Autographs-Photographs

Total Page:16

File Type:pdf, Size:1020Kb

Autographs-Photographs i-Auction 38 | 27/6/15 Internet Auction Autographs-Photographs Internet Auction i-Auction 38 Autographs-Photographs Saturday, 27th June 2015 Closing from 3:00 pm onwards VIEWING (all properties) Category LOTS Page Indian Film Industry 1-130 Monday 22 June 2015 11:00 am - 6:00 pm Hollywood Stars 131-142 Tuesday 23 June 2015 11:00 am - 6:00 pm Indian Politicians 143-166 Wednesday 24 June 2015 11:00 am - 6:00 pm Cricketers 167-193 Thursday 25 June 2015 11:00 am - 6:00 pm Indian Personalities 194-230 Friday 26 June 2015 11:00 am - 6:00 pm Foreign Personalities 231-251 Saturday 27 June 2015 11:00 am - 1:00 pm Front cover: Lot 167 • Back cover: Lot 56 At Rajgor’s SaleRoom 605 Majestic Shopping Centre, Near Church, 144 JSS Road, Opera House, Mumbai 400004 BUYING AT RAJGOR’S For an overview of the process, see the Easy to buy at Rajgor’s CONDITIONS OF SALE This auction is subject to Important Notices, Conditions of Sale and to Reserves To download the free Android App on your ONLINE CATALOGUE Android Mobile Phone, View catalogue and leave your bids online at point the QR code reader application on your www.Rajgors.com smart phone at the image on left side. Rajgor's Advisory Panel Corporate Office Prof. Dr. A. P. Jamkhedkar 6th Floor, Majestic Shopping Center, Director (Retd.), Near Church, 144 J.S.S. Road, Dept. of Archaeology & Museums, Govt. of Opera House, Mumbai 400004 Maharashtra T: +91-22-23820 647 • +91-22-3394 3148 Mrs. Beena Sarasan, I.R.S. (Retd.), • +91-22-3394 9331 • QBC 3148 & 9331 Dy. Commissioner of Income Tax M: +91-9594 647 647 • F: +91-22-23870 647 Dineshbhai Mody E: [email protected] • W: www.Rajgors.com Founder Chairman, Dinesh Mody Numismatic Museum & Institute Dinyar Madon Senior Advocate, Bombay High Court Parag P. Tripathi New Delhi Rezwan Razack Jt. M.D., Prestige Constructions, Bangalore Shauheen Daya Connoisseur of Art, Mumbai Prof. Dr. V. S. Parekh Head of Dept. (Retd.), Dept. of Archaeology, M.S. University of Baroda Catalogue by Dr. Dilip Rajgor & Shikharani Nath Statutory: Corporate ID No. : U74120MH2012PTC229332 (2012-13), Auction Team Numismatic Guarantee Service of India Pvt. Ltd. Dr. Dilip Rajgor Founder & CEO Antiques License No. : 22 Gev F. Kias Head, Research VAT TIN : 27720910479V w.e.f. 30-05-2012 Shikharani Nath Clients Relations Manager CST TIN : 27720910479C w.e.f. 30-05-2012 Service Tax No. : AADCN9840RSD001 Rachna Chaudhary Manager I.E. Code : 0314012206 Sandip Desai Head, Finance PAN No. : AADCN9840R VAT : 1% on Silver and Gold coins Shilpesh Patil Creative Head 5% on coins of other metals Shailesh Palkar Graphic Designer 12.5% on other properties No Tax on Philately & Paper Money Rupali Shinde Graphic Designer Upendra Salvi Web Master Buyer's Premium: Akhilesh Chauhan Accountant 12.50 % Buyer’s Premium (on Hammer Price) Neelam Parave Accountant + 14.00 % Service Tax (on Buyer’s Premium) Vithoba Mahegaokar Logistics Total = 14.25 % on Hammer Price + shipping, handling & insurance, if any Haji Syed Shaikh Logistics Bankers: Hi-Res Images: Hi-Res images of all lots are available on HDFC Bank, Charni Road Branch, Mumbai www.Rajgors.com Kindly deposit Cash in this account, or issue Cheque in the name of - Numismatic Guarantee Service of India Pvt. Ltd., Terms & Conditions of Sale: Current A/c No. 03567630000357 RTGS / NEFT / IFSC Code: HDFC0000356 This auction is subject to Important Notices, Conditions of Sale and to Reserves as stipulated in the catalogue / ICICI Bank, Girgaum Branch, Mumbai website. Kindly issue Cheque in the name of - © All rights reserved with the Rajgor’s (2015) Numismatic Guarantee Service of India Pvt. Ltd., Current A/c No. 641105000305 RTGS / NEFT / IFSC Code: ICIC0006411 2 Auction Closing Schedule on 27th June 2015 Lot # Closing Time (IST) Lots 1 to 25 3:00 pm Lots 26 to 50 3:15 pm Lots 51 to 75 3:30 pm Lots 76 to 100 3:45 pm Lots 101 to 125 4:00 pm Lots 126 to 150 4:15 pm Lots 151 to 175 4:30 pm Lots 176 to 200 4:45 pm Lots 201 to 225 5:00 pm Lots 226 to 251 5:15 pm Closing of Internet Auction Bidding Methods Internet Bids - Get Registered on www.Rajgors.com An Internet Auction closes at a Pre-determined (Internet Bidding closes on 27th June 2015 at 3:00 pm) time, making all the Online Bidding stop at that point of Fax Bids to +91-22-23870 647 time. However, if you are Outbid in last few seconds on (must be received on or before 26th June 2015 by 6:00 pm) your coveted lots, than it is not possible to make a fresh Postal Bids to the Regd. Office Higher Bid and win that lot. Moreover, if you are bidding (must be received on or before 26th June 2015 by 6:00 pm) on more than one lots than it becomes very difficult to bid SMS Bids on +91 90040 82585 on those lots in last few minutes. th (must be received on or before 27 June 2015 by 2:00 pm) To overcome these problems, we have introduced Email Bids to [email protected] a new system of Internet Bidding called Real-Time (must be received on or before 27th June 2015 by 2:00 pm) Bidding. Real-Time Bidding The Real-Time Bidding is quite like a Physical or Floor Auction Bidding. Lots in the above given categories will close according to the Bid-Closing Schedule as given above. Rajgor’s Upcoming Auctions However, if there is Bid recorded within a span of 2 Minutes prior to the lot’s scheduled closing time (say 4:00 pm), the Count-down Clock for that lot will be reset to 2 Rajgor’s Auction 39 Minutes more and the closing time of that particular lot will World of Coins be extended accordingly (4:02 pm). Saturday, 11th July 2015 Moreover, the said lot will be further extended for 7:00 pm onwards another 2 minutes if there is a Bid recorded within a span of At 2 Minutes prior to the lot’s new extended closing time (4:02 Sajan Prabha Garden, pm), making the extended time on that lot till 4:04 and not Vijaynagar Square, 4:02 pm. As a consequence, the bidding on that lot will be Indore like the Real-Time Bidding as seen during the physical auction. Finally, Bidding on any lot will only end if there is no bid recorded for a span of 2 minutes. In Association with 3rd Coin Festival - Indore 2015 Indore 3 Indian Film Industry 8 Anil Kapoor Autograph of Famous actor Anil Kapoor on a colour 1 A. K. Hangal, photograph of the actor himself with his co-actor An autographed letter of A. K. Hangal on a personal Sridevi.Anil Kapoor (born 24 December 1956) is an letterhead, it is a answer letter to the collector. Avtar Indian actor and producer who has appeared in many Kishan Hangal (1 February 1914 – 26 August 2012), Bollywood films and more recently international films. popularly known as A. K. Hangal, was an Indian Kapoor's career has spanned almost 35 years as an actor, freedom fighterfrom 1929–1947 and also stage actor he turned into producer with his critically acclaimed from 1936–1965 and later became a character actor in movie namely Gandhi, My Father. Hindi language films from 1966–2005. His most notable Estimate: ` 200-400 roles are as Ram Shastri in Aaina (1977), as the Inder Sen in Shaukeen, as Bipinlal Pandey in Namak Haraam, as Rahim Chacha in Sholay, as Anokhelal in Manzil and the 9 Anup Jalota: antagonist in Prem Bandhan and the 16 films he did with Anoop Jalota, also known as Anup Jalota, (born 29 July Rajesh Khanna. He has acted in around 225 Hindi films in 1953) is an Indian singer and musician, best known for his a career spanning from 1966 to 2005. performances in the Hindu devotional music bhajan and the Urdu form of poetry, ghazal. He is popularly known as Estimate: ` 200-400 the "Bhajan Samraat" (Emperor of Bhajans). Padma Shri for 2012 has been conferred upon him in the field of Art- 2 Abhishek Kapoor: Indian Classical Music- Vocal by Government of India Abhishek Kapoor (born 6 August 1971) is an Indian film Estimate: ` 700-800 actor, writer and director. Estimate: ` 200-400 10 Anu Kapoor: Anil Kapoor (born 20 February 1956), known by his screen name Annu Kapoor, is an Indian film actor and 3 Abhijeet Bhatacharya: television presenter best remembered for his role in Vicky Abhijeet Bhattacharya is an Indian singer. He has sung Donor (2012) and hosting the vocal reality show songs in more than 15 languages. Antakshari from 1993 to 2006. He received Filmfare Estimate: ` 200-400 award as well as National Film Award. Estimate: ` 200-400 4 Akbar Khan: 11 Aparna Sen: Akbar Khan is an Indian film actor, screenwriter, producer and director. He is the youngest brother of the Aparna Sen (Dasgupta) (born 25 October 1945) is an Indian actor, producer, editor and director, Feroz Khan. Indian filmmaker, screenwriter and actress. She is the winner of three National Film Awards and nine Estimate: ` 200-400 international film festival awards. Estimate: ` 200-400 5 Amisha Patel: Ameesha Patel (born 9 June 1976) is an Indian actress 12 Aparna Sen: who appears in mainly Bollywood movies and also in Aparna Sen (Dasgupta) (born 25 October 1945) is an Telugu films. Making her acting debut in the blockbuster Indian filmmaker, screenwriter and actress.
Recommended publications
  • Cover Next Page > Cover Next Page >
    cover next page > title: Indian Music and the West : Gerry Farrell author: Farrell, Gerry. publisher: Oxford University Press isbn10 | asin: 0198167172 print isbn13: 9780198167174 ebook isbn13: 9780585163727 language: English subject Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. publication date: 1999 lcc: ML338.F37 1999eb ddc: 780.954 subject: Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. cover next page > < previous page page_i next page > Page i Indian Music and the West < previous page page_i next page > < previous page page_ii next page > Page ii To Jane < previous page page_ii next page > < previous page page_iii next page > Page iii Indian Music and the West Gerry Farrell OXFORD UNIVERSITY PRESS < previous page page_iii next page > < previous page page_iv next page > Page iv OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Gerry Farrell 1997 First published 1997 New as paperback edition 1999 The moral rights of the author have been asserted Database right Oxford University Press (maker) All rights reserved.
    [Show full text]
  • Anxiety in William Shakespeare's Hamlet: A
    CHAPTER I INTRODUCTION A. Background of the Study Mission is a task or strategy of person or organization to reach the goal. People have different dreams, hopes, desire, ambition, needs and the way to make their attendances to be useful and their missions come true. Every people have different mission in their life. They also have different problem that face in their life. It means that every person must have needs from the basic needs to the higher needs. They have to decide what needs must be fulfilled first so that they can reach their mission to fulfill their highest needs. In humanistic psychological approach, mission is focused on individual. Humanistic psychology was instead focused on each individual‟s potential and stressed the importance of growth and self-actualization. The fundamental belief of humanistic psychology was that people are innately good, with mental and social problems resulting from deviations from this natural tendency. For example, there is a person who wants to be the president. He wants his rules can be accepted by his people, so he must have some missions to reach the goal. One of the movies that are related to the humanistic psychology is My Name is Khan directed by Karan Johar. Karan Johar was born on 25 May 1972. He is an Indian film director, producer, and TV celebrity. He is the son of Hiroo Johar and the late Yash Johar. He is one of the most successful young filmmakers 1 2 in Bollywood. Dharma production is Johar's production company. Johar made his directorial debut with Kuch Kuch Hota Hai in 1998.
    [Show full text]
  • DIRLIST6 01050000 01300000.Pdf
    Signatory ID Name CIN Company Name 01050011 KALRA SUNITA U74899DL1967PTC004762 R K INTERNATIOONAL PRIVATE 01050016 GUPTA VIVEK U51109OR2006PTC009068 MAHAKASH RENEWABLES (INDIA) 01050022 BHANDARI PARAMBIR SINGH U51909DL1999PTC100363 AKILA OVERSEAS PRIVATE LIMITED 01050036 BHUPENDRA GUPTA U70100MH1995PTC086049 SUNDER BUILDERS AND 01050064 KIRITKUMAR MERCHANT SHISHIR U51900MH2000PTC127408 HANS D TO R SOLUTIONS PRIVATE 01050071 AGARWAL BINDU U45201WB1997PTC084989 PRINCE SAGAR KUTIR PRIVATE 01050072 BIJOY HARIPRIYA JAIN U70109MH2008PTC180213 SAAT RASTA PROPERTIES PRIVATE 01050072 BIJOY HARIPRIYA JAIN U01403MH2008PTC182992 GREEN VALLEY AGRICULTURE 01050082 JAI KARUNADEVI PRITHVIRAJ U36993KA1999PTC025485 RODEO DRIVE LUXURY PRODUCTS 01050126 DEEPCHAND JAIN PRITHVIRAJ U36993KA1999PTC025485 RODEO DRIVE LUXURY PRODUCTS 01050174 JOGINDER SANDHU SINGH U67120CH2004PTC027291 JAGUAR CONSULTANTS PRIVATE 01050220 NARAYANAMURTHY U15421TN2006PLC060417 BHIMAAS SUGARS AND CHEMICALS 01050224 JITENDRA MEHTA U51109TN2007PTC062423 MOOLRAJ VYAPAR PRIVATE 01050251 PRAKASH SRIVASTAVA U72300DL2007PTC160451 PRODIGII ECALL PRIVATE LIMITED 01050251 PRAKASH SRIVASTAVA U63040DL2008PTC180031 REACHING WILD LIFE TOURISM 01050257 LALITKUMAR MERCHANT URMIL U51900MH2000PTC127408 HANS D TO R SOLUTIONS PRIVATE 01050273 KUSUM MISHRA U29248UP1999PTC024344 MAXWELL GEARS PRIVATE LIMITED 01050286 DUGGAL PRINCE U70109DL2006PTC153384 M R BUILDWELL PRIVATE LIMITED 01050290 JAI MISHRA SHANKAR U29248UP1999PTC024344 MAXWELL GEARS PRIVATE LIMITED 01050309 JAIN MUKESH U00000DL1992PTC050812
    [Show full text]
  • Gr8ambitionz Team
    Quick Reference Guide for IBPS Clerks CWE III Powered by www.Gr8AmbitionZ.com your A to Z competitive exam guide CURRENT AFFAIRS QUICK REFERENCE GUIDE FOR IBPS CLERKS III ONLINE EXAM www.Gr8AmbitionZ.com Important Points you should know about Public Sector Banks RBI (Reserve Bank of India) : o The Reserve Bank of India (RBI) is India's central banking institution, which controls the monetary policy of the Indian rupee. It was established on 1st April 1935 during the British Raj in accordance with the provisions of the Reserve Bank of India Act, 1934 o Governor : Raghuram Rajan o Headquarters : Mumbai State Bank of India o It the largest banking and financial services company in India by assets. The bank traces its ancestry to British India, through the Imperial Bank of India, to the founding in 1806 of the Bank of Calcutta, making it the oldest commercial bank in the Indian Subcontinent. Bank of Madras merged into the other two presidency banks Bank of Calcutta and Bank of Bombay to form the Imperial Bank of India, which in turn became the State Bank of India. Government of India nationalized the Imperial Bank of India in 1956, with Reserve Bank of India taking a 60% stake, and renamed it the State Bank of India. In 2008, the government took over the stake held by the Reserve Bank of India. o CMD : Smt. Arundathi Bhattacharya o Headquarters : Mumbai o Associate Banks : SBI has five associate banks; all use the State Bank of India logo, which is a blue circle, and all use the "State Bank of" name, followed by the regional headquarters' name: .
    [Show full text]
  • Criteria - Iii
    CRITERIA - III RESEARCH, CONSULTANCY AND EXTENSION RESEARCH, CONSULTANCY AND EXTENSION 3.1 Promotion of Research 3.1.1 Does the institution have recognized research centers of the affiliating University or any other agency/ organization? The institution does not have a research centre of the affiliating university or any other agency/organization. 3.1.2 Does the institution have a research committee to monitor and address the issues of research? If so, what is its composition? Mention a few recommendations made by the committee for the implementation and their impact. Research cell addresses the concerns related to faculty research and makes suitable recommendations It consists of Principal as the Chairperson, Vice Principals of all faculties, coordinators of the post graduate departments, librarian, and other senior staff members having research experience. The activities of the cell are as follows: Organizing seminars and workshops Motivating teaching staff to take up research activity like writing research or review papers, etc. Orienting staff members towards making good research proposals. Table 3.1: Recommendations made by Research Cell Recommendations Impact Frame guidelines for Faculty has become aware about the concessions time concessions available, which has enabled them to schedule their activities accordingly. Conduct workshop Three minor, one major and one post-doctoral on writing research research proposals are submitted to UGC. Out of proposals which two minor and one major research projects have been approved. Arrange workshop in Awareness created regarding applications of SPSS SPSS package in statistical analysis. Apply for ISSN for We received ISSN 2278-4268 in the year 2012- Research Journal 2013 and subsequently ‘Research Imprints’ is and also to make it being published as a refereed multidisciplinary refereed research journal, Create a corpus of ` 25 lakhs for An amount of ` 6 lakhs have been collected as supporting research donation so far.
    [Show full text]
  • Dynamics of Melodic Discourse in Indian Music: Budhaditya Mukherjee’S Ālāp in Rāg Pūriyā-Kalyān
    Dynamics of melodic discourse in Indian music: Budhaditya Mukherjee’s ālāp in rāg Pūriyā-Kalyān Richard Widdess 1. Introduction This chapter presents an analysis of a performance of ālāp, with reference to the compositional principles that it demonstrates. Following a long succession of ethnomusicological and musicological studies, including Nettl (1974), Lortat-Jacob (1987), Nettl and Russell (1998), Treitler (1974, 2003), Nooshin (2003) and many other contributions, it is clear that compositional principles are no less important in music that is unwritten and “improvised” than in music that is written and “composed”; and that indeed, one can no longer speak of “improvisation” and “composition” in any oppositional sense. It also seems clear that the importance of compositional principles in unwritten music, such as ālāp, is related both to the performer’s need to recall memorised material and invent new material that is grammatical, and at the same time to the listener’s need to engage with, comprehend, and be stimulated by an auditory experience that, for him, happens in real time, whether a written score exists or not, and whether he is listening to a live performance or a recording. In this essay I will consider primarily the listener’s perspective; how far the cognitive processes involved in performing and listening to ālāp are equivalent remains an open question, but that they are closely related seems likely. 1.1. Ālāp and rāga The Sanskrit word ālāpa signifies speaking to, addressing, hence speech, conversation, or communication (Monier-Williams 1899: 153); it overlaps in meaning with the English word discourse. Ālāp in Indian classical music is a process rather than a genre, but it typically occurs in the form of a non-metrical “improvised” prelude, often quite extended, preceding a composed metrical piece.
    [Show full text]
  • Filmography Dilip Kumar – the Substance and the Shadow
    DILIP KUMAR: THE SUBSTANCE AND THE SHADOW Filmography Year Film Heroine Music Director 1944 Jwar Bhata Mridula Anil Biswas 1945 Pratima Swarnlata Arun Kumar 1946 Milan Meera Mishra Anil Biswas 1947 Jugnu Noor Jehan Feroz Nizami 1948 Anokha Pyar Nargis Anil Biswas 1948 Ghar Ki Izzat Mumtaz Shanti Gobindram 1948 Mela Nargis Naushad 1948 Nadiya Ke Par Kamini Kaushal C Ramchandra 1948 Shaheed Kamini Kaushal Ghulam Haider 1949 Andaz Nargis Naushad 1949 Shabnam Kamini Kaushal S D Burman 1950 Arzoo Kamini Kaushal Anil Biswas 1950 Babul Nargis Naushad 1950 Jogan Nargis Bulo C Rani 1951 Deedar Nargis Naushad 1951 Hulchul Nargis Mohd. Shafi and Sajjad Hussain 1951 Tarana Madhubala Anil Biswas 1952 Aan Nimmi and Nadira Naushad 1952 Daag Usha Kiran and Nimmi Shankar Jaikishan 1952 Sangdil Madhubala Sajjad Hussain 1953 Footpath Meena Kumari Khayyam 1953 Shikast Nalini Jaywant Shankar Jaikishan 1954 Amar Madhubala Naushad 1955 Azaad Meena Kumari C Ramchandra 1955 Insaniyat Bina Rai C Ramchandra 1955 Uran Khatola Nimmi Naushad 1955 Devdas Suchitra Sen, Vyjayanti S D Burman Mala 1957 Naya Daur Vyjayantimala O P Nayyar 1957 Musafir Usha Kiran, Suchitra Salil Chaudhury Sen 1 DILIP KUMAR: THE SUBSTANCE AND THE SHADOW 1958 Madhumati Vyjayantimala Salil Chaudhury 1958 Uahudi Meena Kumari Shankar Jaikishan 1959 Paigam Vyjayantimala, B Saroja C Ramchandra Devi 1960 Kohinoor Meena Kumari Naushad 1960 Mughal-e-Azam Madhubala Naushad 1960 Kala Bazaar (Guest Appearance) 1961 Gunga Jumna Vyjayantimala Naushad 1964 Leader Vyjayantimala Naushad 1966 Dil Diya Dara Liya
    [Show full text]
  • Lions Film Awards 01/01/1993 at Gd Birla Sabhagarh
    1ST YEAR - LIONS FILM AWARDS 01/01/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR TAPAS PAUL for RUPBAN BEST ACTRESS DEBASREE ROY for PREM BEST RISING ACTOR ABHISEKH CHATTERJEE for PURUSOTAM BEST RISING ACTRESS CHUMKI CHOUDHARY for ABHAGINI BEST FILM INDRAJIT BEST DIRECTOR BABLU SAMADDAR for ABHAGINI BEST UPCOMING DIRECTOR PRASENJIT for PURUSOTAM BEST MUSIC DIRECTOR MRINAL BANERJEE for CHETNA BEST PLAYBACK SINGER USHA UTHUP BEST PLAYBACK SINGER AMIT KUMAR BEST FILM NEWSPAPER CINE ADVANCE BEST P.R.O. NITA SARKAR for BAHADUR BEST PUBLICATION SUCHITRA FILM DIRECTORY SPECIAL AWARD FOR BEST FILM PREM TELEVISION BEST SERIAL NAGAR PARAY RUP NAGAR BEST DIRECTOR RAJA SEN for SUBARNALATA BEST ACTOR BHASKAR BANERJEE for STEPPING OUT BEST ACTRESS RUPA GANGULI for MUKTA BANDHA BEST NEWS READER RITA KAYRAL STAGE BEST ACTOR SOUMITRA CHATTERHEE for GHATAK BIDAI BEST ACTRESS APARNA SEN for BHALO KHARAB MAYE BEST DIRECTOR USHA GANGULI for COURT MARSHALL BEST DRAMA BECHARE JIJA JI BEST DANCER MAMATA SHANKER 2ND YEAR - LIONS FILM AWARDS 24/12/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR CHIRANJEET for GHAR SANSAR BEST ACTRESS INDRANI HALDER for TAPASHYA BEST RISING ACTOR SANKAR CHAKRABORTY for ANUBHAV BEST RISING ACTRESS SOMA SREE for SONAM RAJA BEST SUPPORTING ACTRESS RITUPARNA SENGUPTA for SHWET PATHARER THALA BEST FILM AGANTUK OF SATYAJIT ROY BEST DIRECTOR PRABHAT ROY for SHWET PATHARER THALA BEST MUSIC DIRECTOR BABUL BOSE for MON MANE NA BEST PLAYBACK SINGER INDRANI SEN for SHWET PATHARER THALA BEST PLAYBACK SINGER SAIKAT MITRA for MISTI MADHUR BEST CINEMA NEWSPAPER SCREEN BEST FILM CRITIC CHANDI MUKHERJEE for AAJKAAL BEST P.R.O.
    [Show full text]
  • Magazine1-4 Final.Qxd (Page 3)
    SUNDAY, MARCH 19, 2017 (PAGE 4) MOVIE-REVIEW HERITAGE Royals and Ruins Not much about Machine Aruditya Jasrotia Eberhard Fischer have written a book “Nainsukh of A concerted effort to preserve our heritage is a Guler: A Great Indian Painter from a Small Hill-State”. MACHINE is essentially a love story (written which mars the film in a big way. The film’s screenplay This book glorifies the importance and magnificence of by Sanjeev Kaul) which happens amidst the does not offer anything new and lands up following the vital link to our cultural legacies and it literally the Nainsukh painting style. same path which had been adopted by many films till date. At this time hardly anyone goes to see the beautiful greed for money and mysterious circum- makes us who we are. People tend to believe The weak script also lands up making the film all style and that to be modern you have to disengage from fort which is holding a number of beautiful artworks on stances. The film starts off in picturesque no substance. There’s no denying the fact that the film’s its walls. The condition of the fort is pitiful and brings the North India, with the introduction of the writing could have been notches higher. The film’s dia- your heritage, but it’s not true. feeling of hollowness to the visitors. The walls are falling logues besides being devoid of one liners, are very average one by one, roofs have collapsed, vegetation has taken extremely helpful Saira Thapar (Kiara One of the important heritages of Jammu which is and fail to leave an impression.
    [Show full text]
  • Université De Montréal /7 //F Ç /1 L7iq/5-( Dancing Heroines: Sexual Respectability in the Hindi Cinema Ofthe 1990S Par Tania
    /7 //f Ç /1 l7Iq/5-( Université de Montréal Dancing Heroines: Sexual Respectability in the Hindi Cinema ofthe 1990s par Tania Ahmad Département d’anthropologie Faculté des arts et sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de M.Sc. en programme de la maîtrise août 2003 © Tania Ahrnad 2003 n q Université (1111 de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document.
    [Show full text]
  • Türkġye Cumhurġyetġ Ankara Ünġversġtesġ Sosyal Bġlġmler Enstġtüsü Doğu Dġllerġ Ve Edebġyatlari Anabġlġmdali
    TÜRKĠYE CUMHURĠYETĠ ANKARA ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ DOĞU DĠLLERĠ VE EDEBĠYATLARI ANABĠLĠMDALI HĠNDOLOJĠ BĠLĠM DALI HĠNT SĠNEMASININ EDEBĠ KAYNAKLARI: KATHĀSARĠTSĀGARA ÖRNEĞĠ Yüksek Lisans Tezi Hatice Ġlay Karaoğlu ANKARA-2019 TÜRKĠYE CUMHURĠYETĠ ANKARA ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ DOĞU DĠLLERĠ VE EDEBĠYATLARI ANABĠLĠMDALI HĠNDOLOJĠ BĠLĠM DALI HĠNT SĠNEMASININ EDEBĠ KAYNAKLARI: KATHĀSARĠTSĀGARA ÖRNEĞĠ Yüksek Lisans Tezi Hazırlayan Hatice Ġlay Karaoğlu Tez DanıĢmanı Prof. Dr. Korhan Kaya ANKARA-2019 TÜRKĠYE CUMHURĠYETĠ ANKARA ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ DOĞU DĠLLERĠ VE EDEBĠYATLARI ANABĠLĠMDALI HĠNDOLOJĠ BĠLĠM DALI HĠNT SĠNEMASININ EDEBĠ KAYNAKLARI: KATHĀSARĠTSĀGARA ÖRNEĞĠ Yüksek Lisans Tezi Tez DanıĢmanı: Prof. Dr. Korhan Kaya Tez Jüri Üyerileri: Adı Soyadı Ġmzası ………………………… ..…………………………. …………………………. …………………………… …………………………. …………………………… …………………………. ……………………………. …………………………. ……………………………. Tez Sınav Tarihi………………… TÜRKĠYE CUMHURĠYETĠ ANKARA ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ MÜDÜRLÜĞÜNE Bu belge ile bu tezdeki bütün bilgilerin akademik kurallara ve etik davranıĢ ilkelerine uygun olarak toplanıp sunulduğunu beyan ederim. Bu kural ve ilkelerin gereği olarak, çalıĢmada bana ait olmayan tüm veri, düĢünce ve sonuçları andığımı ve kaynağını gösterdiğimi ayrıca beyan ederim. (24/06/2019) Tezi Hazırlayan Öğrencinin Adı ve Soyadı Hatice Ġlay Karaoğlu Ġmzası ÖNSÖZ Bir sinema filmi, yazılı bir eserin konusundan yararlanabildiği gibi konunun eserdeki sunumundan da yararlanabilmektedir. Burada bahsi geçen sunum, hikâyenin
    [Show full text]
  • Watch Taarak Mehta Ka Ooltah Chashmah Latest Episodes
    Watch taarak mehta ka ooltah chashmah latest episodes Continue 2008 Indian comedy TV series Taarak Mehta Ka Ooltah ChashmahGenreSitcomLuonutAsit Kumarr ModiBased onDuniya Ne Ooltha Chashmah by Taarak MehtaDirected by Abhishek Sharma Dheeraj Palshetkar Harshad Joshi Malav Suresh Rajda StarringDilip JoshiDisha VakaniShailesh LodhaAmit BhattNarrated byShailesh LodhaOpening themeTaarak Mehta Ka Ooltah ChashmahComposer(s)Sunil PatniMaa originIndiaOriginal language(s)HindiNo. seasons1Ei. episodes3021ProductionProducer(s) Asit Kumarr Modi Neela Asit Modi Camera setupMulti-cameraRunning timeapprox. 20 minutesProduction company(s)Neela Tele FilmsDistributorNeela Tele Films[1]ReleaseOriginal networkSAB TVPicture format 576i HDTV 1080i Original release28 Jul 2008 (2008-07-07-2008-07-07-2008 228) – presentExternal linksTarak Mehta Ka Ooltah ChashmahNeela Telefilms Taarak Mehta Ka Ooltah Chashmah (transl. Taarak Mehta's Inverted Spectacles) is an Indian Television Comedy in Hindi, India; based on Taarak Mehta's weekly column called Duniya Ne Undha Chasma in Chitralekha. One of India's longest-running television shows, it is produced by Neela Tele Films. [2] It premiered on 28 November 2005. Summary The series takes place at the Gokuldham Co- operative Housing Society, an apartment complex in Powder Gal, Goregaon East, Mumbai (also known as Mini India) and centers around members of the Gokuldahm Society. The Gada family consists of successful businessman Jethalal Champaklal Gada, his father Champaklali, wife Daya Gada and their naughty son Tipendra Tapu Gada, the leader of his circle of friends named Tapu Sena. Fed up hearing regular complaints from members of society about the threat his son created, Jethalal decides to call his father Champaklal to keep an eye on Tapua, but the opposite happens, and he joins hands with Tanu.
    [Show full text]