1993 Europe Winter Tour
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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
C:\Dokumente Und Einstellungen\
Careless Whisper Hintergründe von S. Radic Careless Whisper ist eine Pop-Ballade, die von George Michael und Andrew Ridgeley geschrieben wurde. Nach dem Zusammenschluss der Künstler zu dem Duo Wham! wurde der Titel auf dem Album y (1984) in einer 6:30 Minuten langen Fassung veröffentlicht. Das prägnante Saxophon-Spiel stammt von dem Jazz- Musiker Steve Gregory. Weiterhin erschien am 24. Juli 1984 unter dem Namen von George Michael eine Single-Version mit einer Länge von 5:04 Minuten, die unter anderem in den USA, Großbritannien und der Schweiz zu einem Nummer- eins-Hit wurde. Das Lied wurde 1981 von George Michael und Andrew Steve Gregory (geb. 1945) ist ein englischer Jazz- Ridgeley zu einem Zeitpunkt geschrieben, als die beiden Saxophonist und Komponist. Er spielt Tenor, Alt, Sopran Musiker mit Wham! noch nicht aktiv waren. Sie nahmen und Baritonsaxophon sowie die Flöte. In der London St. ein Demo auf, das neben Careless Whisper auch Wham Paul's School lernte er Gitarre und Klavier und spielte Rap, Club Tropicana und Come On enthielt. Damit Klarinette im Schulorchester. Er bekam einen Platz an versuchten sie, ein Plattenlabel zu finden, das diese der renommierten Guildhall School of Music und Drama, Stücke veröffentlicht. Michael, der damals noch als DJ um ein professioneller Musiker zu werden. Bald spielte arbeitete, spielte das Stück an seinem letzten Arbeitstag er mit dem Alan Price Set und war für Sessionarbeit und war überrascht von der positiven Resonanz des gefragt und spielte für Leute wie Screamin 'Jay Hawkins, Publikums. Er war sich sicher, dass das Lied ein Hit Fleetwood Mac und andere. -
Georgie Fame
Georgie Fame Born on 26th June 1943 in the industrial town of Leigh, Lancashire, his interest in music grew from family entertainment “sessions” at home and musical evenings in the church hall across the street, where his father played in an amateur dance band. Although he took piano lessons for a short time at the age of seven, it wasn’t until the advent of rock’n’roll on radio during the mid-fifties that young Georgie began to take the family piano seriously. Fats Domino, Jerry Lee Lewis and Little Richard were among his catalysts. Upon leaving school, shortly after his fifteenth birthday, he followed the family tradition and took a job as an apprentice cotton weaver in one of the many local mills. Leisure time, however, was spent playing piano in various pubs and with a local group, “The Dominoes”. In July 1959, at a summer holiday camp, Georgie was spotted by Rory Blackwell, the resident rock’n’roll bandleader, who offered the young singer/pianist a full time job. Goodbye, weaving shed. Rory and the Blackjacks departed for London, their hometown, when the summer season ended prematurely and Georgie went with them. The promised glamorous work did not materialise and the band broke up, but the determined young man from Leigh eventually took up a solo residency at The Essex Arms pub in London’s Dockland, where the kindly landlord provided a room to sleep in. In October of that year, the Marty Wilde Show was performing at the Lewisham Gaumont and Rory Blackwell arranged for Georgie to audition “live” for impressario Larry Parnes. -
Rolling Stones - Connection
Rolling Stones - Connection © Felix Aeppli 2020-05-31 0.161 JUNE 10 - JULY 2, 1969 OLYMPIC SOUND STUDIOS, LONDON, Producer: Jimmy Miller; Engineer: Glyn Johns 3 Jiving Sister Fanny 4 I Don’t Know Why (Wonder, Riser, Hunter, Hardaway) Cust 3, 4: Released on METAMORPHOSIS, Decca SKL 5212, June 6, 1975; METAMORPHOSIS, Abkco ANA 1, June, 1975; METAMORPHOSIS (SACD), Abkco 90062 (US)/Abkco 882 337-2 (Europe), August 20/October 21, 2002. NOTES: Cut 3: Congas (not guitar) Jon Tiven, overdubbed at Trod Nossel Studios, Wallingford, Connecticut, late 1971 or early 1972; Cut 4: Recorded around June 30, 1969; brass probably Steve Gregory and Bud Beadle; piano and drums Vic Steffens, overdubbed at Trod Nossel Studios, Wallingford, Connecticut, late 1971 or early 1972. 0.183A JUNE 16 - JULY 27, 1970 OLYMPIC SOUND STUDIOS, LONDON, Producer: Jimmy Miller; Engineers: Glyn Johns, Andy Johns 1 I’m Going Down 3 I’m Going Down Cut 1 Released on METAMORPHOSIS, Decca SKL 5212, June 6, 1975; METAMORPHOSIS, Abkco ANA 1, June, 1975; METAMORPHOSIS (SACD), Abkco 90062 (US)/Abkco 882 337-2 (Europe), August 20/October 21, 2002. Cut 3: Proposed for release on TRIDENT MIXES (The Rolling Stones’ alternative to MORE HOT ROCKS), Abkco / Bell Sound acetate, late 1972; released on A BEGGARS OPERA (BT CD); THE BLACK BOX (BT CD [Disc 3]); THE CREME OF THE HOT STUFF (BT CD); ITCHY FINGERS (BT CD); LET IT BREEZE (BT); NECROPHILIA (BT); THEE SATANIC SESSIONS (BT CD) TRIDENT DEMOS 1969 (BT); THE TRIDENT MIXES (BT and BT CD [689 and LLR]). NOTES: Cuts 1, 3: Congas Jon Tiven (not Rocky Dijon), overdubbed at Trod Nossel Studios, Wall- ingford, Connecticut, late 1971 or early 1972; Cut 3: Extended version of cut 1, different mix. -
Retail Prices Effective Jan. 1, 2008 Page 1 of 2
Retail Prices effective Jan. 1, 2008 page 1 of 2 ACOUSTIC GUITAR PICKUPS 6-string saddle set - 23K gold finish AGS11-6 ACOUSTIC GOLD STANDARD fits 1/8” slot 11” leads $250. AGS14-6 ACOUSTIC GOLD STANDARD fits 1/8” slot 14” leads 250. AGT11-6 ACOUSTIC GOLD TALL fits 1/8” slot 11” leads 250. AGT14-6 ACOUSTIC GOLD TALL fits 1/8” slot 14” leads 250. ELECTRIC GUITAR PICKUPS 6-string saddle set - 23K gold finish PBGS11-6 POW’R BRIDGE “G” (tune-o-matic) 11” leads 250. PBGS14-6 POW’R BRIDGE “G” (tune-o-matic) 14” leads 250. 6-string saddle sets - black bridgepiece with 23K gold sensor PBSTS11-6 POW’R BRIDGE “ST” (Strat/Tele) 11” leads 300. PBSTS14-6 POW’R BRIDGE “ST” (Strat/Tele) 14” leads 300. PBWS11-6 POW’R BRIDGE “W” (Wilkinson) 11” leads 300. PBWS14-6 POW’R BRIDGE “W” (Wilkinson) 14” leads 300. PBRS11-6 POW’R BRIDGE “RS” (PRS tremolos) 11” leads 300. PBRS14-6 POW’R BRIDGE “RS” (PRS tremolos) 14” leads 300. PBPF11-6 POW’R BRIDGE “PF” (Parker Fly) 11” leads 300. PBPF14-6 POW’R BRIDGE “PF” (Parker Fly) 14” leads 300. ACOUSTIC BASS GUITAR PICKUPS fits 3/16” slot - 23K gold finish BEX400-14 BASS EXCELLENCE 4-string 14” leads 220. BEX500-14 BASS EXCELLENCE 5-string 14” leads 270. BEX600-14 BASS EXCELLENCE 6-string 14” leads 320. ELECTRIC BASS GUITAR PICKUPS - black bridgepiece with 23K gold sensor WLK400-14 POW’R BASS “WLK” (Gotoh/Wilkinson) 4-str. 14” leads 250. WLK500-14 POW’R BASS “WLK” (Gotoh/Wilkinson) 5-str. -
Gibson 1937 Catalog X
INDEX GIBSON INSTRUMENTS G UI T A RS Ma ndolin Banjos . .. • . .. .. 52 Carved Top Modell ................ .. 2-21 Guitar Ba njos ..............•....... ..... 52 Flat Top Models ........... ... 22-27 Callo Banjo. .. .. .. .. .. .. • . 52 Tenor Guital"l .. ...... ..... ..• •.. ... 28 MANDOLINS ............................. 53-6 1 Plectrum Guittlrs ......... .... 28 ELECTRIC MANDOLIN ..... •.. .. •. .• ..... , 35 Hawaiian Guital"l ................. • ... ... 29-30 MANDOLAS ..... .. ... ...•....•.. .. 63 Electric Hawaiian Guitars ............ .. 32-)4 MANOO-CEllOS .. ...... ...... .. ... ... 03 El ectric Spani5h Suit,," ....... .. ..•.... 3S HARP GUiTAR .............. ... .... b4 MANDO-BASS . • . b4 BAN JOS UKULELES ..... ................ .. ' 65 Tenor Banjos . ....... .... • .... .. 37-48 Plectrum SlI"jos .........•.............. .. 49 TEN O R UKULELES . ...................... 65 Five String Banjos .............. 51 UKULELE BANJOS ....... .. ... ............. 05 GIBSON ACCESSORIE S BANJO ARM RESTS .. 77 CAS ES ........... 81 NECK CORDS ... ........ 77 PEGS BANJO HEADS ....... ... 77 CASE HANDLES ................ .81 Benio , ..•. 77 EN D PiNS ...... .............. 80 ... .. 78 BA NJ O HEAD CLEANER r. ~ o. G"it• • .. .............. 71> BANJO HEAD GUARD ... .. 7'1 FINGERBOARDS ... '1 FI NGER80ARD NUTS .. ..• 81 PEG BUnONS ..... 79 BANJO HOOKS AND NU TS . .. .. 7'1 FRETS ...... 81 PICkS . ...... 11·73 BANJO RESONATOR STUDS , ....• .. 77 GUITAR PICK GUARDS ....... 71> PITCH PIPES . ..... 80 BANJO STANDS . ..••.. .. .8 1 GUITAR STANDS.. .. . -
Ukuleles & Accessories
Winter 2017/18 Music Books, Instruments, Accessories, Online Classes, Videos & DVDs Online “live” classes & videos: only $19.95 per mo. for your entire family! Ukuleles & Accessories See inside Diamond Head Ukuleles w/matching Gig Bag Tanara Ukuleles w/gig bag Violet (v) Orange (or) sf gn pp sb Sea Foam Pink Flamingo Black (bk) Green (gn) Green Grass Mango Tango Red (rd) Blue (bl) pk or y Purple Heart Sunglow Yellow Yellow (y) White (wh) Surf Blue $49.95 ea Lt. Blue (lb) Turquoise (t) TU1 [+color] Purple (pp) Natural/Brown (br) Heavy Canvas BGB Hamano Pink (pk) $49.95 ea DU1 Soprano Ukulele Gig Bag Sparkling Ukuleles $14.95 pk bk (Reg. $19.95) gn While Supplies Last HAMANO SPECIAL Teton Ukulele with gig bag Heavy-Duty Gig Bag Reg. $59.95 BugsGear Ukuleles Soprano: $19.95 $49.95 Concert: $22.95 Tenor: $23.95 Baritone:$24.95 Hardshell cases available lb pp Green Lt. Blue $79-99 bl GBUs Black Blue Lightweight Nylon Pink Purple Red (rd) Purple (pp) Pink (pk) Blue (bl) Green (gn) Ukulele Gig Bag U-35 $3.00 The BugsGear Travel Ukulele GBUsTU-1 is ideal for being on the move, whether Tune Tec Tuner at a festival, camping, traveling or relax- Sundown Micro 5 Watt Amp GTR-210 Violin/Guitar/Bass/ ing at home, the heavy-duty plastic with Overdrive, AC/DC Ukulele/Chromatic Item: BUG BugsGear is practically indestructible! includes carrying strap, $19.95 w/bag: BUG+ $39.95 (Regular: 69.95) Tuner Portable (AC power supply extra) With Gig Bag $49.95 Hosa Tech Great sound in a small package 10 -ft. -
Jethro Tull Discography
Jethro Tull Discography Jethro Tull - Discography Year Album Details Pag. 1968 This Was 4 1969 Stand Up 4 1970 Benefit 5 1971 Aqualung 5 1972 Thick As A Brick 6 1972 Living In The Past 6 1973 A Passion Play 7 1974 War Child 7 1975 Minstrel In The Gallery 8 1976 M.U. - The Best Of Jethro Tull 8 1976 Too Old To Rock'N'Roll: Too Young To Die 9 1977 Songs From The Wood 9 1977 Repeat - The Best Of Jethro Tull - Vol. II 10 1978 Heavy Horses 10 1978 Live - Bursting Out 2-CD European release 11 1978 Live - Bursting Out 1 CD US release 11 1979 Stormwatch 11 1980 A 12 1982 The Broadsword And The Beast 12 1984 Under Wraps 13 1985 A Classic Case 13 1985 Original Masters 14 1987 Crest Of A Knave 14 1988 20 Years Of Jethro Tull (Box) 3-CD/ 5-LP/ 5-MC - Box 15 1988 Thick As A Brick Mobile Fidelity Gold CD 17 1988 20 Years Of Jethro Tull (Sampler) European release 17 1988 20 Years Of Jethro Tull (Sampler) US release 17 1989 Rock Island 18 1989 Stand Up Mobile Fidelity Gold CD 18 1990 Live At Hammersmith '84 19 1991 Catfish Rising 19 1992 A Little Light Music 20 1993 The Best Of Jethro Tull: The Anniversary Collection 2-CD 21 1993 25th Anniversary Box Set 4-CD Box 22 1993 Nightcap 2-CD 24 1994 Aqualung - Chrysalis 25th Anniversary Special De Luxe Edition 25 1995 Roots To Branches 25 1995 In Concert 26 1996 Aqualung - 25th Anniversary Special Edition 26 1996 The Ultimate Set 1 CD, 1 Video, 1 Book, 1 LP 27 1997 Through The Years 28 1997 Aqualung DCC Gold CD 28 1997 A Jethro Tull Collection 29 1997 Thick As A Brick - 25th Anniversary Special Edition 29 1997 -
Visit Fullcompass.Com Today! for Expert Advice - Call: 800-356-5844 M-F: 9:00-5:30 Central 278 FOLK INSTRUMENTS
FOLK INSTRUMENTS 277 NEW! FINISHFINISH OPTIONS:OPTION M510 M510EM510E FENDER FM-52E ACOUSTIC-ELECTRIC MANDOLIN This 4-course mandolin combines the best traditional features with modern technology. The “tone bar”- IBANEZNEZ M SERIES SERIES MANDOLINSMANDOLINS SinceSi the th 1600’s 1600’ mandolins d li have h been b an braced spruce top is matched with nato back/sides/neck for crisp tone. Also features important part of folk music, lending their uniquely crisp sound to many an arrange- a 21-fret rosewood fretboard with traditional dot inlays, single-coil neck pickup with ment and performance from traditional folk to modern country and bluegrass. volume/tone controls, chrome hardware and high-gloss sunburst finish. These 4-course A-style instruments both feature a spruce top which provides clear, bright tone, mahogany back/sides/neck, chrome tuners, and rosewood fretboard and ITEM DESCRIPTION PRICE FM-52E ..................... Acoustic-electric mandolin ...........................................................269.99 floating bridge. M510E adds a magnetic neck pickup with volume/tone controls for microphone-free amplification. ITEM DESCRIPTION PRICE M510 ..................Mandolin ..............................................................................................149.99 M510E ................Acoustic-electric mandolin ..................................................................199.99 NEW! FENDER FM-101 MANDOLIN Melding tone, performance, and value, this 4-course mandolin features a laminated spruce top with f-holes, and tone -
Views He Always
Florida State University Libraries 2016 The Electric Strings of South India: A Case Study of Electric Guitar in South Indian Classical Music Andre Aaron Fludd Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE ELECTRIC STRINGS OF SOUTH INDIA: A CASE STUDY OF ELECTRIC GUITAR IN SOUTH INDIAN CLASSICAL MUSIC By ANDRE FLUDD A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music 2016 Andre Fludd defended this thesis on March 22, 2016. The members of the supervisory committee were: Michael B. Bakan Professor Directing Thesis Kathleen Erndl Committee Member Frank Gunderson Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii In memory of the late Allen Lee Fludd III- my most important source of inspiration. iii ACKNOWLEDGMENTS I would like to start by thanking my primary informant and teacher, guitarist Prasanna Ramaswamy. He has been incredibly supportive throughout the entire research process, and he continues to encourage my pursuit of Carnatic music to this day. Without his instruction none of this would have been possible. The entire Florida State University Ethnomusicology/Musicology faculty has played a crucial role in shaping my ideas as a scholar. I would especially like to thank my major professor, Dr. Michael B. Bakan, whose early work in particular reaffirmed my decision to pursue research from a reflexive, musician’s approach. -
Mandolin Restaurantrestaurant
DonDoD n Stiernberg’sStS ieernnbeb rgr ’ss DonDon Stiernberg’sStiernberg’s MandolinMandolin RestaurantRestaurant 01 - We Belong Together (Tom Scott & R. Preston) tk BMI Mandolin Restaurant DS - mandolin; John Adair - rhythm guitar, soprano sax; Justin Niebank - bass; John Graham - drums; Steve Rashid - Fender Rhodes piano. 02 - Windshield Wipers (Don Stiernberg) Mandoriginal Music, BMI DS - electric mandolin; David Grisman - acoustic mandolin; Judy Roberts - vocal, DX7; Steve Rashid - Fender Rhodes piano; Justin Niebank - bass; John Graham - drums. 03 - Django (John Lewis) tk DS - mandolin, mandola, electric mandolin; David Grisman - mandolin, mandola, mandocello; Charlie Brown - mandola, mandocello; Neal Seroka - guitar; Kelly Sill - bass; Rusty Jones - drums. Strings arranged by John Adair. 04 - Blues for Ed and Myra (Kenneth “Jethro” Burns) Atens Music, BMI DS - mandolin; Jethro Burns - mandolin; Sam Bush - mandolin; Howard Levy - piano, harmonica; John Parrot - guitar; Kelly Sill - bass; Rusty Jones - drums. 05 - Cape Verdean Blues (Horace Silver) Ecaroh Music, BMI DS - electric mandolin, electric guitar harmony; John Adair - acoustic ryhthm guitar; Judy Roberts - piano; Justin Niebank - bass; John Graham - drums, marimba. 06 - The Masquerade is Over (Herb Magidson and Allie Wrubel) DS - mandolin; Jethro Burns - mandolin; John Parrot - rhythm guitar; Howard Levy - piano; Kelly Sill - bass; Rusty Jones - drums. 07 - Opus 7 (Buddy DeFranco) DS - mandolin; David Grisman - mandolin; John Parrot - rhythm guitar; Kelly Sill - bass. 08 - Ayash (Steve Rashid) Used Camel Music, BMI DS - guitars; Steve Rashid - piano; Justin Niebank - bass; John Graham - drums. Produced by Don Stiernberg. Recorded by Justin Niebank at Streeterville Studios, Chicago, 1983. Analog to Digital transfer by Joe Nino-Hermes, 2008. Digitally-RemasteredDiD gigitatallllyy--ReRemamastterreded © 2009 ACOUSTIC DISC * P.O. -
Cosmic Waves
Cosmic Waves Audio CD Genre:Experimental ( Instrumental ) Artiste(s): Kaaraikkudi Mani U.P Raju B.V Balasa Ghatam Suresh Vaidyanathan Sandy Evans Description This album is an instrumental rendition of tenor & soprano saxophone, mridangam, konnokal, bamboo flutes, acoustic piano, electric bass, electric mandolin and ghatam. The track descriptions are as follows : 1. KSHEERA SAGARA (Evans/Balasai) Carnatic flautist B.V. Balasai improvises a duet with Australian jazz musician Sandy Evans on soprano saxophone. 2. BIG SWELL (Evans) In this composition the ocean is used as a metaphor to explore the flow of ideas between jazz and Carnatic music. Sandy Evans: Tenor Saxophone and Alister Spence : piano with SRUTHI LAYA Kaaraikkudi Mani: Mridangam B.V. Balasai: Bamboo Flutes U.P. Raju: Electric Mandolin ‘Ghatam’ V. Suresh: Ghatam 3. FLOATING ON AN EMERALD GREEN SEA (Evans) Featuring Sandy Evans: Tenor Saxophone and Brett Hirst electric bass with SRUTHI LAYA Kaaraikkudi Mani: Mridangam B.V. Balasai: Bamboo Flutes U.P. Raju: Electric Mandolin ‘Ghatam’ V. Suresh: Ghatam 4. BIG SWELL REPRISE (Evans/Mani) Flute solo by Carnatic flautist B.V. Balasai on Sandy Evans’ composition set to a closing korvai by Kaaraikudi Mani. 5. NOISY WHALE AND OYSTERCATCHERS (Evans/Balasai) Carnatic flautist B.V. Balasai and Australian saxophonist Sandy Evans respond to the unique sounds of the Australian coast through their improvised dialogue over Roger Dean’s post-modern tamboura. 6. EAGLE LANDING AT CAPE LEVEQUE (Evans) A contemporary jazz approach to aalaap style playing where rubato improvisations weave over the top of a fast pulse creating an abstract soundscape reflecting the beauty of remote Australian coastal landscapes.