Through a Latin Lens the L.A

Home , Acid Western, Christian Audigier, Cop Shoot Cop, Gin Wigmore, Kamaiyah, Patty Schemel

Diversity Goes “Beyond the Streets” • Casa 0101 Wins Reprieve • The Fontaines’ Farewell ®

JUNE 22 - 28, 2018 VOL. 40 NO. 31 LAWEEKLY.COM

THROUGH A LATIN LENS THE L.A. LATINO INTERNATIONAL FILM FESTIVAL RETURNS AFTER FIVE-YEAR BREAK TO ENCOURAGE FILMMAKERS TO TELL THEIR OWN STORIES • BY LINA LECARO AND MICHELE RAPHAEL

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W 13 Downtown street-art show “Beyond the Streets” Streets” show “Beyond the street-art Downtown BY history diversity. of graffiti’s to harkens RIEFE. And JORDAN CU fundraising Casa 0101’s theater Boyle Heights campaign. EAT Banks goes big on wine, and Renee Tonya offers on Melrose stoner-approved Marinate MICHELE STUEVEN. Plus food. BY fast-casual and a campaign for vegan Choi on Roy latest the butterbeer. FE Film Latino International Angeles Los The LINA a five-year hiatus. BY after returns, Festival AND MICHELE RAPHAEL.LECARO NEWS... MADISON BY for reparations. Cannabis as a tool MARGOLIN. GO LA... art and culture, Korean celebrates LACMA Ancestors of Festival Day the hosts Park Leimert with musical Sweet is revived Masks, Reprise of Charity L.A. do and see in to this week. and more C

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INI INI ECT JUNE J ROSS Week of Week RO 22-28 RARE HU ERA P ($25, Arcade). Much as Much Arcade). ($25, ⁄⁄ —Lina Lecaro —Lina ORMS T F C OP IFIC e Trigger: Narratives of the Narratives e Trigger: Diesel Books, 225 26th St., Ste. Ste. St., 26th 225 Books, Diesel ER PAC P P. 9 P. —Shana Nys Dambrot Nys —Shana Day of Ancestors: Festival of Masks of Ancestors: Festival Day some people aren’t bad people but are are but people bad aren’t people some not are these people, being at bad instead are they as individuals violent much so with — things violent doing individuals alone. 2017 in deaths gunshot 15,000 way his shot who kid a about hear You’ll a Carolina, South in deal drug a through abusive her killed who teen Tennessee in cop o-duty an and slept, he as father on gunman a with fire trading Chicago loose. the Vortex, 2341 E. Olympic Blvd., downtown; downtown; Blvd., Olympic E. 2341 Vortex, restlessnites. $20. p.m.; 7-11 24, June Sun., . com/dolores LITERATURE the Trigger? Pull Do People Why at question the is shoot shooters Why Patinkin J. Daniel author when hand discusses American Shooter American Shooter #33, Brentwood; Sun., June 24, 3 p.m.; free. free. p.m.; 3 24, June Sun., Brentwood; #33, dieselbookstore.com/ 576-9960, (310) event/sunday-june-24th-300pm-daniel- j-patinkin-discusses-and-signs-trigger. Block Party vibrant, most the of one is Park Leimert artistic historically and textured richly high-profile recent its and L.A., of parts local of gem appreciated an as resurgence year, a Once experience. to joy a is culture - commu this of creativity exuberant the festival daylong a for together comes nity art food, dance, music, mask-making, of party block a as history, all, above and, community’s the honor procession and “global the across ancestors of firmament the For diaspora. African the of village” eighth —David Cotner —David CULTURE the organizers at L.A. Commons spotlight spotlight Commons L.A. at organizers the artistic and ethnic thriving its and Brazil community. Park Leimert the in heritage Yoruba a “Asuwada,” is theme year’s This created energy the describing principle positive a with unites community a when for goal common a of pursuit in intention some use could all We good. greater the and immersive truly a Expect that. of experience. interdisciplinary evocative Degnan 4337 Plaza, Village Park Leimert noon-6 24, June Sun., Park; Leimert Blvd., lacommons.org/fw-event- free-$45. p.m.; slug/2018-day-of-ancestors-festival-of- masks.

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I members. (323) 466-3456, american 466-3456, (323) members. fulﬁlling prophecies) and and prophecies) fulﬁlling with conversation screening introducing Carpenter King Sandy Cinematheque $13 general, $15 p.m.; 7:30 (1994, with its horrifying Lovecraftian self- Lovecraftian horrifying its with (1994, post- a includes Holden) Laurie with producer and Yuzna Brian producer Madness. of Mouth 22, June Fri., Hollywood; Blvd., Hollywood cinematheque tival and Hollywood Carnival Parade Carnival and Hollywood tival Village noon-9 p.m.; $15-$100. hollywood $15-$100. p.m.; noon-9 Village Hollywood; Sat., June 23, parade 10 a.m., 10 parade 23, June Sat., Hollywood; Culture Village, 6800 Hollywood Blvd., Blvd., Hollywood 6800 Village, Culture . carnival.com Jory Boy and Machel Montano. Montano. Machel and Boy Jory and good vibrations, including music by by music including vibrations, good and ture Village with libations, celebrations celebrations libations, with Village ture - Cul the at ends It Indian. East to Indian soca to samba, reggae to reggaeton and and reggaeton to reggae samba, to soca ticipants dancing to every rhythm from from rhythm every to dancing ticipants and Normandie Avenue, with parade par parade with Avenue, Normandie and the intersection of Hollywood Boulevard Boulevard Hollywood of intersection the sensation like this. The parade starts at starts parade The this. like sensation knew existed until you stumbled upon a upon stumbled you until existed knew arts and crafts, and music you never even even never you music and crafts, and arts with a display of native costumes, global global costumes, native of display a with rée showcasing the cultures of the world the of cultures the showcasing rée

Person’s Art Person’s and adapt salvage, recycle, Upcycle, One Person’s Trash Is Another Is Another Trash One Person’s ART/ENVIRONMENT ticultural marvels at the the at marvels ticultural Hollywood becomes the epicenter of mul- of epicenter the becomes Hollywood From Every Corner of the World Every From CULTURE/FOOD sat suicidal level of dread when you go see go you when dread of level suicidal Nightmares England New Chilly Scenes of Murder near- a with right out weekend your Start FILM/HORROR fri across the screen. The triple bill of bill triple The screen. the across the ﬁnest cinematic nihilism ever to ooze to ever nihilism cinematic ﬁnest the shenanigans), are set in New England and summon up summon and England New in set are Beyond

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www.laweekly.com // June 22 - 28, 2018 // LA WEEKLY MUSIC/FILM present-michael-che. losangeles/nederlander-concerts- (213) 623-3233, acehotel.com/calendar/ downtown; Sun., June 24, 8 p.m.; $35-$45. this show. Fellow comedian Cipha Sounds opens the biggest comedy events of the year. upcoming Emmys, which will be one of Colin Jost. The two are co-hosting the day Night Live’s “Weekend Update” with fans know him best as co-host of correspondent on almost a decade and briefly worked as a Che has been performing stand-up for around because he’s funny as fuck.” quasi-racist friend, and we keep him all have that shitty, overly confident, president, he’s still an amusing guy. “We Donald Trump would make a lousy also joked that though then-candidate can have a sip of my drink,” he said. He it feels like an alcoholic asking me if he guy asks me if he can say the ‘n’ word, gun control to racism. “Anytime a white ried on everything from lesbian porn to 2016’s In his first Netflix stand-up special, Laughing Matter COMEDY Reprise 2.0 Like a phoenix rising from its ashes, A Reprise ofReprise DANCE/MUSICAL tue Radical Punks of theSlits of los-angeles/. event/1671102-here-be-heard-story-slits- (323) 934-2944, spacelandpresents.com/ downtown; Mon.,June25, 8p.m.; $12.50. fest. Regent Theater, 448S. MainSt., be more than justaquaintnostalgia Allison Wolfe, tonight’s screening should Q&A withBadgley and Ex-Stains singer asheirs their last) Ex-Stains and (billed a performance by The Slits’ local musical director William E.Badgley. With alive incisive memoirs and now this filmby impact through guitarist Viv Albertine’s attention for their monumental historical broke up, they are receiving overdue More than three decades after The Slits playful but subversive punk songs. of reggae, dub and art-rock into their they were justas likely to mixelements the first all-female English bands, and Slits were radical. They were among groups inLondon’s late-’70s scene, The documentary experimental band The Slits inthe Don Letts says about provocative British powerful women,” BigAudio Dynamite’s “People could not deal withthese announcing a new season with three Marcia Seligson has returned to the helm, several years ago, but original founder series closed after financial diculties the dance-drenched case for classic Broadway musicals with Michael Che Matters, . Even among the early punk Ace Theater, 929 S. Broadway, reboots the popular show —Falling James Here to BeHeard: eStory

The Daily Show, but Sweet Charity. The —Siran Babayan Michael Che Michael Che 6/26 Satur-

- along-the-wilshire-corridor/. 1-densification-a-case-for-urban-density- events/2018/06/99-preservation-and- 443-7000, hammer.ucla.edu/programs- wood; Wed., June 27, 7:30 p.m.; free. (310) Museum, 10899 Wilshire Blvd., West- and any subsequent questions. present to moderate the conversation environment and sustainability, will be UCLA’s associate vice chancellor of growth on the trac flow? Mark Gold, What about the eect of population urban community” within that corridor? How do you develop an “interconnected by 2050. Solution: Build straight up. Also: to fit a projected 1.5 million people there the increasingly pressing dilemma of how Institute and Morphosis Architecture to Mayne and Eui-Sung Yi of the Now 2011,” of FashionA Century Photography, 1911- Museum’s latest exhibit, ing clothes and pretty faces. The Getty Fashion photography isn’t just about sell- Lens Fashion Through theCamera’s PHOTGRAPHY Corridor forUrban along theWilshire Case Density Preservation99% and1% Densification: A the Wilshire Corridor? What DoestheFuture Holdfor ARCHITECTURE wed reprise2.org. through July 1; $75-$110, $30 students. 8 p.m.; Sat. & Sun., 2 p.m.; Sun., 7 p.m.; E. Young Drive E., Westwood; Wed.-Sat., Playhouse, Macgowan Hall, 245 Charles reographed by Marshall. Dorothy Field and, yes, the dancing, cho- Simon, music by Cy Coleman, lyrics by that put the focus on the book by Neil sets (don’t expect helicopters to fly in) professional performers and minimal to maneuver a full onstage orchestra, Hollywood Bowl, Marshall knows how staged last summer’s Marshall to stage the opener. Having ning choreographer-director Kathleen shows and attracting Tony Award–win- (310) 440-7300, getty.edu. 10 a.m.-5:30 p.m.; runs thru Oct. 21.; free. Center Drive, Brentwood; Wed., June 26, Vinoodh. known photographers, such as Inez & Peter Lindbergh, in addition to lesser- Newton, Richard Avedon, Herb Ritts and Edward Steichen, Irving Penn, Helmut taken by iconic names like Man Ray, covers, videos and ad campaigns — were well as costumes, illustrations, magazine the more than 160 images on display — as permodels, grunge and social media. And the sexual revolution, ready-to-wear, su- sion, WWII, Hollywood’s Golden Age, fashion and history: the Great Depres- through all the key moments of both online. The collection’s timeline runs to highbrow study, from magazines to evolution from commercial medium is an artistic survey of the genre’s is the answer of architects Thom Getty Museum, 1200 Getty —Ann Haskins Mamma Mia at the “Icons of Style: “Icons ofStyle: UCLA’s Freud —Siran Babayan —David Cotner 6/27 Hammer Hammer T:5.23 in

| 9 | LA WEEKLY // June 22 - 28, 2018 // www.laweekly.com Project Manager Rosa Almodovar (212) 929-9130 ext:1123 Matt Kemp Drew Brees Walker Buehler

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- - - Guil ) Newspaper The —Falling James —Falling ( —Shana Nys Dambrot Nys —Shana La gazzetta and and Seville of Barber The has been performed been has bua opera RA marks only the second time the composer’s composer’s the time second the only marks 1816 Palomba’s Giuseppe America. North in (E. father pompous a on centers libretto daughter his humiliates who Levin) Scott a seeking ads placing by Policar) (Rachel every of newspapers the in her for husband POP’s of plenty Expect visit. they town slapstick high-level of mix trademark presenta this in vocalizing glorious and deRosa. Brooke director music from tion Avenue S. 131 Club, Ebell Park Highland p.m.; 8 28, June Thu., Park; Highland 57, 739-6122, (323) $15-$140. 6; July through . pacificoperaproject.com OPE Time Father-Daughter most the of some wrote Rossini Gioachino canon, opera the in works memorable including . But Pacific Opera Project’s new Project’s Opera Pacific But . Tell laume of production work by New York–based photographer photographer York–based New by work - photog of director Nast Condé former and show. L.A. first her in Somosi Dora raphy inspired architecturally of examples With environmental City, Mexico from works interpreta floral and landscapes marine tions, the program is a survey of Somosi’s Somosi’s of survey a is program the tions, palettes, saturated dreamy, for penchant abstraction and fantasy mediation, digital photographs. mysterious and surreal in Blvd., Sunset 6121 Hollywood, NeueHouse through p.m.; 6 28, June Thu., Hollywood; rsvp.neue required). (RSVP free 30; Sept. house.com/doras. - El Portal El 6/28 EHOUSE features new features 2nd Floor 2nd LLECTIBLES BEETLE HOUSE LA 6356 Hollywood Blvd 6356 ComedySportz World & CO Ask for Chris Lic No. 11481830 for the first time since time first the for *CERTIFIED APPRAISERS Call Now “ e Color of Air” *CONSIGNMENTS WELCOME ANTIQUES Pasadena, CA 91104 1609 E Washington Blvd 1609 E Washington www.pasadenaantiquewarehouse.com

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| 11 | LA WEEKLY // June 22 - 28, 2018 // www.laweekly.com ” (1 hour) (1 Organic Conveniently located near the near located Conveniently Hollywood Bowl, the Greek Theater Bowl, Hollywood and all legendary live music venues music live and all legendary The Hideko Treatment Hideko The Express Massage Massage Express Eyelash Full-Set Eyelash $120 $200 $99 Hideko Spa Hideko www.hidekospa.com 12211 Wilshire, Los Angeles, CA 90025 | 310-612-4550 90025 CA Angeles, Los 12211 Wilshire, SPECIALS Everything is “ Everything Eyelash Extension | Eyelash Care & Body | Facial Therapy Massage PHOTO BY MADISON MARGOLIN BY PHOTO This is about changing the conversation conversation the is about changing This aboutindustry need the care actively to “We supportat also means garnering for the tangible of needle in terms the move To the provide aims to initiative latter The mental health care, legal care, re-entry care, re-entry care, care, legal care, mental health and educationalhousing scholarships to communities. individuals and marginalized begin by can talk about need, we we “When away,” took War Drug the what at looking lives, their people lost says. “Obviously he liberty their lost they money to lost and they conse- collateral and with the that process, housing, lost convictions, they’ve quences of been ey’ve education. jobs and access to traumatized.” plant at the looking cannabis itself, around and money- only as a business venture not reparative “I look at this as radical maker. of Carbajal, co-founder says Felicia justice,” Part the California Cannabis Advocates. of beyond com- initiative, cannabis social justice those get to is helping munity reinvestment, for cannabis crimes back into incarcerated community — that means supportingthe or clinics, expungement at record volunteering and maybe lives, their people rebuild helping rush. green in on the get them help even [cannabis] this component, treating just past Carbajal become,” she’s commodity the like opportunityis is an amazing for the says. “ rest the show shine, to to Angeles Los city of country the of world that our values and the about people, actually care simple: that we are a space that is create to want and that we a city of that has unique and representative cultures.” erent di so many demographics among cannabis movement talking “We’re be wary. ordinarily who may Latino of generations three about two and mothers’ hearts,” Carbajal you says. “Once up [on them homes, cage their rip people from e cannabis], it becomes scary. account of the having not of in terms ering industry su is Latino the from want they acceptance of kind And nearly half of community in particular.” population is Latino. L.A.’s the ensure to policy change social justice than lives fewer ruins system criminal justice the and bills such as AB 1793 it does already, L.A. Jails and Community Reinvest- Reform system in the dents could make ment Initiative cannabis and drug offenders that so many in. caught gotten have ’s necessary L.A. the County Sheri to tools Department Civilian Oversight Commission subpoena misconduct, exercise investigate to reinvest- a public safety and develop power reduce to study ment plan and feasibility toward savings jail populations and redirect alternatives. incarceration The Rollup

by Madison Margolin by

n a tiny North African taco joint not far Northn a tiny far African taco joint not dollar pasted bills and where USC, from of walls adorn the community tagging In an era of legal weed, it’s easy to get get to easy it’s weed, legal of In an era Cage- by hosted pop-up, the for hook e from profits focused on directing “We’re legalization 64, California’s As Proposition enough. Dispen- not that’s argues But Vine money that weed should suggests Vine Cage-Free Cannabis pop-up at pop-upCage-Free Cannabis at Tacos North African Revolutionario the modest, bohemian nook, a group of of modest, nook, a group the bohemian for a pop-up shop L.A. do-gooders gathered and conversation in the about social justice cannabis space. As down on locals chowed T-shirts up tagine tacos and visitors picked more pop-up was the and signed petitions, a refreshing — it was display a cute than just origin in cannabis industry’s the of reminder activism. grassroots rush, green the glitz of in the carried away con- dinners,high-end pot-infused networking and cannabis industry in ritzy hotels ferences parties Hollywood chicest the even that rival affairs. California’s all that reflects While ers it also o economy, $7 billion pot projected communities of realities the to a contrast quite from reeling individuals still and incarcerated on Drugs. War the named Revolu- aptly Cannabis at the Free raise to was tionario North African Tacos, bail out imprisonedmoney dads in time to same the time, Cage-Free At Day. for Father’s a conversation about what Cannabis sparked marijuana means for L.A., adult-use and legal that.t into ﬁ equity and justice where cannabis industrythe communities back into War the by been impacted color that have of co- says Adam Vine, on Drugs for decades,” Cannabis. Cage-Free of founder pro- policy analysts written, was measure, yearsve (a ﬁ that some $50 million over jected and savings revenue tax portion state’s the of support would go to weed) legal from commu- on Drugs. War the by devastated nities most sary is valued for instance, chain MedMen, $50 million “That notes. at $1.6 billion, he it if you compare look so big anymore doesn’t says. he cannabis industry,” the of rest the to money should e community reinvestment “ be proportional industry.” the size of the to support to programs bankroll social equity care, jobs, health provide in cannabis and to

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www.laweekly.com // June 22 - 28, 2018 // LA WEEKLY | | 13 LA WEEKLY // June 22 - 28, 2018 // www.laweekly.com » 14 ( PHOTO BY DANNY LIAO DANNY BY PHOTO and an award-winning award-winning an and Virgin the Jane , about the iconic Tejano pop star, starring star, pop Tejano iconic the about , Selena Agustín, who is of Ecuadorian descent, says LALIFF was was LALIFF says descent, Ecuadorian of is who Agustín, “I was a student at UCLA when the late and great Lupe Lupe great and late the when UCLA at student a was “I Olmos and Jennifer Lopez. Jennifer and Olmos critical in his formation as an industry - profes filmmaker filmmaker and playwright. Agustín, who began his in- volvement with LALIFF as a volunteer and then moved on to manage the festival, is now its executive director. him. for everything changed Volunteering should we that us told She class. my into walked Ontiveros consider for volunteering LALIFF because it was one of community and industry Latino the where places only the was, thinking kept I all us, to spoke she As together. came do probably should I — onscreen Selena killed woman ‘This referring He’s says. Agustín did,” I glad I’m says!’ she what to role Ontiveros’ as in murderous Saldívar fan Yolanda film the launch the careers of many Latin actors, creators and film- and creators actors, Latin many of careers the launch writer a Agustín, Rafael including years, the over makers show CW hit the on IN LENS IN PHAEL E RA RO and MICHEL A LEC “LALIFF has long been the most important Latino film Latino important most the been long has “LALIFF helped has 1997, in Olmos by founded LALIFF, Indeed, festival in the U.S. But this time around, we’re making sure sure making we’re around, time this But U.S. the in festival founder, fest’s the content,” Latino of mecca the becomes it the in says Olmos, James Edward actor Oscar-nominated press event’s materials. “The festival is a celebration of our having voices heard beyond the film screen, and we where place the to back festival the bring to crucial it felt Angeles.” Los — started it Film Festival, Film back Festival, after a five-year hiatus. Billing itself as “the largest Latinx film in festival the Theatre, United States,” Chinese TCL the at 20-24 June place takes LALIFF selection broad a featuring programming of days five with films. emerging and award-winning long-form and short- of The event also will feature LALIFF its Legacy, first-ever series music a Sunday); and (Saturday festival film student This CultureStrike. by curated show art an and week); (all a the festival makes approach all-Latino comprehensive, wait. the worth was that event cultural powerful LINA by Kill Bill with aKill filmmakers, musicians and students to tell their own stories filmmakers, Machete dark humor for , this ain’t. this , Coco will not be what she she what be not will quinceañera set out to get revenge, go- to get abuela set out revenge, returns after a five-year break to encourage to encourage break five-year a after returns Festival Film International Latino L.A. is from a company called called company a from is Quinceañera La El Mariachi and ifteen-year-old Alejandra Santos is about to about is Santos Alejandra ifteen-year-old celebrate becoming a woman, but the - eve her of ning is father Her expects. family her in anyone or Mexican a from figure sinister a and missing - threaten celebration, the at up shows cartel violence. brutal merciless, with everyone ing

LALIFF executive director Rafael Agustín, second from left, with ﬁlmmakers Chris Carmona, left, Leonissa Duarte, Frida Cuello and Samir Oliveros

The series is just one dynamic and dramatic example of example dramatic and dynamic one just is series The

A blood-splattering massacre ensues; in its aftermath

THROUGH A AT A L THROUGH the oerings at this year’s Los Angeles Latin International International Latin Angeles Los year’s this at oerings the ing on a rampage of their own that recalls recalls that own of their on a rampage ing dead. for it leaves and head the young girl and her her girl and young the its on it turns tradition, Mexican time-honored a depicts It toward the culture and characters that provide its setting. setting. its provide that characters and culture the toward It’s It’s an uber-violent ride; raw and relentless yet reverent little little taste of measure. good ﬁlms. horror its for mostly known Productions, Luchagore F

www.laweekly.com // June 22 - 28, 2018 // LA WEEKLY |

» them directly in my second year on my own apply and instruction yearof first my ing to learn and try my luck in all positions dur professional-grade equipment. “I was able tion YCP has provided, including work with She’s also grateful for the hands-on educa industry.the in opportunities seek to her helped and film for passion and interest ect, Duarte says the program nurtured her by personalities my peers often joke about.” kumentary. I developed characters inspired be fun to shoot a high school–themed moc- comedy,” she explains. “I thought it would and shooting of style the with infatuated I’m and religiouslyshows these watch “I as She says it was inspired by TV sitcoms such ed, edited and acted in at LALIFF Legacy. her film Bell Gardens High School, will be screening from student Mexican-American eration Legacy.”IFF with our creative community through LAL work their share to opportunity the have tomorrowwill youngthesefilmmakersof that excited are we Angeles, Los to turn re- its make to festival.looks “AsLALIFF CAA, which is a sponsor of the student film Ruben Garcia, an executive at mega-agency saysprogram,” unique this in ticipation the students experience through their par and continue to be impressed by the growth LFI Youth Cinema Project for many years it reaches. students the for redesignation language literacy, social empowerment and English- riculum, which is having great impact on cur film educational in-class statewide, LALIFF’s Project, Cinema Youth the to at the festival.” screen education program that took place tables and chairs for the youth program: a lywood. My first job at LALIFF was moving same commute from West Covina to Hol- dergrad. My first year with LALIFF, I did the CovinaWestwoodto un- everymyday of Westfrom commuted literally I so loans, I was scared of taking out too many student figure out how to pay for higher education, a former undocumented student trying to both co-founders ofLALIFF,” he says. “As Marlene Dermer and Edward James Olmos, Hollywood? I was lucky to be mentored by Latino immigrant going to get his start in 13 A two-year student of Youth Cinema Proj Leonissa Duarte, a 17-year-old, first-gen - “We have worked in partnership with the birth gave eventually program That La Quinceañera La and Recreation and Parks ) First Date, which she wrote, direct- sional. “Where else was a young The O ce. The ------screening Saturday night, is definitely an themes. mature more exploresfestival the of bulk the but ing, storytell- youth-oriented toward geared them.” support and shorts friends’ other my see just shorts. And I’m going to the festival to see what I can do to make longer films, not tween continues. “It’s really cool. I want to and sitting by myself on the benches. recess time instead of being lonely, crying at again friends my with play to started I naturally motivated me to want to do more. and me calmed actually it program this doing was I When sometimes. cry would I tense. very was “I concurs.Fridaness,” feeling she’ll always have a motivation.” project, and they loved her. Today I have a She’s so happy, and always talking about the ing the program, her depression was gone. do anything. … About six months after do- about two years. She had no motivation to for depression had her.to Shemuch so Cuello, “It has given mother,Miriam her change her life. Says program the saw student, YCP year trict and was a first- Dis- School Unified tary in the Lynwood Elemen Keller en fourth grade at Hel- completed just who Cuello, a 10-year-old Frida that. more even meant has it some, for But tives. initia youth IFF’s LAL of part huge a for a career in film is students American summer.” this direct will and written independent film that I have anything.completingI’m an much that I would do literally so filming enjoy just I force. work film the join student, graduating a as me, help will whoindustry the within lish connections with people program, I was able to estab- film,” she says. “Through the h Lgc sreig vn wl be will event screening Legacy The older,”the I’m when this do to want “I dark- the of outactuallybrought me “It Latin Prepping - - - P La Quinceañera, La Edward James Olmos James Edward HOTO S RT COU ES L Y LA IFF film short their for following nice a garnered had Productions, Luchagorecompany, but alsobutLuchagorethekept signature we for looking was studio the what only not was that script a creating in hard worked ture of a series. story,a in forcharacteroverall and struc- helped [me] to see what they were looking really 13 Stage at teamcollaborative the with working experience that get to able “Being says.Guerrero school,” film from knew already we what from more much level.Weother whole so learneda on ing the tent at Warners. One of those pitches was con- scripted of president vice senior the time later, Luchagore was pitching ideas to fest circuit and contacted Guerrero. A short Stage 13/Warner Bros. saw the short on the at executivedevelopment a when about came latest her make to opportunity The world. the festivalsaround at years three Or rtr Sae ceze ad I and McKenzie, Shane writer, “Our “Working on a studio project is like work- Quinceañera idea. El Gigante , which screened for almost Perfect Strangers Perfect PHOTO BY PE SHUTTERS BR OOKER/REX/ TOC TER TER K ureo n her and Guerrero mercial endeavors. and potentially com- provocative most LALIFF’s of one is the for not fare of example Rafael Agustín Rafael Director Gigi Saul , but it it but niños, Tex-Mex horror vibe,” Guerrero says. typical my with storyteller Mexican a as to myself as an artist; to showcase my voice gritty Luchagore vibe alive, but to be honest portant for me to not only keep the fun and im- so was “It Beltran. LolaLlorando,” by featured song in the series, “Anoche Estuve can women, including inspiration from the all love,” she adds. the subtitle that caught my eye: ‘How a ‘How eye: my caught that subtitle the was It Noble. & Barnes a leave to about was I when chance o© book his found “I up,”straight — Labor Carmona declares. thereriachi, absolutely nowouldbe movie, first his making of rience Rebel Without a Crew, based on the expe- driguezwould’ve neverbook the written world’s strangest” hitman. “the with desert the to driveterrifying a and — burial a and kidnapping,murder involveto out turns clue);it havea been twist (OK, the day rate of $10,000 should who takes a job with great pay, has a dark laborer day a about film, Thursday.The on festthe featured at be will Labor Bad IFF filmmaker, Chris Carmona. Carmona’s amongthem Guerrero and another LAL a big influence on many Latin filmmakers, ers of all time, Robert Rodriguez, has been One ofthemostsuccessful The series was inspired by strong Mexi- “I gotta start o© by saying if Robert Ro- PHOTO BY D Latin filmmak- A NNY LIA El Ma- El Bad O - | | 15 LA WEEKLY // June 22 - 28, 2018 // www.laweekly.com » 17 ( Cactus - Blos Cactus Bad Lucky Goat, an , a love story about an old man trying trying man old an about story love a , Another Another standout oering in the - fes Born in Bogotá, Colombia, Oliveros at SXSW at in SXSW Austin, in Texas, 2017. The - festi 50 than more at play to on went film Next TIFF and London BFI including vals, Los in AFI at enrolled currently He’s Wave. Angeles and will complete his master’s program in directing in June 2019. And working on he’s a new film, som to gain his wife’s love back by “Nobody on that set got paid. I had to pull pull to had I paid. got set that on “Nobody lots and lots of something favors, only a 19-year-old ambitious filmmaker could with.” away get tival, exemplary of the thematic range is Samir at LALIFF, and showcased style (“Sami”) Oliveros’ unexpected adventure set unexpected adventure in - the Colom screening film, The also Caribbean. bian and Corn siblings, two about is Saturday, Rita (played by first-time local actors), dad’s their with goat a hit accidentally who en- intriguing of kinds all have and truck including people — random with counters a and makers drum Rastafarian butcher, a truck the get to try they as doctor — witch their at staying tourists up pick and fixed hotel. family’s - Vi of School the at direction film studied After graduation, Arts sual in York. New to needed he $60,000 the raised Oliveros premiered It Kickstarter. on film the fund model of writ- of model Mariachi El “I told my partners, ‘If Robert Rodriguez Rodriguez Robert ‘If partners, my told “I The idea for his project struck Carmona Carmona struck project his for idea The “He ends the book with the line: ‘What ‘What line: book with the the ends “He Dodge Ram used in the driving scenes. had access to, such as his dad’s truck, the the truck, dad’s his as such to, access had ing things into the script that he knew he he knew he that script the into things ing borrowing the the borrowing to keep production costs so low in part by by part in low so costs production keep to one one today for $700.’” Carmona was able the the ’90s for $7,000, we can do a GREAT could make a pretty good action movie in in movie action good pretty a make could movie.’ with me right then and there. ‘That’s a gonna get into,’” he remembers. “It clicked “It remembers. he into,’” get gonna brave. You never know whose You brave. car you’re to to himself, “‘Man, these guys are really the laborers waiting for work and thought thought and work for waiting laborers the wrote back, ‘Cool, let’s do it!’” do let’s ‘Cool, back, wrote during a Depot Home visit; he looked at outta outta the blue so, knowing me, they just posing outrageous ideas like this to them them to this like ideas outrageous posing - pro always I’m you, Mind ready!’ Get film! year year we’re gonna make our first feature my my two partners right after: ‘Guys, this excitement and screaming ‘Yes!’ I texted ‘Yes!’ screaming and excitement member member flinging the book to the wall in corn,’” corn,’” recalls Carmona. “I vividly - re and make your movie! I’ll movie! bring your the and pop- make are are you doing still reading this? Go out and I’m dying to make a movie.’ a make to dying I’m and time, so I thought, ‘I’m not too far from 23, 23, from far too not ‘I’m thought, I so time, came a Hollywood Player.’ I was 19 at the the at 19 was I Player.’ Hollywood a came 23-Year-Old Filmmaker With $7,000 23-Year-Old Be-

www.laweekly.com // June 22 - 28, 2018 // LA WEEKLY |

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PURCHASE 60+ UNITS OF DYSPORT AT DYSPORT PURCHASE 60+ UNITS OF JUNE 21 $200 OFF OFF $200 MODEL - - - - IFF Can , along along , Vida COURTESY LAL COURTESY Killing , Jesus Killing , to , to Team Home Locatora Locatora Radio (1961), a partnership partnership a (1961), The Gold , Seekers directed Mayans Mayans M.C.). Nurturing future Santo vs. Evil Brain Brain Evil vs. Santo - Mexi young three LALIFF, first the “At Festival, Film International Latino L.A. Paraguay’s Paraguay’s - screen and art music, live to addition In for recognition mainstream Ultimately Two $5 Two special screenings will include ); (Moonlight Jenkins Barry director , delaria from director Jhonny Hendrix, Cuba; and set in Colombia with her cast. The success of the cable has alike audiences and critics with series prov content, Latin of viability the shown giving about also it’s but possible is what back, putting the spotlight on raw talent op- providing by talent new fostering and - marginal often the something portunity, of. much get doesn’t community Latin ized can filmmakers — [Guillermo] Del Toro, [Alejandro] Iñárritu and [Alfonso] - Cu arón — were there with their short films. and Ferrera America both editions, later In LALIFF,” at films first had Rodriguez Gina LAL do don’t proudly. “We says Agustín Thu., Hollywood; Theatre, Chinese TCL VIP latinofilm.org. 24; June 21-Sun., June LALIFF $150; pass, industry $300; pass, Series Music $75; all-access, Series Music movie individual $25; pass, single-day $12. tickets, from American director Laura Mora; and and Mora; Laura director American from from Spain, Bra productions more many - Do Rico, the Puerto Cuba, Argentina, zil, Rica. and Costa Republic minican and the with Archive; Film the Academy movie soccer Uruguayan Cup. World the celebrate ings, other engagements include a free with LALIFF”) From (“Live event podcast Latinos Who Lunch and of creator the Saracho, interviewing Tanya show, hit original new Starz’s markets niche ethnic beyond appeal its ing mainstream. the into and all of LALIFF’s filmmakers is the goal. success found has Olmos James Edward and respect beyond his but ethnicity, he the reflect that still roles chooses clearly ones good they’re when experience Latin Productions FX the filming currently (he’s series of example an being about is generations IFF because we need it. do We LALIFF it.” deserves community our because by by Tana Schémbori and Juan Carlos festival. the closes Maneglia, restoration the of premiere Coast West the of , - - - - - Maze Maze The Sen American American Good Crazy the Latin experience, experience, Latin the - Col Corp. Borscht The transforming into what she loves loves she what into transforming film series); series); film ) Santo vs. Evil Brain Other Other highlights include LALIFF’s LALIFF’s opening night will feature a “As “As a Latinx and undocumented artist Complementing Complementing the cultural - perspec 15 the most: a cactus. a most: the tured nightly after each screening as well. as screening each after nightly tured spins spins cumbia funk. Live music will be fea as the pre-opener, Boyle Heights DJ BSYDE, BSYDE, DJ Heights Boyle pre-opener, the as Tropica Magica and The Mexican Stando Stando Mexican The and Magica Tropica the and House Murder Story: Horror by by psychedelic cumbia fusion musical act the Roosevelt Hotel in Hollywood headlined headlined Hollywood in Hotel Roosevelt the only only opening also will feature an event at a piece from Academy Award–winning istration’s istration’s clemency initiative. The invite- Sala Rosa actress of debut directorial the zar (Alita: Battle , Angel FX’s Runner , lective a series of short films including during the last months of the Obama admin Obama the of months last the during capturing capturing more — the fight for her release ence what she was missing, but he ended up ended he but missing, was she what ence - experi could sister his so family his filming her her deceased ex-boyfriend. started Valdez charges charges related to crimes committed by incarceration incarceration of his sister for conspiracy screening screening of the documentary 15-year the explored Valdez Rudy Filmmaker Latinx community through these films.” these through community Latinx soon and to be seen on HBO. Festival Film that gives three-dimensional stories to the to stories three-dimensional gives that U.S. documentary at this year’s Sundance scale. scale. LALIFF is aiming to create a space tence, winner of the Audience Award for to to tell our own stories at such a massive a lot of the time, we do the not tools have tival exhibit component. “This means that means “This component. exhibit tival based CultureStrike, - who curated the fes CultureStrike, based artist projects coordinator at Los Angeles– Los at coordinator projects artist lywood lywood lens,” explains Julio Salgado, the learns learns about ‘the other’ through the - Hol of it. A lot of the time, the rest of of it. rest America A the lot of time, the important, important, and I am so happy to be part climate, spaces like LALIFF are extremely extremely are LALIFF like spaces climate, format. political current this under U.S. the in living ativity of undocumented artists in timeline timeline in artists undocumented of ativity - cre and resilience the captures Papeles” art installation titled “Con Cámaras y Sin Sin y Cámaras “Con titled installation art tives depicted at this year’s event, a related related a event, year’s this at depicted tives ning the gamut from political to personal. to political from gamut the ning all three, representing a range of ideas run ideas of range a representing three, all comedy, drama, horror and combinations of combinations and horror drama, comedy, terms of genre, style or characters. There is There characters. or style genre, of terms but the range of works can’t be codified in codified be can’t works of range the but LALIFF represent may »

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E STUEVEN

Little Women of L.A. of Women Little PHOTO BY MICHEL BY PHOTO - allowanc no made “She . Weekly L.A. Bank attributes her entrepreneur’s entrepreneur’s her attributes Bank her in person little only the is Banks woman strong real a was mother “My that says Banks my in person little a dated never “I’ve made that determination that was It asset an be she that determined was “I much pretty blend red her on label The spirit to her dad. “I lost my father at the at father my lost “I dad. her to spirit middle entering was I as just 13, of age girl daddy’s a was “I says. Banks school,” built who entrepreneur an was he and I’m proﬁt. for them sold and businesses blood.” my in is business — him like just was she says She side. either on family were who sisters, her to equally treated taught Harriet Phyllis average-sized. world the that age early an from Tonya to had she her; to conform to going wasn’t adapt. and world the to conform all us raised and daughters three had who Banks women,” independent strong, be to tells and up climb to used I height. my for es a have didn’t I needed, I whatever up get to chair a over pull just I’d stool. special dishes.” wash or cook to platform important an become has questions: answer and people educate Do children? little have only we do “‘Girl, in live we Do people? little only date we little a have you Do community? little a average- with sex have we do How house? lying size same the We’re people?’ sized other the all to answers the and down says. she no,” is questions but choice a of much so by Not life. entire says. Banks happened,” it how just that’s goes.” heart your where control can’t “You any tackle to able and fearless Banks she trait a for, up was she challenge Angelique, daughter, her to along passed work social in degree master’s a has who autistic for therapist behavioral a is and glass a enjoy to enough old and children Renee. L’Tonya of An- raised who Banks, says society,” to mom. single a as gelique Self on “Built brand: Banks the up sums Success.” Marinate on Melrose, 5009 Melrose Ave., East East Ave., 5009 Melrose Marinate on Melrose, —Michele Stueven —Michele Hollywood; (323) 325-3237, marinateyourlife.com. Hollywood; (323) 325-3237, same root beer used for the beef ($2). beer used for the same root -

“THE WINE INDUSTRY “THE WINE INDUSTRY WHITE IS A VERY MALEDOMINATED IS ... BANKS INDUSTRY. CELEBRITY THE ONLY CHOSEN WHO HAS AN AWARDWINNING WINEMAKER.” BLACK JONES, MARCIA CONNOISSEURS URBAN “Tanya was looking for something with something for looking was “Tanya Banks line,” activewear an have also “I “The wine industry is a very white very a is industry wine “The mixing, and tasting of months six After The Hot Mess wrap A wide variety of Stubborn Pure Cane sodas Cane sodas Stubborn of Pure variety A wide - sweet a leave to sugar residual little a in up grew who Long, palate,” the on ness through working of explains Inglewood, to me led “That Banks. with process the va two other the and blend zin a using was it Then out. it balance help to rietals proportions. the out working about just delightful quite but perfectionist a She’s with.” work to out work to use you activewear “The says. They down. wind to use you wine the and blood the for good — together go of kind soul.” the for good and the United States and abroad, introduced introduced abroad, and States United the Wines. Longevity of Long Phil to Banks her started just has Banks though Even already she’s says Jones business, wine community. the on impact an made says. Jones industry,” male–dominated owns Gallo easy. that not is wine “Selling space. retail the in brands 300 about an by made be to wine her wanted Tanya - celeb only the is She African-American. award-winning an chosen has who rity winemaker.” black blend red smooth a with up came Banks dry too isn’t it but sweet, really not that’s either. tomato bisque soup, crispy onions, brown rice rice onions, brown crispy bisque soup, tomato quinoa. and red lemon including o, heat the take is on tap to the and cream pineapple cherry, black berry, - PHOTO BY DANNY LIAO DANNY BY PHOTO as she leans leans she as Weekly L.A.

Yuriditsky, who bears a striking resemblance resemblance who bears a striking Yuriditsky, with can mix and match your proteins You Hot Flamin’ is a mashup of wrap Mess Hot e same choice for the price massive Another “I really didn’t start drinking wine until wine drinking start didn’t really “I Marcia Jones of Urban Connoisseurs, Connoisseurs, Urban of Jones Marcia at Marinate on Melrose. at Marinate looks and personal in both Cheetah Chester to for their inspiration of source the explains ity, get rule is we food”: “Our stoner “gourmet experiment.high and we with fall in love If we next the it again that night, make we something as still it sober and it’s like and if we morning, it then before, night as the brilliant and yummy menu.” goes on the penne with such as sundried tomato sides (sesame crack or veggie ginger hippie chicken, Sliders vessel. salad)broccoli in your desired rolls (same price as tacos) come on Hawaiian tortillas. on whole wheat are and wraps chicken, Hawaiian sweet crack, veggie Cheetos, rice and brown dressing, ranch pickles, chipotle and heat maximum ensure To quinoa ($10). red is freshly package crunch, an individual Cheetos for each wrap. exploded with your Sink wrap, Kitchen signature is the penne salad, sundried tomato protein, choice of her own athletic clothing line called called line clothing athletic own her high- a recently, most and, Body Boss Renee. L’Tonya wine, red of blend end 2000, in died who mother, her by Inspired merlot, percent 48 of blend a is wine the zinfan- percent 23 and syrah percent 32 in Wines Longevity by produced it’s del; Livermore. tells Banks 2011,” back into a booth at the Lavender Blue Blue Lavender the at booth a into back a with o started “I Inglewood. in Club moscato, a do to going I’m blend. sweet ﬁrst red a with o start to wanted but too, wine.” red loved mom my because in vintners black 70 about of collective a -

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AT MARINA AT been popping up near historic cemeteries. up near historic been popping Cemetery in East famed Hollywood Forever Hollywood which has on Melrose, is Marinate sliders tacos, wraps, and bowls a selection of — and appeal to dead the raise to sure that are local stoners. chicken, Hawaiian sweet features on fast-casual which have beef, beer pork and root chipotle hours 24 and for a minimum of been marinated beer root e cookers. in pressure only cooked beef is a must-try in taco form (one for $2.50, thin-sliced Only the for $7). ai vegan three is grilled. tofu SNACKER-APPROVED FOOD SNACKER-APPROVED

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Eats Eats The star of Lifetime TV’s TV’s Lifetime of star The - entrepre the and ﬁngerprint her But Tonya ReneeTonya Banks BY MICHELE STUEVEN | only be described as well above average. above well as described be only neurial path she forged from there can there from forged she path neurial to Harbor College in Harbor City. Harbor in College Harbor to created has Banks franchise, its and L.A. from Banning High School and went on went and School High Banning from UCLA General Hospital. She graduated graduated She Hospital. General UCLA TONYA BANKS GOES BIG GOES BANKS TONYA

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Want to know the best place for weekly drink specials, weekly for place the best know to Want drink specials, weekly for place the best know to Want 23 ALL YOU CAN EAT Menu 27 items CAN EAT ALL YOU laweekly.com/newsle ers laweekly.com/newsle at Sign up now laweekly.com/newsle ers laweekly.com/newsle at Sign up now ALL YOU CAN EAT Menu 27 items CAN EAT ALL YOU USDA Prime Beef Brisket, Marinated USDA Choice Beef Short Rib, Unmarinated USDA Choice Beef Short Rib, Prime Black Angus BBQ Beef Choice Beef Short Rib, Unmarinated USDA Choice Beef Short Rib, Marinated USDA Prime Beef Brisket, USDA drink specials right in your area. in your drink specials right FOOD PROMOTIONS NEWSLETTER PROMOTIONS FOOD FOOD PROMOTIONS NEWSLETTER PROMOTIONS FOOD $ Belly, Pork Thin Sliced Canadian Fresh BBQ Pork, Spicy Black Angus Beef Tongue, Premium BBQ Beef, Prime Black Angus Spicy (Bulgogi), Lunch/$21.99/11am-3pm, on Weekdays, Except Holidays. Dinner/$23.99/3:00pm to Closing Weekdays, All day on Weekends and Holidays All day on Weekends Dinner/$23.99/3:00pm to Closing Weekdays, Except Holidays. on Weekdays, Lunch/$21.99/11am-3pm, Sign up and receive a weekly list of the top of list a weekly Sign up and receive whether it’s for one drink or staying out all night? one drink or staying for it’s whether Want to know the best place for weekly drink specials, weekly for place the best know to Want laweekly.com/newsle ers laweekly.com/newsle at Sign up now FOOD PROMOTIONS NEWSLETTER PROMOTIONS FOOD ogi truck ogi THEME PARKS PHOTO BY ANNE FISHBEIN BY PHOTO —Jonathan Kendall —Jonathan —Jonathan Kendall —Jonathan oy Choioy at the K R However, some fans feel left out, notably out, left feel fans some However, - Pot Harry a Foundation, Protego The J.K. and Universal like would “We requests to responded not has Universal who Lynch, Evanna supporter Campaign Though it’s unknown exactly when the when exactly unknown it’s Though Harry Potter Fans Demand Fans Potter Harry Butterbeer Vegan to fans Potter Harry among tradition a It’s whenever goodness butterbeer in indulge of section World Wizarding the visit they pos- the with Indeed, Studios. Universal soda– cream the wands, of exception sible popular most the probably is drink like park. the at — adults and — kids for item a with topped is butterbeer The vegans. topping. whipped dairy-based foamy, its and group, animal-rights ter–inspired to eort an launched have allies vegan a oer to Bros. Warner and Universal get has petition online An alternative. vegan signatures. 3,300 nearly received the changing by that consider to Rowling vegan, fully is that one to recipe butterbeer to fans vegan enabling be they will only not about dreamed have they that drink a enjoy will they but childhood since consuming a is that world a create us helping be also animals and humans the all for place better Kathryn member Protego it,” inhabit that Henzler said. comment. for ﬁlms, the in Lovegood Luna quirky played can’t genuinely “I statement, a in said to going than out day lovelier a imagine butterbeer a enjoy to World Wizarding the line in ﬁrst be will I friends. vegan my with comes.” day that when Choi said, adding he hopes to create a POT a create to hopes he adding said, Choi future. the in 2.0 Commissary and still can you reincarnated, be will brands at experiences dining Choi’s out check Indeed, July. of end the until L.A. Line the sun- at drink a grab to time still there’s hotel’s the in housed Commissary, soaked greenhouse. urban lush, -

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| | C H V H C ese baked goods and Mexican staples. Mexican and goods baked ese - Taiwan of mix its with space, the at menu from the potpourri of influences at Choi’s Choi’s at influences of potpourri the from Truck breakfast burritos. It’s a big switch big a It’s burritos. breakfast Truck boba tea and new food items from Rooster from items food new and tea boba expect an expanded drink menu, including including menu, drink expanded an expect head high, heart full, and proud.” and full, heart high, head can guests hotel 1, Aug. on opens Line mutual agreement on both so I leave with a with leave I so both on agreement mutual to our brands. Happy to say we found a found we say to Happy brands. our to retain their jobs and us retaining the rights the retaining us and jobs their retain to us were our sta having the ability to ability the having sta our were us to “The two things that were most important most were that things two “The next chapter at the Line L.A.,” Choi wrote. wrote. Choi L.A.,” Line the at chapter next he’s bringing a new restaurant to the Strip. the to restaurant new a bringing he’s another Sydell property in Sin City, where where City, Sin in property Sydell another focusing his attention at the NoMad, NoMad, the at attention his focusing year contract at the Line L.A. He will be will He Line L.A. the at contract year though, with the completion of his five- his of completion the with though, innovative as they are mouthwatering. are they as innovative end, an to coming not are Group Sydell and Mexican flavors in dishes that are as are that dishes in flavors Mexican and a fusion inspiration for blending Asian blending for inspiration fusion a rolling restaurant,” but he also has become has also he but restaurant,” rolling and I’m hometown proud of how Korea how of proud hometown I’m and democratic yet ultra-hot sought-after, began. “We did some great things together things great some did “We began. “highly a to aair coach” “roach a said, coming to an end at the Line L.A.,” Choi L.A.,” Line the at end an to coming Bourdain as from, concept food-truck the and my company, 10 Grand Hospitality, is Hospitality, Grand 10 company, my and there.” time our in up blew town that the relationship between Sydell Group Sydell between relationship the that coee shop, Pot caFe. Pot shop, coee bars, Pot Lobby and Commissary, and its and Commissary, and Lobby Pot bars, in Koreatown, where he oversaw the hotel’s hotel’s the oversaw he where Koreatown, in that he is leaving his post at the Line L.A. the at post his leaving is he that On June 8, Choi posted on his Instagram his on posted Choi 8, June On

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| | LA WEEKLY // June 22 - 28, 2018 // www.laweekly.com 23 - - On the other side of the insidebillboard, paint starts one no and old, years 25 was “I “Beyond the Streets” is on view through through view on is Streets” the “Beyond She She still works as an artist, teaching and - me the of expense the because it’s think “I be- mostly show of the proud is Gastman not worry “Let’s about what the museum Growing up in Astoria, Queens, Lady Pink Lady Queens, Astoria, in up Growing pieces by the iconic Guerilla Girls, including including Girls, Guerilla iconic the by pieces a out billboard back that comments on the cultural mainstream in voices female of lack - desnu estar que “Tienen asking, institutions, (Does ” Met? el en entrar para mujeres las das Met?) the enter to nude be to have woman a Dabs duo husband-wife the warehouse, the whimsical the designed famously who Myla, Movie at the 2015 characters MTV cartoon pop colorful of trio a installed have Awards, murals surrounded by hundreds of artifi- they Australia, Melbourne, From flowers. cial mostly have and ago years nine L.A. to moved of with exception the o streets, the stayed sanctioned commissions, for fear of being citizenship. their jeopardizing and arrested ing grati when they’re 25,” Myla recalls you go to school, you get a portfolio, you take you portfolio, a get you school, to go you sending start you and portfolio that of slides letter cover little nice a with galleries to that of couple college shows the last that shows and will you a like gallery Maybe have. you write you back, maybe they won’t. All of a sudden street art becomes more and more on audience instant an have you and popular everyone’s watching, the street. Everyone’s it.” about talking everyone’s looking, L.A.; downtown in Werkartz at 6 July beyondthestreets.com. of the Arts (LOTA), but she gave up working up gave she but (LOTA), Arts the of on the streets in 1985. “I grew up,” Fabara I decision. that make to have “You explains. for care didn’t who someone with living was handsome of bunch a with out sneaking me men young in the middle of the night. You have to earn a have You living. to put that aside.” stu childish exhibiting in galleries as she has since the works artist, grati a husband, Her 16. of age gone have decades the “As assistant. her as on, the minorities are no longer doing it as are percent, 80 majority, the now And much. - sub the from 20s their in males white young says. Fabara somewhere,” urbs dium is beyond most minorities. have You ma the of some and paint spray the steal to spray The finances. their beyond It’s terials. It’s counter. the behind cases, behind is paint for harder just It’s risk. great a It’s up. locked minorities to go through the system. They shifted just It’s longer. much for up locked get the demographics and regions. It’s not in suburbs.” in is it as much as ghettos permission the with assembled was it cause through loaned or acquired not artists, the of im- an It’s say-so. their without parties third portant gesture of respect to street artists establishment. art the by forth put rarely world is going to Gastman says say,” with used of to “The system behis hand. a wave about getting her start with her future hus- future start with her her getting about classmates. as met two the when Dabs, band, “These guys were amazing and so super helpful and taught me all of this cool stu. I just started painting every weekend with guys.” these all (Sandra is Fabara) one of the first female she 1979, in started, she after year A taggers. Ladies crew tagging all-female the founded - - IEFE PHOTO BY JORDAN R JORDAN BY PHOTO Another Another byproduct of of money, course, people put to tendency a has “Capitalism A- the in names biggest the of most While - wom by work of lot a is see won’t you What There’s a lot of deserving people who are not are who people deserving of lot a There’s that have didn’t they because known well as opportunity and they didn’t get that press talented more lot a are who but got, he that a not and culture the of part actually are and the of part a was He opportunity. the of part creativ his away taking Not ... opportunity. but to ity, associate him with grati when trainª…” a on rode never he is financial security for artists, but only if they show in galleries. Street art can earn money, always not but reputation a artist an - con its from removed is piece a once since ceases it like) the and walls salvaged (on text into falls provenance its and art street being ca a maintain to order in Therefore, doubt. have also exhibition “BTS” the in many reer, practice. studio healthy a cultivated and smart you’re if But grinder. the through greedy weren’t you and it, navigate can you more you give can actually it place, first the in at craft his learned who Fairey, says freedom,” on focusing Design, of School Island Rhode - al decorates artwork his Today, printmaking. 1990s, the since has it as overpasses and leys posters hats, skateboards, T-shirts, also but and commissioned murals on the sides of in- protected a many as well as — buildings space. wall terior white, are world art street the of echelons list of rainbow a represents Streets” the “Beyond worked hasn’t he Though styles. and artists Mu- Takashi artist on Japanese streets, the rakami’s massive canvas painted on both sides, hung as a cylinder in the middle of the floor, is directly inspired by street art. writer, wall a as started who Martinez, Patrick such messages out spelling art neon makes as “America is for Dreamers” in English, Chinese. and Spanish and inclusivity, prioritize did curators The en. works from AIKO, Martha Cooper, Jenny others are highlights ofand several Holzer street- the that remains fact the But show. the art world is largely male. There are several

- IS TE IS REY AND STREET AND STREET NG WHI Exit Through the Gift Shop CKET OUT OF OUT CKET ART, BEI ART, A GUARANTEED NOT TI ALL.” AT POVERTY I FA SHEPARD “IN THE WORLD OF “IN THE WORLD GRAFFITI WHITER “The “The money changed it, because young According According to “Wicked” Gary Fritz, co- - re but come to era cash-strapped the in out gained momentum in the ’80s with figures Basquiat Jean-Michel and Haring Keith like Streets”). the “Beyond in (bothincluded money. the get just to it do to joined people So you have people who do it who aren’t rode never who culture, the with associated in trains or never got down on the track or experienced the same things,” - Fritz ex plains about street art’s transition in the 1980s. early “When found the press finally he white went hope, with their great it and he’s now an international legend and still Har Keith — year after year money making oflots make and name a be always will ing him because they that money gave spot. ... but co-curated MOCA’s popular “Art in thein “Art popular MOCA’s co-curated but pic- take will “People 2011. in show Streets” neighborhood the make will it and it of tures look a little bit prettier and then wemaybe can get a coee shop and then we can get formula.” a it’s Z, Y, X, buildings. other some founder of the 1960s Brooklyn-based crew primal a out letting just were they Vandals, Ex personal War, Vietnam the of protest in roar problems or tough economic times. In the demimonde grew 1970s, New hip York’s to - back painted Artists Grati United grati. drops for the Jorey Ballet Company and was work their and ’73, in Dance Tharp Twyla fizzled that movement a galleries, in shown advised advised on the Oscar-nominated Banksy documentary - - . Weekly L.A. IEFE

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Shepard Fairey at “Beyond the Streets” Arts “Where “Where you see grati was a formal no- In a familiar pattern, what was once mar once was what pattern, familiar a In “I won’t deny that the art world is mostly Today, Today, most of the biggest names in BY JORDAN R BY JORDAN

GETTING curator Roger Gastman explains. He not only not He explains. Gastman Roger curator commercially viable and whiter. and viable commercially term,” safer a become has art street now no, of people of color, became more upmarket,of more became people of color, times times and urban blight, and the province considered considered a symbol of tough economic now, it’s still not.” still it’s now, And so grati, oncecannabis. become has to earn a living. Even though it’s more viable more it’s though Even living. a earn to Latino element, now in its mainstreaming someone. It’s not a real smart career choice career smart real a not It’s someone. an eort to link it with a supposedly seedy card company, the card oil company, and gas company or in marijuana, called once was What Presley. was was pissing o either a the landlord, credit Elvis like artists by whitened was it when roll white is not a guaranteed ticket out of pov out ticket a guaranteed not is white erty at all. The first 10 years of my career I music as “Negro” rock became &ginalized who have moved, well, beyond the streets. the beyond well, moved, have who tells Fairey males,” white by run In the world of grati and street art, being York City to current studio practices of those of practices studio current to City York it was so that refreshing it all wasn’t white! some 50 years, from the early grati of New of grati early the from years, 50 some because part large in world that to attracted Streets.” It’s a comprehensive show spanning show comprehensive a It’s Streets.” was I but white, born was I that help can’t “I the 100-plus artists featured in “Beyond the “Beyond in featured artists 100-plus the Banksy, Invader, Kenny Scharf — just a few of few a just — Scharf Kenny Invader, Banksy, street art are white men like Shepard Fairey, Fairey, Shepard like men white are art street fiti Artists, one of the genre’s first crews. first genre’s the of one Artists, fiti - Graf United of members founding were they run with Henry Medina (Henry161) when both from Washington Heights, who used to used who Heights, Washington from both glides (SJK171) and Mike Hughes (MIKE171), Hughes Mike and (SJK171) glides

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theater community, which has suered a refrain all too familiar to L.A.’s intimate and some badly timed expenditures. It was be found to oset the loss of several grants June unless a new funding source could close its East First Street cultural center by couldn’t meet its rent and would have to warned that the 18-year-old company ing artistic director, Josefina López, had that’s 195 people we didn’t have before.” L.A. Weekly. “We can’t exist on that. But won a temporary reprieve. cover its rent and overhead, Casa 0101 had up 350 new subscribers at $25 per month to mark” in its #CASA350 campaign to sign week reported that by passing “the halfway tive director, Emmanuel Deleage, who last CASA 0101 WINSREPR CASA | BY BILLRADEN In January, the Latinx company’s found- “Now we are at 195 donors,” Deleage told That’s according to the theater’s execu- Stage • Upto$500for participation +abodyweight andfood scale! • ShermanOaks, CA • 4visits • BMIof28-37 • Ages18-65 • Males/Females in itsnew-subscriber campaign Boyle Heights theater hitshalfway mark the year. after all, at least through the end of cial setbacks, will not be closing remain open in the wake of finan- been waging a six-month fight to Boyle Heights theater that has t looks as if Casa 0101, the 99-seat Weight LossProgram Study Overweight volunteers 818.256.1697 //

for 16weekstudy. Call TODAY at Wanted: Latinx performers to the stage and into the have made it a crucial gateway for young playwriting, acting, singing and dancing company’s free youth and adult classes in tunities for working Latina/o actors. The disproportionate amount of casting oppor in the city’s performing arts scene and a Casa 0101 commands an outsized presence the only professional stage in East L.A. — stages in 48 percent Hispanic L.A. — and artists. As one of only three all-Latino welcome news to the city’s Latinx theater costs that factored into its financial woes. er goal even as it scales back some of the buys the theater time to reach its subscrib- open through the end of the year. It also 1), should be enough to keep the doors and the Beast (which has extended to July current smash hit, Disney musical scription revenue plus ticket sales from its tors union, of its 99-seat theater waiver. Actors’ Equity Association, the stage ac- the financial crash and the termination by is still reeling from the double whammy of skyrocketing rents in the past decade and a number of high-profile casualties to The reprieve comes as especially Deleage said the new Casa 0101 sub- IEVE

Beauty Beauty - instead of producing eight shows on its of communications left for another job, and from its small sta in March when its head theater was able to cut a full-time position be a leaner, more e£cient institution. The Chicano power movement of the 1970s. Carmelo Alvarez’s drama set against L.A.’s world premiere of the United States. This fall will see the laborers — including López’s father — to worker program that brought Mexican the chos, which premiered in 2012, chronicled Enemy of the Pueblo, and her Boyle Heights gentriﬁcation allegory American community will continue. history and experience of L.A.’s Mexican- and mostly new works that represent the ater’s seasons of family-pleasing musicals the announcement means that the the- ﬁlm and TV industry. The “new” Casa 0101 will nevertheless Last season saw the debut of López’s For Boyle Heights theatergoers, however, bracero program, the WWII-era guest-

We are studying a medication-based a medication-based We arestudying quit? or reduce to Are youlooking use meth? actively Do you Eligible participants will: Eligible participants will: treatment that may help. treatment thatmay    receive 12weeksof medication have clinicvisitstwice aweek be compensatedfor studyactivities have clinicvisitstwice aweek 310.709.1594 BE APART OFLAWEEKLY’S TO ADVERTISE: CONTACT 310.574.7339 Free Los Tres, playwright RESERVE SPACE BY JULY 20 THEATRE GUIDE Trio Los Ma- lead in turn to better grants.” documented, well evaluated, and that will a little bit less of it and make sure it’s well to be able to do good work but maybe do see the impact,” Deleage said. “We have know? But grantmakers really want to classes. We have a lot of art exhibits, you ing, fundraising and self-promotion. nonproﬁts arts institutions — grant writ- more of its energies to the lifeblood of all ity, will be evaluated in January. along with the theater’s continuing viabil- another Latino theater company. home; he and López hope to hand it over to First St. that was the company’s original the 50-seat storefront stage at 2009 E. may be the decision to give up Little Casa, main stage each year will oer six. To donate go to casa0101.org/support-us. “We do a lot of plays. We oer a lot of In the meantime, the theater will devote Deleage said the e£cacy of the cuts, But Deleage said the biggest sacriﬁce

based artistic director of Casa 0101 Casa of director artistic

Joseﬁna López, founding founding López, Joseﬁna

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I Elephant Man, course, the original in almost rivaled that of lead character Henry his huge, ﬂopped-over head of hair, which cinched tight at the neck (with no tie) and back in the day: the director’s collar always ion items that were considered Lynchian, long that some of us remember even fash- dirt. He’s smiling. … well, it could be chocolate or it could be where in Idaho. His mouth is smeared with little towhead sitting on a porch some- enfant terrible as an actual infant, a pudgy little Lynch at about the age of 3, the future autobiography, is a grainy snapshot of to Dream, a David Lynch biography-slash- New Wave–ish early ’80s quite well. of David Lynch creations: bic, nightmare stu. All thanks to a handful severed heads; rotting meat … claustropho- industrial landscapes; grotesque faces; A WHAT DREAMS | BY TONY MOST Lynch himself has been so famous for so The cover photo of the new book Film Eraserhead; Lynch’s look ﬁt in with the David Lynch’s new memoir reveals his truth David Lynch

RE RE ly sputter on and o; dark, creepy rooms; light ﬁxtures that spastical- things, of course: decaying motel of as Lynchian. They’re not happy moods and things that we all think at least a generation, a category of n pop culture there has been, for // Mulholland Drive and, of

RO Twin Peaks. M Eraserhead, R EAL Room Room The The a niche for himself in Hollywood, and it sticking to his artistic guns, Lynch carved the top of his field at a fairly young age. By Lynch’s story inspiring, since he vaulted to less, since 1971. successes in L.A., where he’s lived, more or school days in Philadelphia to his first happened to Lynch, from Idaho to his art learning practically everything that ever impressive. Readers will feel as if they’re written by McKenna, whose research is comment on and amplify each bio-chapter written “response” chapters here that and not-quite-as-famous gallery artist. enna on Lynch, the ultra-famous filmmaker threat” creatives), so here we have McK Captain Beeeart, all of them “double- about William Burroughs, Brian Eno and be multitalents (she’s previously written about innovative artists who happen to McKenna. She has always loved writing journalist and hip culture-hound Kristine by Lynch and his friend, former and “granular” biography. It’s co-written released Tuesday, June 19, is a slow-paced head. But be warned that that’s inside that feverish (non-severed) artistic vision came from and what it is inside dope on where their hero’s creepy will come to this book hoping to get the Aspiring artists of all types will find In an unusual arrangement, Lynch has Hardcore David Lynch fans probably Room to Dream, L.A. L.A. Times - for those of us who remember the original the time). There’s cultural nostalgia, too, (she and Lynch, of course, were an item at the scariness of her co-star Dennis Hopper who recalls the making of from lead actors like Isabella Rossellini, funtime here, including interview quotes “Jimmy Stewart from Mars.” grotesque subject matter by calling him combo of gee-whiz American-ness and famously summing up Lynch’s trademark can Film Institute had helped to fund), seeing as a producer for worked. Recall that Mel Brooks signed on There’s plenty of gossip-gratification IMPRESSIVE. WHOSE RESEARCH IS BY CHAPTER WRITTEN AMP COMMENT ONAND CHAPTERS HERETHAT “RESPONSE” LYNCH HAS WRITTEN Eraserhead (which the Ameri- M L CKENNA, CKENNA, IFY EACH BIO The Elephant Man after and Blue Velvet and PHOTO BY H DEAN URLEY and 14. Tickets on sale now via axs.com. DTLA’s Theatre at Ace Hotel on Oct. 13 programmed entirely by Lynch, returns to Foundation’s Festival of Disruption, Hotel, downtown L.A. Tickets at axs.com. June 21, 7-10 p.m., at the Theatre at Ace David Lynch and Kristine McKenna, Thu., isn’t unreal at all. dogs. The creepy world of David Lynch by the police with their corpse-sni©ng some suburbanite’s cellar is being dug up phenomenon we see on the news whenever just underneath the surface. It’s the same malcy hiding all of that weirdness lurking lineage, what with all that suburban nor continuation of that old American Gothic Velvet and The best of Lynch’s films, such as pastimes,” to quote Nathaniel Hawthorne. dread of looking behind him, after these about the heart, and, moreover, a foolish … I had to find some unusual things.” just be in jars in the background in a movie. to hospitals and told them the cords would Eraserhead: “To get umbilical cords I lied a crew member about the props list for is here too, of course. Here’s a quote from list back in his pocket….” ‘No, not really,’ and the guy quietly put the making of interested,’¦” recalls one associate about the and saying, ‘I’ve got some notes if you’re tive taking a list of notes out of his pocket pushover, though: “I remember an execu- Meditation, aka TM. known enthusiasm for Transcendental Indian immigrant who shares Lynch’s well- his voice,” according to Deepak Nayar, an “He never loses his temper, never raises This does sound pretty unusual. Further: in your ear. It’s real confidential direction.” comes up to you very quietly and whispers rection when other people are listening. He private with actors and never gives you di- while on the set of lead character Henry’s trademark hair actress Charlotte Stewart, who designed process of moviemaking fun. and tries as much as possible to make the director who isn’t bossy toward his actors from them can’t be denied: a soft-spoken picture of Lynch-the-person that emerges eye-roller, though the consistently positive frescoes”) will strike some readers as an sance giants capable of creating enormous timonials (“He’s like one of those Renais- David was laughing!” is funny, though. But I still don’t know why There is something about I don’t know why, but he was laughing. … throughout the shooting of (a) rape scene! the filming of ments, like Rossellini herself describing comes though in certain interesting com- by some of Lynch’s former colleagues pre-gadgets era. nated pop culture back in that simpler, network TV, a series that thoroughly domi- Twin Peaks, Lynch’s breakthrough into Also, the fourth iteration of the Lynch Book Soup presents An Evening With “Ah! One feels a chillness, not bodily, but The delicious grossness of his, ah, tastes The serene Mr. Lynch is clearly no “David … never makes actors read,” says The repetitive tone of these gushing tes- The extreme sense of loyalty expressed Twin Peaks. “And David said, Eraserhead, do feel like a Blue Velvet: “David laughed Eraserhead. “He’s very Blue Velvet that Blue Blue - | | LA WEEKLY // June 22 - 28, 2018 // www.laweekly.com 25 - Blue that Velvet Blue . “He’s very “He’s . Eraserhead : “David laughed laughed “David : Velvet Blue , do feel like a like feel do , Eraserhead . “And David said, David “And . Peaks Twin The extreme sense of loyalty expressed expressed loyalty of sense extreme The - tes gushing these of tone repetitive The says read,” actors makes never … “David no clearly is Lynch Mr. serene The tastes ah, his, of grossness delicious The but bodily, not chillness, a feels One “Ah! With Evening An presents Soup Book Lynch the of iteration fourth the Also, , Lynch’s breakthrough into breakthrough Lynch’s , Peaks Twin - domi thoroughly that series a TV, network simpler, that in back culture pop nated era. pre-gadgets colleagues former Lynch’s of some by - com interesting certain in though comes describing herself Rossellini like ments, of filming the scene! rape (a) of shooting the throughout … laughing. was he but why, know don’t I about something is There why know don’t still I But though. funny, is laughing!” was David - Renais those of one like (“He’s timonials enormous creating of capable giants sance an as readers some strike will frescoes”) positive consistently the though eye-roller, emerges that Lynch-the-person of picture soft-spoken a denied: be can’t them from actors his toward bossy isn’t who director the make to possible as much as tries and fun. moviemaking of process designed who Stewart, Charlotte actress hair trademark Henry’s character lead of set the on while di- you gives never and actors with private He listening. are people other when rection whispers and quietly very you to up comes direction.” confidential real It’s ear. your in Further: unusual. pretty sound does This raises never temper, his loses never “He an Nayar, Deepak to according voice,” his well- Lynch’s shares who immigrant Indian Transcendental for enthusiasm known TM. aka Meditation, - execu an remember “I though: pushover, pocket his of out notes of list a taking tive you’re if notes some got ‘I’ve saying, and the about associate one recalls interested,’¦” of making the put quietly guy the and really,’ not ‘No, pocket….” his in back list from quote a Here’s course. of too, here is for list props the about member crew a lied I cords umbilical get “To : Eraserhead would cords the them told and hospitals to movie. a in background the in jars in be just things.” unusual some find to had I … foolish a moreover, and, heart, the about these after him, behind looking of dread Hawthorne. Nathaniel quote to pastimes,” as such films, Lynch’s of best The and Velvet Gothic American old that of continuation nor suburban that all with what lineage, lurking weirdness that of all hiding malcy same the It’s surface. the underneath just whenever news the on see we phenomenon up dug being is cellar suburbanite’s some corpse-sni©ng their with police the by Lynch David of world creepy The dogs. all. at unreal isn’t Thu., McKenna, Kristine and Lynch David Ace at Theatre the at p.m., 7-10 21, June axs.com. at Tickets L.A. downtown Hotel, Disruption, of Festival Foundation’s to returns Lynch, by entirely programmed 13 Oct. on Hotel Ace at Theatre DTLA’s axs.com. via now sale on Tickets 14. and URLEY PHOTO BY DEAN H BY PHOTO andVelvet Blue after Man Elephant The IFY EACH BIO EACH IFY CKENNA, L M - Ameri the (which Eraserhead LYNCH HAS WRITTEN HAS LYNCH “RESPONSE” CHAPTERS HERE THAT ON AND COMMENT AMP CHAPTER WRITTEN BY IS RESEARCH WHOSE IMPRESSIVE. There’s plenty of gossip-gratification gossip-gratification of plenty There’s funtime here, including interview quotes interview including here, funtime Rossellini, Isabella like actors lead from of making the recalls who Hopper Dennis co-star her of scariness the at item an were course, of Lynch, and (she too, nostalgia, cultural There’s time). the original the remember who us of those for worked. Recall that Mel Brooks signed on signed Brooks Mel that Recall worked. for producer a as seeing fund), to helped had Institute Film can trademark Lynch’s up summing famously and American-ness gee-whiz of combo him calling by matter subject grotesque Mars.” from Stewart “Jimmy

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In an unusual arrangement, Lynch has Lynch arrangement, unusual an In find will types all of artists Aspiring Hardcore David Lynch fans probably probably fans Lynch David Hardcore released Tuesday, June 19, is a slow-paced slow-paced a is 19, June Tuesday, released co-written It’s biography. “granular” and former friend, his and Lynch by Kristine culture-hound hip and journalist writing loved always has She McKenna. to happen who artists innovative about written previously (she’s multitalents be and Eno Brian Burroughs, William about “double- them of all Beeeart, Captain McK have we here so creatives), threat” filmmaker ultra-famous the Lynch, on enna artist. gallery not-quite-as-famous and that here chapters “response” written bio-chapter each amplify and on comment is research whose McKenna, by written they’re if as feel will Readers impressive. ever that everything practically learning art his to Idaho from Lynch, to happened first his to Philadelphia in days school or more lived, he’s where L.A., in successes 1971. since less, to vaulted he since inspiring, story Lynch’s By age. young fairly a at field his of top the carved Lynch guns, artistic his to sticking it and Hollywood, in himself for niche a will come to this book hoping to get the get to hoping book this to come will creepy hero’s their where on dope inside is it what and from came vision artistic (non-severed) feverish that inside that’s that warned be But head. The Room EAL R , Eraserhead M . Peaks Twin RO

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dirt. He’s smiling. He’s dirt. … well, it could be chocolate or it could be could it or chocolate be could it well, … where in Idaho. His mouth is smeared with smeared is mouth His Idaho. in where - some porch a on sitting towhead little enfant terrible as an actual infant, a pudgy a infant, actual an as terrible enfant little Lynch at about the age of 3, the future the 3, of age the about at Lynch little autobiography, is a grainy snapshot of snapshot grainy a is autobiography, , a David Lynch biography-slash- Lynch a David , Dream to New Wave–ish early ’80s quite well. quite ’80s early Wave–ish New in almost rivaled that of lead character Henry character lead of that rivaled almost his huge, ﬂopped-over head of hair, which hair, of head ﬂopped-over huge, his cinched tight at the neck (with no tie) and tie) no (with neck the at tight cinched back in the day: the director’s collar always always collar director’s the day: the in back ion items that were considered Lynchian, Lynchian, considered were that items ion of David Lynch creations: creations: Lynch David of - fash even remember us of some that long bic, nightmare stu. All thanks to a handful a to thanks All stu. nightmare bic, original the course, - claustropho … meat rotting heads; severed industrial landscapes; grotesque faces; grotesque landscapes; industrial Man, Elephant I

www.laweekly.com // June 15 - 21, 2018 // LA WEEKLY |

the sinister minions of wealthy dangerous and unpredictable as quickly as nature proves to be as these movies, things fall apart on the island. highly intelligent raptor he left determined to find Blue, the (Pratt) to join her team, as he’s reluctant old flame Owen Grady rescue operation. She recruits Cromwell) to spearhead a secret Benjamin Lockwood (James from billionaire philanthropist gets an unexpected opportunity a campaign to save the creatures, (Howard), who has been running erations manager Claire Dearing animals perish. Former park op- decided to let the prehistoric debate, the powers that be have on the island and, after a national of erupting will wipe out all life park. A live volcano on the verge lucrative Jurassic World theme following their destruction of the dinosaurs of Isla Nublar in peril find the genetically engineered the events of of big-budget dino mayhem. tendencies in this fifth go-round chaos-theory ride with sadistic themselves on more of a bumpy thrills in the theater, only to find predictable expecting the same menu of apply to some moviegoers blame-game sentiment may come here.” That amusing you’re the one who made me don’t make it back, remember T D T | BY DAVID Like all best-laid plans in Picking up three years after Jurassic World: Fallen Kingdom Fallen World: Jurassic Film JURASSIC WORLD:FALLEN KINGDOMFINALLY GETS OFFTHEISLAND Jurassic theme-park WEINER Jurassic World we , // Howard, “If I Bryce Dallas Chris Pratt tells Kingdom World: Fallen ment in here’s a mo-

Jurassic when when more interested in finding the that we all know is gleefully a facile entertainment product are essentially deep thoughts for those lofty quandaries, but those film makes an eort to address manipulate these creations? The wield their power to genetically by mankind? Should scientists if it was genetically engineered species have the right to exist ploring. Does an endangered Crichton was so fond of ex- Jurassic Park creator Michael ing the genetic frontier that and ethical dilemmas confront- Kingdom audiences. dark territory that may divide ably but wanders into disjointed, nail-biting suspense consider entry ramps up the action and at-times crowd-pleasing new row with Derek Connolly, this World age Monster Calls, market for alarming purposes. plot to sell the dinos on the black heroes stumble onto a sinister destructs in fire and lava, our Rafe Spall). As the island self- duplicitous foundation baddie, benefactors the(like film’s Like its predecessors, Directed by J.A. Bayona (A SEQUENCE. OPENING THE EXCITING THE JUGULAR IN STRAIGHT FOR KINGDOM GOES FALLEN ) from a script by director Colin Trevor is mindful of the moral The Orphan- Jurassic Fallen - - try something new, but it’s been Jurassic franchise is aiming to of swimming in circles. The first time after millions of years shore to take in fresh air for the prehistoric fish crawling onto San Diego. It’s like watching that the T-rex chewed up a portion of Spielberg’s was teased at the end of Steven it’s realizing the potential that as a whole finally feels as if halfway through, the franchise the action leaves the island your-seat palpable. And when order to find safety is edge-of- immediate jeopardy they face in ments between scrapes and the sells well-placed comedic mo - spectacular, the admirable cast of the island is a special-eects ments. The volcanic destruction of enjoyable cinematic mo- fun escape and there are plenty as dinos relentlessly attack, etc. ters trapped in compact vehicles teeth-and-tail melees; charac- in cages; machine guns versus inhumanely rounding up dinos dinner; heartless mercenaries ment right before they become techs fumbling with equip- required for these movies: all the tropes that seem to be familiar, ticking the boxes of action quickly feels fatiguingly watery depths. But the new dead Indominus rex from the to claim the bone DNA of the which a salvage team is looking exciting opening sequence, in straight for the jugular in the dino stars, unleashing full views of their their time to set the stage before films, which collectively take a dinosaur eating a human. most entertaining ways to show Don’t get me wrong, this is a Unlike the previous Fallen Kingdom goes The Lost World when COURTESY UNIVERSAL PIC Jurassic TURES

franchise food chain. rank very high on the high-calorie snack will likely not But once fully digested, this on its promise and then some. front, at Universal Studios. On that gates of Jurassic Park: The Ride then deliver thrill seekers to the deliver thrills in the theater and studio tentpole designed to foremost, it’s a Hollywood Let’s not forget that, first and five films into the franchise. venturing into new directions trying on some new ideas and the stu of nightmares. with no escape in sight. This is sharp turn down a dark alley excitement eventually takes a starts out as kid-friendly movie PG-13 film, be warned: What their little ones to this decidedly the wall before he strikes. casting a menacing shadow on sneaking into a child’s bedroom, lit by lightning flashes and even skulking around rainy rooftops dismembering its human prey, more like a bona fide monster, dinosaur is positioned to be the darkness, this man-made creep out at the audience from extended, razor-sharp claws that gent, aggressive and armed with hybridized Indoraptor. Intelli- new star attraction: the deadly, mean streak, embodied by the rifying ways. This movie’s got a comeuppance in a variety of hor cruel villains get their shocking a sadistic turn, as the comically here that the proceedings take literally say in the movie. It’s ture made of old parts, as they pastiche of a film — a new crea still feels like a Frankenstein- tired franchise, eorts to breathe new life into a Universal monster movies. some knowing nods to classic fashioned haunted house with massive estate into a good old- ror roots and turn Lockwood’s the opportunity to mine his hor switches locations, he savors from his players. Once the action eyed fear and sweat emanating making sure to focus on the wide- the chaos with precision, always with tension, he choreographs reliance on jump scares. Playing attention to detail and minimal finely tuned set piece with nice sequence into a thoughtful, he turns almost every action eects-driven popcorn flick, and handle the demands of a massive, a slow evolutionary process. JURASSIC WORLD:JURASSIC FALLEN KINGDOM Fallen Kingdom gets points for Parents who choose to bring Yet for all of Bayona’s creative Bayona is well equipped to | Directed by J.A. Bayona |Written by Colin Trevorrow andDerek Connolly Fallen Kingdom delivers Universal Pictures |Citywide Fallen Kingdom Jurassic -

- BOUNDARIES HOUSEBEACH OPENING THISWEEK as the lesssympathetic of the two, with perfect, butsomehowL S he’ll move inwithL possessions, downto L one last favor: drive him,withallof his the charming JackconvincesL has vowed not to help himanymore, but known to love ’em andleave ’em. S Plummer), a pot-dealing octogenarian past forher broken dad,Jack (Christopher to health asshe the hasdoneinthe same advice. animalsagainst her therapist’sor hurt that she keeps impulsively taking inlost him. nude caricatures of the adultsaround a penchantforsketching unflattering H L female Vera protagonist. F fication, even to the pointof slighting her neat bowaround atroubled familyreuni- in the end,F A dad backinto her life —forgoodreason. adult womanreluctant to let her vagabond showsan family comicdrama Boundaries creativity. (S warmth to thiscooldissectionof febrile the synth-based score, whichaddspulsing er into atight 86minutes, andcomposed S co-wrote frightening consequences.S but breaking her cocoonof privilege has imagination, triggering pleasure andfear, tive purr, Paul wormshisway into E A ter’s blossoming dread. With hintsof an the former’s willfulnaivete andthe lat how “dangerous” Paul may bedisplays andtheir discussionabout as asellout, the sullenE friendto impress her downtown artist hostess Catherine (O ity intheir friendlybantering. G staging reveals the undercurrent of hostil- undulating headsdisembodied bobbing onthe gently A steadfast protector. Cinematographer Bluebeard andthe meekhomeowneras the cockyinterloper asanemotional ing water, establishing their conversation H and even the most mundaneinteractions. Paul inonelocation—S acters making soonerthanshebe fulfilled expected. By that her desire forlife experience may rives foranextended E visit, photographer Paul ar (Murray Bartlett) When alluring her stalled fictionoutput. inorderto bankroll ayear off to jump-start the vacation to parents convinceher wary ily’s (Willa leisure. captures the socialintricaciesof affluent sion reminiscent of Claude Chabrol, S Withdespite preci icy the summerheat. - S aura Jaconi,afrazzled single momto ustralian accentheightening hisseduc t the same time,it’st the same that, disconcerting ndreas vonS imon, alsoedited the psychological thrill- chaal). altiel’s debut feature isdecidedly chilly enry (L enry ammond), discusswomenwhiletread- A E L magansett summer home, only using magansett summerhome,onlyusing mma’s stepfather, H aura has some very clear issues, in clearissues,in aura hassomevery F itzgerald) feels ather confined fam- S F Beach Housesospare —fourchar ewis MacD N rustrated college student E he attempts to nurse them back he attempts them back to nurse with producer Matt Beach Housewithproducer Matt either dad nor daughter is either dadnordaughter is A mma, who views her mother mma, whoviewsher mother Writer-director erena este attempts to tieanice, tlantic, andS T cheele only shows their cheele onlyshowstheir he atmosphere of Jason D aura’s sister (Kristen ougall), a teen with ougall), ateen with onadoni) rlagh Cassidy) invited rlagh Cassidy)invited os aura ispresented altiel’s clever altiel heightens heightens altiel enry (T enry A armiga plays armiga plays S ngeles, where mma senses mma senses altiel, who who altiel, hana aura to do aura to do racious racious homas M. homas M. F he he mma’s este’s mma mma altiel altiel - - - - | | LA WEEKLY // June 15 - 21, 2018 // www.laweekly.com 27 IN OF

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- - . . Wells Wells woman uncoversAn ordinary star to strum a guitar while strum to star Twilight pare the size of their Adam’s apples and Adam’s their size of the pare john on the while they’re each other shoot Damsel a leak. Still, like you may or taking see, in detail, to wanted ever if you’ve man piss (and uncircumcised) a grown head.in the fatally shot being himself after Zellners’ the by be frustrated Or you may masculinity. toxic critique of goony dig at substantial most that their Consider — a pseudo-harmless self-image Samuel’s charac Pattinson’s scene where campfire performs for Henryter ballad that a love the — only requires for Penelope wrote he former honeybun,” on “Oh, variations murmuring you, honey- and “I love “My honeybun” deserve and Wasikowska bun.” Pattinson head- Zellners’ than the material better (Simon Abrams) lazy jokes. scratchingly a plot against her — but is it real, or all in — but is it real, her against a plot story classic George the of The head? her that play as the (as well film Gaslight Cukor and again it) has been adapted inspired original- of degrees with varying again, to Unsane Baby . The Rosemary’s from ity, understand- on our cultural plays premise macro-aggressive to micro- the of ing - been histori in which women have ways King’s W. men. Rob by cally manipulated domestic, a thriller criss-crossing Distorted the into ventures with CIA psy-ops, drama with a story trope aboutparanoid-woman who copes with Ricci), (Christina Lauren with meds until she bipolar disorder her imaginarystarts people apparently seeing safe, feel her make To for her. coming Fletcher), (Brendan husband, Russell her apartment, a “smart” into her moves sur immediately But she security. by rounded DISTORTED . , his first true sound film. , his first film. true sound The Great Dictator LACMA, 5905 Wilshire Blvd., Mid-Wilshire; LACMA, Mid-Wilshire; 5905 Wilshire Blvd., ast Days of Disco L The actor-rodeo-performer Gene Autry are screened in the in the screened Autry are Gene actor-rodeo-performer double is month’s eater. Fargo Wells museum’s on the Rio Twilight and e Big Show oers feature 11, two B-movies shot years apartGrande for Republic Come crooning. trademark Autry’s feature that Pictures exhibitions. the browse early to museum the to at Autry Museum of Theater American the West, Fargo Grith Sat., Park; June 23, Heritage Way, Western 4700 free with museum admission. (323) 667- noon-2:30 p.m.; 2000, theautry.org June 26 Tuesday, Chaplin Charles France, took Shortly Nazis the after released — is its timing the — besides feature notable Its most so-called Fuhrer, the Adolf Hitler, of satirical takedown Phooey. Der Hynkel, Adenoid character via Chaplin’s facts the with it after through going lamented Chaplin an light, came to but it remains Holocaust about the final with a stirring important film history, piece of close out 35mm print to will show a speech. LACMA British-born film the series honoring its four-week genius. lacma.org $4. (323) 857-6000, p.m.; June 26, 1 Tue., —Nathaniel Bell —Nathaniel - understandably) subject the exas The tonally berserk tonally Western- The often suggests a suggests Damsel often comedy hybrid acid Western, Anderson–directed Wes knack for sad- only without Anderson’s acid or the about macho pride sack jokes typically spiritual consideration Western’s Instead, nature. guys’ destructive white of duo David co-writer/director fraternal the Treasure (Kumiko, Zellner and Nathan Hunter (Mia pioneer woman Penelope perated cartoonishly of a gauntlet to Wasikowska) men — particularlyimmature dumbbell andfiance Samuel Pattinson) (Robert companion Parson his jittery traveling — who all imagine Zellner) Henry (David woods and babe in the a helpless she’s Unfortunately, her. dominate seek to use her to gets never almost Penelope - — a physi weapons Tunes–style Looney rifle and two-barrel cally bent out-of-shape — on sticks dynamite bundles of several are subjects. They preferred Zellners’ the who run off Nice Guys cliffs,juvenile com- interesting thread in the story in the but The — thread interesting off topic, the skitters and avoids Catcher play-by-play for unexciting opting instead country from country. to travels as Berg role in such a serious Seeing Rudd but any to, adjust to a minute take may with this would struggle actor dramatic development. shallow character script’s those curi- a Spy is one of Was The Catcher where ously bad movies with a good cast an impression, much of makes nothing another about yet seething unless you’re for Siennathankless role Miller or laugh- Dutch alarming Giamatti’s at Paul ing movie within the a parody like accent. (It’s Kim) Yoonsoo movie.) (Kristen T DAMSEL IS - , as Timely as Ever , as Timely Stranger-than- MOVIE TO-DO L TO-DO MOVIE Y WEEKL is the outdoor answer to to answer outdoor Cinema Club is the Rooftop The Great Dictator June 22 Friday, Stillman, Whit American writer-director Distinguished youth, will be bourgeois of laureate poet cinema’s e Last of screening for a Q&A a in town following ever-so-slightly pensive, droll, of. This Disco Days of a cadre around revolves pageant condescending clubbers Manhattan hyper-articulate dance, as they of (and talk and talk) on a myriad and talk fall in love, and Stillman’s is superb, cast ensemble subjects. e 1328 Montana eatre, errs. never ear for banter Aero $12. (323) June 22, 7:30 p.m.; Santa Monica; Fri., Ave., . americancinemathequecalendar.com 466-3456, and take a comfy deckchair can grab ArcLight. Patrons down for a settling L.A. before sunset in a stunning also system headphone wireless popular movie. e corn nuts guy munching the of sounds cancels out the Neuehouse the atop feature night’s Friday in your ear. Scott’s Gun, Tony Top Hollywood ever-watchable is the a concerning cult favorite ’80s adrenaline-pumping varies: pricing Ticket aviators. naval hot-shot of group chair and $20 a lounge chair, you a lounge gets $17 seat and popcorn. No alcohol a love popcorn, and $24 buzzed. you will leave movie but the at this venue, Sunset Hollywood, NeueHouse 6121 Club, Cinema Rooop (207) 635- $17. June 22, 8 p.m.; Hollywood; Friday, Blvd., . rooopcinemaclub.com 5517, June 23 Saturday, - has been program American West the Autry Museum of ﬁlms and vintage television of stream a steady ming fourth On the Saturday of for years now. programs singer- American every month, two ﬁlms starring other YOUR YOUR ing tickets), while Jack gets to poke fun at poke to while Jack gets tickets), ing best Feste a criminal. Where for being her succeeds in Boundaries father- in the isn’t finds her which relationship, daughter but in the resolution, for a tight straining the Laura-Henry one, where mother-son two actors easily and persuasively vibe off (April Wolfe) one another. Jack always getting the upper hand and the getting Jack always finds Laura When buzzkill. the being Laura of trunk in the hidden he’s weed pounds of (for park who is arrested she it’s car, her fiction stories about fascinating people about fascinating fiction stories a movie. That’s one dud of make can still latest, The case with Ben Lewin’s the those seriousSpy, one of a Was Catcher enough for memorable not period dramas bland pickings already the among release War World The offerings. award-season of Berg Moe figure follows real-life II drama - gradu a Jewish Ivy League Rudd), (Paul (a player Baseball and Major League ate clear) whose title wasn’t if the catcher, and fluency in intelligence athleticism, tapped as assets were languages several Office pre-CIA the by Strategic Services. of Sox, Red Boston his time with the After with assassinating tasked was Berg Heisenberg Werner physicist German build- was (Mark Strong), who apparently That Nazis. bomb for the an atom ing popcorn thriller sounds like all at least film is directionless, but Lewin’s material, that résumé bloated Berg’s so muddied by an enig- was payoffthe comes. Berg never Renaissance matic and underappreciated especially film not the leave man, and we clos- It briefly hints at Berg’s enlightened. most the — potentially homosexuality eted THE CATCHER WAS A SPY WAS THE CATCHER

www.laweekly.com // June 15 - 21, 2018 // LA WEEKLY |

EATING ANIMALS if the story they’reif the story (AprilWolfe) incannot. movie, it’s thatthe cast isdelivering, even Ifthere’sneed. onething Icansayforthis research onmindcontrol she might ever shop where she isandping her allthe CIA enough to coffee showupatthe same of Lauren’s whereabouts andworries, screen time.Vernon isconstantly aware hacker, Vernon whogets little Sarsfield, ontosigned play adeep state–obsessed It’s fascinating to methatJohn Cusack helping uspiecetogether her story. specific emotional resonance forLauren, would hopethatthe images wouldhave a or alogicbehindtheir existence. One eyes. There’s nocohesive nature to them of random disturbing images before our nique of strobed montages, the flashing trates Lauren’s confusionwiththe tech- flashing screen. across her TV King illus- Laurenfeels seeswords something isoff: FARMIGA WRY,FUNNY, HUMAN. SMART VERY AND SAT 6/23 at theArcLight after the4:30show &at theRoyal after the8:00show (323) 615-2550arclightcinemas.com ArcLight CinemasAtSunset&Vine HOLLYWOOD FRI6/22 at theRoyal after the5:10show &at theArcLight after the7:00show VERA WITH EVERY ROAD TRIPCOMES BAGGAGE GREAT. VERA FARMIGA ISGLORIOUS. Q&As withWRITER/DIRECTOR SHANA FESTE CHRISTOPHER PLUMMER IS SIMPLYPLUMMERCHRISTOPHER IS boundaries “ WONDERFUL. STARTS FRIDAY, JUNE22 KRISTEN SCHAAL The creators of the WRITTEN ANDDIRECTEDBY VIEW THETRAILERAT WWW.BOUNDARIESMOVIE.COM CHRISTOPHER

PLUMMER NO 2X7 THUR 6/21 -Pete Hammond, DEADLINE T WITH T LA WEEKLY (310) 478-3836laemmle.com Laemmle’s Royal WEST LOSANGELES O CHRISTOPHER THE IRRESISTIBLE THE B LLOYD MACDOUGALL E MISSED up resistance to diseases;thatobliges these animalsnever satisfaction, build ers’ just long enoughto plumpupto their own- lived in.Living immobile,existing indoors, butare meat anddairy not suitableto be been bioengineered to maximum yield are animalstrapped inbodiesthathave utes to deny us. Here, by the thousands, funded by agribusinesshave stat passed thatlawmakers offering aperspective sion. The filmmakers take usinside COFAs, andrevulis wildlysuccessful,stirring fury - deeply, foullywrong. Inthatsense,the film we already suspect—thatsomething is again. whistleblowers have exposed itagain and Operations activists and from reporters, of Concentratedrors AnimalFeeding farming.of Accounts theof hor factory Foer,Safran aren’t exposing the cruelty onatreatiseloosely by novelist Jonathan Eating Animals,based new documentary SHANA FESTE LEWIS Eating Animals AND WWW.SONYCLASSICS.COM (714) 557-5701 Regency SouthCoastVillage COSTA MESA FONDA .” PETER FILM FESTIVAL urges usto facewhat CANNAVALE SXSW BOBBY

- - GO THE ICARUSLINEMUST DIE broke, Cardamone hopesto make aliving but can’t Nearly to findalabel release it. band hasrecorded abrilliantnewalbum band The IcarusLine. Inthe film,the on histimeinnow-defunct Los Angeles compelling butfrustrating drama based of inthis himself version a fictionalized post-punk rocker Joe Cardamone portrays (Serena Donadoni) (Serena valuation of women’s accomplishments. antidote to andentertaining thetimely de their documentaries),HalfthePicture isa only want to speakto her husbandabout who Hegedus mentionsinterviewers (Chris creative partnerships andpersonal exploration,that warrant further suchas Filled of perspectives. diversity withtopics 95 minutes isn’t enoughto address the Spheeris, freeing forAva DuVernay), but big-budget features (stifling forPenelope give-and-take of filmmaking, including the ties aminusculeone).Adrioncovers a smallpercentage of directors, minori- underrepresentation (white womenare Commission investigation into Opportunity excellent primeronthe Equal Employment majority female crew.) HalfthePicture isan (Adrioneasilydisproves thiswitha set. are allowed onlyone representative on yourjob,” will“take asifwomen mentors was warned thatthe filmmakers she each other: Lesli Linka Glatter (Homeland) Womensequels. are alsopitted against series —andnot getting hired to direct the after successfullylaunching the Twilight insecurity, whichCatherine Hardwicke felt Obstaclesdismissed. are internalized as ished, sidelined,undermined, overlooked, sexual orientation:They’ve allbeendimin- experiences regardless of age, race or There’s acommonalityto these women’s ing example aspolitical. of the personal filmmaking,advocacy anincisive andinvit crimination. It’s experiential revelation as tive distinct whileexamining gender dis- over, Adrionkeeps eachwoman’s perspec narrator. Byeschewing explanatoryvoice- no thatneeds into aflowing conversation itor Kate Hackett weave women’s voices simple talking-head- Adrionanded format, documentary.suit inher first Employing a their debut films,andAmy Adrionfollows Babbit) reinvigorated stale genres with Kusama, Patricia Riggen andJamie (including Gina Prince-Bythewood, Karyn directors featured inHalfthePicture (Alan Scherstuhl) pretendingit, not to knowisimpossible. though,it’sabout, searing. After seeing reminder of whatwe shouldallbethinking inquiry, makers. aworkof As sustained, thoughtful on whatfootage was acquired by the film- itsarguments scattershot, too dependent consumption. Itsapproach, though,istoo tal morality of globalfoodproduction and sustainability, practicality andfundamen- book, ration. The like titlesuggests that, Foer’s Portman intones, inquietly outraged nar keep ananimalwithoutkilling Natalie it,” calculated howcloseto death we can of new, drug-resistant bacteria. “They’ve all whileencouraging the development antibiotics thatthen taintourfoodsupply, to douseandinjectthem with the farmers

HALF THEPICTURE Eating Animalswillinterrogate the is a bust; as a Eating Animalsisabust; asa Many of the Many of the Legendary

- - - - IZZY GETS THE F*CK ACROSS THEF*CK TOWN GETS IZZY SPIRAL Toulouse –by fleeing to Israel. Director riots orthe 2012schoolshootings in crimes—like the 2014Semitic Sarcelles French Jewsto respond to recent anti- ments thathave several led thousand unexamined prejudices andpetty resent Spiral encourage to wallow viewers inthe vocative French sociopolitical docu-essay movie aboutariot grrrl.(AlanScherstuhl) stop-the-wedding hit“SpeakNow”ina too badthatIzzy’s quest isTaylor Swift’s over the character’s recklessness, butit’s through. Davis exquisite wields control pathways between bungalows to crash of to alleys scoot downandpaved leafy town she’s getting the fuckacross, miles soul’s destination. Here, it’s aboutthe resque indieisnever aboutitswounded bother with.Butthe inany journey pica- it’s sometimes hard to believe Izzywould aterrible ideaof —andonethat course, celebration andwin backher lover. This is, and having noride, Izzyvowsto crash the party. Despite being utterly broke-ass friend are being feted atanengagement Angeles, her ex best andher one-time word onthe other comesthat, side of Los she’s broke Then andcouch-surfing. Coon) butthatwentago, bust and years had beeninabandwithher sister (Carrie Izzy, lately. hasn’t made the effort She Hislead,Davis’ ne’er-do-wellat. rangy Papierniak’s cityisoneyouhave to work pavement andthe Californiasun.But of gettingharshness stuck between the captures the weight andbrain-scrambling gedly schlepping any way she can,Izzy sequences of Mackenzie Davis’ Izzydog- Inmontage and jagged editing rhythms. sion of flakes andcheats andshut-ins; sloganeeringill-informed from asucces- tracks; the profane and often hilariously energy. It’s powered by Heavens to Betsy Venice Beachto Los Feliz onbrash punk GetstheFuckIzzy Across Town surges from from last week’s. Christian Papierniak’s of-starting-to-figure-life-out indiecomedy and defiance distinguish thisweek’s sort- absent. (Chuck Wilson) absent. there onscreen yet time,he’s atthe same he’s made abouthimself. We canseehim but youwouldn’t knowitfrom the movie Cardamone issurely burning withpassion, or even into arecording studio. Inreal life, creative force anxiousto get backonstage orpresentrich history the singer asa and Grodner barely reference the band’s Line sobadass.It’s oddthatCardamone tures the madintensity thatmade Icarus two songs, butneither performancecap- Cardamone issorevered. Heperforms as itmaywhy not beclearto newcomers Only truepunkfansare likely to know, just selves. Butwhoare these people,really? mates, most of whomare playing them- around visiting L.A. friendsandband- scenes,asCardamonelarly paced drives Line MustDieisastringIcarus of simi - first-time director Grodner, Michael The philosophy of life. Written by singer and a perfect musician’s summationof every Cardamone willpop,” says,“Something Cardamone) expresses concern, record forfree. When hiswife (Charlotte resist letting friendsandstruggling bands from hisrecording studio, buthe can’t The makers of the aimlessly pro- Fury Fury - SUPERFLY ONGOING giggles than gasps. (Craig D. Lindsey) its ownludicrousness. Itincites more by crippled SuperFly isamovievirtually For allitspulpy, genre-movie intentions, just incompetent babesinthe woods. andpowermoney thatthey’re really and swole-in-the-chest intheir huntfor damn head. Everyone’s allsoarrogant the onlycharacter withany senseinhis cause —well, he’s Priest a hating brat. is to take downPriest andhisempire be young lieutenant (Kaalan Walker) wants and have nobeefwithPriest, butstill a guns are pale).They’re doing quite well usually decked inall-white (even their the Patrol, Snow agoofy-ass gang that’s by greedy idiots. Priest’s chiefrivals are leave becausehe’s basicallysurrounded This time,itjust seemsPriest wants to 1970s NewYork doesn’t have a chance. apimpaliciousbrothaout forhisknot, in ass-out hoodlumsready to knockhim who wanted apieceof hispieandthe life becausebetween the corrupt cops film,Priestfirst wanted to get outof the Carlito’s Way, more to stylized ’90scrimefilmslike cash. ButthisSuperFly ultimately owes Atlanta, where itlooksasthoughrains SuperFly isset rather immaculately in the meanstreets of NewYork, the new have changed withthe times.Instead of Priest Ron O’Neal’s was —somethings just asoriginal assilkyandpermed-out have stayed —Jackson’s the same hairis the dopegame. Andwhilesomethings Trevor Jackson)hatches aplanto get out dealer Priest named (played here by setup asthesame original:Asuave drug the 1972 blaxploitation classichasthe to Abrams) begoodforthe Jews.(Simon gravating, butit’s never thoughtful enough Holocaust.” slave masters” and“businessmenof the andcensoreding persecuted by “Jewish “clown” whoraves incoherently aboutbe Beck–style punditandself-described like DieudonnéM’BalaM’Bala,aGlenn soundbites from bigots anti-Semitic Bickle–like ranting between context-less sandwiching Nadil andFrançois’ Travis Fairrie the proverbial even stirs shitby are(No soldiers shownfollowing Nadil.). to the “secret underground parking lot.” are “going to followus,”sohe shoulddrive without permission,asNadil drives past) (after Fairrie’s crew filmsthem, seemingly out“Hey!” Israeli whoidlycry soldiers complex when he notes thatagroup of And Nadil seemsto have apersecution You either packyourthings oryoufight.” and psychosis, there are twosolutions: “Ifwe succumbtowhen fear he observes, sounds like abunker-dwelling survivalist illuminates little. 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W CALLING CALLING sesses a band to work their butts o try for this very feature. o, call it quits? like the hard work might ﬁnally be paying tion and beyond, and then, when it looks spit ’n’ sawdust rooms around this fair na out in cramped vans and performing in ing to catch a break, burning themselves up. thing genuinely special, they’re splitting as they appear to be on the brink of some - SXSW and get some major radio play, just on other things, so this felt healthiest. work on other things, and I want to work named the band. “I know Hank wants to and guitarist Hank Fontaine, formed and Fontaine, who, along with her brother sound in a way,” says singer Charlotte the band, and I feel that we outgrew the | BY BRETT CALLWOODBY BRETT We kid, of course. But really, what pos- Thanks a bunch, guys. “I’m very proud of what we did within Music of The Fontaines The of Lead singerCharlotte Fontaine Right as we’re about to interview them After four strong years, The Fontaines are breaking up //

badour, wow at out the Trou- Fontaines sell that saw The it? After a year fucking know ouldn’t you - - tive when I graduated from high school collaborative. It became more collabora kids,” Charlotte says. “It was way less much more competitive when we were sound of harmonious music. Not the case. that their family home was alive with the together since they could walk and talk — and sister have been playing music like siblings,” Hank says. update it and do something that sounds and ’80s rock, and also find a way to sic that combines our loves of ’50s music friends. put the band together with a couple of cry from four years ago, when the siblings them while you can, AT ALL.” It’s all a far It’s still a party, but now it’s about “catch can” deal. Now, the context has changed. them in a venue of this size while you still ebration of a band on the rise. A “catch going to be an awesome event — a cel- week at the Teragram, and it was already culture.” day, becoming a modern staple of L.A. venue that’s becoming more iconic by the things on. Teragram is such a massive And it feels like such a great show to end “We get asked that a lot, but it was One might imagine that the brother “The mission was always to make mu- Yeah, there’s a big send-o show this I T QUITS - came in to complete the touring lineup, and drums two years ago. Initially, they Daniel Zuker were brought in on bass members of the band, Xrys Kaplan and crucial component of their sound. they always used live instrumentation, a tarist is particularly proud of the fact that made for a quirky, hooky treat. The gui- Hank said, with era-spanning rock & roll, them. The electro-pop sound, blended, as taines, and yet we barely got to know loudly.’” I’m gonna complain that he’s doing it too playing guitar in the room next door, and going to do my thing, Hank’s gonna be we weren’t the Osmonds. It was more, ‘I’m and we formed a band. But growing up, While Charlotte and Hank are the core We’re really going to miss The Fon- CHA THE SOUNDI THAT WEOUTGREW THE BAND, ANDIFEEL WHAT WEDI “I’M VERY PROUDOF RLO TTE FONTA D WI N AWAY.” PHOTO BY YRSTRLY THIN INE June 21, at the Teragram. The Honeysticks at 8 p.m. on Thursday, chuckle. “I’ll get you backstage.” back together? now. When are The Fontaines getting ately, for a reunion. So we’re going to start band. The calls will start, almost immedi- as soon as The Fontaines cease to be as a together.” for when we started making music really exceeded all of my expectations Troubadour shows — it’s amazing. It year in a row, we’ve played two sold-out be invited back to SXSW for the second especially recently,” Charlotte says. “To we’ve accomplished within the band, individually. look forward to from Hank and Charlotte for much longer, there’s surely much to about the fact that they won’t be with us years and, even if we’re still a little raw what they’ve achieved over the past four whole catalog,” Hank says. expands through our entire career and Teragram. track. We’ll hear that, and more, at the emotional, it’s a genuinely beautiful typically gorgeous. Lush, catchy and The song “Freaks” just dropped, and it’s population in the world.” anywhere because it’s like the most jaded yourself in L.A., you can impress people ible feeling. If you can make a name for places every week, which is an incred- there. And we have friends that play these Teragram, I’ve seen some great bands Hank says. “The place we’re playing, the right now. that venue to be one of the best in town This band love Los Angeles, and consider Fontaines show will be at the Teragram. them in dierent ways.” couple of years, and I’m proud of all of dierent styles of music over the past pretty frequently. We’ve written a lot of that we have always tried to change gears interesting and also most frustrating — sonically. I think that’s what’s been most has gone in many dierent directions es to songwriting,” Hank adds. “The band It’s been a great experience.” who have been following us for a while. stage. Afterward, getting to meet people, I love interacting with people from the far as feeling like I love performing, and I feel really proud of how far I’ve come as act with people — I was very introverted. behind a mic stand and I wouldn’t inter probably the first two years, just going onstage,” she says. “I was really timid for now. says that she and Hank fight a lot less the evolution of The Fontaines; Charlotte too. The lineup changes are one part of they need to find something else to do, but they stuck around. Now, of course, The Fontaines play with SWIMM and “Coachella 2025,” Hank says with a So look, we all know what will happen “I’m really proud of everything that They have every right to be proud of “We’re going to be playing a set that The Fontaines will go out with a bang. “I think that this is a great place to be,” It’s entirely appropriate that the final “We’ve tried a lot of dierent approach- “I’ve become much more comfortable - | | LA WEEKLY // June 22 - 28, 2018 // www.laweekly.com 29 - “I’ve become much more comfortable comfortable more much become “I’ve - approach dierent of lot a tried “We’ve final the that appropriate entirely It’s be,” to place great a is this that think “I The Fontaines will go out with a bang. bang. a with out go will Fontaines The that set a playing be to going “We’re of proud be to right every have They that everything of proud really “I’m happen will what know all we look, So a with says Hank 2025,” “Coachella and SWIMM with play Fontaines The but they stuck around. Now, of course, course, of Now, around. stuck they but do, to else something find to need they of part one are changes lineup The too. Charlotte Fontaines; The of evolution the less lot a fight Hank and she that says now. for timid really was “I says. she onstage,” going just years, two first the probably inter wouldn’t I and stand mic a behind introverted. very was I — people with act as come I’ve far how of proud really feel I and performing, love I like feeling as far the from people with interacting love I people, meet to getting stage. Afterward, while. a for us following been have who experience.” great a been It’s band “The adds. Hank songwriting,” to es directions dierent many in gone has most been what’s that’s think I sonically. — frustrating most also and interesting gears change to tried always have we that of lot a written We’ve frequently. pretty past the over music of styles dierent of all of proud I’m and years, of couple ways.” dierent in them Teragram. the at be will show Fontaines consider and Angeles, Los love band This town in best the of one be to venue that now. right the playing, we’re place “The says. Hank bands great some seen I’ve Teragram, these play that friends have we And there. - incred an is which week, every places ible feeling. If you can make a name for for name a make can you If feeling. ible people impress can you L.A., in yourself jaded most the like it’s because anywhere world.” the in population it’s and dropped, just “Freaks” song The and catchy Lush, gorgeous. typically beautiful genuinely a it’s emotional, the at more, and that, hear We’ll track. Teragram. and career entire our through expands says. Hank catalog,” whole four past the over achieved they’ve what raw little a still we’re if even and, years us with be won’t they that fact the about to much surely there’s longer, much for Charlotte and Hank from to forward look individually. band, the within accomplished we’ve “To says. Charlotte recently,” especially second the for SXSW to back invited be sold-out two played we’ve row, a in year It amazing. it’s — shows Troubadour expectations my of all exceeded really music making started we when for together.” a as be to cease Fontaines The as soon as - immedi almost start, will calls The band. start to going we’re So reunion. a for ately, getting Fontaines The are When now. together? back backstage.” you get “I’ll chuckle. Thursday, on p.m. 8 at Honeysticks The Teragram. the at 21, June INE IN THIN PHOTO BY YRSTRLY BY PHOTO N A WAY.” N A WAY.” D WI TA TTE FON RLO THE BAND, AND I FEEL THE BAND, WE OUTGREW THAT THE SOUND I CHA “I’M VERY PROUD OF “I’M VERY WE DI WHAT - Fon The miss to going really We’re core the are Hank and Charlotte While and we formed a band. But growing up, up, growing But band. a formed we and ‘I’m more, was It Osmonds. the weren’t we be gonna Hank’s thing, my do to going and door, next room the in guitar playing too it doing he’s that complain gonna I’m loudly.’” know to got barely we yet and taines, as blended, sound, electro-pop The them. roll, & rock era-spanning with said, Hank - gui The treat. hooky quirky, a for made that fact the of proud particularly is tarist a instrumentation, live used always they sound. their of component crucial and Kaplan Xrys band, the of members bass on in brought were Zuker Daniel they Initially, ago. years two drums and lineup, touring the complete to in came - T QUITS I Yeah, there’s a big send-o show this show send-o big a there’s Yeah, mu- make to always was mission “The brother the that imagine might One was it but lot, a that asked get “We And it feels like such a great show to end to show great a such like feels it And massive a such is Teragram on. things the by iconic more becoming that’s venue L.A. of staple modern a becoming day, culture.” already was it and Teragram, the at week - cel a — event awesome an be to going “catch A rise. the on band a of ebration still you while size this of venue a in them changed. has context the Now, deal. can” “catch about it’s now but party, a still It’s far a all It’s ALL.” AT can, you while them siblings the when ago, years four from cry of couple a with together band the put friends. music of ’50s loves our combines that sic to way a find also and rock, and ’80s sounds that something do and it update says. 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BY BRETT CALLWOOD | on other things, so this felt healthiest. healthiest. felt this so things, other on work on other things, and I want to work to want I and things, other on work named the band. “I know Hank wants to wants Hank know “I band. the named and guitarist Hank Fontaine, formed and formed Fontaine, Hank guitarist and Fontaine, who, along with her brother brother her with along who, Fontaine, sound in a way,” says singer Charlotte Charlotte singer says way,” a in sound the band, and I feel that we outgrew the outgrew we that feel I and band, the spit ’n’ sawdust rooms around this fair na fair this around rooms sawdust spit ’n’ quits? it call o, sesses a band to work their butts o try o butts their work to band a sesses in performing and vans cramped in out paying be ﬁnally might work hard the like for this very feature. very this for themselves burning break, a catch to ing looks it when then, and beyond, and tion up. up. thing genuinely special, they’re splitting splitting they’re special, genuinely thing - some of brink the on be to appear they as SXSW and get some major radio play, just play, radio major some get and SXSW

CALLING

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manuel in April. gave a well-received performance at Im- vision of electronic music and himself shares his ambitious, classically informed Frahm, a like-minded German artist who Arnalds regularly collaborates with Nils to movies including Broadchurch and contributing his music sion and film, scoring the BBC TV series done much soundtrack work for televi- on the record in English). Arnalds has fellow Icelander Arnór Dan, who sings album to incorporate vocals (those of Mercury Records in 2013; it was his first and solemn leased his major-label debut, the delicate to electronic and pop/rock. Arnalds re- whose work spans genres from classical instrumentalist, composer and producer Ólafur Arnalds is an Icelandic multi- @ Ólafur Arnalds Music and Lydia Lunch. Kamala and The Karnivores, DJ Neon Death Valley Girls, pop-punk purveyors certainly), garage-metal merchants stant Comment and someone’s blood, The Contortions, Patty Schemel of Con- Barnes of Evangelista, Adele Bertei of Bozulich’s Bloody Claws (featuring Tara them to come back. Also tonight: Carla that it doesn’t take another 40 years for ers to resurrection, either), and one hopes came out last year on Bomp! (no strang- out their first album. they self-destructed before even putting Harry — but due to strains and stresses, with The Clash, championed by Debbie regular appearances at CBGB, toured ‘B’ Girls. Agonizing and long story short: all-wimmin Toronto pop-punk band The Los Angeles live action in 40 years of Oral History Project presents the first time tonight when the Women of Rock at this very moment. Pierce the veil of History is written not only in the past but @ Women ofRock fri @ embellished with Alice Sandahl’s celestial Many songs, including “I’ll Be True,” are and harder, faster garage-rock rave-ups. frosted with the band’s angelic harmonies and forth between starry-eyed reveries surf guitars. Much of the album floats back “Hey Papi,” are rooted in harder and fuzzier other tracks, such as “You Disappear” and echoes to create an enchanting mood. But Shrine, trails o¥ in a shimmering haze of Till They Die,” from La Luz’s album na Cleveland’s languid singing on “Sleep luscious veneer of sugary pop vocals. Sha surf rock, but their songs are coated with a attle quartet’s style is rooted in garage and that’s strangely dreamy. Much of the Se - ingly simple influences into a combination La Luz conjure a sound that blends seem- La Luz, Twins Summer | |

Music IMMANUEL ZEBULON TERAGRAM BALL P icks For Now I Am Winter, on

// —Matt Miner //

ROOM

The Hunger Games. Bad Not Evil finally —David Cotner 6/22 Weirdo - @ @ cism. reveries with a similarly beguiling melodi- and Chelsea Brown layer their romantic keyboard patterns. Summer Twins’ Justine name a few. Kendrick Lamar) and “PG Click” — to “My Type of Party,” “We Ball” (featuring L.A. Fans can expect to relive songs like album in full at the Novo in downtown Now, he gears up to perform the nostalgic his greatest project to date, global scale. Two years later, he released side With Love, that gained him fans on a but it was his 2010 release, scene with his debut project, rhymes. In 2008, Dom came onto the hood experiences in his distinct flow and articulates his upbringing and neighbor performing for his mom and sisters. He walk around the house freestyling and at the age of 12 and proceeding to listening to the greats in the rap game name Dominic Ross Hunn, Dom recalls Born and raised in Leimert Park, real Dom Kennedy sat performances by folkloric dancers Ballet world. This year’s showcase will feature premier mariachi music festival in the tion, and the event is now considered the celebrate both the art form and the tradi- started Mariachi USA as a means to 1990, founder-creator Rodri J. Rodriguez Mexico and the United States. Back in Bowl with the best mariachi bands from For 29 years, Mariachi USA has filled the popular venue like the Hollywood Bowl. cultural bonanza than to feature it in a There’s no better way to showcase a Mariachi USA

Meg Myers: See Monday. See Myers: Meg HOLLYWOOD BOWL THE NOVO —Falling James —Shirley Ju From the West- Yellow Album. 25th Hour, 6/23 - industrial noise-rockers Cop Shoot Cop electronic artist known for his work with er) and Jim Coleman, an experimental vocateur Robert O. Leaver (aka Birdthrow ture singer/lyricist/performance-art pro- These N.Y./N.J.-based electro punks fea This Wilderness sun Sunday, June 24. Thomas, Los Lobos and many others. Also rocking original lineup, along with Irma to a rare reunion of The Bangles’ garage- range from Gary Clark Jr.’s blues ferocity this mostly rock bill. Sunday’s highlights ers, though, is the real musical thrill on White Stripes. Jazz master Pharoah Sand- more idiosyncratic garage-pop with The White’s new work is more showy than his vocals and sardonic lyrics, whereas Jack are su¥used with Chrissie Hynde’s rich underrated albums, Jack White. The Pretenders’ most recent Young’s musical allies, The Pretenders and power. Saturday’s lineup includes two of less lacks Crazy Horse’s anarchic raw cally wider-ranging group that nonethe - of the Real, a more versatile and stylisti- he’ll be backed by Lukas Nelson & Promise Horse, but for the ﬁrst day of this festival Neil Young recently reunited with Crazy Arroyo Weekend Seco by Pyro Spectaculars. tival will feature a ﬁreworks extravaganza per tradition, the music and cultural fes- be the legendary Trio Los Panchos. Also, This year’s special guest performers will chi Los Arrieros and Mariachi Los Reyes. Tecalitlan, Mariachi Las Alteñas, Maria Mi Tierra and bands Mariachi Nuevo @ @

ZEBULON THE ROSE BOWL Alone (2016) and especially the Break Up the Concrete (2008), —Falling James —Scott Feinblatt PHOTO BY GUTIERREZ BRANTLEY 6/24 - - - | | 31 LA WEEKLY // June 22 - 28, 2018 // www.laweekly.com 31

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childhood idealism. Myers coolly contemplates the loss of her a more introspective pop ballad in which it won’t come”). The album’s title track is on her by outside forces (“If you force it, which she admits to the pressures placed give way to surging, grungy choruses in verses (“I can be your next big thing”) Take Me to the Disco. Her contemplative workplace, from her upcoming album, about microaggressive behavior in the confesses yearningly on “Numb,” a song secret trap door into another life,” Myers “Sometimes I wish I could ﬂy through a she delves into heavier subject matter. into a more sophisticated style in which earlier, seemingly innocent pop songs nessee native has moved beyond her writes on her Facebook page. The Ten- I celebrate my birthday,” Meg Myers “I used to be a Jehovah’s Witness; now @ Meg Myers mon Xambuca. indeed. With opener Chandra Shukla aka and industrial vérité a tasty challenge makes this hybrid of New York punk, folk sense of humor or proportion about it all whose rich atmospheres and buried-deep like not so much fun to have to endure but and dire things — which on paper sounds erwauling animal cries about various grim electronic buzzsaws ’n’ whiplashes to cat- kinda thing that hogties pitilessly harsh on drums, and is a really fugging spooky from ex-CSC and Swans guy Phil Puleo Wax and Wane label, features guest spots Sorry About Tomorrow on the estimable and J-CO. The duo’s just-out debut album, plume such as Phylr, Here, Jim Coleman and for his albums done under noms de @ Also Tuesday, June 26. the scene. A tantalizing double bill, all told. out her pop-rock anthems like a newbie on incredible, and in the live arena, she belts none of her magic. Her voice still sounds ageless Cyndi Lauper, meanwhile, has lost it will be magniﬁcent. The seemingly career-spanning set, so at least some of gone, but Rod the Mod usually plays a wonderful results. Those days are long days as a solo artist also yielded some the great anthems of the 1970s. His early music, not least “Stay With Me” — one of the Stones), he made some unforgettable Faces, alongside Ronnie Wood (now of thrilling, rag-tag blues-rocker. With The that, prior to all that, he was a genuinely period in the ’90s. So it’s easy to forget there was that insuerable pseudo-soul ’80s — this much is undeniable. And then Rod Stewart went full-on cheese in the @ Rod Stewart andCyndi Lauper Indie rockers Vampire Weekend are Vampire Weekend tue

THE ECHO RVA THE OBSE W HOLLY —John Payne OOD BO TO WL RY —Falling James —Brett Callwood 6/25 6/26 @ @ Monday, June 25. album is going to turn out like. Also so it’s anybody’s guess what this new working with Beyoncé and Kanye West, Observatory. Koenig has recently been and now here are a couple of gigs at the intimate shows at Ojai’s Libbey Bowl, heating up; they just played a couple of But it feels like the band’s work cycle is satisfy their appetites for a short time. movie You” for the soundtrack to children’s Ezra Koenig’s original song “I Promise getting hungry for more. Frontman Vampires of the City, and the fans are years since the well-received year. It’s about time — it’s been five they’re readying a new album for this now 12 years into their career, and —Falling James raw voice with a fiery, sassy assurance. more belts it all out in her distinctively down the intensity occasionally, Wig- whether she’s rocking hard or dialing tively restrained ballad “Cold Cave.” But kitchen floor,” she declares on the rela “Give me a day drinking naked on the on the funk-pop dance track “Cabrona.” and bold even when she changes gears Mercy.” Wigmore is just as forthright to full power on the hard-rocking “Dirty nik Trip” before opening up her lungs fiance. She gets kind of funky on “Beat- forces that oppose her with a bluesy de- takes on fate and the other mighty album, insists on “Hallow Fate,” from her latest that are drowning me,” Gin Wigmore save us from these storms in a tea cup “No god can find a piece we lost, can WigmoreGin thu —Falling James sweetly sung exhortation “Olympia.” songs, such as “Crystal Ramen” and the a state of wonder and magic in other Taiwanese-American vocalist concocts background about “Golden Soul.”) The our recent premiere with Wu for more carries a powerful punch. (Check out and the seemingly lightweight song across the United States in recent years, medications has become a silent killer back injury. Addiction to prescription doctor prescribed Oxycontin to treat a developed an opioid addiction after a song is actually about a friend who is a fizzy, escapist pop fantasy. But the it initially sounds like “Golden Soul” with a dreamily melodic delivery, and boxy electro-pop drumbeats, Wu coos backdrop of candied synthesizers and her new tune “Golden Soul.” Against a easy to miss the heavy message behind ates such airy, gauzy pop songs that it’s As Polartropica, Ihui Cherise Wu cre - Polartropica wed

THE TROUBADOUR BOOTLEG THEATER Peter Rabbit was only going to Ivory. The New Zealand singer —Brett Callwood 6/28 Modern 6/27 - | | LA WEEKLY // June 22 - 28, 2018 // www.laweekly.com 33 PM PM PM THUR. JUNE 21 • 9 THUR. JUNE FRI. JUNE 22 • 10 JUNE. 23 SAT. BASS FOR BREASTS MAC & CHEESE DIAMOND PLATNUMZ WED. JUNE 27 • 8 WED. DANIEL BAMBAATA MARLEY BAMBAATA DANIEL 7/7 7/8 DREWBYRD, SHABBAAAAA: 7/8 7/12 BOOGIE DOWN BRUNCH SHACIA PÄYNE 7/12 DJ SEAN G, - SONIDO LATINO SWEET SUNDAYS ABSOULUTE 7/13 7/13 KARAOKE IS FOR LOVERS AK THROWBACK LA’S PEPPASEED: 7/14 7/14 AFRICAN FIESTA THE AFRO GOGO : /�TRA�B(Ə)L/} - {TRIBAL : TRYBVL 7/15 JAMAICAN REGGAE PARTY DRONES DEFECTED PUNK ROCK SUNDAYS: 7/27 AFRO HOUSE + GQOM - HOSTED BY BAILALO BASSMENT 8/1 8/3 TIM NED GEOSF OLI BORN FOR BURNING PRESENTS:, MORTUOUS REMAINS, SKELETAL PM COMING SOON: SUN. JUNE 24 SUN. THUR. JUNE 21 • 9 THUR. JUNE FRI. JUNE 22 JUNE 23 SAT. 90S BY NATURE THE GLASS BEYOND ART 6/23 THROWBACK LA’S PEPPASEED: 6/28 6/29 CLUB 90’S THIS IS HIP HOP 6/29 6/29 JAMAICAN REGGAE PARTY TECHNO TAKEOVER 6/30 BASS-TRAP TAKEOVER, 7/1 A CLUB CALLED RHONDA ESCA SUNNY SUN, BIG CENTRAL - LA’S PUNTARAMA 7/1 7/3 7/5 AMERICAN / BELIZEAN PUNTA FUSION CULTURE DJ GHETTO DJ BURGA, PARTY: FLOR AMARGO THE ELEMENT RADIO PRESENTS 7/6 7/7 ANIMAL SHOW + FREAKEES + CLUB 90’S (LA) BAND APARTE BASHMENT LATIN CHINKY EYED LOS ANGELES CHINKY EYED LOS KAFU BANTON

AMFAMFAMF PRESENTS: LOUISAHH PRESENTS: AMFAMFAMF FRI. JUNE 22 FRI. JUNE SAT. JUNE 23 SAT. XCELLERATED PRESENTS: CYANTIFIC, INSI- CYANTIFIC, PRESENTS: XCELLERATED & REEN DES MCMAHON, LEGION, DEINFO, THE UNICORNS PRESENT LONELY BOY THE UNICORNS PRESENT LONELY TUES. JUNE 26 TUES. THE DOPPELGANGAZ 03 TUE. JULY 6/29 6/30 NECROMANTIX 7/3 (BASS VS. HOUSE) DISTRIKT 7/4 CAMP CHARLIE SOUNDS PRESENTS DAMAGED CHOPMUSIC 7/6 7/7 MONSTERS VS THE AKATSUKI OS MUTANTES 7/11 ANGELES LOS CLUBLAND USA: 7/27 SIERRA ZEKE, WEEDEATER, 8/6 MAC AYRES MUSICAL MOGULS PRESENTS SKYZOO 8/17 AND KENNETH GRAHAM LUKE HESS W/ MARVELOUS MOMENTS PRESENTS: ALWAYS VINYL ALL 8/18 DEMRICK AR’MON & TREY: THE AR’MON FEVER TOUR & TREY: COMING SOON: 6/23 6/23 TOM GUN LIVE 6/23 TREES SPEAKERS N PALM TOUR THE FEVER TREY: AR’MON & 6/23 6/24 MONARCA CON EL DE PARRANDA 6/25 DOOBIE IT PER- TAKE CIPHA SOUNDS 6/25 ISTANDARD 6/26 6/27 SONAL HIP HOP IMPROV SHOW GIRL FRIDAY PLUG PRESENTS: ISTANDARD 6/28 THE BIG BANG PLUG PASS 6/22 CONCRETE JUNGLE ENT & 6/23 BATMOBILE CHECKO PRESENTS: FRI. JUNE 29 SAT. JUNE 23 SAT. SAT. JUNE 23 SAT. THUR. JUNE 21 THUR. JUNE IZOTOPE & AUDIOPHILE XXL PRESENTS: XXL PRESENTS: AUDIOPHILE IZOTOPE & COFFEE BREAK A FUTURE PRIMITIVE AFFAIR A FUTURE PRIMITIVE AFTERPARTY NOT-SO BUMMER SUMMER NOT-SO JITWAM, SWARVY, AHWLEE SWARVY, JITWAM,

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We’ll alsosendspecialticket oﬀers andmusic promotions MUSIC PROMOTIONS NEWSLETTER ORQUESTA BORINQUEN features, additional onlinemusic listings andshow picks. Sunday June24th 3pm-8pm TICKETS &INFO •(323)895-2863 Keep your thumb onthelocalmusic scene withmusic PETE ESCOVEDO available onlyto ourMusic Newsleer subscribers. Mi Hacienda Restaurant Sign upnow at laweekly.com/newsleers Tickets $40-V.I.P $30-Reserved RAY CARRION Pico Rivera,CA90660 carrionevents.com (Santana -Azteca) 9613 WhittierBlvd. All Ages3pm-8pm (El Chicano) THE HI HA THE HOUSE: GLASS THE ECHOPLEX: THE ECHO: CHEETAH’S: BOOTLEG AMOEBA B ALEX’S THE SMELL: SA THE R RESIDENT: OHM NIGHTCLUB: THE MOROCCAN LOUNGE: THE MINT: MCCABE’S GUITAR SHOP: LODGE ROOM: LA KING KING: CLUBS ROCK &POP Giver, Da Mon., June25,8:30p.m., Stern, free. June 24, 8p.m., $10. Shark Toys, CatScan, Shit 23, 5:30p.m., $14. Juniore,Tangients, Sonoda, Sun., p.m., $14. Avid Dancer, June Modern Nomad,Sat., Queen Cholas, Dat Garcia, El G,Fri., June22,8:30 Slingerland, Thu., June28,8p.m., $5. Frenship,Sadin, HolyChild, Colyer, Talker, Liv Duncan Fellows, Tue., June26,8p.m., $18.Dan Hour, June23,8p.m., $20. MiddleKids, Sat., Japanese Breakfast, Sat., June23,8p.m., $18. Japanese Breakfast, Sat., 27, 8p.m., $10 & $20. 26, 8p.m., $8.The CarothersBrothers,Wed., June free. CabEllis, Angelica Artifex, Theo Lee, Tue., June other Monday,p.m., every $12.Hunnypot, 7p.m., Doom, Moving Skies, Caleb Henry, June23, 8 Sat., Fri., June 22,8p.m.,Krause, $12.Zalman Point Band, JessicaChildress, Trey Calhoun,JacobMondry, Nessly, Thu., June28,9p.m., $10-$25. Gims,Quincy, Wed., June27, 8 p.m., $35&$45. Lecrae, Fri., Zaytoven, June22,9p.m. Maître Crawford, Fri., June22,8p.m. The Nil,Thu., Dirty June28,7:30p.m., $10. Slang, AbiReimold, Tue., June26,7:30p.m., $15. $12. Peach Pit, Mon., June25,7:30p.m., $15.Quiet June23,7:30p.m., $10. Jamison,Sat., Haux,Henry YoungerLa Bouquet, Hunger, Fri., June22,7:30p.m., Supermoon, Thu., June28,8:30p.m.,Supermoon, $10. 8 p.m., $10 (seeMusicPick). NikFreitas, Mike Viola, Disco Shrine, Metronohm, MiniBear, Wed., June27, Test, Tue., June26,8:30p.m., $10. Polartropica, LoneMon., June25,8:30p.m., $16.Swerve, Kodiak, Cousin Liar, June24, 8p.m., $10. Sun., Max Frost, June23,8:30p.m., $20. TalkSat., Time, DizzySpells, Gatherers, Fri., June22,8:30p.m., $12.Immersion, Mental HeadCircus, June22-23,8p.m. Lloyd Cole,Wed., June27, 8p.m., $40. It’s Butter, Mon., June25,8p.m., $8. 6:30 p.m., $6.Rosie Tucker, Minimall,Mamalarky, Catwings, OhMyMuu,Dustin Wong, June24, Sun., June23,8p.m., $10. HanaVu, Sat., Missal, Batwings June 26,8p.m., $10. Taleen BloodCandy, Kali, ObjectasSubject, Tue., Chase, Derde Verde, Mon., June25,8p.m., $10. June24,Range, 8p.m., $8.First Sun., Fire, Johana & the June23,3p.m. Western Pacific Sat., Stars, 10 p.m., $35&$50. 10 p.m. June24, Gucci Mane,Migos,2Chainz, Sun., Moneybagg Yo, Yo Gotti, BlacYoungsta, Fri., June22, Andy Jenkins, Wed., June27, 8:30p.m., $12. Bag, French Vanilla, Tue., June26,8:30p.m., $12. 25, 8p.m., $22(seeMusicPick). Shopping, Alice p.m., free Dark &$5.Meg Myers, Rooms, Mon., June June24, 3 23, 5:30p.m., Sun., $15.Gospelbeach, ofp.m., anIllustrious $24. Father, Sons June Sat., Pharmacists, Cannibals,Fri., Summer June22,8:30 6 p.m., free. De’Anza, Thu., June28,6p.m., free. June 22,8p.m., free. The Interrupters, Wed., June27, Disco, Fri., June22,3p.m., free; DJ Meech.la, Fri., Death Star, Lost Anyway, Cheekface, Lorraine, Surely HollaDay, Lucys, Fri., June22,9p.m., $5.EarthIsa Thu., June28,9p.m., $60&$100. Poltz,Steve June24, 8p.m., $20. Sun., Tom Paxton, June23,8p.m., $12. 8 p.m., $16.DylanPratt, Sat., Monica. Joan Shelley, Vikesh Kapoor, Fri., June22, Death by Stereo, Fireburn, Thu., June28,8p.m., $10. Teenage GooMuck,Fri., June22,8p.m., free. 3:30 &8p.m. Players, B-Side Wed., June27, 8p.m. 22, 8p.m. Donavon Frankenreiter, June24, Sun., Beach. Poncho David Sanchez, Maldonado, Fri., June RGO A INT ROCKE: OXY: MUSIC: T THECORONET: AR: T T: 6010 W. Pico Blvd., The L.A. Ethan Tucker 9009W. Blvd., West Sunset Hollywood. 1822W. Blvd., Ted L.A. Sunset Leo &the 428 S. Hewitt St., L.A. Austin L.A. McCutchen S.Hewitt 428 St., HE 6555 Hollywood Blvd., Terry L.A. 6555Hollywood Beeman’s 5043York Blvd., HighlandPark. Donna 4600 Hollywood Blvd., Poppy L.A. 4600Hollywood Jean 247 S. Main St., L.A. Victor, 247L.A. S.MainSt., HighSunn, 2913 E. Anaheim St., Long 2913E.Anaheim St., Beach. A 142 Pacific Coast Highway, Hermosa 104 N.Avenue The 56,L.A. Midnight TER: 1154 GlendaleBlvd., King 1154 L.A. Coya& 6400 Sunset Blvd., Panic L.A. 6400Sunset atthe 6801 Hollywood Blvd., L.A. Hollywood 6801 2200Beverly Blvd., BentKnee, L.A. 200W. Pomona. St., Second 366N.LaCienega Blvd., L.A. 3101 Pico Blvd., Santa 901 E. First St., L.A. Armors, Armors, L.A. 901E.First St., EL FLORIDITA: EL CID: THE CONGA ROOM: PA COCO CA VITELLO’S ITALIAN RESTAURA NT: VIBRA THE LIGHTHOUSE DESERT ROSE: CA BLUEWHALE: THE B ZEBULON: WHISK THE VORTEX: THE VIPERROOM: THE TROU TRI THE TERAGR LATIN &WORLD JAZZ & BLUES Stevens Trio,Stevens p.m., free. 7-11 Saturdays, Chino Espinoza Fridays. ylosDuenosdel Son, Monty Alexander, June22-23,8:30p.m. Wednesdays, 10 p.m., free. Tuesdays,Son, 10 p.m., free. Likkle Reggae Band, Natalie Kroh, Thu., June28,7:30p.m., $25&up. Voodoo Orchestra, Wed., June27, 7p.m., $20&up. $20. The Feifke Steven BigBand,Caleb Chapman’s Mon., June25,7:30p.m., Tickets from starting 23, 7:30p.m., $20&up. The Yayennings Quartet, 7:30 p.m., $20&up. Zo, June CarmenRodgers, Sat., City.Studio JenStaves &the Bluzfish,Fri., June22, Theater, 7 p.m. 8p.m.; Saturdays, Sundays, 23, 8p.m., $5. Handsome, Kinetic Attack, June Knife Crime,Sat., June 28,7:30p.m., $20. Wed., June27, 7:30p.m., $20. Paris Chansons, Thu., Tue.,Ahart, June26,7:30p.m., $20. BrianSwartz, June24,Plays 7:30p.m., $25.Kevin Hefti,Sun., Tom June23,6:30&9p.m., $20. Hefti Zink,Sat., Air. Tina Phillips, Fri., June22,6:30&9p.m., $20. Sat., June23,9p.m., $5. Sat., Quartet, Thu., June28,9p.m.,Quartet, $20. Green Trio, Wed., June27, 9p.m., $15.The Eric Revis Kevin Yokota, Tue., June26,9p.m., $15.The Danny Weidlein, Erin Bentlage, Mon., June25,9p.m., $15. Mark de Clive-Lowe, June22-24, 9p.m., $20. Daniel Music Pick. Twins,La Luz, Summer Fri., June22,8p.m., $15.See 28, 7:30p.m., $22(seeMusicPick). $18. Gin Wigmore, Roses &Revolutions, Thu., June Domino Kirke, Ryan Dilmore, Tue., June26,7p.m., Tearaways, June24, 7p.m., $25.Radnor &Lee, Sun., Lottery, June23,8p.m., $35.The Calling, The Sat., June 22,8p.m., $15.The Get Up Kids, The Casket & Mortar, The Unlikely Candidates, SplitParty, Fri., 9:30 p.m., $15.Prophecy, Thu., June28,9:30p.m. June 26,9:30p.m., $15.Josh Wed., Smith, June27, Eckroth, Mon., June25,9:30p.m., $15.Manx,Tue., Paul Peress, June24, 9:30p.m., $15.Rachel Sun., June23,9:30p.m., $25. Sat., Don Randi &Quest, City. CarlosRodgarman, Fri., June22,9:30p.m. 23, 7p.m. DioDisciples,Thu., June28,7p.m. GhostJune 22,7p.m. Maiden USA, June A.D., Sat., Discoteca Fridays, DTLA, 9p.m. June 27, 6-9p.m., free. a.m.-3p.m., free.11 The Louis Taylor Wed., Quartet, p.m., free. The Frank June24, Potenza Sun., Quartet, The Danny Freyer a.m.-2:30 June23,11 Sat., Quintet, Boykins III,DJ MeLo X,Thu., June28,9p.m., free. p.m., free. Glasser, Wed., June27, 9p.m., $10. Jesse Electric Elders of Improvisation,Tue., June26,9 Mon., June25,9p.m., free. Eclectic &the L.A. E.L. p.m., free (seeMusicPick). William Tyler, Festival, free. This June24, 9 Wilderness, Sun., Xambuca, June23,8p.m., $20 (seeMusicPick). Vimala, Sat., Carla Bozulich’s BloodyClaws, Fri., June22,8p.m., Valley Girls, Kamala &the Karnivores, Lydia Lunch, 24, 7p.m., $20. June Nava, ChaSun., andothers, Blue,San Missa withRon Sorrows, Lady of Athey Seven &Nacho Slum Village,Slum Thu., June28,9p.m. Gygax, Pissed Regardless, June24, 8p.m., $12. Sun., Tantric, June23,8p.m., $15.Light This City, Sat., The Fri.,Hollywood. North, June22,8p.m., $15. TALINA B NA R BA AKED POT L TO TO Y AGO- 4212 W. 4212 Blvd., Flamenco L.A. Sunset Dinner UM B CA LM RESTAURANT: G BA 2478 Fletcher Dr., The L.A. ‘B’Girls, Death FE: RILLJ & AR &GRILL: AM B DOUR: AR: 2341E.OlympicBlvd., Dolores: L.A. Our 123 Astronaut E.S. Onizuka St., L.A. L.A. Onizuka 123Astronaut E.S. St., 1651W. Temple Bite L.A. Marx,Blood St., 1253 N. Vine St., L.A. Salsa Night, Night, Salsa L.A. 1253N.Vine St., GO: 1700 Ave., Hillhurst The L.A. MarkZ. A 714 W. OlympicBlvd., Sitara L.A. TO: ALLROOM: CA 8901 Sunset Blvd. Jizzy 8901Sunset Pearl, Fri., 8852W. Blvd., West Sunset AZZ 800W. Olympic Blvd., L.A. 9081 Santa Monica Blvd. Brick 9081Santa 3787 Cahuenga Blvd. W., Studio FE: : 2930Beverly GlenCircle, Bel- 30Pier Ave., Beach. Hermosa 6725 W. Blvd., L.A. Sunset 1600Fairplex Dr., Pomona. 1234W. L.A. St., Seventh 4349Tujunga Ave., —Falling James —Falling James | | LA WEEKLY // June 22 - 28, 2018 // www.laweekly.com 35

With Big With With With L.A. presents a L.A. presents Y BRADFORD: —Falling James —Falling —Falling James —Falling 7:30 p.m., $55- 7:30 p.m., $55- 7:30 p.m., With Bonne Musique Bonne Musique With LLIAN WELCH: LLIAN With Michael Seyer, 9 Michael Seyer, With L: 6 p.m., $30-$100. The The $30-$100. 6 p.m., Thomas Loewenheim Loewenheim Thomas 8 p.m., $35. The $35. The 8 p.m., $35. The 8 p.m., ON & BOBB Y, GI With St. Beauty, 8 p.m., $50- 8 p.m., St. With Beauty, YNDI LAUPER: YNDI LAUPER: With Mt. Eddy, Destroy Boys, Destroy Mt. With Eddy, With Salman Khan, Katrina Salman Katrina With Khan, 9 p.m. The Regent Theater. Regent The 9 p.m. ES: T, C T, T, C T, THE SISTERHOOD: Y OF THE Music director Brooke deRosa deRosa Brooke Music director TT 8 p.m. John Anson Ford Anson Ford John 8 p.m. 8 p.m., $20. The Observatory. The $20. 8 p.m., INNER WAVE: INNER RE With 21 Savage, 7:30 p.m., $29.50- 7:30 p.m., 21 Savage, With With 21 Savage, 7:30 p.m., $29.50- 7:30 p.m., 21 Savage, With The local new-music sextet takes wing wing takes local new-music sextet The E CANTERVILLE GHOST: THE CANTERVILLE S: With Fayuca, El Arka, DJ Julio., 9 p.m., 9 p.m., Julio., DJ Arka, El Fayuca, With 9 p.m. The Novo. The 9 p.m. With Hooveriii., 7 p.m., free. Levitt Levitt free. 7 p.m., Hooveriii., With A. STRIKEFEST: A. With Marcy Playground, Local H, 7:30 p.m. H, 7:30 p.m. Local Playground, Marcy With With Mike Rebel, Gucci Mane, 9 p.m.-2 9 p.m.-2 Mane, Gucci Rebel, Mike With T SOCIET T TES: , a horror fantasy about Edgar about Edgar fantasy House, a horror Usher : A GAZZETTA LEVIN,T DON PRES WORK: L FEELS: E MONAÉ: JANELL REG THE VAMPIRE WEEKEND: VAMPIRE F THE SLITS: O BE HEARD:HERE TO THE STORY WEEKEND: VAMPIRE HER JOHN MIST HER JOHN FAT THE L. ROD STEWAR ROD ROD STEWAR ROD

TT 7 p.m. Pechanga Resort & Casino. & Resort Pechanga 7 p.m. TA VAN FLEET: VAN TA BEACH BAYOU FESTIVA G BEACH BAYOU GHT a.m., $20. The Belasco Theater, 1050 S. Hill St., 1050 L.A. Belasco Theater, The a.m., $20. Thief, 7 p.m. Hollywood 7 p.m. Bowl. Thief, Regent Theater, 448 S. Main St., L.A. Theater, Regent in the Constellation Room, 7:30 p.m., $12. The $12. The 7:30 p.m., Room, Constellation in the Santa 3503 S. Harbor Blvd., Ana. Observatory, $395. Hollywood Bowl, L.A. See Music Pick. $395. Hollywood Bowl. See Music Pick. Kaif, Jacqueline Fernandez, Sonakshi Sinha, 7 p.m., Jacqueline Fernandez, Kaif, Blvd. Manchester W. 3900 Forum, The $69-$369. Observatory, 3503 S. Harbor Blvd. See 3503 S. Harbor Blvd. Music Pick. Observatory, See 3503 S. Harbor Blvd. Music Pick. Observatory, Amphitheatre, 2580 Cahuenga Blvd. East. Blvd. 2580 Cahuenga Amphitheatre, conducts the orchestral suite from Richard Strauss’ Richard from suite orchestral conducts the of premiere Coast West and the Rosenkavalier Der June 22, 8 p.m. 2, Fri., Sinfonia No. Casella’s Alfredo Disney Concert L.A. Hall, 111 Ave., Walt S. Grand Zydeco, Jeffery Broussard, T-Broussard, Ray Goren, Goren, Ray Jeffery T-Broussard, Broussard, Zydeco, Corney Mims, 11 $35. Queen Mary a.m.-7 p.m., Beach. Long 1126 Queens Highway, Park, Events leads Pacific Opera Project’s production of Gioachino Gioachino of production Project’s Opera leads Pacific buffa, 8 p.m.; opera June 28-30, obscure Rossini’s Ebell Club, Highland Park $15-$160. 8 p.m., July 6-7, See Highland Park. GoLA. 57, 131 S. Avenue The Fonda Theatre, 6126 Hollywood L.A. Blvd., Theatre, Fonda The $129.50. Hollywood Bowl, 2301 N. Highland Ave. $129.50. $129.50. Hollywood Ave. Bowl, 2301 N. Highland $129.50. A screening of the documentary, plus a set from Ex- from plus a set documentary, the of A screening 448 S. Theater, Regent The Stains, $12.50. 8 p.m., Main St., L.A. See GoLA. $105. The Greek Theatre, 2700 N. Vermont Ave., L.A. Ave., N. Vermont 2700 Theatre, Greek The $105. Death Valley Girls, Patty Schemel, Gehman, Pleasant Patty Girls, Valley Death Cemetery. Hollywood Forever $30. 8 p.m., 7:30 p.m., free. Santa Monica Public Library, Main Santa Library, free. Public 7:30 p.m., Monica 601 SantaBranch, Santa Blvd., Monica Monica. , Tue., June 26, 8 , Tue., Migrations Gardner’s with Alexandra Second St., L.A. W. Space, 4414 $25. Monk p.m., p.m. El Rey Theatre, 5515 Wilshire Blvd., L.A. Blvd., 5515 Wilshire Theatre, Rey El p.m. double bill of operas by billionaire composer Gordon composer Gordon billionaire by operas double bill of Getty: and The Canterville Ghost, based on the Allan Poe, Sun., June 22, 7:30 p.m.; June Fri., story, Oscar Wilde Stage, Broad Santa The College Monica 2 p.m. 24, 11th 1310 St., Santa Monica. Arts Center, Performing $30. The Regent Theater, 448 S. Main St., L.A. Theater, Regent The $30. Pavilion at MacArthur Park, 2230 W. Sixth St., Sixth L.A. at MacArthur 2230 W. Park, Pavilion EVIN GA WEDNESDAY, JUNE 27 WEDNESDAY, JUNE 28 THURSDAY, MONDAY, JUNE 25 MONDAY, JUNE 26 TUESDAY, CLASSICAL & NEW MUSIC CLASSICAL For more listings, please go to laweekly.com. please go to more listings, For BRI FOOSA PHILHARMONIC: THE GO USHER HOUSE, ELLIO EVERCLEAR: GO GO POST MALONE: GO SECRE THE GO GO BB GI FREDDIE POST MALONE: SINATRAS: TRASHCAN D, WORL BANES DREADI: MAR- YES: 03 GREEDO: GO GO GO DA-BANGG RELOADED: DA-BANGG GO GRE K GO LON —Falling James —Falling —Falling James —Falling 4311 W. Mag- 4311 W. 6 p.m., $39.50- 6 p.m., : 6 p.m., free. The The free. 6 p.m., L: 2029 N. Lake 2029 N. Lake With Kings of Leon, Leon, of Kings With With Neil Young & Neil Young With With Jeffery With Broussard L: Y BAND: FESTIVA With Allensworth, 7 p.m., Allensworth, 7 p.m., With 8 p.m., $35. Immanuel 8 p.m., With Dianne Reeves, The The Dianne Reeves, With 9 p.m. The Fonda Theatre. Fonda The 9 p.m. 11 p.m., $39.50 & $49.50. The The 11 $39.50 & $49.50. p.m., WEEKEND: WEEKEND: Fox Theater Pomona. Theater Fox 6 p.m. The Regent Theater. Regent The 6 p.m. 6 p.m. The Regent Theater. Regent The 6 p.m. LDS: 17 S. First St., S. First Salsa Alhambra. 17 3967 Sepulveda Blvd., Culver City. Sepulveda 3967 City. Culver Blvd., With Meek Mill, Ferg, Nipsey Hussle, Mill, Ferg, Meek With 8 p.m., $30. El Rey Theatre. Rey El $30. 8 p.m., A.: SECO SECO 7 p.m. Staples 7 p.m. Center. 13721 Burbank Blvd., Van Nuys. Van Blvd., Burbank 13721 9 p.m. The Novo by Microsoft. Novo by The 9 p.m. The Theatre at Ace Hotel. Theatre The With Twin Temple, 8:30 p.m. The Theatre Theatre The 8:30 p.m. Temple, Twin With 15334 Whittier Blvd., No. 8, Whittier. The The Whittier. 8, No. Blvd., 15334 Whittier AMERICANLL BAR & GRI 107 E. Sixth St., L.A. Voz Bohemia, Bohemia, St., E. Sixth L.A. Voz 107 With Spendtime Palace, 9 p.m. The Fonda Fonda The 9 p.m. Palace, Spendtime With With Gorilla, The Test Pilots, Stellar Pilots, Test Gorilla, The With T T 2226 Wilshire Blvd., Santa Blvd., Irish Monica. 2226 Wilshire 8 p.m. California Plaza, 350 S. Grand Ave. 350 S. Grand Plaza, California 8 p.m. AS: With A Boogie Wit da Hoodie. The Novo. da Hoodie. The A Boogie Wit With With Thumpasaurus., 6 p.m., free. Figat7th. free. 6 p.m., Thumpasaurus., With MMURD: L RROYO ARROYO THE MARIACHI USATHE MARIACHI DOM KENNEDY: DOM RROYO ARROYO S: SPECIAL THE ÓLAFURARNA

SUMMER BENEFIT: A. STRIKEFEST: A. A. STRIKEFEST: A. TAGE: BACKS OFFEE GALLERY AND’S 32: BEACH BAYOU FESTIVA G BEACH BAYOU L TMOBILE: Presbyterian Church. See Church. Music Pick. Presbyterian KJAZZ Disney Concert All-Stars, Hall. Walt 8 p.m. Novo by Microsoft.Novo by See Music Pick. Fridays, Fridays, 9:30 p.m., $10. Salsa $10. 9:30 p.m., & Bachata Fridays, Fridays, Saturdays, $15. Salsa a.m., Saturdays, 7 p.m.-3 & $5. Bachata p.m., 9:30 Tuesdays, Bachata Tuesdays, $5-$10. p.m., 8 Thursdays, Thursdays, Music Session, Sundays, 8 p.m. Playboi Carti, Kamaiyah, WondaGurl, Lil Pump, 7 p.m. 7 p.m. Pump, Lil Carti, WondaGurl, Kamaiyah, Playboi St., 1111 L.A. S. Figueroa Staples Center, Susie Hansen Latin Band, Fridays, 7-10 p.m., $5. p.m., 7-10 SusieBand, Fridays, Hansen Latin Ave., Altadena. Simon Spalding, Fri., June 22, 8 p.m., June 22, 8 p.m., Simon Fri., Altadena. Spalding, Ave., Sat., $25. John June 23, 7 p.m., Juber, Laurence $20. Sun., $20. 7 p.m., June 24, York, Corpses, The Klax, The Rocketz, The Grave Slaves, Slaves, Grave The Rocketz, The Klax, Corpses, The The $30. 5 p.m., Galactic Polecats, Autopsies, The Santa 3503 S. Harbor Blvd., Ana. Observatory, $220. Hollywood Bowl. See$220. Music Pick. & the Creole Cowboys, T-Broussard & the Zydeco Zydeco & the Cowboys, T-Broussard Creole & the South Acadien Steppers, Side Slim, The Reed, Jo Jo Puorto, 11Cajun Band, Shari $35. a.m.-9 p.m., 1126 Queens Highway. Park, Queen Mary Events Acoustic Jam, Tuesdays, 8 p.m., free. 8 p.m., Acoustic Jam, Tuesdays, Fridays, 8 p.m.; Saturdays, 9:30 p.m., $10. Saturdays, p.m., 9:30 8 p.m.; Fridays, Robert Plant, Gary Clark Jr., Alanis Morissette, Alanis Morissette, Gary Plant, Robert Clark Jr., Capital Cities, The Femmes, Violent Blind, Eye Third Margaret Dorothy, Lobos, AaronBangles, Neville, Los Bowl. See Music Pick. Rose 12 p.m. Glaspy, Promise of the Real, Jack White, The Pretenders, Pretenders, The Jack White, Real, the of Promise The Washington, Belle & Sebastian, Kamasi Milk Carton The Graves, Specials, Seu Shakey Jorge, North Riff for the Raff, Hurray Price, Margo Kids, Sanders, Pharoah Mississippi Allstars, Twilley, Dwight Rose Jeff $149-$999. Goldblum, 12 p.m., Typhoon, See Pasadena. Music Pick. Bowl Dr., Rose Bowl, 1001 free. Levitt Pavilion at MacArthur Park. Pavilion Levitt free. Theatre, 6126 Hollywood L.A. Blvd., Theatre, Mondays, 10 p.m., free. p.m., 10 Mondays, at Ace Hotel, 929 S. Broadway, L.A. 929 S. Broadway, at Ace Hotel, The Hot Club of L.A., Mondays, 9 p.m., free. 9 p.m., L.A., Club of Mondays, Hot The nolia Blvd., Burbank. Cody Bryant, Fri., June 22, 9 p.m. Burbank. Cody Bryant,nolia Blvd., Fri., The June 25, 9 p.m. Jazz Band, Mon., Candy Jacket The June 26, noon. Band, Tue., Jazz Magnolia Street Getty Center, 1200 Getty Center Dr., L.A. Dr., Center 1200 Getty Center, Getty AZZ MYU: MYU PA PA YARY SUNDAY, JUNE 24 SUNDAY, SATURDAY, JUNE 23 SATURDAY, FRIDAY, JUNE 22 FRIDAY, COUNTRY & FOLK COUNTRY CONCERTS GO Y: ARM TIGER TINASHE: RAE SRE RAE GO FAMIL THE PEAKING LIGHTS THE L. LON KJ GO CALPURNIA: BA GO WAVVES: Y: ARM TIGER TE CRUZZERS: THEE MIDNITE RICH THE KID: THE RICH CURE: THE ROCK GO GO K THE L. CHASSOL: BROWN: CHRIS O’BRIEN’S: JOE’S GREA IRE A BAR:CINEM THE C THE MULCAHEYS: LAS PER THE GRANADA L. THE GRANADA

www.laweekly.com // June 22 - 28, 2018 // LA WEEKLY |

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Ifyoudonot leyour court clerkforafeewaiver pay the lingfee,ask nearest you.Ifyoucannot brary, orthecourthouse help), yourcountylawli- (www.courtinfo.ca.gov/self- Self-Help Center the California CourtsOnline and more information at can ndthesecourtforms use foryourresponse. You court form thatyoucan your case.There maybea you wantthecourttohear be inproper legalform if Your writtenresponse must call willnotprotect you. plaintiff. Aletterorphone have acopyservedonthe sponse atthiscourtand on youto leawrittenre- and legalpapersare served DAYS afterthissummons You have30CALENDAR the information below. spond within30days.Read being heard unlessyoure- against youwithoutyour sued. Thecourtmaydecide NOTICE! Y 17A01616 CASE NUMBER: signee ofCITIBANK,N.A. CAVALRY SPVI,LLC,asas- DEMANDANTE): DEMANDANDO EL PLAINTIFF (LOESTÁ YOU AREBEINGSUEDBY DOES 1TO10,Inclusive THOMAS EJOHNSON THOMAS JOHNSONaka NOTICE TODEFENDANT: SUMMONS Deputy Clerk:Sherri R.Carter ou havebeen (www.lawhelpcalifornia.org), gal ServicesWebsite groups attheCalifornia Le- cate thesenonpro t vice program. You canlo- from anonpro t legal ser- gible forfree legalservices attorney, youmaybeeli- vice. Ifyoucannotafford an call anattorney referral ser- attorney, youmaywantto away. Ifyoudonotknowan to callanattorney right quirements. You maywant There are otherlegalre- from thecourt. without furtherwarning and property maybetaken and yourwages,money, lose thecasebydefault, response ontime,youmay form. Ifyoudonot leyour court clerkforafeewaiver pay the lingfee,ask nearest you.Ifyoucannot brary, orthecourthouse help), yourcountylawli- (www.courtinfo.ca.gov/self- Self-Help Center the California CourtsOnline and more information at can ndthesecourtforms use foryourresponse. You court form thatyoucan your case.There maybea you wantthecourttohear be inproper legalform if Your writtenresponse must call willnotprotect you. plaintiff. Aletterorphone have acopyservedonthe sponse atthiscourtand on youto leawrittenre- and legalpapersare served DAYS afterthissummons You have30CALENDAR the information below. spond within30days.Read being heard unlessyoure- against youwithoutyour sued. Thecourtmaydecide NOTICE! You havebeen 17A02199 CASE NUMBER: assignee ofCITIBANK,N.A. CAVALRY SPVI,LLC,as DEMANDANTE): (LO ESTÁ DEMANDANDOEL PLAINTIFF YOU AREBEINGSUEDBY DOES 1TO10,Inclusive THOMAS EJOHNSON THOMAS JOHNSONaka NOTICE TODEFENDANT: SUMMONS Filed: January27,2017 (1910-00) NO: 16-18242-0-CD5-DZ 92832 (714)446-6686FILE SUITE 212FULLERTON CA 110 E.WILSHIREAVENUE, THE CHAPMANBUILDING FESSIONAL CORPORATION WINN LAW GROUP, APRO- W. Lynes (312463) Burrows (309882)Nicholas Jensen (263593)JasonM Zeller (265664)CaseyM. 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SPE EnterpriseWindows In- stability &securityofglobal Acountable foruptime, assignment ends. of ce orwork from homeif signed toanothercorp geles area inCA.Maybeas- ment inCulverCity/LosAn- on longterm clientassign- Systems Engineertowork Taos MountainLLCseeksSr. ENGINEERING dent: DEREKLEESMITHIN In regards tothemarriage #17PSFL01258 SUPERIOR service ofsummons,cita- THE STATE OFCALIFORNIA, this actionbemadeupon tion, noticeofhearingin Employment COURT OFCALIFORNIA, of PetitionerPlaintiff: ABOVE ASRESPONDENT: IT ISORDEREDthatthe TION OFSUMMONS TO THEPERSONNAMED za, Pomona,CA.91766 ORDER FORPUBLICA- COUNTY OFLOSAN- DIVORCE -Case & EDUCATION EMPLOYMENT L C lassifieds monga, CA91730 Hyssop Drive,RanchoCuca- Specialty Vehicles LLC,9373 ga, CA;MailResume:US Intrvw inRanchoCucamon- Accounting reqd. Job& Financial Analyst,F/T, BAin St, LosAngeles,CA90011 sume: GGFBLLC.900E.29th dising, orrelated. MailRe- Design, FashionMerchan- Req’d: Bachelor'sinFashion fashion merchandise. Fashion Merchandiser: Buy Job #R10003094 www.21cfcareers.com. rqmts@ Angeles, CA.Fulldetails& Network Services,LLCinLos job open@FoxCable Corporate Development Director, Strategy& 80201 Box 13557,Denver, Co ests. SenddetailstoP.O. als andotheroil&gasinter- WANTS TOpurchase miner- Of Pocket.(AANCAN) tion. NoRisk.MoneyOut 844-898-7142 forInforma- Cash Award. Call Be EntitledTo Signi cant You AndYour FamilyMay Lung Cancer?AndAge60+? [email protected] Mgmt, orrltd.Resume: Acctg, BusinessAdmin, porting Std).Req'sBA’s in (Korean Int’lFinancial Re- using US-GAAP&K-IFRS Prep/audit nancialreports Mgr–DIO USACorpinL.A. Financial Accounting tle, WA 98108. zon, P.O. Box81226,Seat- speci c jobcodeto:Ama- spond byreferencing the ment. Candidatesmustre- operating expensemanage- port nancialplanning& nancial &otherdatatosup- quantitative economic, - analyze qualitativeand Code FAII-SM-KT) -Gather& (multiple openings)(Job position: FinancialAnalystII candidates forthefollowing zon.com Services,Inc.seeks Santa Monica,CA.Ama- Finance Position: respondent Ifthisaddress is for publicationbeforthwith ic Services Misc. 530 Legal Ser 525 copy ofsaidsummons, said publicationbemadeat for publicationofthissum- FURTHER ORDEREDthata tion ofthetimeprescribed SMITH, PETITIONFORDIS- mons. Adeclarationofthis prescribed forthepublica- petition, andhis/herorder LA Weekly, Anewspaperof ascertained before expira- SOLUTION OFMARRIAGE, least onceaweekforfour age paid,directed tosaid most likelytogivenotice By publicationthereof in Stated PostOf ce, post- Services to saidrespondent, that California, hereby desig- consecutive weeks.ITIS nated asthenewspaper general circulation pub- respondent DEREKLEE deposited intheUnited tion. Dated5/09/2018, mailing orofthetime lished atLosAngeles, Judge SarahJ.Heidel L vices 2018 willberejected. after 5:00pmonJuly6, Submissions received business byJuly6,2018. on orbeforecloseof Completed forms are due jAftAWWNz5pHCd6i2 https://goo.gl/forms/ questionnaire at: proceed totheRFIQ opportunities, please subsequent bidding prequali cation and fully considered for overall value.Inorder tobe Union Stationatthebest services atLosAngeles provide designbuild select a rm thatwill Management Councilto is theintentofthisJoint Angeles UnionStation.It bidding opportunityatLos quali ed foranavailable wishing tobecomepre- packages from consultants will receive quali cations unincorporated association, MANAGEMENT COUNCIL,an ship asAgentfortheJOINT Delaware LimitedPartner- MANAGEMENT, LP, a MORLIN ASSET 90502 Ave, Ste200,Torrance, CA Attn: HR,20280S.Vermont sume toNeotecUSA,Inc. team. 40hrs/wk;Sendre- technical supporttosales Sales Engineer:provide CA 90005 Western Ave, LosAngeles, and Resorts,Inc,681S. sume toGarden SuiteHotel Interior Designer:MailRe- email [email protected]. Los Angeles,CA90048or Boulevard, PACT, Suite700, ordinator, 8700Beverly Laia Jones,HRServicesCo- years exp.Sendresume to: geles, CA.Ph.D.plus2 Medical CenterinLosAn- sought byCedars-Sinai Research ScientistI www.IncomeCentral.net 2001! StartImmediately! ing homeworkerssince Genuine Opportunity. Help- Brochures From Home! Make $1000AWeek Mailing PAID INADVANCE! graphics; bachelor’s degree in graphicdesign, nearts Graphic Designer:create $$$$$$$$$$$$$$$$$$$$ design; 3monthsofexp., transportation. Weekly time andhourlypositions MIIK International,Inc. or visualcommunication Call NOW, StartTODAY! Improvement Field.Improvement INSIDE SALESREPS Up to$15perhour. Eric 310-409-3683 aMega Stars various illustrationsand also availablepleasecall Hourly +Commission NEEDED! $$$$$$$ Bonuses. M-F9-4part check, bonusesand If youaretheSTAR, daily commissions! qualified appt's. Gardena, CA90247 Skills insetting Los Angeles90028 L 1229 W. 164thSt., Telemarketers 1546 ArgyleAve, 818-989-3175 Nearallpublic LOOKING For ask forDilan in theHome

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in the Home ask for Dilan LOOKING For LOOKING Near all public Near all public 818-989-3175 1546 Argyle Ave, 1546 Argyle Ave, Telemarketers Telemarketers 1229 W. 164th St., 1229 W. L Los Angeles 90028 Skills in setting Skills in setting Gardena, CA 90247 qualiﬁed appt's. daily commissions! If you are the STAR, If you are the STAR, check, bonuses and check, bonuses Bonuses. M-F 9-4 part NEEDED! $$$$$$$ Hourly + Commission + also available please call various illustrations and Mega Stars aMega Eric 310-409-3683 . Up to $15 per hour INSIDE SALES REPS Improvement Field. Improvement Field. Call NOW, Start TODAY! Call NOW, or visual communication MIIK International, Inc. time and hourly positions time and hourly positions transportation. Weekly Weekly transportation. design; 3 months of exp., $$$$$$$$$$$$$$$$$$$$ create Graphic Designer: create in graphic design, ne arts in graphic design, ne arts graphics; bachelor’s degree degree graphics; bachelor’s PAID IN ADVANCE! IN ADVANCE! PAID Mailing Make $1000 A Week Home! From Brochures Help- Genuine Opportunity. ing home workers since 2001! Start Immediately! www.IncomeCentral.net Research Scientist I Research sought by Cedars-Sinai Medical Center in Los An- geles, CA. Ph.D. plus 2 to: years exp. Send resume Laia Jones, HR Services Co- 8700 Beverly ordinator, Suite 700, PACT, Boulevard, Los Angeles, CA 90048 or email [email protected]. provide Sales Engineer: provide technical support to sales team. 40hrs/wk; Send resume to Neotec USA, Inc. Attn: HR, 20280 S. Vermont CA Ste 200, Torrance, Ave, 90502 MORLIN ASSET a LP, MANAGEMENT, Limited Partner- Delaware ship as Agent for the JOINT MANAGEMENT COUNCIL, an unincorporated association, quali cations will receive consultants packages from wishing to become prequali ed for an available bidding opportunity at Los Angeles Union Station. It is the intent of this Joint Management Council to will that select a rm build design provide services at Los Angeles Union Station at the best to be overall value. In order for fully considered and prequali cation subsequent bidding opportunities, please RFIQ to the proceed at: questionnaire https://goo.gl/forms/ jAftAWWNz5pHCd6i2 due are Completed forms on or before close of business by July 6, 2018 . Submissions received after 5:00pm on July 6, 2018 will be rejected. Interior Designer: Mail Re- Suite Hotel sume to Garden and Resorts, Inc, 681 S. Los Angeles, Ave, Western CA 90005 vices L Judge Sarah J. Heidel lished at Los Angeles, lished at mailing or of the time tion. Dated 5/09/2018, deposited in the United DEREK LEE DEREK respondent general circulation pub- circulation general nated as the newspaper nated as the newspaper consecutive weeks. IT IS consecutive weeks. California, hereby desig- hereby California, to said respondent, that to said respondent, Services Stated Post Of ce, post- Stated Post Of ce, By publication thereof in thereof By publication most likely to give notice most likely to give age paid, directed to said age paid, directed least once a week for four least once a week OF MARRIAGE, SOLUTION ascertained before expira- ascertained before LA Weekly, A newspaper of A newspaper LA Weekly, petition, and his/her order order petition, and his/her prescribed for the publica- prescribed mons. A declaration of this SMITH, PETITION FOR DIS- SMITH, tion of the time prescribed tion of the time prescribed that a that a FURTHER ORDERED for publication of this sum- said publication be made at said publication copy of said summons, said said copy of said summons, 530 Misc. Services 525 Legal Ser for publication be forthwith for publication be respondent If this address is If this address respondent Finance Position: Santa Monica, CA. Ama- zon.com Services, Inc. seeks candidates for the following position: Financial Analyst II (multiple openings) (Job - Gather & Code FAII-SM-KT) analyze qualitative and quantitative economic, - nancial & other data to support nancial planning & operating expense management. Candidates must re- the spond by referencing speci c job code to: Ama- Box 81226, Seat- zon, P.O. 98108. tle, WA Financial Accounting Mgr–DIO USA Corp in L.A. reports nancial Prep/audit using US-GAAP & K-IFRS Re- Int’l Financial (Korean in porting Std). Req's BA’s Acctg, Business Admin, Mgmt, or rltd. Resume: [email protected] purchase miner- miner- TO purchase WANTS als and other oil & gas inter- ests. Send details to P.O. Co Box 13557, Denver, 80201 Lung Cancer? And Age 60+? Lung Cancer? And Age 60+? Family May And Your You Signi cant Be Entitled To Call Cash Award. 844-898-7142 for Informa- tion. No Risk. No Money Out Of Pocket. (AAN CAN) Financial Analyst, F/T, BA in Financial Analyst, F/T, Job & Accounting reqd. Intrvw in Rancho Cucamon- ga, CA; Mail Resume: US LLC, 9373 Specialty Vehicles Hyssop Drive, Rancho Cuca- monga, CA 91730 Director, Strategy & Director, Corporate Development job open @ Fox Cable Network Services, LLC in Los Angeles, CA. Full details & rqmts@ www.21cfcareers.com. Job # R10003094 Buy Fashion Merchandiser: fashion merchandise. Req’d: Bachelor's in Fashion Design, Fashion Merchan- Mail Re- dising, or related. sume: GGFB LLC. 900 E. 29th St, Los Angeles, CA 90011 lassiﬁeds C L EMPLOYMENT & EDUCATION DIVORCE - Case COUNTY OF LOS AN- ORDER FOR PUBLICA- za, Pomona, CA. 91766 TO THE PERSON NAMED TION OF SUMMONS OF IT IS ORDERED that the ABOVE AS RESPONDENT: ABOVE AS RESPONDENT: Petitioner Plaintiff: of Petitioner Plaintiff: COURT OF CALIFORNIA, Employment tion, notice of hearing in this action be made upon THE STATE OF CALIFORNIA, THE STATE service of summons, cita- #17PSFL01258 SUPERIOR In regards to the marriage to the marriage In regards IN dent: DEREK LEE SMITH IN ENGINEERING Mountain LLC seeks Sr. Taos Systems Engineer to work assign- client on long term ment in Culver City/Los An- May be as- in CA. geles area signed to another corp home if or work from of ce assignment ends. Acountable for uptime, stability & security of global In- SPE Enterprise Windows rec. Provide frastructure. OS, regarding on Windows servers, storage, network services, db support & au- tomation of redundant tasks. BS+10 yrs exp. Mail to: Taos & cvltr resume Kemp, Mountain, Attn: T. San Jose, 121 Daggett Dr, CA 95134. Ref 2018BB GELES, 400 Civic Center Pla- TERRI GAINES and respon- the California Courts Online Online Courts California the Center Self-Help (www.courtinfo.ca.gov/self- your by contacting help), or as- or county bar local court NOTE: The court sociation. lien for has a statutory costs on waived fees and or arbitra- any settlement of $10,000 or tion award in a civil case. The more must be paid lien court’s the court will dis- before miss the case. of The name and address the court is: OF SUPERIOR COURT ANGELES CALIFORNIA, LOS NORTH VALLEY COUNTY, SUPERIOR COURT OF CALIFORNIA 9425 PEN- FIELD AVENUE CA 91311 CHATSWORTH and The name, address, telephone number of or plain- attorney, plaintiff’s is: without an attorney tiff (86779) Laura Brian N Winn M Hoalst (101082) John E (180053) Stephen S Gordon Zeller (265664) Casey M. Jensen (263593) Jason M (309882) Nicholas Burrows (312463) Lynes W. GROUP, WINN LAW A PROFESSIONAL CORPORATION THE CHAPMAN BUILDING 110 E. WILSHIRE AVENUE, CA SUITE 212 FULLERTON 92832 (714)446-6686 FILE NO: 16-18366-0-CD5-DZ (1910-00) Filed: February 10, 2017 Deputy Clerk: R. Carter Sherri Assistant Sales Manager assist Analyze sales trends, sales strategies to increase negotiate market share, contracts, supervise 1 sales Assoc. Deg. in any staff. eld & 2 yrs. exp. as Asst. & or Sales Mgr. Sales Mgr. Lang. uency in Korean CNR Int'l, Resume: req'd. Inc. 2626 Vista Industria, Unit D, Compton CA 90221. Acupuncturist: diagnose pa- tients on medical condition; with take pulse and treat procedures; acupuncture & Orien- MA in Acupuncture + CA tal Medicine or related Acupuncturist license Req’d. Resume to Jung Acu and Herb LLC, 520 N. Brook- hurst St. #102, Anaheim, CA 92801

Deputy Clerk: Sherri R. Carter Deputy Clerk: Sherri attorney, you may want to attorney, ser- referral call an attorney an vice. If you cannot afford you may be eli- attorney, legal services gible for free legal ser- a nonpro t from can lo- You vice program. cate these nonpro t Le- at the California groups gal Services Website (www.lawhelpcalifornia.org), Courts Online the California Self-Help Center (www.courtinfo.ca.gov/self- help), or by contacting your local court or county bar association. NOTE: The court has a statutory lien for waived fees and costs on any settlement or arbitra- of $10,000 or tion award in a civil case. The more lien must be paid court’s the court will dis- before miss the case. of The name and address the court is: SUPERIOR COURT OF CALI- FORNIA, LOS ANGELES NORTH VALLEY COUNTY, 9425 PENFIELD AVENUE CA 91311 CHATSWORTH and The name, address, telephone number of or plain- attorney, plaintiff’s is: without an attorney tiff (86779) Laura Brian N Winn M Hoalst (101082) John E (180053) Stephen S Gordon Zeller (265664) Casey M. Jensen (263593) Jason M (309882) Nicholas Burrows (312463) Lynes W. A PRO- GROUP, WINN LAW FESSIONAL CORPORATION THE CHAPMAN BUILDING 110 E. WILSHIRE AVENUE, CA SUITE 212 FULLERTON 92832 (714)446-6686 FILE NO: 16-18242-0-CD5-DZ (1910-00) Filed: January 27, 2017 SUMMONS NOTICE TO DEFENDANT: THOMAS JOHNSON aka THOMAS E JOHNSON DOES 1 TO 10, Inclusive YOU ARE BEING SUED BY PLAINTIFF DEMANDANDO EL (LO ESTÁ DEMANDANTE): SPV I, LLC, as CAVALRY assignee of CITIBANK, N.A. CASE NUMBER: 17A02199 have been NOTICE! You sued. The court may decide against you without your you re- unless being heard spond within 30 days. Read below. the information have 30 CALENDAR You after this summons DAYS served and legal papers are on you to le a written response at this court and have a copy served on the A letter or phone plaintiff. you. call will not protect must written response Your if form legal be in proper you want the court to hear may be a your case. There you can that court form You use for your response. can nd these court forms at information and more Online Courts the California Self-Help Center (www.courtinfo.ca.gov/self- help), your county law li- or the courthouse brary, you cannot you. If nearest pay the ling fee, ask the court clerk for a fee waiver not le your If you do form. you may on time, response lose the case by default, and your wages, money, be taken may and property without further warning the court. from other legal re- are There may want You quirements. right to call an attorney If you do not know an away. want to you may attorney, ser- referral call an attorney an vice. If you cannot afford be eli- you may attorney, services legal gible for free legal ser- a nonpro t from can lo- You vice program. cate these nonpro t Le- at the California groups gal Services Website (www.lawhelpcalifornia.org), ou have been sued. The court may decide sued. The court may decide against you without your you re- unless being heard spond within 30 days. Read below. the information have 30 CALENDAR You after this summons DAYS served and legal papers are on you to le a written response at this court and have a copy served on the A letter or phone plaintiff. you. call will not protect must written response Your if form legal be in proper you want the court to hear may be a your case. There you can that court form You use for your response. can nd these court forms at information and more Online Courts the California Self-Help Center (www.courtinfo.ca.gov/self- help), your county law li- or the courthouse brary, you cannot you. If nearest pay the ling fee, ask the court clerk for a fee waiver not le your If you do form. you may on time, response lose the case by default, and your wages, money, be taken may and property without further warning the court. from other legal re- are There may want You quirements. right to call an attorney If you do not know an away. Deputy Clerk: Sherri R. Carter Deputy Clerk: Sherri SUMMONS NOTICE TO DEFENDANT: THOMAS JOHNSON aka THOMAS E JOHNSON DOES 1 TO 10, Inclusive YOU ARE BEING SUED BY PLAINTIFF (LO ESTÁ DEMANDANDO EL DEMANDANTE): SPV I, LLC, as as- CAVALRY signee of CITIBANK, N.A. CASE NUMBER: 17A01616 NOTICE! Y response on time, you may on time, you may response lose the case by default, and your wages, money, may be taken and property without further warning the court. from other legal re- are There may want You quirements. right to call an attorney If you do not know an away. you may want to attorney, ser- referral call an attorney an vice. If you cannot afford you may be eli- attorney, legal services gible for free legal ser- a nonpro t from can lo- You vice program. cate these nonpro t Le- at the California groups gal Services Website (www.lawhelpcalifornia.org), Courts Online the California Self-Help Center (www.courtinfo.ca.gov/self- help), or by contacting your local court or county bar association. NOTE: The court has a statutory lien for waived fees and costs on any settlement or arbitra- of $10,000 or tion award in a civil case. The more lien must be paid court’s the court will dis- before miss the case. of The name and address the court is: SUPERIOR COURT OF CALIFORNIA, LOS ANGELES NORTH VALLEY COUNTY, 9425 PENFIELD AVENUE CA 91311 CHATSWORTH and The name, address, telephone number of or plain- attorney, plaintiff’s is: without an attorney tiff (86779) Laura Brian N Winn M Hoalst (101082) John E (180053) Stephen S Gordon Zeller (265664) Casey M. Jensen (263593) Jason M (309882) Nicholas Burrows (312463) Lynes W. A GROUP, WINN LAW PROFESSIONAL CORPORA- TION THE CHAPMAN BUILDING 110 E. WILSHIRE AVENUE, CA SUITE 212 FULLERTON 92832 (714)446-6686 FILE NO: 16-18948-0-DA1-JPG (3006-01) 09, 2017 Filed: February Classifieds use for your response. You You use for your response. can nd these court forms at information and more Courts Online the California Self-Help Center (www.courtinfo.ca.gov/self- help), your county law li- or the courthouse brary, you. If you cannot nearest pay the ling fee, ask the court clerk for a fee waiver If you do not le your form. on time, you may response lose the case by default, and your wages, money, may be taken and property without further warning the court. from other legal re- are There may want You quirements. right to call an attorney If you do not know an away. you may want to attorney, ser- referral call an attorney an vice. If you cannot afford you may be eli- attorney, legal services gible for free legal ser- a nonpro t from can lo- You vice program. cate these nonpro t Le- at the California groups gal Services Website (www.lawhelpcalifornia.org), Courts Online the California Self-Help Center (www.courtinfo.ca.gov/self- help), or by contacting your local court or county bar association. NOTE: The court has a statutory lien for waived fees and costs on any settlement or arbitra- of $10,000 or tion award in a civil case. The more lien must be paid court’s the court will dis- before miss the case. of The name and address the court is: SUPERIOR COURT OF CALI- FORNIA, LOS ANGELES NORTH VALLEY COUNTY, 9425 PENFIELD AVENUE CA 91311 CHATSWORTH and The name, address, telephone number of or plain- attorney, plaintiff’s is: without an attorney tiff (86779) Laura Brian N Winn M Hoalst (101082) John E (180053) Stephen S Gordon Zeller (265664) Casey M. Jensen (263593) Jason M (309882) Nicholas Burrows (312463) Lynes W. A PRO- GROUP, WINN LAW FESSIONAL CORPORATION THE CHAPMAN BUILDING 110 E. WILSHIRE AVENUE, CA SUITE 212 FULLERTON 92832 (714)446-6686 FILE NO: 16-18024-0-CD5-JPG (1910-00) 09, 2017 Filed: February Deputy Clerk: Sherri R. Carter Deputy Clerk: Sherri SUMMONS NOTICE TO DEFENDANT : TERESA L TING aka TERESA TING DOES 1 TO 10, Inclusive YOU ARE BEING SUED BY PLAINTIFF DEMANDANDO EL (LO ESTÁ DEMANDANTE): DISCOVER BANK CASE NUMBER: 17A02186 have been NOTICE! You sued. The court may decide against you without your you re- unless being heard spond within 30 days. Read below. the information have 30 CALENDAR You after this summons DAYS served and legal papers are on you to le a written response at this court and have a copy served on the A letter or phone plaintiff. you. call will not protect must written response Your if form legal be in proper you want the court to hear may be a your case. There you can that court form You use for your response. can nd these court forms at information and more Online Courts the California Self-Help Center (www.courtinfo.ca.gov/self- help), your county law li- or the courthouse brary, you cannot you. If nearest pay the ling fee, ask the court clerk for a fee waiver not le your If you do form. Notices 656 Notices Legal SUMMONS NOTICE TO DEFENDANT : STEPHEN L GROSSMAN AKA STEPHEN GROSSMAN DOES 1 TO 10, Inclusive YOU ARE BEING SUED BY PLAINTIFF DEMANDANDO EL (LO ESTÁ DEMANDANTE): SPV I, LLC as as- CAVALRY signee of CITIBANK, N.A. CASE NUMBER: 17A02184 have been NOTICE! You sued. The court may decide against you without your unless you re- being heard spond within 30 days. Read below. the information have 30 CALENDAR You after this summons DAYS served and legal papers are on you to le a written response at this court and have a copy served on the A letter or phone plaintiff. you. call will not protect must written response Your if legal form be in proper you want the court to hear may be a your case. 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