Berks Jazz Fest 2009
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Issue 37 | Apr 2018 Comedy, Literature & Film in Stroud
AN INDEPENDENT, FREE MONTHLY GUIDE TO MUSIC, ART, THEATRE, ISSUE 37 | APR 2018 COMEDY, LITERATURE & FILM IN STROUD. WWW.GOODONPAPER.INFO ISSUE #37 Inside: Annual Site Festival: Record Festival Moomins & Store Day Guide The Comet 2018 + The Clay Loft | Mark Huband | Bandit | Film Posters Reinterpreted Cover image by Joe Magee Joe image by Cover #37 | Apr 2018 EDITOR Advertising/Editorial/Listings: Editor’s Note Alex Hobbis [email protected] DESIGNER Artwork and Design Welcome To The Thirty Seventh Issue Of Good On Adam Hinks [email protected] Paper – Your Free Monthly Guide To Music Concerts, Art Exhibitions, Theatre Productions, Comedy Shows, ONLINE FACEBOOK TWITTER Film Screenings And Literature Events In Stroud… goodonpaper.info /GoodOnPaperStroud @GoodOnPaper_ Well Happy Birthday to us…Good On Paper is three! And we’ve gone a bit bumper. 32 PRINTED BY: pages this month – the most pages we have ever printed in one issue. All for you. To read. Then maybe recycle. Or use as kindling (these vegetable inks burn remarkably well). Tewkesbury Printing Company With it being our anniversary issue we’ve made a few design changes – specifically to the universal font and also to the front cover. For the next year we will be inviting some of our favourite local artists to design the front cover image – simply asking them to supply a piece of new work which might relate to one of the articles featured in that particular SPONSORED BY: issue. This month we asked our friend the award winning film maker and illustrator Joe Magee... Well that’s it for now, hope you enjoy this bigger issue of Good On Paper. -
Contemporary Music Score Collection
UCLA Contemporary Music Score Collection Title Trance Organics Permalink https://escholarship.org/uc/item/2bq6n4q2 Author Podgursky, Jeremy Publication Date 2020 eScholarship.org Powered by the California Digital Library University of California Full Score TRANCE ORGANICS (2018) for Flute, Clarinet in B-flat, Bassoon, Piano, and String Quartet JEREMY PODGURSKY © 2018 Jeremy Podgursky - All Rights Reserved Published by Turbo Tekkamaki Press (ASCAP) www.jeremypodgursky.com TRANCE ORGANICS (2018) by Jeremy Podgursky Commissioned for premiere on August 11th, 2018 at the Pike Falls Chamber Music Festival In Memoriam David Bowie INSTRUMENTATION: Flute (doubling piccolo) Clarinet in B flat Bassoon Piano Violin 1 Violin 2 Viola Cello Score is in C Duration: 12:00 Special Thanks to Susanna Loewy, Richard Scerbo, my family, Melissa Arnold, John Gibson, Alicyn Warren, Don Freund, Claude Baker, Sven-David Sandström, David Dzubay, Jeffrey Hass, and Franz the Schnauzer Mutt. PERFORMANCE NOTES: * all grace notes happen BEFORE the beat * square note-heads in clarinet are sub-tone * all string playing is on the string unless marked with staccato * all harmonics on strings are notated with their sounding pitch when they first occur * please have fun, at all costs For more info or contact, visit www.jeremypodgursky.com regularly. © 2018 Jeremy Podgursky – All Rights Reserved. Published by Turbo Tekkamaki Press (ASCAP) PROGRAM NOTES TRANCE ORGANICS (2018) is a sequel to TRANCE MECHANICS (2014). The source musical material for the latter was from four real and imaginary mechanical devices that were presented in alternating movements that evolved throughout the piece. In contrast, TRANCE ORGANICS derives all of its source material from a relatively simple, crooning clarinet melody that appears in the penultimate section of the piece (THE ARRIVAL). -
The Free Press Vol. 40, Issue No. 21, 04-27-2009
University of Southern Maine USM Digital Commons Free Press, The, 1971- Student Newspapers 4-27-2009 The Free Press Vol. 40, Issue No. 21, 04-27-2009 Matt Dodge University of Southern Maine Follow this and additional works at: https://digitalcommons.usm.maine.edu/free_press Recommended Citation Dodge, Matt, "The Free Press Vol. 40, Issue No. 21, 04-27-2009" (2009). Free Press, The, 1971-. 51. https://digitalcommons.usm.maine.edu/free_press/51 This Book is brought to you for free and open access by the Student Newspapers at USM Digital Commons. It has been accepted for inclusion in Free Press, The, 1971- by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. the free pressVolume 40, Issue No. 21 April 27, 2009 U S M Botman begins Selma Botman becomes tenth president of USM in formal inaugural ceremony Daniel MacLeod history of the modern Middle News Editor East and more broadly, helped define social history in modern Last Saturday afternoon, Selma times,” she said. Botman marched down Bedford The investiture was replete Street in Portland to the tune of with musical performances by a bagpiper. USM students before, during and After nearly one year as presi- after the ceremony, as well as the dent of USM, Botman was sworn reading of a poem specially writ- in at a formal ceremony attended ten for the occasion by Dr. Annie Finch, the director of Stonecoast by about 300 people. The event B MK / P E began as a processional lead by MFA. bagpiper and music education UMaine System Chancellor Bagpiper Steven Lemiuex leads the processional along Bedford Street at last week’s inauguration. -
Charlie Haden Page 11 News
JazzWeek with airplay data powered by jazzweek.com • Sept. 8, 2005 Volume 1, Number 41 • $7.95 In This Issue: J@LC Sponsors Concert to Benefit Katrina Victims . 4 Wynton Marsalis Comments . 4 Harry Connick, Jr., Is Habitat Honorary Chair . 5 McBride Tapped for L.A. Phil Jazz Post . 9 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz Radio. 23 Radio LIBERATION MUSIC ORCHESTRA Panels. 28 Q&A With Charlie Haden page 11 News. 4 Charts: #1 Jazz Album – Clayton-Hamilton Jazz Orch. #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR e’ve all watched in horror at the destruction caused Tad Hendrickson by Hurricane Katrina and reacted with some re- CONTRIBUTING EDITORS Wlief as friends, colleagues, and admired musicians Keith Zimmerman have been rescued. While our initial reaction may have Kent Zimmerman CONTRIBUTING WRITER/ been anger, and even perhaps focused on blame, now is PHOTOGRAPHER the time to help out and do what we can to help the peo- Tom Mallison ple of New Orleans and the whole affected Gulf Coast – PHOTOGRAPHY Barry Solof an area the size of Great Britain – to recover and rebuild. Founding Publisher: Tony Gasparre One station with a big task ahead is WWOZ in New ADVERTISING: Call (585) 328-3104 or email: [email protected] Orleans. On the station’s web site, wwoz.org, they are keeping a helpful list of musicians and WWOZ staffers SUBSCRIPTIONS: Prices in US Dollars: Charter Rate: $199.00 per year, who have been found. And on WFMU’s web site (the link JazzWeek w/ Industry Access – Charter Rate: $249.00 per year is at wwoz.org) WWOZ station manager David Freed- To subscribe using Visa/MC/Discover/ man is keeping folks updated on the financial situation AMEX/PayPal go to: http://www.jazzweek.com/account/ and the plans for rebuilding the station and getting it back subscribe.html on the air. -
Tres Bajistas De Leyenda
TRES BAJISTAS DE LEYENDA —THE THUNDER TOUR“ 29 DE OCTUBRE: Sala Razzmatazz, 21 ho as (Ba celona) 30 DE OCTUBRE: Discoteca Joy Eslava, 21 ho as (,ad id) 31 DE OCTUBRE: A.dito io ,aest o Padilla, 21 ho as (Alme 0a) ,a c.s ,ille , Stanley Cla 1e y 20cto 3ooten (S,2) 2enta de ent adas: www.telentrada.com TRES BAJISTAS DE LEYENDA SMV: M.MIller + S.Clarke+ V.Wooten —The Thunder Tour“ el 29 de octubre en Barcelona Sala Razzmatazz; en Madrid el d%a 30 de octubre Sala (oy Esla,a y el 31 de octubre en .lmer%a en el .uditorio Maestro Padilla en su 0esti,al de (azz. Estamos ante .no de los p oyectos m5s impo tantes del a6o, 3 gene aciones de m8sicos y los t es m5s g andes ba:istas del momento e.nidos en lo q.e ya es, seg8n los c 0ticos y el p8blico, .n acontecimiento 8nico. Stanley Cla 1e a tocado con Stan Getz, Joe Hende son, Ho ace Silve , Geo ge D.1e, Keith Richa ds, Pa.l ,cCa tney, Chic1 Co ea con el q.e gan? 1 G ammy@ en 10A2 con , Ret. n To Fo eve :.nto a Aldi ,eola y Lenny 3hite. ,a c.s ,ille a t aba:ado con Robe ta Flac1, A etha F an1lin, Cha1a Khan, 3ayne Sho te , Al Ja ea., Pa.l Simon, David Sanbo n, L.the 2and oss, con el q.e gan? .n G ammy el en a6o 1991, a ,iles Davis le p od.:o y comp.so el alb.m —T.t.“ .no de los alb.mes m5s p emiados de la histo ia del :azz En el a6o 2001 volv0o a gana .n G ammy po el alb.m ,2. -
EASTMAN NOTES JUNE 2005 Draft: Web Date: July 5, 2005 INSIDE
NOTES JUNE 2005 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR Loss, love, and legacies Dear Eastman Alumni: More than any time since I began editing Eastman Notes, the winter and spring of 2004¬2005 was marked by a sense of loss, with the deaths of two inimitable NOTES figures in Eastman’s history: Frederick Fennell and Ruth Watanabe, who died in Volume 23, Number 2 December 2004 and February 2005 respectively. June 2005 It’s representative of their importance, not just to the School but to the musical world in general, that everyone reading this magazine, no matter when they at- Editor tended, knows who Frederick Fennell and Ruth Watanabe are. Both are indelibly David Raymond associated with two monuments of the School—the Wind Ensemble and the Sib- Assistant editor ley Library. Fennell built a new model for wind band playing—and a repertory— Juliet Grabowski pretty much from scratch; while Ruth Watanabe didn’t found the Sibley Library, Contributing writers she certainly developed it to its present eminence over a 40-year career. (See Martial Bednar Christine Corrado pages 6 and 8 for more Susan Hawkshaw on their remarkable ca- Contributing photographers reers.) Both continued Richard Baker to be generous with Kurt Brownell their time and talent Bob Klein well after retirement— Gelfand-Piper Photography Amy Vetter Fennell visiting Eastman numerous times to con- Photography coordinators Nathan Martel duct, Watanabe as the Amy Vetter School’s historian. Design These two people were Steve Boerner Typography & Design definitely respected as professionals, but they Frederick Fennell Ruth Watanabe Published twice a year by the Office of were also loved as people— Communications, Eastman School of Music, 26 Gibbs Street, Rochester, NY, see the brief tributes to Fennell by his successors Don Hunsberger and Mark 14604, (585) 274-1050. -
SMV: Stanley Clarke/Marcus Miller/Victor Wooten
SMV - Stanley Clarke - Marcus Miller - Victor Wooten In an era where sports fantasy leagues are all the rage comes a real-life historic teaming that serious music fans and bass players have long dreamed of. SMV unites music titans Stanley Clarke, Marcus Miller and Victor Wooten. This unique alliance of three generations of bass gods has been on chat room and fan gathering wish lists for over 15 years, kept alive by periodic statements from all three that schedules permitting they would give it a go. Finally, in October 2007, with Clarke set to receive a Lifetime Achievement Award from Bass Player magazine, at its annual Bass Player Live! event in New York City, Miller and Wooten made the time to attend and induct their mentor. The ensuing VSOP jam not only blew the minds of the 900 in attendance, it cemented for the trio their inherent musical chemistry and thus the viability of pursuing the project in earnest. As a result, in January 2008, SMV entered the studio to record a CD and put together a summer/fall tour. The three recall their first performance and the sessions for their disc. Says Clarke, “The second we started ‘School Days’ at the Bass Player event I knew it was historical for us and the audience. Marcus and Victor are so intuitive, and we each found our range. Marcus was slamming down the groove and Victor started playing these harmonics chords, and I was like, man, this is so bad-ass! When you have that amount of knowledge, respect and love it always creates clarity in the music.” Wooten admits, “To work with Stanley and Marcus has been a dream come true for me. -
Downbeat.Com July 2010 U.K. £3.50
.K. £3.50 .K. u downbeat.com July 2010 2010 July DownBeat Victor Wooten // clauDio RoDiti // Frank Vignola // Duke RoBillarD // John Pizzarelli // henry ThreaDgill July 2010 JULY 2010 Volume 77 – Number 7 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg Sales Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Marga- sak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Nor- man Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Go- logursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer Odell, Dan Ouellette, -
Lisa Bielawa: in Medias Res Roam | Double Violin Concerto | Unfinish’D, Sent | Synopses #1–15 1 Lisa Bielawa B
LISA BIELAWA: IN MEDIAS RES ROAM | DOUBLE VIOLIN CONCERTO | unfinish’D, SENT | SYNOPSES #1–15 1 LISA BIELAWA b. 1968 ROAM DOUBLE VIOLIN CONCERTO DISC 1 unfinish’D, SENT [1] ROAM (2001) 12:06 IN MEDIAS RES DOUBLE VIOLIN CONCERTO (2008) Carla Kihlstedt, violin and voice SYNOPSES #1-15 Colin Jacobsen, violin [2] I. Portico 8:05 [3] II. Song 5:06 CARLA KIHLSTEDT violin and voice [4] III. Play Within a Play 14:39 COLIN JACOBSEN violin LISA BIELAWA soprano [5] unfinish’d, SENT (2000) 8:48 Lisa Bielawa, soprano BOSTON MODERN ORCHESTRA PROJECT IN MEDIAS RES, GIL ROSE, CONDUCTOR CONCERTO FOR ORCHESTRA (2009) [6] I. and 12:44 [7] II. or 11:12 TOTAL 72:42 DISC 2 SYNOPSEs #1–15 (2006–2009) [1] Synopsis #1 [9] Synopsis #9 It’s Over (But It Was Fun) 4:48 I Don’t Even Play the Bassoon 3:51 Sarah Bob, piano Kate Vincent, viola [2] Synopsis #2 [10] Synopsis #10 In the Eye of the Beholder 3:57 I Know This Room So Well 3:29 Aaron Trant, unpitched percussion Jennifer Slowik, English horn [3] Synopsis #3 [11] Synopsis #11 I Think We Should Tell Her 4:18 It Takes One to Know One 5:20 Y Sarah Brady, flute Robert Schulz, drum set and spoken voice R [4] Synopsis #4 [12] Synopsis #12 I’m Not That Kind Of Lawyer 3:32 What I Did Over Summer Vacation 6:52 TALY, 13TH CENTU TALY, Tony D’Amico, double bass Michael Norsworthy, clarinet I A, A, cc [5] Synopsis #5 [13] Synopsis #13 U L I He Figures Out What Clouds Mean 4:16 Thy Sting is Not So Sharp 4:29 D Terry Everson, trumpet Gabriela Diaz, violin TATALE S A [6] Synopsis #6 [14] Synopsis #14 C Why Did You Lie to Me? -
Instructional Materials - 2020-2021
1 Instructional Materials - 2020-2021 The Grove School uses a variety of instructional materials for each student for each class because as a Montessori school we value a more authentic learning experience resulting in deeper student engagement, students learning and practicing research skills, and learning through practical experiences. As a Montessori school, we have the expectation that students will use multiple resources to check information, utilize primary sources, learn through a variety of sources of information, and also learn through their own practical experiences. This being said, we also know the value of having a textbook for students to use as a simple and straightforward resource to learn or review some of the basic information about a topic. This is why The Grove School has a classroom set of textbooks for students to use in class and for students to check out at night if needed. The Grove School adopted the blended curriculum of the BYU High School Online Curriculum for all classes as supplemental material. Students access the supplemental curriculum through school provided logins and if needed school provided devices. Table of Contents Arts 2 English Language Arts 3 Health and Physical Education 5 Mathematics 6 Science 7 Social Science 11 Spanish 12 2 ARTS Visual Arts (7th/8th Grade Students) AP 2D Art and Design None None Drawing and Painting 1: None Woodshop None Ceramics: None Metal Shop Drawing and Painting 2: None None High School Drama (Not offered 2020-2021) Advice to the Players by Robert Lewis ISBN-10: 1559360038 ISBN-13: 978-1559360036 Middle School Drama The Stage and the School by Glencoe-McGraw Hill ISBN-13: 978-0078616273 ISBN-10: 0078616271 Chorus (for high school) Not offered in 2020-2021 Instruments: Keyboard Text: Choral Sheet Music (about 4-6 songs per trimester per class) for each student Trimester 1:Agnus Dei by V. -
20210429 Jacobs Virtual Performance Series New Music Ensemble
Seven Hundred Fifty-Eighth Program of the 2020-21 Season _______________________ Jacobs Virtual Performance Series New Music Ensemble David Dzubay, Director & Conductor Andrew Downs, Conductor _______________________ HANNAH LASH (b.1981) Moth Sketches (2013) Tierney McClure, Piccolo Daniel Lehmann, Trumpet Kari Novilla, Harp Josh Catanzaro, Celesta Nathan Hurst, Percussion Tim Yap, Percussion Ted Jackson, Percussion Yuesen Yang, Percussion Gracie Carney, Violin Bryson Karrer, Violin Chris Leonard, Violin Maeve Whelan, Viola Adrian Golay, Cello Andrew Chilcote, Double Bass David Dzubay, Conductor _________________ IUMusicLive! Thursday Evening April Twenty-Ninth Eight-Thirty O’Clock Indiana University prohibits the unauthorized recording, publication, and streaming of live performances. Please silence all electronic devices. JEREMY PODGURSKY (b.1975) Trance Organics (2018, rev. 2021, premier) Tierney McClure, Flute/Piccolo Kelsie Pharis, Oboe Ellé Crowhurst, Clarinet Mark Adair, Bassoon Nicole Ying, Piano Maia Law, Violin Miranda Werner, Violin Mason Spencer, Viola Alex Lavine, Cello Will Kline, Double Bass Andrew Downs, Conductor EUGENE O’BRIEN (b.1945) Elegy to the Spanish Republic (2020) Tierney McClure, Flute/Piccolo Ana Nelson, Clarinet/Bass Clarinet Daniel Lehmann, Trumpet Steven Estes, Vibraphone Josh Catanzaro, Piano Gracie Carney, Violin Mason Spencer, Viola Will Cayanan, Cello Will Kline, Double Bass David Dzubay, Conductor ERIC NATHAN (b.1983) Chamber Concerto* (2019, premier) Chorale Games Part I: Tossing, catching Part II: -
Jazz 1-800-637-2852
JAZZ Artist Collections..............................................................................................2 Fake Books....................................................................................................23 Real Chord Changes and Substitutions.......................................................26 Jazz Bible Series ........................................................................................27 The Best Chord Changes............................................................................27 Songbooks.....................................................................................................28 Bass...........................................................................................................28 Easy Piano.................................................................................................28 Piano Solo.................................................................................................29 Piano/Vocal/Guitar.....................................................................................33 Voice .........................................................................................................35 Guitar ........................................................................................................35 Solo Instruments .......................................................................................38 Jazz Play-Along Series....................................................................................40 Play-Along Collections ...................................................................................41