to the Historic American Buildings Survey (HABS) records, MS 3980 Finding aid prepared by Marie Silva California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] 2012 Finding aid to the Historic MS 3980 1 American Buildings Survey (HABS) records, MS 3980 Title: Historic American Buildings Survey (HABS) records Date (inclusive): circa 1790-2012 Date (bulk): 1933-1965 Collection Identifier: MS 3980 Creator: Historic American Buildings Survey Extent: 63 boxes and 1 oversize box(30 linear feet) Contributing Institution: California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] URL: http://www.californiahistoricalsociety.org/ Physical Location: Collection is stored onsite. Language of Materials: Collection materials are in English. Abstract: Collection comprises duplicate and original records of the Historic American Buildings Survey (HABS), dated between circa 1790 and 2011, with most records dating between 1933 and 1965. The bulk of the collection consists of duplicate HABS documentation for historic buildings and places in California and the National Park Service's Western Region, although the collection also includes fragmentary records for non-Western states, Panama, and Mexico. Buildings of historical merit, both “antique” (pre-1860) and newer, are recorded. Copies of official HABS documentation include photographic prints, negatives, photographic pages, inventory work sheets, photograph-data book reports, measured drawings, and other materials, prepared and submitted by the program’s surveyors. These materials are supplemented by administrative files, correspondence, survey notes, sketches, field notebooks, essays, ephemera, newspaper clippings, and other published materials.
    [Show full text]