Nicholas's Notes, and Sporting Prophecies
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Lord Lyon King of Arms
VI. E FEUDAE BOBETH TH F O LS BABONAG F SCOTLANDO E . BY THOMAS INNES OP LEABNEY AND KINNAIRDY, F.S.A.ScoT., LORD LYON KIN ARMSF GO . Read October 27, 1945. The Baronage is an Order derived partly from the allodial system of territorial tribalis whicn mi patriarce hth h hel s countrydhi "under God", d partlan y froe latemth r feudal system—whic e shale wasw hse n li , Western Europe at any rate, itself a developed form of tribalism—in which the territory came to be held "of and under" the King (i.e. "head of the kindred") in an organised parental realm. The robes and insignia of the Baronage will be found to trace back to both these forms of tenure, which first require some examination from angle t usuallno s y co-ordinatedf i , the later insignia (not to add, the writer thinks, some of even the earlier understoode symbolsb o t e )ar . Feudalism has aptly been described as "the development, the extension organisatione th y sa y e Family",o familyth fma e oe th f on n r i upon,2o d an Scotlandrelationn i Land;e d th , an to fundamentall o s , tribaa y l country, wher e predominanth e t influences have consistently been Tribality and Inheritance,3 the feudal system was immensely popular, took root as a means of consolidating and preserving the earlier clannish institutions,4 e clan-systeth d an m itself was s modera , n historian recognisew no s t no , only closely intermingled with feudalism, but that clan-system was "feudal in the strictly historical sense".5 1 Stavanger Museums Aarshefle, 1016. -
Polo Pony Pedigree
Polo Pony Pedigree MORE INFORMATION CAN BE FOUND ON THE HORSES PROFILE PAGE Any thoroughbreds will be highlighted with a green GSB – a horse has to be 100% thoroughbred to qualify to be in General Stud Book Any winners of classic races will be highlighted in orange Foaling dates will be found in the colour pink ALADDIN II Volume 17 of The National Pony Society (Supplement 1922 This was the first supplement to be published independently) COLTS ALADDIN II Grey, blaze and snip, four white legs Foaled 1922 Owner, Mrs J. Oscar Muntz Breeder, Miss Calmady-Hamlyn, M.B.E., Buckfast, North Devon Sire: Chandi 796 Dam: (2679 Exmoor) Cora V Arab Arab Arab Chandi 796 1911 Arab Arab Arab Aladdin II 1922 Exmoor Pony Exmoor Pony (2679 Exmoor) Cora V (late Sedwick Cora) 1905 Exmoor Pony Exmoor Pony Exmoor Pony Polo Pony Pedigree ARTHUR’S LOVE GSB (Volume 26 p.41), chestnut filly, small star, near hind fetlock, pastern, heel and hoof white. Foaled 5 May 1926 Height 12.1 Measured 20 September 1926 Owner and Breeder Lieutenant Commander K. Max Wilkinson R.N., Little Steat, Cornwood, Devon Sire: Love Song 1065 Dam: 3390 Arthur’s Belle Arthur D Arthur’s Pride 861 1913 Noteless Love Song 1065 1918 Goring Heath 2435 Old Love 1909 Old Fashioned Arthur’s Love 1926 GSB (Volume 26 p.41) Pride Arthur D 593 1908 Maquay 3390 Arthur’s Belle 1913 (sold in 1925) Southampton 504 Serf Belle 1892 Gazelle Polo Pony Pedigree ASCENSION Chestnut, blaze, white flick over near side eye, white splash on near fore shin, both hind stockings white Foaled 1932 Height 15.0 with shoes Breeder G. -
University of Huddersfield Repository
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Huddersfield Repository University of Huddersfield Repository Catterall, Stephen Book review: Class against Class: The Communist Party in Britain between the Wars, Matthew Worley, I. B. Tauris, 2002 Original Citation Catterall, Stephen (2006) Book review: Class against Class: The Communist Party in Britain between the Wars, Matthew Worley, I. B. Tauris, 2002. Manchester Region History Review, 17 (2). pp. 127-129. ISSN 0952-4320 This version is available at http://eprints.hud.ac.uk/8268/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ MRHR 17ii Maidment volume.qxd 24/07/2006 10:22 Page 127 LONG REVIEWS Matthew Worley Class against Class: The Communist Party in Britain between the Wars London: I. -
James Fenimore Cooper and the Genteel Hero of Romance
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Read the Report
2 0 0 5 a n n u a l r e p o r t You must be“ the change you wish to see in the world. ” — Gandhi Be the change. HEROES, NOT VICTIMS OUR MISSION HOW WE WORK Mercy Corps exists to alleviate suffering, poverty In our 25 years of experience, Mercy Corps has n a year of unprecedented disasters, the amazing and oppression by helping people build secure, learned that communities recovering from war or productive and just communities. social upheaval must be the agents of their own resilience of people the world over has been a triumph we transformation for change to endure. Making can all celebrate. Although millions of people are caught OUR CORE VALUES this happen requires communities, government I ■ We believe in the intrinsic value and dignity and businesses to solve problems in a spirit of in intolerable situations, in the midst of it all, they find the of human life. accountability and full participation. Ultimately, courage to survive, overcome and rebuild. ■ We are awed by human resilience, and believe in secure, productive and just communities arise only the ability of all people to thrive, not just exist. when all three sectors work together as three legs of a For every image of destruction and despair, there are stable stool. ■ Our spiritual and humanitarian values thousands of stories of inspiration. In this year’s report, compel us to act. WHAT WE DO we give voice to some of these remarkable individuals, from ■ We believe that all people have the right to ■ Emergency Relief live in peaceful communities and participate Indonesians recovering from the Indian Ocean tsunami to ■ Economic Development fully in the decisions that affect their lives. -
REFORMATIVE SYMPATHY in NINETEENTH-CENTURY CRIME FICTION Erica Mccrystal
Erica McCrystal 35 REFORMATIVE SYMPATHY IN NINETEENTH-CENTURY CRIME FICTION Erica McCrystal (St. John’s University, New York) Abstract Nineteenth-century British crime novels whose heroes were criminals redefined criminality, alerting readers to the moral failures of the criminal justice system and arguing for institutional reform. My research on this topic begins with William Godwin’s novel Caleb Williams (1794) as a social reform project that exposes hypocrisy and inconsistency of governing institutions. I then assess how contemporary social criticism of crime novels contrasts with the authors’ reformative intentions. Critics argued the ‘Newgate novels’, like those of Edward Bulwer-Lytton and William Harrison Ainsworth, glorified criminality and were therefore a danger to readers. However, Bulwer-Lytton’s Paul Clifford (1830) and William Harrison Ainsworth’s Jack Sheppard (1839) serve, like Caleb Williams, as social reform efforts to alert readers to the moral failings of the criminal justice and penal institutions. They do so, I argue, through the use of sympathy. By making the criminal the victim of a contradictory society, Godwin, Bulwer-Lytton, and Ainsworth draw upon the sympathies of imagined readers. I apply contemporary and modern notions of sympathy to the texts to demonstrate how the authors use sympathy to humanise the title characters in societies that have subjected them to baseless mechanisation. The emergence of crime fiction in nineteenth-century Britain provided readers with imaginative access to a criminal’s perspective and history as they conflicted with the criminal justice system and its punitive power. Novelists working within the genre re- examined criminality, morality, and justice, often delivering powerful social critiques of extant institutions. -
Sir Walter Scott's Templar Construct
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. SIR WALTER SCOTT’S TEMPLAR CONSTRUCT – A STUDY OF CONTEMPORARY INFLUENCES ON HISTORICAL PERCEPTIONS. A THESIS PRESENTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY AT MASSEY UNIVERSITY, EXTRAMURAL, NEW ZEALAND. JANE HELEN WOODGER 2017 1 ABSTRACT Sir Walter Scott was a writer of historical fiction, but how accurate are his portrayals? The novels Ivanhoe and Talisman both feature Templars as the antagonists. Scott’s works display he had a fundamental knowledge of the Order and their fall. However, the novels are fiction, and the accuracy of some of the author’s depictions are questionable. As a result, the novels are more representative of events and thinking of the early nineteenth century than any other period. The main theme in both novels is the importance of unity and illustrating the destructive nature of any division. The protagonists unify under the banner of King Richard and the Templars pursue a course of independence. Scott’s works also helped to formulate notions of Scottish identity, Freemasonry (and their alleged forbearers the Templars) and Victorian behaviours. However, Scott’s image is only one of a long history of Templars featuring in literature over the centuries. Like Scott, the previous renditions of the Templars are more illustrations of the contemporary than historical accounts. One matter for unease in the early 1800s was religion and Catholic Emancipation. -
The Arthurian Legend in British Women's Writing, 1775–1845
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff Avalon Recovered: The Arthurian Legend in British Women’s Writing, 1775–1845 Katie Louise Garner B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University September 2012 Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date………………………… Acknowledgements First thanks are due to my supervisors, Jane Moore and Becky Munford, for their unceasing assistance, intellectual generosity, and support throughout my doctoral studies. -
History of the Clan Macfarlane
HISTORY OF THE CLAN MACFARLAN Mrs. C. M. Little [gc M. L 929.2 M164t GENEALOGY COLLECTION I I 1149534 \ ALLEN CCnjmVPUBUCUBBABY, 334Z 3 1833 00859 Hf/^. I /^^^^^^ IIISTOKV OF TH1-: CLAN MACFARLANE, (.Macfai'lane) MACFARLAN. MACFARLAND, MACFARLIN. BY MRS. C. M. TJTTLE. TOTTENVILLE, N. Y. MRS. C. M. LITTLK. 1893. Copyrighted. Mrs. C. M. LITTLK 1893. For Private Circucation. 1149534 TO MY DEAR AND AGED MOTHER, WHO, IN HER NINETIETH YEAR, THE LAST OF HER GENERA- TION, WITH INTELLECT UNIMPAIRED, STANDS AS A WORTHY REPRESENTATIVE OF THE INDOM- ITABLE RACE OF MACFARLANE, THIS BOOK IS REVERENTLY deDicatgD, BY HER AFFECTIONATE DAUGHTER, THE AUTHOR. — INTRODUCTION. " Why dost thou build the hall? Son of the winged days! Thou lookest from thy tower to-day; yet a few years and the blast of the desert comes: it howls in thy empty court." Ossian. Being, myself, a direct descendant of the Clan MacFarlane, the old "Coat of Arms" hanging up- on the wall one of my earliest recollections, the oft-repeated story of the great bravery at Lang- side that gave them the crest, the many tradi- tions told by those who have long since passed away, left npon my mind an impression so indeli- ble, that, as years rolled on, and I had become an ardent student of Scottish history, I determined to know more of my ancestors than could be gathered from oral traditions. At length, in the summer of 1891, traveling for the second time in Europe, I was enabled to exe- cute a long-cherished plan of spending some time at Arrochar, at the head of Loch Long, in the Highlandsof Scotland, the hereditary posses- sions for six hundred years of the chiefs of the Clan MacFarlane. -
Unit 4 BRITISH LITERATURE LIFEPAC 4 the NINETEENTH CENTURY (1798–1900) CONTENTS I
Unit 4 BRITISH LITERATURE LIFEPAC 4 THE NINETEENTH CENTURY (1798–1900) CONTENTS I. THE ROMANTIC ERA • • • • • • • • • • • • • • • • • • • • • • • 1 INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • 1 William Blake • • • • • • • • • • • • • • • • • • • • • • • • • • • • 5 William Wordsworth • • • • • • • • • • • • • • • • • • • • • • • 9 Samuel Taylor Coleridge • • • • • • • • • • • • • • • • • • • • 14 Sir Walter Scott • • • • • • • • • • • • • • • • • • • • • • • • • • 26 II. THE LATE ROMANTIC ERA • • • • • • • • • • • • • • • • • • • 40 Jane Austen • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 40 Charles Lamb • • • • • • • • • • • • • • • • • • • • • • • • • • • • 47 George Gordon–Lord Byron • • • • • • • • • • • • • • • • • • 52 Percy Bysshe Shelley • • • • • • • • • • • • • • • • • • • • • • 58 John Keats • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 63 III. THE VICTORIAN ERA • • • • • • • • • • • • • • • • • • • • • • • 71 INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • 71 Thomas Carlyle • • • • • • • • • • • • • • • • • • • • • • • • • • • 75 John Henry Cardinal Newman • • • • • • • • • • • • • • • • 80 Alfred, Lord Tennyson • • • • • • • • • • • • • • • • • • • • • • 84 Charles John Huffman Dickens • • • • • • • • • • • • • • • • 90 Robert Browning • • • • • • • • • • • • • • • • • • • • • • • • • 100 George Eliot (Mary Ann Evans) • • • • • • • • • • • • • • • 103 Oscar Wilde • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 109 Lewis Carroll (Charles Lutwidge Dodgson) -
Long Reviews
University of Huddersfield Repository Catterall, Stephen Book review: Class against Class: The Communist Party in Britain between the Wars, Matthew Worley, I. B. Tauris, 2002 Original Citation Catterall, Stephen (2006) Book review: Class against Class: The Communist Party in Britain between the Wars, Matthew Worley, I. B. Tauris, 2002. Manchester Region History Review, 17 (2). pp. 127-129. ISSN 0952-4320 This version is available at http://eprints.hud.ac.uk/id/eprint/8268/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ MRHR 17ii Maidment volume.qxd 24/07/2006 10:22 Page 127 LONG REVIEWS Matthew Worley Class against Class: The Communist Party in Britain between the Wars London: I. B. Tauris, 2002, x + 352pp., h/b, ISBN 1–86064–747–2 Worley’s contribution is concerned with Worley lucidly develops this theme further the debate over the early development of in arguing that the debate within the the Communist Party of Great Britain CPGB reflected a wider debate within (CPGB) during the late 1920s and early international communism and led to a 1930s in a phase known as communism’s ‘leftward’ lurch which confirmed the split ‘Third Period’ following the Third with the Labour Party. -
6 X 10.Long New.P65
Cambridge University Press 978-0-521-13666-2 - English Romanticism and the Celtic World Edited by Gerard Carruthers and Alan Rawes Index More information Index Aaron, Jane 167 Bowles, William Lisle 106 Aeneas 25 Bradford, John 74 Alexander, Ian 165 Braveheart 163 Anderson, Benedict 15 Brigadoon 163 Ariosto 146, 147 Bristol 73 Arnold, Matthew 2, 8, 103 importance to British Empire 73 on classical Rome 2 Brutus 25 on Romanticism 2 Bryant, Jacob 54 Arthurian Revival; Arthurian legend A New System or, an Analysis of Ancient 43, 99 Mythology 90 Auden, W. H. 197 Bunting, Basil 197 Burke, Edmund 155, 191 Bacon, John 37 A Philosophical Enquiry into the Sublime Barbauld, Anna 18, 77 and the Beautiful 155 Baridon, Michael 156 Burnett, George 70 Barlow, Joel 80 Burney, Francis 18, 77 The Vision of Columbus: a Poem 80 Burns, Robert 5, 139 Beattie, James 5, 22 Coila 5 ‘The Minstrel’ 5, 163 as pre-Romantic 6 Beaumont, Sir George 98, 100 ‘The Vision’ 5 Beckett, Samuel 72 Burrell, Sir William 151 Bernhardt-Kabisch, Ernest 170 Butler, Marilyn 117 Betham, Sir William 216 Butler, Samuel 7 Black, G. F. 38 Butt, John 40 bibliography to Macpherson’s Ossian 38 The Oxford History of English Blair, Hugh 22, 47 Literature 40 Lectures on Rhetoric and Belles Lettres 155 Byron, George Gordon 7, 11, 19, 42, 154 on oral poetry 22 ‘Address intended to be recited at the Blake, William 6, 15, 41, 42, 54, 61, 94, 198 Caledonian Meeting’ 114 America 57 ‘The Adieu. written under the ‘Ancient Britons’ 54 impression that the author would soon and ‘Britain’ as concept 55–6,