Performing and Supplicating Mānik Pīr
Performing and Supplicating Mānik Pīr Infrapolitics in the Domain of Popular Islam Syed Jamil Ahmed In isolated rural pockets of the ethno-linguistic region of Bengal, which sprawls across an international border separating Bangladesh and West Bengal (India), a number of performances are held in honor of a Sufi culture-hero popularly known asM anik Pir.1 These performances assert that Manik Pir is a miracle worker who was born by the generative action of a flower and not the conjugal union of humans, and that the pir possesses the power to reinstate eyesight, enable pregnancy, restore life to animals, and empower the lame. He can also restore dead humans to life and cure all forms of illness. Numerous devotees supplicate Manik Pir in times 1. Among the Sufis, the term pīr, derived from the Persian, denotes a spiritual director or guide. Syed Jamil Ahmed is a director based in Bangladesh, and Professor at the Department of Theatre and Music, University of Dhaka. He has received two Fulbright fellowships (1990, 2005), has published essays in Research in Drama Education, Asian Theatre Journal, TDR, Inter-Asia Cultural Studies, South Asian Popular Culture, and New Theatre Quarterly, and has taught at Antioch College, USA (1990), King Alfred’s College, UK (2002), and San Francisco City College, USA (2005). His book- length publications in English are Acinpākhi Infinity: Indigenous Theatre in Bangladesh (University Press Limited, 2000), In Praise of Nirañjan: Islam, Theatre, and Bangladesh (Pathak Samabesh, 2001) and Reading against the Orientalist Grain: Performance and Politics Entwined with a Buddhist Strain (Anderson Printing House Private Limited, 2008).
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